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Кайли Миноуг Кайли Ан Миноуг (на английски: Kylie Ann Minogue) е австралийска певица, автор на текстове на песни, както и актриса в киното, театъра и телевизията. Първото участие на Миноуг, което ѝ носи популярност, е ролята ѝ в австралийската сапунена опера „Съседи“ в края на 80-те години на 20. век. След това Кайли продължава своята кариера като поп-изпълнителка. Тя подписва договор с британските композитори и продуценти Сток, Ейткън и Уотърман (Stock, Aitken & Waterman) и представя редица световни хитове. Популярността на Кайли обаче започва да спада в началото на 90-те, което я кара да се отдели от Сток, Ейткън и Уотърман през 1992. Следващите няколко години тя се опитва да се наложи като независим изпълнител и композитор, дистанцирайки се от по-ранните си творби. Въпреки широката публичност на проектите ѝ, албумите на Миноуг не успяват да привлекат достатъчно почитатели и дават най-лошите продажби в кариерата ѝ. През 2000 г. тя възвръща славата си на поп-денс изпълнителка и става известна с провокативните си музикални клипове и скъпоструващите си концерти на живо. Кариерата на Кайли Миноуг е една от най-дългите и най-успешните в съвременната поп-музика, като в Европа и Австралия тя е се нарежда сред най-известните личности и секс-символи на своето поколение. След като ранната ѝ кариера е отричана от много критици в Австралия, сега Миноуг е хвалена за постиженията си; тя държи рекорда за най-високи продажби на билети за концерт на изпълнителка и има 9 песни станали номер едно в класацията за сингли ARIA. [редактиране] Детство и начало на кариерата Кайли Ан Миноуг е родена на 28 май 1968 г. в Мелбърн, Австралия. Преди да стане голяма международна звезда, тя заедно със сестра ѝ Дани, след училище са водени от свръхамбициозните си майка Керъл Джоунс(Дейл) и вуйчо Алън Дейл - (като Брадфорд Мийд в Грозната Бети) , балерина и актьор по всевъзможни кастинги. За разлика от майка ѝ, бащата на Кайли предпочитал да се занимава с професията на счетоводител и слабо се вълнувал от “пайетите”, както се изразяват в едно популярно издание. Малката Кайли бързо е забелязана от режисьорите и още на 11 години се снима в първия си тв сериал “Skyways”, последван от успешния “The Sullivans”, на чиято снимачна площадка среща небезизвестния Джейсън Донавън. През 1984 година Кайли играе ролята на Шарлот в сериала “The Henderson Kids”, след който следва не особено успешният “Zoo Family”. На 15 години младата звезда печели първата си статуетка Logies (австралийският еквивалент на Emmy). След 17 си рожден ден Кайли решава да напусне учлище, за да се посвети изцяло на актьорската професия. Печели ролята на Шарлийн в сериала “Съседи” (втората ѝ среща с Джейсън Донавън). От тук кариерата ѝ тръгва стремглаво нагоре, като печели отново Silver Logies за най-популярна актриса в Австралия и за най-популярен персонаж. Актьорската професия обаче е само една малка частица от таланта на Миноуг. През 1987 година на благотворителен концерт Кайли и останалата част от екипа на “Съседи” са извикани на бис и тъй като нямат нищо предвидено, звездата предлага да изпълни любимата си класика “The Loco-motion” на Малката Ева. Импровизацията предизвиква огромен фурор и веднага Кайли получава предложение да я запише, като сингълът се продава в рекорден тираж по света и остава в чартовете седем седмици на първо място. [редактиране] 1988 - 1992 година Така паралелно с актьорската Кайли започва да развива и певческа кариера. През 1988 година тя е поканена в Лондон да направи първия си албум “Kylie”, от който излизат шест успешни хит сигъли като “I should be so lucky”, “Got to be certain”, новата версия на “Locomotion”, “Je ne sais pas pourquoi” и други попадения. През 1989 година Кайли прави и първия си игрален филм “The delinquents”. Но истинските и огромни успехи тепърва предстоят и то главно в музикалното поприще. Успехът на “Kylie” и продължаващият на “Съседи” кара феновете все по-упорито да искат от своите идоли — Кайли и Донавън да направят дует. Мечтата им е изпълнена с мултиплатинения сингъл “Especially for you”, който е сред трите най-продавани сингли на Кайли по света, достигайки тираж от над 1.5млн копия по света включително и в Америка. След като “унищожава” класациите с хитовете от дебюта си Кайли не спира да работи, а още на следващата година т.е. 1989 вади втория си албум “Enjoy yourself” с първи успешен сингъл от него “Hand on your heart”. Тавата триумфира и с още три хита включително и “Tears on my pillow” - саундтрак към “The delinquents”. Междувременно Джейсън Донавън се отнася доста неочаквано към певческите успехи на приятелката си, като ѝ казва, че се е взела твърде насериозно и е забравила от къде е тръгнала. Завистта на Донавън е трудно приета от чувствителната Кайли, която обаче тепърва прохожда в големия шоубизнес и е решена да го покори. За тази увереност ѝ помага и хващането “на калъп” между Донавън и помощник-режисьорката на “Съседи”. Така Кайли се оказва окончателно в Лондон. С помощта на автори от ранга на Уотърман, Стък и Алткен, както и на собствените си композиторски умения Кайли прави завой в своя музикален облик. Песни като “Better the devil you know”, “Step back in time”, “What do I have to do”, “Shocked” от третия ѝ албум “Rhythm of love” я превръщат в модна икона и показват новата ѝ същност — на изкусителка и лошо момиче. Естесвено Кайли дължи до голяма степен преобразяването си на режисьора Дейвид Хоугън, направил оригиналните визия и замисъл в разбиващите клипове от албума. Песните отново са сред топ 10 в класациите и певицата продължава да трупа слава и да обира благопожеланията на критиката. Най-важна роля за метаморфозата у Кайли обаче има тогавашният ѝ приятел — вокалистът на INXS Майкъл Хътчинс. Техният роман започва с това, че той помага на крехката певица да се избави от един досаден ухажор след приключването на един от концертите ѝ от първото ѝ турне. За Кайли във времето на връзката им Майкъл е Бог. Той успява да промени визията и навиците ѝ посредством разгулен живот, алкохол и наркотици, но не и душата ѝ. За звездата Хътчинс изневерите били нормално нещо, но за чувствата на Кайли били абсурд. Аферата на Майкъл с тв водещата Пола Йейтс слага край на връзката им. Междувременно Кайли е записала и четвъртия си албум “Let’s get to it”. От него излизат също четири сингъла като най-високо в класациите попада кавърът “Give me just a little more time”, а феновете приемат страхотно и баладата “Finer feelings”. След този албум обаче Кайли решава, че не може да продължи музикалното си развитие с компанията PWL и след издаването на достигналия до първо място неин първи бест и двата нови хит-сингъла от него “Celebration” и “What kind of fool…”, тя прекратява договорните си взаимоотношения с звукозаписната къща. [редактиране] 1994 - 1998 година През 1993 година подписва контракт с BMG и лейбъла “Deconstructions”. Първият им общ проект е албумът “Kylie Minogue” от 1994 година. Той е доста различен от досегашните проекти на Кайли, но това не му пречи да се нареди на 4 място във Великобритания и да извади три оригинални и новаторски сингли “Confide in me”, “Put yourself in my place” (любимата балада на Кайли) и може би най-неконвертируемият ѝ сингъл “Where is the feeling”. В този период Кайли и Майкъл Хътчинс обявяват окончателната си раздяла. В телефонен разговор между тях Майкъл я моли да му прости за грешките, но Кайли е категорична. В момента, в който затваря слушалката обаче тя решава, че при следващото му позвъняване ще му прости и те отново ще бъдат