http___en.wikipedia.org_wiki_Joseph_Maria_Olbrich.xml
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Йозеф Мария Олбрих Йозеф Мария Олбрих (на немски: Joseph Maria Olbrich) е австрийски архитект. Биография[редактиране | редактиране на кода] Олбрих е роден в град Опава, който тогава е в пределите на Австрийската империя. Той завършва Академията за изящни изкуства във Виена и печели няколко награди. В 1893 година започва работа при Ото Вагнер. В 1897 година Ото Вагнер, Густав Климт, Олбрих, Йозеф Хофман, Коломан Мозер и др. създават артистичната група „Виенски сецесион“. Олбрих проектира тяхната изложбена сграда, известната Салон Сецесион, която се превръща в символ на движението.
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Joseph Maria Olbrich Joseph Maria Olbrich (22 December 1867 – 8 August 1908) was an Austrian architect and co-founder of the Vienna Secession. Early life[edit] Olbrich was born in Opava, Austrian Silesia (today in the Czech Republic). He was the third child of Edmund and Aloisia Olbrich. He had two sisters who died before he was born, and two younger brothers, John and Edmund. His father was a prosperous confectioner and wax manufacturer who also owned a brick works, where Olbrich's interest in the construction industry has its early origin. Career[edit] Olbrich studied architecture at the University of Applied Arts Vienna (Wiener Staatsgewerbeschule) and the Academy of Fine Arts Vienna, where he won several prizes. These included the Prix de Rome, for which he traveled in Italy and North Africa.[1] In 1893, he started working for Otto Wagner, the Austrian architect, and probably did the detailed construction for most of Wagner's Wiener Stadtbahn (Metropolitan Railway) buildings. In 1897, Gustav Klimt, Olbrich, Josef Hoffmann and Koloman Moser founded the Vienna Secession artistic group. Olbrich designed their exhibition building, the famous Secession Hall, which became the movement's landmark.[2] In 1899, Ernest Louis, Grand Duke of Hesse, founded the Darmstadt Artists' Colony, for which Olbrich designed many houses (including his own) and several exhibition buildings. Olbrich gained Hessian citizenship in 1900 and was appointed to a professorship by the Grand Duke. In 1903, he married Claire Morawe.[3] In the following years, Olbrich executed diverse architectural commissions and experimented in applied arts and design. He designed pottery, furniture, book bindings, and musical instruments. His courtyard and interiors[4] at the St. Louis World's Fair won the highest prize at the exhibition.[5] At the time, the St. Louis Post-Dispatch wrote of his pavilion, "The interior decorators of the United States are now talking about the Olbrich Pavilion. It is already indicated as one of the things at the World's Fair which will leave a permanent mark upon American life."[6] He was subsequently appointed corresponding member of the American Institute of Architects.[7] His architectural works, especially his exhibition buildings for the Vienna and Darmstadt Secessions, had a strong influence on the development of the Art Nouveau style. Shortly after his daughter Marianne's birth on July 19, 1908, Olbrich died from leukemia in Düsseldorf on August 8, aged 40. Works[edit] - The Secession hall, Vienna - Residence for Hermann Bahr, Vienna - Hochzeitsturm and other buildings at Darmstadt Artists' Colony, Mathildenhöhe, Darmstadt - Department store for Leonhard Tietz, Düsseldorf - Villa for Josef Feinhals, Cologne, built 1908 and destroyed in World War II Gallery[edit] Ornaments by Olbrich at Karlsplatz Stadtbahn Station Secession Hall, Vienna (detail) Secession Hall, Vienna Olbrich's house at the Darmstadt Artists' Colony Upper Hesse Exhibition House, Darmstadt Artists' Colony References[edit] - ^ Sembach, Klaus-Jürgen (2002). Art nouveau: utopia: reconciling the irreconcilable. Taschen. - ^ "Teaching Art Nouveau: Joseph Maria Olbrich". National Gallery of Art (USA). Retrieved 18 February 2013. - ^ "Art Nouveau and Secession". Leopold Museum, Austria. Retrieved 18 February 2013. - ^ "Court in the German pavilion (Designed by Olbrich)". St. Louis Public Library. Retrieved 18 February 2013. The Shaping of art and architecture in nineteenth-century America. New York: Metropolitan Museum of Art. - ^ Chu, Petra Ten-Doesschate; Dixon, Laurinda S. (2008). Twenty-first-century perspectives on nineteenth-century art. Associated University Presse. The Shaping of art and architecture in nineteenth-century America. New York: Metropolitan Museum of Art. Additional references[edit] - Latham, Ian (1980). Joseph Maria Olbrich. New York: Rizzoli. - Olbrich, Joseph Maria (1901). Ideen von Olbrich. Leipzig: Verlag von Baumgärtner's Buchhandlung. - Ulmer, Renate (2006). Joseph Maria Olbrich (in German). München: Deutscher Kunstverlag.