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Йоргос Даларас Йоргос Даларас (гръцки ΓιώpYoς Ntaλάpaς) е гръцки музикален изпълнител. Роден е през 1949 г. в Неа Кокина /Пирея. Първите му изпълнения са в стил лаика, ребетика и димотика. Баща му - Лукас Даралас е известен изпълнител в стила ребетика. Чичовците и дядо му на Йоргос също са били музиканти. Негово е оригиналното изпълнение на песента "Ола кала ки ола ореа", изпята по-късно в българския вариант "За тебе хората говорят" от Тони Димитрова. Младежки години[редактиране | редактиране на кода] Йоргос започва да работи от малък, за да помага на семейството си. През 1964 -1965 г. той прави първите си изпълнения. На 15 г. той изпълнява "Pikros Kahmos"- песен на баща си, а баща му го съпровожда на бузуки. На 17 г. Йоргос вече пее професионално. Първите му опити са в музикалния център "Stu Stelakh" със Стелио Перпиниади, където пее и свири на китара. Едновременно с това прави прослушвания, но го отхвърлят, като изтъкват за причина възрастта му и необработеният глас. През 1967 година записва песента "Prosmonh". Малко по-късно Спирос Загореос - много добър приятел на баща му кани Макис Мацас за да прослуша Даларас. Мацас е ентусиазиран и Йоргос Даларас подписва първият си договор. Творческа кариера[редактиране | редактиране на кода] През 1968 г., след няколко участия в сборни албуми, записва първият си албум с песни на Куюмдзис, Мицакис и др. От този момент досега Даларас е продал около 10 милиона свои албуми. На гласа на младият още Йоргос Даларас се доверяват известни композитори като Ставрос Куюмдзис, Апостолос Калдарас, Манос Лоизос, Микис Теодоракис. През 1974 г. излиза историческия албум "Та 18 лианотрагуда тис пикрис патридас" - първия след падането на хунтата по музика на големия композитор Микис Теодоракис и стихове на Янис Рицос. През 1975 година записва двоен албум с песни в стил рембетика - "50 Xronia Rempetiko". През 1978 представя в "Диагониос" цикълът от песни на Янис Маркопулос "Sergiani ston kosmo". Работи с едни от най-известните личности в музикалното изкуство, между които композиторите Микис Теодоракис, Манос Хадзидакис, Калдарас, Лоизос, Маркопулос, Пану, Спанос, Танос Микруцикос, Николопулос и стихотворците Лефтерис Пападопулос, Манос Елефтериу, Питагорас и др. От чуждите – Пако де Лусия, Ал ди Меола, Ариел Рамирес, Горан Брегович, Стинг, Брус Спрингстийн, Питър Гебриел и др. С гъвкавия си глас и сценичното си присъствие Йоргос Даларас става много популярен, а през 1994 г. големия певец Стелиос Казанзидис казва за него:"Което и радио да пуснеш- Даларас". От 1980 г. започва периодът на концертите. Успоредно с тях не спира да издава и нови албуми. Даларас изпълнява гръцки песни, както в концертните зали на Гърция, така и из целия свят. Организирани са над 500 концерта в едни от най-известните концертни зали и стадиони- Wembley, Brenda Byrne Arena, Alte Oper, Olympia, Mann Auditorium и други. През 1983 г. Даларас пълни Олимпийския стадион в Атина 2 пъти, като билетите са продадени 5 дни по-рано. Събират се над 160 000 зрители. Събитието се запомня като единственото по рода си в Гърция. За концерта на Йоргос Даларас пристигат автобуси, пълни с хора от цяла Гърция. Когато се появява на сцената публиката крещи от радост, аплодисментите не спират. В първия момент Даларас е шокиран от сблъсъка с толкова много публика. Първата си песен запява с треперещ глас. В концерта участват също Харис Алексиу, Янис Париос, Лукианос Килайдонис. Концертът продължава 3 часа. Това е и периодът на международните изяви, участия във фестивали- Париж, Куба (1981), Брюксел (1982), Виена (1983), Москва (1985). Даларас посещава Европа, Америка, Канада, Австралия, Израел, Латинска Америка, Кипър и навсякъде има невероятен успех. През 1989 г. интерпретира в Паллас и храмът "Свети Дионисиу" литургията на Ариел Рамирес- „MISA CRIOLLA”. През 1986 Йоргос Даларас осъществява съвместен концерт с китаристите Пако де Лусия и Ал ди Меола. От това сътрудничрство е роден албумът “Latin”. Лятото на 1988 г.