щастливи. Следващо позвъняване обаче няма. Два дни по-късно Кайли научава от пресата за самоубийството на Майкъл. Тя трудно понася мисълта и новината и започва да се обвинява за смъртта му. Кошмарът продължава месеци наред, през които тя бяга от мислите си чрез нови проекти. Един от тях е дуетът с Ник Кейв “Where the wild roses grow”, който се превръща в най-продавания сингъл на певеца, а клипът показва нови посоки в творческия път и на двамата. Междувременно Кайли прави роля и за филма с Жан-Клод Ван Дам “Streetfighter”. След двегодишна пауза Кайли обявява излизането на петият ѝ албум “Impossible princess” за началото на септември 1997 година. Трагичната смърт на принцеса Даяна, както и доста технически незиправности забавя проекта с повече от половин година, като той се появява през март 1998, предшестван от синглите “Some kind of bliss” и “Did it again”. Във Великобритания албумът излиза с обложка “Kylie” поради двузначността на предвиденото заглавие. Новата тава на Кайли е посрещната с огромен възторг от феновете, те оценяват положително по-рок звученето в някои от песните на любимата си певица, както и съчетанието с други експериментаторски музикални стилове като дръм енд бейз, хаус и твърда електроника. По ремикс версиите на синглите Кайли работи с най-изявените имена в тази област като Brothers in rhythm, Junior Vasques и други. Критката обаче не спестява резервираността и нападките си срещу текстовете и музиката на песните, които до един са на певицата, както срещу цялостното звучене на “Impossible princess”. Самата Кайли казва, че това е албумът, за който е получавала най-добрата критика в кариерата си. От проекта излиза трети сингъл, електронното парче “Breathe”, а Австралия е наградена и с четвърти - “Cowboy style”. В крайна сметка този албум и до днес остава в съзнанието на хората като най-некомерсиалния, но най-личния за Кайли. Между 1998 и 2000 година Кайли позачезва от хоризонта. Единствено страхотното и пищно турне “Intimate and live” я показва на феновете. Но през този период тя не спира да работи. Подготвя своето ударно завръщане. Напуска BMG и се преориентира към EMI, Parlophone. Преди това обаче издават една страхотна компилация “Hits+”, включваща няколко от най-големите ѝ хитове плюс доста нови и неиздавани песни, и ремикси. [редактиране] 2000 - 2004 година През юни 2000 година Кайли се реабилитира с предизвикалия бурен възторг сингъл “Spinning around”. Песента става номер едно едновременно в няколко държави и континенти. Следва поредният удар с “On a night like this”, както и самият албум “Light years” от септември 2000 година. Кайли пак е там, където ѝ е мястото — принцесата на поп музиката, музикалната икона на не едно поколение. “Light years” вади още няколко много успешни песни като “Kids” с Роби Уилямс, “Please stay”, “Butterfly”. Промяна има не само в музикално, но и в имиджово отношение за Кайли — тя е по-секси от всякога с прословутите си панталонки от клипа на “Spinning around”, както и с цялостна си визуална концепция. Този албум е представен чрез изключително успешното турне "On a night like this". Но успехът не е моментен, а “Light years” е само началото на новата инвазия на Кайли Миноуг в музикалния живот. През септември 2001 година се появява нейната песен-емблема и до днес - “Can’t get you out of my head”. С нея Кайли става номер едно във всяка една държава в Европа, в няколко в Азия, както и в денс класациите в Америка, където също песента предизвиква огромно оживление. Сингълът се продава в двумилионен тираж — невероятно постижение. Освен това певицата се превръща и в единствената освен Мадона изпълнителка, която има номер едно сингъл в три различни десетилетия. Логичното продължение на успеха е албумът “Fever”, продал се в седем милиона копия по целия свят. Хит линията е продължена от уникалното парче “In your eyes”, както и от “Love at a first sight” и “Come into my world”, с което Кайли открива градиозното си турне “Fever tour 2002”. За този албум Кайли получава и първото "Грами" в своята кариера. Междувременно е приключила злополучната ѝ връзка с британския модел Джеймс Гудинг. Той изнася цялата им история по страниците на жълтите вестници, като заявява, че Кайли била егоцентрична и вечно търсеща вини у себе си. Още повече че манекенът бил и ужасно ревнив и изявата на Кайли с Джъстин Тимбърлейк на Британските награди доста го изнервила. След кратка почивка Кайли отново дава заявка за силен албум с пилотния си съавторски хит “Slow” заедно с Емилиана Торини. Песента се настанява удобно под номер едно в хит листите във Великобритания и Австралия, като и до днес държи рекорда за най-дълго престоял на челна позиция сингъл. Атрактивният клип, заснет в Барселона, също си спечелва голям брой фенове, които разграбват сингъла от музикалните магазини. Песните за албума “Body language” са много чувствени и изпети с много стил и елегантност. Кайли е намерила покой и с новия си любим — френският актьор Оливие Мартинес. Още два много успешни сингли вади Кайли от проекта си, това са “Red blooded women”, включващ и дългоочаквания ремикс на “Slow” на Chemical brothers, както и невероятно грациозния хит “Chocolate” с безупречен в хореографско, а и във всяко едно друго отношение клип. След няколко месеца, през октомври 2004 година, Кайли прави нов пробив в класациите с композираното от нея и актуалните Siser sisters парче “I believe in you”, което достига до номер две в чартовете. То е от уникалния по рода си бест на звездата “Ultimate Kylie”, включващ песни от началото на кариерата ѝ досега. Друг нов сингъл в този албум е отново съавторската песен “Giving you up”. В края на 2004 година Кайли е номинирана за награда Грами. [редактиране] 2005-2007 година — Рак на гърдата Кайли е щастлива. Тогава тече най-голямото ѝ досега турне по света, за което билетите се разпродават за няколко минути, за което се готвят танцьори, техници, режисьори, хореографи, сценографи, музиканти, вокалисти или поне около 500 човека екип, който придружава звездата в нейните изпълнения в Европа и Австралия. Но всяка приказка има и хубави, и лоши моменти. За Кайли един черен такъв е началото на месец май 2005 година, когато преди рождения ѝ ден, в разгара на турнето ѝ диагностицират рак на гърдата. Медиите по цял свят гърмят новината, а мениджмънтът на звездата дава официална пресконференция, на която тя обявява, че ѝ предстои операция и евентуално лечение. Оставащите концерти в Австралия и Южна Азия са отменени, като е обявено, че парите от билетите ще бъдат върнати. Феновете обаче обожават Кайли и като пожелание за скорошното ѝ възстановяване не връщат ценните хартийки. Отделно са направени хиляди сайтове, които събират пожелания за Кайли в този момент и които се предават до мениджърите ѝ. Самата тя не веднъж изпраща електронни съобщения до почитатели си, като им благодари за подкрепата. В крайна сметка се налага освен операция и лечение чрез химио и радиотерапия, което приключи едва в началото на 2007. През цялото време освен на милионите фенове Кайли имаше опората и на своето семейство и на приятеля си Оливие. Много слухове за тяхна сватба плъзваха често, но всичките бяха отричани. В последните дни най-популярната съвременна попзвезда направи своите първи медиини изяви. В новия си вид Кайли се показа най-напред на парти на Долче и Габана в Портофино, Италия. Само няколко дена по-късно тя замина за Ню Йорк, където проведе срещи със Scissor Sisters за новите песни, които подготвя сега. По време на лечението Кайли е написала голяма част от парчетата за новия си албум. Според слуховете той ще