те отново се срещат на сцената, но този път в САЩ - Медисън Скуеър гардън в Ню Йорк. Шест години по-късно през април 1994 г. Даларас и Ал ди Меола участват заедно в концерта за Кипър в Meadowland, Ню Джърси. Успоредно с това Даларас кани твореца да участва в албума „RED and BLUE " с една песен посветена на Кипър. С Пако де Лусия се среща за първи път през 1986 г. Записи от този концерт можете да чуете в албума”Zontanes hxografiseis”,a две години по-късно във Фестивала на Средиземноморската музика в Мадрид и Майорка. От 1990 до 1999 година Йоргос Даларас е често споменавано име в Иера Одо. 1996 година се осъществяват съвместни концерти с Пикс Лакс, Елени Цалигопулу, Марио Франгули, Горан Брегович, Синитис Ипопти, Подилатес, Ипогиа Ревмата, Гянис Варди. През 1995 г. Заедно с Metropole Orchestra (Холандия) Даларас прави концерт в чест на Микис Теодоракис. И още един известен концерт в Музикалната Сграда на Атина през 1997. Същата година е и концертът в Mann Auditorium в Тел Авив(Израел). През 1999 г. Даларас се среща с Ossipov Russian Orchestra - това е един от многото върхове в кариерата му. С известният руски оркестър той посещава Атина, Патра, Кипър и стига до Queen Elizabeth Hall (Лондон). Същата година заедно със Симфоничния оркестър на Монреал свири в Notre Dame Basilica. През този период са създадени едни от най-известните му албуми. През септември 2000 г Йоргос Даларас заедно с BBC Concert Orchestra участва в рецитал в Иродио под ръководството на маестро Nick Davies. В концерта участва и известната американска джаз певица Joan Faulkner. През октомври 2000 г. същият концерт се състои и в Лондон в Royal Festival Hall. Следват 4 концерта в Кипър със съдействието на Кремълския Симфоничен Оркестър. Малко по-късно Даларас е в Кремъл, където отново се среща със същия оркестър. 2001 година е важна за Даларас – след 2 десетилетия отново се среща с двама стари приятели - Пано Кацимиха и Баби Стока. Февруари същата година в Атина се състои концерта в чест на Василис Цицанис с надслов „Каквото и да кажа,не ще те забравя”. Билетите са изчерпани за три часа. Даларас изпълнява песните на твореца Цицанис под съпровода на 10 бузуки (в стил Василис Цицанис). На сцената са също Елени Цалигопулу, Герасимос Андреатос, Гиота Дракиа и Григориос Дараваноглу. По-късно през май с изходна точка Хага започва още един голям Европейски период на Йоргос Даларас. Осем европейски града ще посрещнат гръцкия изпълнител,който заедно с Пано Кацимиха и Баби Стока „разпространят” гръцката песен в по-големите концертни зали и музикални театри в Европа. Билетите за всички програмирани концерти са продадени доста време преди това -пример за големия интерес и многото фенове на Даларас извън границите на Гърция. Интересът е подсилен също така и от факта ,че концертите му съвпадат с излизането на новия му албум „H asfaltos poy trexei”. Този албум има голям успех. Записва се едновременно в Атина и в Ню Йорк. В него са включени песни на гръцки творци,като в същото време има и изпълнения на чужди ,като Ал ди Меола и Стинг, с когото интерпретират песента “Mad about you”(“Trelos gia sena”) Йоргос Даларас отново си сътрудничи с Руския Оркестър на Осипов, под ръководството на Николай Калинин. Това е един изключителен концерт, в който участва и Jocelyn B. Smith. Като продължение през август Даларас за първи път се среща с прочутия Филаделфийски Филхармоничен Оркестър,участвайки във Фестивала на Класическата Музика в Саратога. Става въпрос за един от най-известните фестивали на класическа музика в света.За първи път в този фестивал има гръцко участие в лицето на Йоргос Даларас. Септември 2001 година се осъществават 2 изключителни концерта в Иродиа с Гиоргос Даларас и Емма Шаплин. Януари 2002 Даларас се появява за първи път на сцената на Музикалната сграда в Солун с два концерта под съпровода на Солунския Държавен Оркестър.Пролетта същата година се връща на сцената на ZIGO с една програма наерчена „От сърце”. Заедно с него пеят Герасимос Андреатос, Мелина Асланиду, Анна Бурма и малката Арети Кетиме. Като последствие се ражда двойният диск "От сърце". След успешното си представяне в Зиго Даларас и групата посещават Солун, Патра, Кипър, Навплио, Будапеща, Майнц и Берлин. През 2003 година Йоргос Даларас издава нов диск заедно с Маринела. Това е запис на концерта с надслов „Заедно”(“Mazi”) . Същата година издава и двойния диск в чест на Марко Вамвакарис. През 2004 г. се състои концертът му с Гликериа „Afieroma sthn Mikra Asia”,след което е концертът му с Антонис Ремос. Съпругата му се казва Анна и заедно имат дъщеричка -Георгиана. Дискография[редактиране | редактиране на кода] - 1969 – Giorgos Ntalaras - 1970 – Natane to 21 - 1971 – O Metikos - 1971 –O Giorgos Ntalaras tragoyda Apostolo Kaldara - 1972 – Mikra Asia - 1973 – Byzantinos esperinos - 1974 - 18 Lianotragoyda ths mikris patridas - 1974 – Mikres politeies - 1975 - 50 Xronia rempetiko - 1975 - Sta psila ta paratiria - 1976 - Ta tragoydia mas - 1978 - Oi maides oi Hlioi moy - 1981 - Radar - 1982 - Hlios Hliatoras - 1982 - Omorfo xaba - 1983 - O tragoydisths - 1983 - Ta tragoydia moy LIVE - 1984 - Kalhmera Kyria Lydia - 1985 - Apona matia - 1986 – Treloi kai aggeli - 1988 - Stauros Ksarxakos - 1989 - Mi milas kyndineyei Ellas - 1991 - Erotikh proba - 1991 - Ta katon Markon - 1992 - An yparxei logos - 1992 – Sugnomh gia thn amyna - 1994 - The Greek Spirit - 1995 - Live & Unplugged [LIVE] - 1995 - Stin Ellada Kani Krio - 1996 - Metysmena tragoydia - 1997 - Dalaras&G. Bregovic - Me dyo papoutsia panina - 2001 - I asfaltos poy trexei - 2002 - Apo kardia LIVE - 2003 - Afieroma ston Marko Bambakari - 2003 - Маринела & Даларас - Live Sto Megaro Mousikis - 2004 - Даларас - Гликерия (Afieroma sti Mikra Asia) - 2004 - Sta tragoydia poy soy grafo D - 2005 - Даларас & Антонис Ремос Външни препратки[редактиране | редактиране на кода] - ((el)) Официален сайт
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George Dalaras George Dalaras (Greek: ΓιώpYoς Ntaλάpaς), also possibly spelled as Yiorgos or Giorgos Dalaras, is a Greek singer. He is of international fame and has recently been selected as a Goodwill Ambassador for the UN Refugee Agency. He was born in Nea Kokinia, Piraeus. His father was Loukas Daralas, a singer of rebetiko. Contents Early career[edit] Dalaras' first song, "Πpoσuovή" ("Expectation"), was recorded in 1967. The single never reached any popular status, in fact it was barely released. Dalaras even had to struggle to get into the studio, as ironically the day he began his studio career was the day that the Greek military junta took over the streets of Athens, and the roads were littered with tanks. After several appearances on various recordings as a guest singer, his debut album was released in early 1969, a self-titled album released on the Minos label. The recording included many compositions by Stavros Kouyioumtzis, who in the early years proved a fountain of help towards Dalaras achieving musical success. As Dalaras has said in various interviews, he owes the fact that he became a singer to Kouyioumtzis, who composed Dalaras' first songs. His relation with Kouyioumtzis remained friendly until the sudden death of the composer due to a heart attack in March 2005. The biggest hit of the record, "Pou 'nai ta chronia", is still sung today, and is regarded as a mainstay in Dalaras' large repertoire. In 1970, he released the album Natane to 21 ("If only it were 21", that is, 1821, a reference to the Greek War of Independence). The album was immediately more successful than his debut LP and included hits such as "Natane to 21", "Kapou nichtoni", and an instrumental version of "Pou 'nai ta chronia". The album was made up entirely of a compositions by Stavros Kouyioumtzis. The songs were mainly reinterpretations, as was common in the late 60s for new Greek singers; however, not all the songs on their first release (most of them on the smaller yet more distinctive LYRA label) had proved successful, and in many instances, even now, many people in Greece believe that the Dalaras songs are originals and not cover versions. First gold album[edit] In 1972, Dalaras, along with singer Haris Alexiou, received his big break in the Greek music industry when their LP Mikra Asia (Asia Minor) went gold, his first album to do so. The songs were written by Apostolos Kaldaras, a heavyweight in the laïkó scene of the 50s and 60s, who at this time decided to enter the political fray of Greek music. Dalaras and Alexiou were immediately thrown into the limelight. The LP was also recently re-released in both CD and limited edition LP format by Minos-EMI. The Mikra Asia LP was followed up by Vizantinos Esperinos (Byzantine Vespers) in 1973. The album consisted again of Dalaras