се казва "Уроци", а първият сингъл, който ще бъде ремиксиран от въздесъщия Junior Vasque. В края на годината Кайли изпълнява и оставащите концерти от спряното си турне като реверанс към хилядите си фенове. В края на 2007 година е издаден албумът с име "X". Най-известните песни от него са "2 Hearts" и "Wow". Певицата издава и документален филм, заедно с Уилям Бейкър, наречен "White Diamond". [редактиране] Участия в реклами Кайли се гмурва много бясно и в рекламата тази година. Още в края на 2006 тя издаде детска книжка. Последва парфюмът ѝ "Darling", който стана най-продаваният на Острова. Веригата "H&M" пък заложи на нея за лятната си колекция и не сбърка, защото облеклата се приеха доста добре. За промоцията Кайли направи и специален мини концерт в Шанхай, Китай. Кайли участва също и в традиционната благотворителната вечер на фестивла в Кан като заедно с Шарън Стоун спретнаха изпровизиран дует. Неслучайно Кайли е любимка на мнозина. От пухкавите сладострастни устни, през модерната музика и актуалните модни линии, панталонките от “Spinning Around”, съблазнителния поглед от “Slow”, убийствения звук на “Can’t get you Out Of My Head”, перфекционизмът, до най-дребния детайл на съвършенството, Кайли дава на всеки онова, което иска да види. Тя е рядка смесица от всичките компоненти и дарби на природата. А ние само можем да ѝ се радваме, като споменем например изпълненията ѝ на Олимпийските игри в Сидни и ултра секси модната ѝ линия “LoveKylie”. Тя е безупречна в кариерата, но това не винаги е знак и за успешен личен живот. [редактиране] Кайли Миноуг в България Кайли Миноуг за първи път гостува в България за концерт през 2008 г. Единственият концерт се състои на 18 май на софийския стадион „Локомотив“. В един от клиповете на Кайли участва момиче от България.Казва се Фелициана от Чепеларе. [редактиране] Дискография [редактиране] Албуми - "Kylie" - 1988 - PWL - "Enjoy Yourself" - 1989 - PWL - "Rhythm of Love" - 1990 - PWL - "Let's get to it" - 1991 - PWL - "Kylie Minogue" - 1994 - Deconstruction - "Impossible princess" - 1997 - Deconstruction - "Light years" - 2000 - Parlophone - "Fever" - 2001 - Parlophone - "Body Language" - 2003 - Parlophone - "X" - 2007 - Parlophone - "Aphrodite" - 2010 - Parlophone [редактиране] Компилации - "Greatest hits" - 1992 - PWL - "Intimate and live" - 1998 - Mushroom - "Hits +" - 2000 - BMG - "Confide in me" - 2002 - BMG - "Artist collection: Kylie Minogue" - 2004 - BMG - "Ultimate Kylie" - 2004 - EMI - "Ultimate Kylie" - 2006 - EMI (издание от турнето) - "Showgirl: Homecoming" - 2007 - EMI - "Irresistible Kylie" - 2007 - BMG [редактиране] Албуми с ремикси - "Kylie's remixes" vol.1 - "Kylie's remixes" vol. 2 - "Greatest remix hits" 1, 2, 3, 4 - "Impossible remixes" - "Mixes" - "Boombox" [редактиране] Сингли - "The Loco-Motion" - 1987 - "I Should Be So Lucky" - 1987 - "Got to Be Certain" - 1988 - "Je Ne Sais Pas Pourquoi" - 1988 - "It's No Secret" - 1988 - "Turn It into Love" - 1988 - "Hand on Your Heart" - 1989 - "Wouldn't Change a Thing" - 1989 - "Never Too Late" - 1989 - "Tears on My Pillow" - 1990 - "Better the Devil You Know" - 1990 - "Step Back in Time" - 1990 - "What Do I Have to Do?" - 1991 - "Shocked" - 1991 - "Word Is Out" - 1991 - "If You Were with Me Now" (с Keith Washington) - 1991 - "I Guess I Like It Like That" (промо сингъл) - 1991 - "Give Me Just a Little More Time" - 1992 - "Finer Feelings" - 1992 - "What Kind of Fool (Heard All That Before)" - 1992 - "Celebration" - 1992 - "Confide in Me" - 1994 - "Put Yourself in My Place" - 1994 - "Where Is the Feeling?" - 1994 - "Some Kind of Bliss" - 1997 - "Did It Again" - 1997 - "Breathe" - 1998 - "Cowboy Style" - 1998 - "Spinning Around" - 2000 - "On a Night like This" - 2000 - "Please Stay" - 2000 - "Your Disco Needs You" - 2001 - "Butterfly" (промо сингъл) - 2001 - "Can't Get You Out of My Head" - 2001 - "In Your Eyes" - 2002 - "Love at First Sight" - 2002 - "Come Into My World" - 2002 - "Secret (Take You Home)" (промо сингъл в Тайван) - 2003 - "Red Blooded Woman" - 2004 - "Chocolate" - 2004 - "I Believe in You" - 2004 - "Giving You Up" - 2005 - "Sometime Samurai" - 2005 - "In My Arms" - 2008 - "All I See" - 2008 - "The One" - 2008 - "All the Lovers" - 2010 - "Get Outta My Way" - 2010 - "Better Than Today" - 2010 - "Put Your Hands Up (If You Feel Love)" - 2011 [редактиране] EP - "A Kylie Christmas" - 2010 - "North American Tour" - 2011 [редактиране] Външни препратки - Официален сайт - Профил на Кайли Миноуг в MySpace - Кайли Миноуг в Last.fm - Профил на Кайли Моноуг в IMDB
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Can't Get You Out of My Head "Can't Get You Out of My Head" is a song recorded by Australian singer Kylie Minogue for her eighth studio album Fever (2001). The song was released in Australia by Parlophone as the lead single from the album on 8 September 2001. It was released on 17 September 2001 in the United Kingdom. In the United States, the single was released on 18 February 2002. Written and produced by Cathy Dennis and Rob Davis, "Can't Get You Out of My Head" is a midtempo dance-pop song which lyrically details Minogue's obsession towards her lover. The song is famous for its "la la la" hook. In addition to positive reviews from music critics, "Can't Get You Out of My Head" found commercial success on a large scale. It peaked at number one on the charts of Austria, Belgium, France, Germany, Italy, Poland, Switzerland, the United Kingdom, and every other European country excluding Finland. It also topped the charts of Minogue's native country Australia and New Zealand. In the United States, the song peaked at number seven on the US Billboard Hot 100 chart, becoming Minogue's biggest hit in the region since "The Loco-Motion". "Can't Get You Out of My Head" reportedly reached number one in 40 countries across the globe. It was certified triple-platinum in Australia, platinum in the United Kingdom, and gold in the United States. It became Minogue's first single to sell in excess of one million copies in the United Kingdom. As of 2013, the song is Minogue's highest selling single and one of the best-selling singles of all time, with worldwide sales exceeding five million. The accompanying music video for the song was directed by Dawn Shadforth, and features Minogue performing various dance routines in different futuristic backdrops. It became notable for the revealing hooded white jumpsuit Minogue wore during one of the scenes. The song has been performed by Minogue during all of her concert tours as of 2013, with the exception of the Anti Tour. Following its release, "Can't Get You Out of My Head" ranked on a number of decade-end lists compiled by magazines such as the Rolling Stone, The Guardian, and NME. It is considered to be Minogue's strongest commercial breakthrough in the United States and is said to have been the reason behind the success of its parent album Fever in the region. "Can't Get You Out of My Head" is also recognised as Minogue's signature song and was a defining point in her musical career. In 2012, the song was re-recorded for inclusion in Minogue's orchestral compilation album The Abbey Road Sessions. Contents - 1 Background and recording - 2 Composition - 3 Critical reception - 4 Commercial performance - 5 Music video - 6 Live performances - 7 Legacy - 8 Formats and track listings - 9 Charts - 10 Certifications - 11 References - 12 Further reading - 13 External links Background and recording[edit] In 2000, Minogue signed on to Parlophone and released her seventh studio album Light Years.[1] The disco and Europop inspired album was a critical and commercial success,[1] and was later certified four times-platinum in Minogue's native country Australia for shipment of 280,000 units,[2] and platinum in the United Kingdom for shipment of 300,000 units.[3] "Spinning Around" was released as the lead single off the album and was a commercial success, attaining a platinum certification in Australia for shipment of 70,000 units,[4] and a silver certification in the United Kingdom for shipment of 200,000 units.[3] She promoted the album by embarking on the On a Night Like This tour. Minogue premièred "Can't Get You Out of My Head" by performing it during the tour and soon after discussion regarding the song "quickly set online messageboards alight".[5] "Can't Get You Out of My Head" was chosen as the lead single from Minogue's eighth studio album Fever, and it was released on 8 September 2001 by Parlophone in Australia,[5] while in the United Kingdom and other European countries it was released on 17 September.[6] My A&R at the time, Miles Leonard and Jamie Nelson, said, "We've got something. Come into the office. We've got to play you something." So I went to the EMI office, and I had the same reaction you did, about 20 seconds in. I couldn't even fathom what I was hearing. It just... did something. I was beside myself. Then at the end of the song, panic set in. I was saying "Are you sure we've got this song? Don't tell me that we don't! Is it secured? Can we have it?" And we did! And that kick-started a whole different phase in my career. "Can't Get You Out of My Head" was written and produced by Cathy Dennis and Rob Davis, who had been put together by British artist manager Simon Fuller, who wanted the duo to come up with a song for British pop group S Club 7.[8] The song was recorded using Cubase music software, which Davis ran on his Mac computer.[8] Davis began playing an acoustic guitar and ran a 125 beats per minute drum loop, on which Dennis began singing the line "I just can't get you out of my head" in the key of D minor.[8] After three and a half hours, the demo was recorded and the vocals were laid afterwards.[8] Dennis called their recording setup for the song "the most primitive set-up you could imagine! Different producers work in different ways. But it's good to be reminded you don’t have to be reliant on equipment. A song is about melody and lyrics and being able to take something away in your memory that is going to haunt you".[8] She also regarded their production as a "very natural and fluid process", saying "We know how hard we work sometimes to write songs and then spend months picking them to pieces, but this was the easiest process, the chemicals were all happy and working together".[8] After Fuller heard the demo, he felt it wasn't right for S Club 7 and rejected it; English singer-songwriter Sophie Ellis-Bextor also turned down the offer to record it.[8][9] Davis then met with Minogue's A&R executive Jamie Nelson who, after hearing the demo cassette of the song, booked it for Minogue to record later that year.[8] Nelson was impressed by the "vibe" of the song and felt it would please the "danceheads".[10] Although Davis was initially under the impression that the recording deal would be called off later,[8] Minogue became enthusiastic to record the song after hearing 20 seconds of the demo.[7] The whole song including Minogue's vocals were recorded at Davis's home studio in Surrey. The music, excluding the guitar part, was programmed using Korg Triton workstation via a MIDI.[10] Dennis later remarked that "Even though Kylie wasn't the first artist to be offered the song. I don't believe it was meant to go to anyone other than Kylie, and I don't believe anyone else would have done the incredible job she did with it, with the video, looking super-hot!".[8] Composition[edit] "Can't Get You Out of My Head" is a "robotic" midtempo dance-pop song, with a tempo of 126 beats per minute.[13][14] According to the sheet music published at Musicnotes.com by EMI Music Publishing, the song is written in the key of C major or A minor, with Minogue's vocal range spanning from C4 to D5.[14] Minogue chants a "la la la" hook in the song, which is often heralded as its most appealing part.[15] BBC Radio 2 noted that the composition of the song is "deceptively simple, but its veins run with the whole history of electronic music".[16] They described the song's bassline as "pulsing," and recognised influences of English rock band New Order and German electronic music band Kraftwerk.[16] The song does not follow the common verse-chorus structure and is instead composed of numerous "misplaced sections."[8] Dennis reasoned that these sections "somehow work together" as she and Davis "didn't try to force any structure after the event. The seeds were watered and they very quickly sprouted into something bigger than any of us".[8] Likewise, Davis commented that "It breaks a few rules as it starts with a chorus and in comes the 'la's'– that is what confused my publisher [Fuller] when he first heard it".[8] Through the lyrics of the song, Minogue expresses her obsession with an anonymous figure. Dorian Lynskey from The Guardian termed the song a "mystery" as Minogue never reveals the identity of her object of infatuation.[15] The critic suggested that the person Minogue is referring to is either "a partner, an evasive one-night stand or someone who doesn't know she exists".[15] Writing for the same newspaper, Everett True identified a "darker element" in the simple lyrics and felt this sentiment was echoed in Minogue's restrained vocals.[17] Further, True emphasised that while Minogue's 1987 single "I Should Be So Lucky" presented an optimistic romantic future, "Can't Get You Out of My Head" focuses on an "unhealthy" and potentially destructive obsession.[17] He also noted that in the former song, Minogue played "the wide-eyed ingénue with alacrity," but in the latter song she is aware of the harmful nature of her infatuation, calling it a "desire that is wholly dependent on her own self-control."[17] In late 2012, "Can't Get You Out of My Head" was re-recorded by Minogue for inclusion in her orchestral compilation album The Abbey Road Sessions.[18] On the album, Minogue reworked 16 of her past songs with an orchestra, which, according to Nick Levine from BBC Music, "re-imagine them without the disco glitz and vocal effects".[19] The Abbey Road Sessions-version of "Can't Get You Out of My Head" features a "more dramatic, fully fleshed out" musical arrangement, and follows a pizzicato playing technique, in which the strings of a string instrument are continuously plucked.[20][21] Critical reception[edit] The song was positively received by music critics. Chris True from AllMusic picked the song as a highlight of Fever, commenting that it "pulses and grooves like no other she's [Minogue's] recorded".[13] Jason Thompson from PopMatters described Minogue's vocals as a "sexual come on" and called the song "trim and funky, certainly something that couldn't miss anywhere".[22] Dominique Leone from Pitchfork Media praised the commercial prospect of the song, saying that it "exudes a catchiness that belies its inherent simplicity, so reassuring during an era when chart acts sound increasingly baroque and producers race to see who can ape electronic music trends first".[23] Jim Farber from Entertainment Weekly said that the song "fully lives up to its title" with "every sound a hook", and compared it to the works of Andrea True.