and Haris Alexiou, and was composed by Apostolos Kaldaras, however the lyrics were by the emerging Lefteris Papadopoulos, who had written Dalaras' first official recording. This was the last time that Dalaras officially worked with Apostolos Kaldaras in the studio, however, they worked together in live performances. Unlike Mikra Asia, Vizantinos Esperinos did not meet with exceptional sales, and is somewhat 'forgotten' in the repertoire of Dalaras's songs. Rebetiko revival[edit] After several LPs and further collaborations with Kouyioumtzis, Kaldaras, Manos Loïzos, Mikis Theodorakis and others, Dalaras decided to release his own renditions of rebetiko songs on the double LP 50 Chronia Rebetiko Tragoudi released 1975. The recording proved an immediate success, despite the toning down of the lyrics. However, as a result, a new movement was set to take place in Greek music, and the once forgotten rebetes were finding themselves performing, in some cases for the first time in 30 to 40 years. He followed up this work with an LP in 1980, Rebetika tis Katochis, which was a more gritty and meaty release, more faithful to the tone of the original rebetika as heard in the 1930s. However, again references to drugs were cut out, and only mentioned in passing. Unlike the previous double LP, this one contained some of the original musicians, Bayianteras and Genitsaris in particular making an appearance on the album. Collaborations and styles[edit] Since the 1960s, George Dalaras has recorded more than 120 records. He has sung numerous different Greek music styles (e.g. rebetiko, laïkó, Latin, pop), Israeli and Arabic music, and religious music. He has collaborated with many contemporary Greek composers, including Mikis Theodorakis, Stavros Kouyioumtzis, Manos Loizos, Apostolos Kaldaras, Stavros Xarhakos and Manos Hadjidakis to Christos Nikolopoulos. He also discovered and supported little Areti Ketime, whose first CD album he produced. Apart from his prominent singing career, Dalaras is considered to be one a talented musician as he plays most of the stringed instruments of a Greek folk band with great success, including the guitar, bouzouki, baglama, tzoura and outi. He has accompanied Al Di Meola and Paco de Lucía, among others. Dalaras' most important projects include collaborations with several international singers, including British singer Sting, even releasing a duet with Sting ("Mad About You"). He has also collaborated with Pyx Lax, Bruce Springsteen, Jethro Tull, Yehuda Poliker, Emma Shapplin, Goran Bregovic, Apostolis Anthimos, Dulce Pontes, Andriana Babali and many others. Dalaras moved from his homestay label of Minos EMI in favour of Universal Music Greece in 2006, thus ending an almost 40 year collaboration. In 2000, George Dalaras discovered a new local orchestra that specialized at traditional "Smirneiko" and "Rebetiko" songs. The orchestra's name was "Estoudiantina Neas Ionias"[1] and it came from Nea Ionia, a city near Volos. Dalaras pulled Estoudiantina in the light of publicity and make it known to the Greek public. Since then Estoudiantina has become one of the most important and famous orchestras in Greece. Estoudiantina's repertoire now also includes Modern Greek, Greek Laiko, and Mediterranean. The Big Orchestras[edit] George Dalaras is a Greek traveler, an exceptional interpreter, a restless musician who deeply believes in the individual character of Greek music, in its power and its competence and, at the same time, in its global quality. His relentless pursuits journeyed Greece to the end of the world while, his conviction that the multinational model is based on the mutual possession of the artistic heritage has fused his interpretation abilities with the dexterity of a number of the most renowned orchestras of the world.