[24] Michael Hubbard from MusicOMH labelled the song "one of 2001's best singles", saying that it "predictably beat off lesser 'competition'".[25] In 2012, The Guardian critic Everett True defined "Can't Get You Out of My Head" as "one of those rare moments in pop: sleek and chic and stylish and damnably danceable, but with a darker element hidden in plain sight."[17] The Abbey Road Sessions–version of the song received generally positive reviews. Tim Sendra from AllMusic felt that "most interesting reboot" in the album took place on 'Can't Get You Out of My Head', saying that the "insistent strings push the song along with a tightly coiled electricity that is impossible to resist".[18] He also picked the song as a highlight on the album.[18] Sal Cinquemani from Slant Magazine chose the song as one of the "standouts" on the album, saying that its arrangement "compensate for the lack of synthetic dance beats and vocal effects".[20] Tania Zeine from ARIA Charts described the track as a "powerful violin ballad with the accompaniment of a large orchestra throughout the remainder".[26] Simon Price from The Independent said that while the original version of "Can't Get You Out of My Head" would be "impossible to improve on", the reworked version "turns it into a pizzicato thriller score".[21] Jude Rogers from The Quietus, however, felt that the song does not "respond well to this [orchestral] treatment".[27] Commercial performance[edit] In Minogue's native country Australia, "Can't Get You Out of My Head" entered and peaked at number one on the Australian Singles Chart, on the chart date of 23 September 2001, and remained at the position for four weeks.[30] During its last week on the chart, on 9 December 2001, the song was at number 48, and had spent a total of 12 weeks on the chart.[30] In this region, it was certified triple-platinum by the Australian Recording Industry Association for shipments of 210,000 units.[31] In New Zealand, the song entered the New Zealand Singles Chart at number 33 and peaked at number one, becoming the first and the only Minogue's singles to topped the chart in that country so far, additionally the singles spending a total of 20 weeks on the chart.[32] In this region, it was certified gold by the Recording Industry Association of New Zealand for shipments of 7,500 units.[33] As of September 2014, "Can't Get You Out of My Head" is the 688th best selling single in that country.[34] In Austria, the song entered the Austrian Singles Chart at number four and peaked at number one, spending a total of 25 weeks on the chart.[35] In this region, it was certified platinum by the International Federation of the Phonographic Industry for selling 30,000 units.[36] In both the Dutch-speaking Flanders and French-speaking Wallonia regions of Belgium, the song peaked at number one on the Ultratop chart, spending a total of 22 and 24 weeks on the charts, respectively.[37][38] In Belgium, the song was certified double-platinum for sales of 100,000 units.[39] In France, the song entered the French Singles Chart at number 14 and peaked at number one, spending a total of 41 weeks on the chart.[40] In this region, it was certified platinum by the Syndicat National de l'Édition Phonographique for sales of 500,000 units.[41] As of August 2014, the song was the 22th best-selling single of the 21st century in France, with 542,000 units sold.[42] In Germany, the song remained at number one for one week on the German Singles Chart.[43] In this region, it was certified platinum by the Federal Association of Music Industry for shipments of 500,000 units.[44] In Ireland, the song entered and peaked at number one on the Ireland Singles Chart,[45] spending a total of consecutive 19 weeks on the chart.[46] In Switzerland, the song entered the Swiss Singles Chart at number 10 and peaked at number one, spending a total of 33 weeks on the chart.[47] In this region, it was certified platinum by the International Federation of the Phonographic Industry for selling 40,000 units.[48] In Poland, the song remains her biggest hit, spending seven weeks atop the Polish Singles Chart.[49] In the United Kingdom, the single faced competition in a hugely hyped chart battle with Victoria Beckham's single "Not Such an Innocent Girl".[50] On the chart date of 29 September 2001, "Can't Get You Out of My Head" debuted at number one on the UK Singles Chart with first week sales of 306,000 units, while "Not Such an Innocent Girl" debuted at number six with first week sales of 35,000 units.[28][29][51] It spent four weeks at number one, and a total of 25 weeks inside the top 40 on the chart.[52] The song spent a record-breaking eight weeks at number one on the airplay chart of the country and became the first to garner 3000 radio plays in a single week.[5] Subsequently, it became the most-played song of 2001 in the region.[5] "Can't Get You Out of My Head" was certified platinum by the British Phonographic Industry for shipments of 600,000 units.[3] In the United States, "Can't Get You Out of My Head" peaked at number seven on the US Billboard Hot 100 chart,[53] becoming Minogue's best selling single in the region since "The Locomotion".[6] Additionally, the song peaked at number one on the Hot Dance Club Songs chart,[54] at number 23 on the Adult Top 40 chart,[55] at number three on the Mainstream Top 40 (Pop Songs) chart,[56] and number eight on the Radio Songs chart.[57] In this region, the song was certified gold by the Recording Industry Association of America for shipments of 500,000 units.[58] Music video[edit] Development and synopsis[edit] The accompanying music video for "Can't Get You Out of My Head" was directed by Dawn Shadforth, and featured dance routines choreographed by Michael Rooney.[64] Early in Minogue's career, her youthful look, slim figure, and her "proportionally" large mouth attracted comments from various critics, with British red top newspaper News of the World speculating that the singer could possibly be an alien.[65] Later while discussing the video, Shadforth and music critic Paul Morley took this "bizarre suggestion" into consideration to comment on Minogue as a "creative, experimental artist."[65] Shadforth blocked some shots of the initial driving scene based upon similar shots of Shirley Manson piloting an airplane in her award-winning dogfight clip for Garbage's "Special".[66] The video was released on 11 August 2001.[64] It begins with Minogue driving a De Tomaso Mangusta sports car on a futuristic bridge, while singing the "la la la" hook of the song.[67][68] The next scene consists of a number of dance couples performing a dance routine dressed in black and white costumes; they are soon joined by Minogue, who is seen wearing a white tracksuit.[69] The setting changes to a room where Minogue is seen striking various poses sporting bright crimson lipstick and a hooded white jumpsuit with a neckline plunging down to her navel.[59][60] The outfit was designed by London-based fashion designer Fee Doran, under the label of Mrs Jones.[60][69] Minogue then performs a synchronised dance routine with several backup dancers, who are wearing red and black suits.[16][70] As the video ends, she performs a similar routine on the top of a building during the night, this time wearing a lavender halter neck dress with ribbon tile trim.[71] Various scenes in the video show Minogue's face "unusually" close to the lens of the camera, thus it "subtly distorts, yet remains glamorous."[65] Shadforth felt the shot gave a "sort of sense of intimacy and as you say a sort of strangeness," again drawing upon the suggestion of Minogue being an alien.[65] Similarly, Morley opined that it was "the side of Kylie that suddenly reveals itself as being experimental, she is prepared to push herself into positions and shapes that might not be conventionally attractive [...] She becomes alien Kylie as well."[65] Legacy[edit] At the 2002 MTV Video Music Awards ceremony, the music video was nominated for Best Dance Video, while Michael Rooney won the award for Best Choreography.[72] The hooded white jumpsuit Minogue wore in the music video is often considered to be one of her most iconic looks, particularly due to its deep plunging neckline.[59][60][61][62][63] British fashion designer and Minogue's stylist William Baker described the choice of the outift, saying it was "it was pure but kind of slutty at the same time".[60] The outfit was put on display at Kylie: The Exhibition, an exhibition that featured "costumes and memorabilia collected over Kylie's career", held at the Victoria and Albert Museum in London, England, and at Kylie: an exhibition, a similar exhibition held at the Powerhouse Museum in Sydney, Australia.[61][71] It was also included in Minogue's official fashion photography book Kylie / Fashion, which was released on 19 November 2012 by Thames and Hudson to celebrate Minogue's completion of 25 years in music.[63] The music video served as an inspiration for Morley while writing his book Words and Music: the history of pop in the shape of a city. In the book, Morley "turned the lonely drive she [Minogue] made in the song's video towards a city [...] into a fictional history of music," referring to the opening sequence of the music video.[73] The critic takes a ride with Minogue through a city and encounters various musicians and artists like the ghost of Elvis Presley, and Madonna, Kraftwerk, and [Ludwig] Wittgenstein.[74] Academics Diane Railton and Paul Weston, in their 2005 essay Naughty Girls and Red Blooded Women (Representations of Female Heterosexuality in Music Video), contrasted the music video of "Can't Get You Out of My Head" with that of American singer Beyoncé's 2003 single "Baby Boy". Railton and Weston concluded that while both videos focus on two singers performing seductive dance routines, Minogue is presented in a calculated manner and "is always provisional, restricted, and contingent", whereas Beyoncé displays a particular "primitive, feral, uncontrolled and uncontrollable" sexuality embodied by the black female body. The two felt that the videos were representative of the raced depictions of white and black women in colonial times and pop culture, respectively.[75] Live performances[edit] On 2 August 2001, Minogue performed "Can't Get You Out of My Head" at the BBC Radio 1 One Big Sunday show held at Leicester, in the United Kingdom, along with "Spinning Around"; for the performance, she wore a black trilby hat, sleeveless T-shirt (with a picture of Marilyn Monroe printed on it), knee length black boots, and trousers with open zips placed on both the thighs.[76] She performed "Can't Get You Out of My Head" on 8 November 2001 at the MTV Europe Music Awards ceremony in 2001.[77] At the 2002 Brit Awards held on 20 February 2002, Minogue performed a mash-up version of "Can't Get You Out of My Head" and British band New Order's 1983 song "Blue Monday" conceived by and also produced by Stuart Crichton.[78] The mash-up was soon released as the B-side to "Love at First Sight", the third single off Fever.[78][79] The live performance of the mash-up ranked at number 40 on The Guardian's list of "50 Key Events in the History of Dance Music" in 2011.[80] The mashup was dubbed "Can't Get Blue Monday Out of My Head" during its inclusion as the B-side to "Love at First Sight" and as a remix on Minogue's remix album Boombox.[81][82][83] On 16 March 2002, Minogue performed "Can't Get You Out of My Head" along with "In Your Eyes", the second single off Fever, on Saturday Night Live.[84] On 4 July 2012, she sang "Can't Get You Out of My Head" at the Diamond Jubilee Concert in front of the Buckingham Palace, held in honour of Elizabeth II's completion of 60 years as Queen. Minogue wore a pearl-studded black jacket and hat for the performance. Dance troupe Flawless, finalists of British television talent show Britain's Got Talent, served as Minogue's backup dancers.[85] More recently, Minogue has performed a version of the song remixed by Steve Anderson. She performed the version during her "MasterCard Pricless Gig" and other mini-concerts to promote her twelfth studio album "Kiss Me Once". It was performed during her seven-song set at the "2014 Commonwealth Games closing ceremony, as the final song of her performance. She also performed on the French TV show "Le Grand Journal" along with "I Was Gonna Cancel". Following its release, "Can't Get You Out of My Head" has been performed by Minogue during all of her concert tours as of 2013, with the exception of the Anti Tour in 2012. In 2001, the song was included in the setlist of Minogue's On a Night Like This tour, which was launched to promote Light Years, and according to Tim DiGravina from AllMusic, the performance was infused with an "almost tangible passion and fire".[86] The song was included in the encore segment of the KylieFever2002 tour, which was launched to promote Fever.[87] In 2003, she performed the song on the one-night only concert Money Can't Buy, which was used to promote Minogue' ninth studio album Body Language and was held at major entertainment venue Hammersmith Apollo in London.[88] During the performance, "a visual flurry of quasi-Japanese symbols" was projected onto large digital screens set behind the stage, and dancers wearing bondage costumes carried out a "robotic" dance routine.[89] In 2005, she performed the song on her Showgirl: The Greatest Hits Tour.[90] Minogue was unable to complete the tour as she was diagnosed with early breast cancer and had to cancel the Australian leg of the tour.[91] After undergoing treatment and recovery, she resumed the concert tour in the form of Showgirl: The Homecoming Tour in 2007, and included "Can't Get You Out of My Head" on the setlist.[92] In 2008, she performed the song on the KylieX2008 tour, which was launched to promote her tenth studio album X. The show was split into five acts and "Can't Get You Out of My Head" was featured on the first act entitled "Xlectro Static", in a mashup with the song "Boombox".[93] In 2009, she performed the same version of the song on the For You, For Me tour, which was her first concert tour in North America.[94] A more rock-oriented version of the song was performed during the Aphrodite: Les Folies Tour, which was launched to promote her eleventh studio album Aphrodite.[95] It was regarded as "seemingly inspired by the crunch of Janet Jackson's "Black Cat."[96] During the performance, male back-up dancers in "S&M dog collars" danced with female back-up dancers, who were dressed in red ballroom gowns.[95] In 2012, Minogue promoted The Abbey Road Sessions by performing on the BBC Proms in the Park at Hyde Park, London.[97] During the event, she also sang the orchestral version of "Can't Get You Out of My Head".