[2][3] • The famous Dutch Metropole Orchestra is the first big orchestra with which George Dalaras collaborated. It was an exciting artistic gathering which took place in 1995, in the Odeon of Herodes Atticus, under the direction of Dick Baker. It consisted of two musical performances which moved and captivated the public through a song list which was dedicated to the soundtracks and the songs by Mikis Theodorakis the performances were recorded live and, consequently, released by EMI CLASSICS in fifteen countries, in an album titled "GEORGE DALARAS & METROPOLE ORCHESTRA". • The artist’s next collaboration with one of the most prominent and long-existent choirs in Europe took part when, in 1996, he interpreted Ariel Ramirez Misa Criolla Mass accompanied by the choir of the Deutsche Oper Berlin in the Berlin Opera. It was a much anticipated concert since, the tickets had long been sold out and, so much the daily press as well as the opera leaflets had extensively referred to the event. The fact that, the concert was transmitted live by SPF –a radio station with a predominantly classical repertoire- is worth mentioning. • The next event was to be with the Israel Philharmonic Orchestra, one of the most outstanding orchestras worldwide. In 1997, the Orchestra invited George Dalaras to stage two concerts in the Tel Aviv Mann Auditorium. The orchestra was conducted by Ilias Voudouris. It was a collaboration which materialized, in the best possible way, George Dalaras’ long desire to interpret a number of the most brilliant Greek songs accompanied by a symphony orchestra. The internationally acknowledged interpretation skills of the Philharmonic Orchestra came together with the powerful and charismatic stage presence, the promptness and, lastly, the soulful interpretation of George Dalaras in an unfolding of the portrait of contemporary Greek music. A musical journey which began from the rebetiko songs to cross over to his big hits, to all-time classics by prominent Greek composers, to melodies from the Mediterranean as well as to medieval songs by the Jewish population in Spain (ladino). The live recordings of these performances were internationally released in April 1999 by EMI CLASSICS in a digital disc titled: "GEORGE DALARAS AND THE ISRAEL PHILHARMONIC ORCHESTRA", a release which made quite a stir. • In parallel, George Dalaras has collaborated with the Camerata - Friends of Music Orchestra in 1994, on the stage of the Athens Concert Hall in both the "...and by light and by death incessantly" and the "Angel Hymns in Human Rhythms" musical performances by Stavros Kougioumtzis under the direction of Alexandros Myrat. • In 1999, George Dalaras collaborated with the Osipov State Russian Folk Orchestra. It was a high standard collaboration which made an impression by means of its simplicity and its musicality. Thousands of spectators went for a standing ovation following George Dalaras’ interpretation of songs by Greek composers as well as of ballads from the Mediterranean. These versions were magnificently executed by the Ossipov Orchestra which is one of the most famous and grand orchestras worldwide since, it manages to merge the symphonic structure with the pop and folk elements. The 70-membered orchestra -which consisted of players of balalaikas and domras- was conducted by Nikolai Kalinin. The performances were staged in the Athens Concert Hall, in Salonica, in the Patras Ancient Conservatory, in Cyprus, in London’s Queen Elizabeth Hall and, finally, in Moscow, in November 2000. • In October 1999, George Dalaras met in the famous Notre-Dame Basilica, which is situated in the old city of Montreal, with the Montreal Symphony Orchestra which was conducted by Charles Dutoit, the famous conductor. The Montreal Symphony Orchestra, which consists of distinguished soloists, was founded in 1934 and is, today, one of the biggest orchestras in the world. • In September 2000, George Dalaras collaborated, for the first time, with them BBC Concert Orchestra, one of the most outstanding British orchestras. They met at the packed theatre Odeon of Herodes Atticus in a recital of superb orchestrations for a grand orchestra under the direction of Nick Davies and the participation of Joan Faulkner, the famous American jazz singer. The concert, the tickets of which had been sold out days before, was repeated in October of the same year in London’s Royal Festival Hall with the participation of the big School Choir of the Pshichiko – Athens College. • In October 2000, four concerts that were staged in Cyprus signaled George Dalaras’ collaboration with the famous Kremlin Moscow State Symphony Orchestra. This was an event