[98] More recently, the Steve Anderson remix was performed on Minogue's "Kiss Me Once Tour". It followed a performance of "Sexercize" in the fourth section, and an interlude dubbed the "Sex Segue". Legacy[edit] Commercial impact[edit] Following its release, "Can't Get You Out of My Head" peaked at number one on the charts of every European country (except Finland)[6] and Australia.[30] The song reportedly reached number one in 40 countries worldwide,[99] and as of 2013 it has sold over five million copies.[100] In the United Kingdom, the total sales of the song are accumulated to be around 1.16 million units, thus making it the 75th best-selling single in the United Kingdom of all time.[101] It is Minogue's highest selling single as of 2013[6] and also one of the best-selling singles of all time. The song is notable for being Minogue's biggest and strongest commercial breakthrough in the United States, a region in which Minogue previously had previously managed to achieve little success.[1][59][102][103][104] The commercial success of "Can't Get You Out of My Head" in the US is often considered to have piloted its parent album Fever to achieve similar success in the region.[105] The album would later peak at number three on the Billboard 200 chart,[106] and attain a platinum certification from the Recording Industry Association of America for shipments of 1,000,000 units.[58] Fever reportedly sold over six million copies worldwide, becoming Minogue's highest selling album as of 2013.[59][107] Cultural impact[edit] Eventually, with the hugely successful "Can't Get You Out of My Head," Kylie would rattle the American pop psyche, reminding the rather insular scene that the bubbly girl who had first made waves with the 1987 cover of "The Loco Motion" had developed into a stylish, experienced, and able pop performer with a clear agenda -- both musically and visually -- and the chops to match. In 2011, Rolling Stone magazine ranked "Can't Get You Out of My Head" at number 45 on "100 Best Songs of the 2000s" list, noting that Minogue "seduced the U.S. with this mirror-ball classic" and that "we've been hearing it at the gym ever since".[108] NME ranked the song at number 74 on their "100 Best Track of the Noughties" list, saying it "encapsulated everything enviable in a well-crafted song" and heralding it as Minogue's best single.[99] In 2012, Priya Elan from NME ranked the song at number four on his "The Greatest Pop Songs in History" list, saying "it was unlike any song I remember hearing before".[79] In 2012, The Guardian included the song in their list of "The Best Number One Records", labelling it to be "sleek, Arctic-blue minimalism, like an emotionally thwarted retelling of Donna Summer's "I Feel Love".[15] In the same year, PRS for Music, a UK copyright collection society and performance rights organisation which collects royalties on behalf of songwriters and composers, named "Can't Get You Out of My Head" the "Most Popular Song of the Decade" as it received the highest airplay and live covers in the 2000s.[109][110] In 2013, a survey of 700 people was conducted as part of the Manchester Science Festival to find out which song they considered the "catchiest", and "Can't Get You Out of My Head" topped the poll.[111] Lee Barron, in his essay The Seven Ages of Kylie Minogue: Postmodernism, Identity, and Performative Mimicry, noted that the song "further established Minogue's cultural and commercial relevance in the new millennium".[112] He remarked that the song "with its hypnotic "la la la" refrain and the deceptively uncomplicated, catchily-repetitive beats and synth-sound, marked yet another clearly-defined image transformation from the camp-infused Light Years to an emphasis upon a cool, machine-like sexuality, a trait clearly identifiable within the promotional video for "Can't Get You Out of My Head".[112] Similarly, Everett True from The Guardian wrote that the song continued the "change in the marketing and public perception of Kylie" and her transition from the "homely girl-next-door" to "a much more flirtatious, sophisticated persona" that started with the release of "Spinning Around" in 2000.[17] True also felt that the success of "Can't Get You Out of My Head" was one of the motivating factors behind "manufactured" pop music gaining a "new postmodern respectability" and marked a "clear shift in attitude towards pop music among the 'serious' rock critic fraternity: the idea that (manufactured, female) pop music might well be the equal of (organic, male) rock music after all, that each has their high points and their low."[17] In 2011, Minogue's official website posted a special article marking the song's 10th anniversary on 8 September, the release date of "Can't Get You Out of My Head" in Australia.[5] "Can't Get You Out of My Head" is recognised as Minogue's signature song.[17][113] "Can't Get You Out of My Head" garnered Minogue a number of awards. At the 2001 Top of the Pops Awards ceremony, the song won the award for "Best Single".[114] At the 2002 ARIA Music Awards ceremony, "Can't Get You Out of My Head" won the awards for "Single of the Year" and "Highest Selling Single", and Minogue won the "Outstanding Achievement Award".[115] In 2002, it won a Dutch Edison Award for "Single of the Year".[116] In the same year, Dennis and Davis won three awards at the 47th Ivor Novello Awards for their composition of the song; they won the awards "The Ivors Dance Award", "Most Performed Work", and "International Hit of the Year".[117] At the inaugural Premios Oye! in 2002, the song received a nomination in the category of "Song of the Year".[118] Formats and track listings[edit] These are the formats and track listings of major single releases of "Can't Get You Out of My Head". - CD single[119] - "Can't Get You Out of My Head" – 3:50 - "Rendezvous at Sunset" – 3:23 - "Can't Get You Out of My Head" – 3:52 - Other - "Can't Get You Out of My Head" (Kiss Me Once Tour studio version) Charts[edit] Certifications[edit] *sales figures based on certification alone ^shipments figures based on certification alone xunspecified figures based on certification alone References[edit] - ^ a b c d True, Chris. "Kylie Minogue – Biography". Allmusic. Rovi Corporation. Retrieved 21 July 2013. - ^ "ARIA Charts – Accreditations – 2001 Albums". Australian Recording Industry Association. Retrieved 21 July 2013. - ^ a b c "Certified Awards". British Phonographic Industry. Retrieved 21 July 2013. - ^ "ARIA Charts – Accreditations – 2000 Singles". Australian Recording Industry Association. Retrieved 21 July 2013. - ^ a b c d e "Ten Years Ago On 8Th September 2001...". Kylie.com. Parlophone Records. 8 September 2011. Retrieved 16 August 2013. - ^ a b c d "Can't Get You Out of My Head". Kylie.com. Parlophone Records. Archived from the original on 27 February 2014. Retrieved 16 August 2013. - ^ a b Price, Simon (25 October 2012). "Limitless Joy: Kylie Minogue Interviewed". The Quietus. Retrieved 6 October 2013. - ^ a b c d e f g h i j k l m "I Wrote That: Can't Get You Out of My Head". M Magazine. PRS for Music. 