in which Margarita Zorbala, the exquisite performer, had also taken part. The Kremlin Symphony Orchestra consists of 70 superb soloists while, its main characteristic is the coalescence of the instrumental harmony structure with an impeccable technique and artistic expression. Pavel Ovsianikov is the artistic director and conductor of the orchestra; he is a composer who, in the course of his creative career, has managed to combine the preservation of the rich Russian cultural heritage with the quest for new musical ideas. In November 2000, they, once more, met in Russia, in a concert that was staged in Grand Kremlin Palace’s George Hall. • In June 2001, George Dalaras collaborated again with the Osipov State Russian Folk Orchestra conducted by Nikolai Kalinin. The event took place in Delphi and it was a unique concert that was part of the list of events scheduled for the celebration of the First World Refugee Day as well as for the completion of 50 years uon the founding of the United Nations High Commissioner for Refugees. The song list of the concert in which Jocelyn B. Smith, the prominent American singer had also taken part, included, mainly, songs by Mikis Theodorakis to whom the concert was dedicated as being one of the most renowned refugees globally. • In August 2001, George Dalaras –through his participation in the Saratoga Classical Music Festival- collaborated for the first time with the famous Philadelphia Orchestra conducted by Charles Dutoit, the renowned maestro with whom they had met two years before in the Montreal Notre Dame Basilica Cathedral. The above Festival is one of the most celebrated Classical Music Festivals around the world which, each summer, is organized in Saratoga Springs, N.Y. It was the first time that a Greek artist participated in it. • Towards the end of 2002 and the beginning of 2003, George Dalaras collaborated with the Cyprus Symphony Orchestra. Together, they staged three concerts in London, Copenhagen and Paris which aimed at promoting the cultural visage of Europe, upon the instance Cyprus’ imminent integration within the European Union. • In August 2004, George Dalaras performed two concerts entitled "30th – 40th parallel – Musical Journey to the Mediterranean" at the Odeon of Herodes Atticus, with special guests Dulce Pontes, Stefanos Korkolis, Eddy Napoli, Mira Awad, Macarena Giraldez Losada, Marcos Jimenez Antonio and Compania Flamenca "Ronda Al Alba", Halil Moustafa and Mehmet Moustafa. The artists were accompanied by a popular orchestra and ERT National Symphonic Orchestra, conducted by Loukas Karitinos. In May 2005 George Dalaras and Dulce Pontes performed two unique concerts at the Herodes Atticus Odeon entitled "The Sea and Us". These concerts were organized by the Association of Friends of Children with Cancer "ELPIDA" for supporting their objectives, under the auspices of the Hellenic Festival. • In November 2005, George Dalaras performed at the Athens Concert Hall two of the most significant works of Mikis Theodorakis "Romiosini" poetry by Yiannis Ritsos and "Axion Esti" poetry by Odysseas Elytis. In these concerts texts of the poets were read by George Kimoulis. In "Axion Esti" Tassis Christoyannis, baritone also participated. George Dalaras was accompanied by the Popular Orchestra "Mikis Theodarakis" and a popular orchestra, the Greek Radio and TV Modern Music Orchestra conducted by Andreas Pylarinos, the Electricity Board Choir with Choirmaster Kostis Konstantaras, the Athens Municipal Choir with Choirmaster Stavros Beris and the Youth Choir of the Nea Smyrni Leontion Lyceum with Choirmaster Katerina Vasilikou. The proceeds of both concerts were offered to the Association of Rehabilitation for Addicted persons "THE RETURN". Among the rest of its leads, the Orchestra wrote history in cinema when, in 1939, it recorded the soundtrack of Walt Disney’s Fantasia –a peak cartoon character movie which facilitated the popularization of symphony music in the United States. • In November 2010, George Dalaras had a unique concert in New York at Lincoln Center with CityMusic Cleveland conducted by Alexandros Myrat. The works of the Greek-Canadian composer Christos Hadzis "Credo" and "Telluric Dances" were presented for the