26 September 2011. Retrieved 5 October 2013. - ^ "The Kylie hit you can't get out of your head". BBC. 31 December 2011. Retrieved 16 August 2013. - ^ a b Inglis, Sam (May 2002). "People + Opinion: Rob Davis". Sound on Sound. SOS Publications Group. Retrieved 25 June 2014. - ^ Dorian, Lynskey (21 May 2012). "The best No 1 records: Kylie Minogue – Can't Get You Out of My Head". The Guardian. Retrieved 22 July 2013. - ^ Ivan (28 February 2012). "Ten Years Gone: Kylie Minogue – Fever". Hectic But Eclectic. Retrieved 4 August 2013. - ^ a b True, Chris. "Fever- Kylie Minogue". AllMusic. Rovi Corporation. Retrieved 16 August 2013. - ^ a b "Can't Get You Out of My Head". Musicnotes.com. EMI Music Publishing. Retrieved 16 August 2013. - ^ a b c d Lynskey, Dorian (31 May 2012). "The best No 1 records: Kylie Minogue – Can't Get You Out of My Head". The Guardian. Retrieved 16 August 2013. - ^ a b c "The People's Songs- Can't Get You Out of My Head". BBC. Retrieved 21 August 2013. - ^ a b c d e f g True, Everett (29 July 2014). "Kylie Minogue – Can't Get You Out of My Head: a damnably danceable hit". The Guardian. Retrieved 29 July 2014. - ^ a b c Sendra, Tim. "The Abbey Road Sessions- Kylie Minogue". Allmusic. Rovi Corporation. Retrieved 16 July 2013. - ^ Levine, Nick. "Kylie Minogue The Abbey Road Sessions Review". BBC Music. BBC. Retrieved 17 July 2013. - ^ a b Cinquemani, Sal (11 November 2012). "Kylie Minogue: The Abbey Road Sessions". Slant Magazine. Retrieved 16 August 2013. - ^ a b Price, Simon (28 October 2012). "Album: Kylie Minogue, The Abbey Road Sessions (Parlophone)". The Independent (Independent Print Limited). Retrieved 16 August 2013. - ^ Thompson, Jason (25 February 2002). "Kylie Minogue: Fever". PopMatters. Retrieved 22 July 2013. - ^ Leone, Dominique (21 March 2002). "Kylie Minogue: Fever". Pitchfork Media. Retrieved 22 July 2013. - ^ Farber, Jim (1 March 2002). Entertainment Weekly. 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Retrieved 16 August 2013. - ^ http://www.charts.org.nz/bestall.asp?page=7 - ^ "Kylie Minogue- Can Not Get You Out of My Head" (in German). Austrian Charts. Hung Medien. Retrieved 16 August 2013. - ^ "Gold & Platin" (in German). IFPI. 24 October 2001. Retrieved 16 August 2013. - ^ "Kylie Minogue- Can Not Get You Out of My Head" (in Dutch). Ultratop. Hung Medien. Retrieved 16 August 2013. - ^ "Kylie Minogue- Can Not Get You Out of My Head" (in French). Ultratop. Hung Medien. Retrieved 16 August 2013. - ^ "Les Disques D'Or/De Platine- Singles- 2002" (in French). Ultratop. Hung Medien. Retrieved 16 August 2013. - ^ "Kylie Minogue- Can't Get You Out of My Head" (in French). French Charts. Hung Medien. Retrieved 16 August 2013. - ^ "Certifications Singles Platine – année 2001" (in French). SNEP Musique. Archived from the original on 5 December 2013. Retrieved 16 August 2013. - ^ "Top 100 des singles les plus vendus du millénaire en France, épisode 8 (30-21)". Chartsinfrance, PureCharts. - ^ "Single- Kylie Minogue Can not Get You Out of My Head" (in German). Charts.de. Media Control. Retrieved 16 August 2013. - ^ "Gold-/Platin-Datenbank" (in German). Bundesverband Musikindustrie. Retrieved 16 August 2013. - ^ "Top 50 Singles, Week Ending 20 September 2001". GfK. 20 September 2001. Retrieved 16 August 2013. - ^ "Top 50 Singles, Week Ending 24 January 2002". GfK. 31 January 2002. Retrieved 16 August 2013. - ^ "Kylie Minogue- Can Not Get You Out of My Head" (in German). Swiss Charts. Hung Medien. Retrieved 16 August 2013. - ^ "Awards 2001" (in German). Swiss Charts. Hung Medien. Retrieved 16 August 2013. - ^ "Nielsen Music Control". Archived from the original on 2008-05-08. - ^ "Kylie and Beckham begin chart race". BBC. 17 September 2001. Retrieved 19 December 2007. - ^ "2001 Top 40 Official Singles Chart UK Archive". Official Charts Company. 29 September 2009. Retrieved 16 August 2013. - ^ "Kylie Minogue". Official Charts Company. 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Recording Industry Association of America. If necessary, click Advanced, then click Format, then select Single, then click SEARCH - ^ Trust, Gary (4 March 2011). "Ask Billboard: Katy Perry, Kylie Minogue, Cee Lo Green". Billboard. Retrieved 29 April 2013. Further reading[edit] The Complete Kylie, Simon Sheridan, Reynolds & Hearn Books (February 2009). External links[edit] - A page on "Can't Get You Out of My Head" at Kylie Minogue's official website - Full lyrics of this song at MetroLyrics - "Hand on Your Heart" - "Wouldn't Change a Thing" - "Never Too Late" - "Tears on My Pillow" - "Especially for You" (featuring Jason Donovan) - "Too Far" - "Cowboy Style" - "Some Kind of Bliss" - "Did It Again" - "Breathe" - "Say Hey" - "I Don't Need Anyone" - "Jump" - "Limbo" - "Can't Get You Out of My Head" - "Love at First Sight" - "Come into My World" - "In Your Eyes" - "Slow" - "Red Blooded Woman" - "Chocolate" - "2 Hearts" - "In My Arms" - "Speakerphone" - "All I See" - "The One" - "Flower" - "Timebomb" - "Skirt" - "Crystallize" - "You're the Voice" by John Farnham (1987) - "Beds Are Burning" by Midnight Oil (1988) - "Under the Milky Way" by The Church (1989) - "Crying in the Chapel" by Peter Blakeley (1990) - "I Don't Wanna Be with Nobody But You" by Absent Friends (1991) - "Treaty (Filthy Lucre Remix)" by Yothu Yindi (1992) - "The Day You Went Away" by Wendy Matthews (1993) - "The Honeymoon Is Over" by The Cruel Sea (1994) - "Tomorrow" by Silverchair (1995) - "Where the Wild Roses Grow" by Nick Cave and the Bad Seeds and Kylie Minogue (1996) - "Truly Madly Deeply" by Savage Garden (1997) - "Torn" by Natalie Imbruglia (1998) - "The Day You Come" by Powderfinger (1999) - "Don't Call Me Baby" by Madison Avenue (2000) - "My Happiness" by Powderfinger (2001) - "Can't Get You Out of My Head" by Kylie Minogue (2002) - "Born to Try" by Delta Goodrem (2003) - "Are You Gonna Be My Girl" by Jet (2004) - "Catch My Disease" by Ben Lee (2005) - "Black Fingernails, Red Wine" by Eskimo Joe (2006) - "Straight Lines" by Silverchair (2007) - "Sweet About Me" by Gabriella Cilmi (2008) - "Walking on a Dream" by Empire of the Sun (2009) - "Big Jet Plane" by Angus & Julia Stone (2010) - "Somebody That I Used to Know" by Gotye featuring Kimbra (2011) - Singles certified triple platinum by the Australian Recording Industry Association - Singles certified platinum by the International Federation of the Phonographic Industry of Austria - Singles certified double platinum by the Belgian Entertainment Association - Singles certified platinum by the Syndicat National de l'Édition Phonographique - Singles certified platinum by the Bundesverband Musikindustrie - Singles certified platinum by the International Federation of the Phonographic Industry of Greece - Singles certified platinum by the Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers - Singles certified gold by Recorded Music NZ - Singles certified platinum by the International Federation of the Phonographic Industry of Norway - Singles certified platinum by the International Federation of the Phonographic Industry of Sweden - Singles certified platinum by the International Federation of the Phonographic Industry of Switzerland - Singles certified platinum by the British Phonographic Industry - Singles certified gold by the Recording Industry Association of America - 2001 singles - 2002 singles - 2001 songs - Billboard Hot Dance Club Songs number-one singles - Dance-pop songs - Dutch Top 40 number-one singles - European Hot 100 Singles number-one singles - Irish Singles Chart number-one singles - Kylie Minogue songs - Number-one singles in Australia - Number-one singles in Austria - Number-one singles in Denmark - Number-one singles in France - Number-one singles in Germany - Number-one singles in Italy - Number-one singles in New Zealand - Number-one singles in Norway - Number-one singles in Romania - Number-one singles in Spain - Number-one singles in Sweden - Number-one singles in Switzerland - Parlophone singles - Songs written by Cathy Dennis - Songs written by Rob Davis (musician) - UK Singles Chart number-one singles