first time in a world premiere. • In June and September 2011, George Dalaras cooperated with the Osipov State Russian Folk Orchestra conducted by Vladimir Andropov, in very successful concerts in Cyprus and Israel. He was accompanied by Aspasia Stratigou. • In July 2011 George Dalaras cooperated for the first time with the Istanbul State Symphony Orchestra conducted by Hakan Sensoy, in a unique sold out concert, accompanied by Aspasia Stratigou. • In 26 November 2011, George Dalaras presented in a world premier the work "Kavafis" by the composer Alexandros Karozas at the Konzerthaus, Vienna with Vienna Chamber Orchestra and Wiener Singakademie, under the direction of the maestro Yorgos Kountouris. One of the most important German actors, Bruno Ganz recited the poems of Constantine P. Cavafy.[4] • In September 2012, George Dalaras participated in "Balkan Symphony" in Sarajevo. In this concert prominent artists from Balkan countries and the Mediterranean participated together with the Sarajevo Philharmonic Orchestra, enriched with local instruments, conducted by Oğuzhan Balci. • In February 2013, George Dalaras presented the work "Kavafis" by the composer Alexandros Karozas, at Gasteig in Munich with Vienna Chamber Orchestra and Wiener Singakademie of the "Vienna Academy of Music" under the direction of Stefan Vladar. One of the leading German character actors, Lambert Hamel recited the poems of Konstantine Kavafis.[5] Concerts and sales[edit] In his almost 40 year singing career, Dalaras has performed in thousands of concerts, and in 1980, entered the era of the live Greek club. Two historical concerts occurred in the Athens Olympic Stadium, attended by more than 160,000 people. This was the largest attendance at a Greek concert, to the point where Rolling Stone magazine commented that Dalaras was responsible for the birth of the Stadium era in Greece. Dalaras personal albums total beyond 70. He has sold more than 15,000,000 records in his career and is regarded as one of the biggest names in contemporary Greek music. He has toured extensively throughout the world and was even invited to sing for Nelson Mandela on his birthday. Currently his album sales are about 15,000,000. His live albums, including tributes to Vassilis Tsitsanis and Markos Vamvakaris, all reached multi platinum sales, and resulted in being among the top 10 releases of 2005. December 2005, he released a live recording called "Mediterranean 30th 40th parallel - MeσόYeιoς 30oς 40oς Πapάλλnλoς" with various renditions of Greek, Italian, Israeli and Arabic songs, and famous musicians from Hebrew and Arabic backgrounds, which gained multi platinum status. International Orthodox Youth Conference controversy[edit] Dalaras had been scheduled to perform a concert on the closing night of the second International Orthodox Youth Conference held in Istanbul from 11 to 15 July 2007.[6] The event, organised by the Ecumenical Patriarchate of Constantinople, had drawn the ire of the Turkish press and Turkish nationalist politicians who filed complaints to the Governorship of Istanbul to revoke the licence for the concert it had issued, and the concert was abruptly cancelled by the Turkish authorities of the Governorship of Istanbul on the grounds that the country's Archaeological Service did not permit the use of the planned venue, the 15th century Rumeli Hisar castle. The site had previously been used for international theatre festivals and for an international dance festival, until its use was prohibited by the Archaeological Service.[7] The last-minute cancellation of the concert attracted strong media coverage and criticism in neighbouring Greece.[8] Personal life[edit] Dalaras was born George Daralas, son of the rembetiko singer Loukas Daralas. He subsequently anagrammatized his name to Dalaras. Since 1983 Dalaras is married to Anna Ragousi, also his manager, who is also a politician who served with the PASOK government in 2009 and 2011. They have one daughter, Georgianna. Dalaras is a collector of musical instruments and in his spare time he goes fishing and traveling on his motorcycle. References[edit] External links[edit] - Official website - An unofficial website - George Dalaras discography at MusicBrainz