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Кайли Миноуг Кайли Ан Миноуг (на английски: Kylie Ann Minogue) е австралийска певица, автор на текстове на песни, както и актриса в киното, театъра и телевизията. Първото участие на Миноуг, което ѝ носи популярност, е ролята ѝ в австралийската сапунена опера „Съседи“ в края на 80-те години на 20. век. След това Кайли продължава своята кариера като поп-изпълнителка. Тя подписва договор с британските композитори и продуценти Сток, Ейткън и Уотърман (Stock, Aitken & Waterman) и представя редица световни хитове. Популярността на Кайли обаче започва да спада в началото на 90-те, което я кара да се отдели от Сток, Ейткън и Уотърман през 1992. Следващите няколко години тя се опитва да се наложи като независим изпълнител и композитор, дистанцирайки се от по-ранните си творби. Въпреки широката публичност на проектите ѝ, албумите на Миноуг не успяват да привлекат достатъчно почитатели и дават най-лошите продажби в кариерата ѝ. През 2000 г. тя възвръща славата си на поп-денс изпълнителка и става известна с провокативните си музикални клипове и скъпоструващите си концерти на живо. Кариерата на Кайли Миноуг е една от най-дългите и най-успешните в съвременната поп-музика, като в Европа и Австралия тя е се нарежда сред най-известните личности и секс-символи на своето поколение. След като ранната ѝ кариера е отричана от много критици в Австралия, сега Миноуг е хвалена за постиженията си; тя държи рекорда за най-високи продажби на билети за концерт на изпълнителка и има 9 песни станали номер едно в класацията за сингли ARIA. [редактиране] Детство и начало на кариерата Кайли Ан Миноуг е родена на 28 май 1968 г. в Мелбърн, Австралия. Преди да стане голяма международна звезда, тя заедно със сестра ѝ Дани, след училище са водени от свръхамбициозните си майка Керъл Джоунс(Дейл) и вуйчо Алън Дейл - (като Брадфорд Мийд в Грозната Бети) , балерина и актьор по всевъзможни кастинги. За разлика от майка ѝ, бащата на Кайли предпочитал да се занимава с професията на счетоводител и слабо се вълнувал от “пайетите”, както се изразяват в едно популярно издание. Малката Кайли бързо е забелязана от режисьорите и още на 11 години се снима в първия си тв сериал “Skyways”, последван от успешния “The Sullivans”, на чиято снимачна площадка среща небезизвестния Джейсън Донавън. През 1984 година Кайли играе ролята на Шарлот в сериала “The Henderson Kids”, след който следва не особено успешният “Zoo Family”. На 15 години младата звезда печели първата си статуетка Logies (австралийският еквивалент на Emmy). След 17 си рожден ден Кайли решава да напусне учлище, за да се посвети изцяло на актьорската професия. Печели ролята на Шарлийн в сериала “Съседи” (втората ѝ среща с Джейсън Донавън). От тук кариерата ѝ тръгва стремглаво нагоре, като печели отново Silver Logies за най-популярна актриса в Австралия и за най-популярен персонаж. Актьорската професия обаче е само една малка частица от таланта на Миноуг. През 1987 година на благотворителен концерт Кайли и останалата част от екипа на “Съседи” са извикани на бис и тъй като нямат нищо предвидено, звездата предлага да изпълни любимата си класика “The Loco-motion” на Малката Ева. Импровизацията предизвиква огромен фурор и веднага Кайли получава предложение да я запише, като сингълът се продава в рекорден тираж по света и остава в чартовете седем седмици на първо място. [редактиране] 1988 - 1992 година Така паралелно с актьорската Кайли започва да развива и певческа кариера. През 1988 година тя е поканена в Лондон да направи първия си албум “Kylie”, от който излизат шест успешни хит сигъли като “I should be so lucky”, “Got to be certain”, новата версия на “Locomotion”, “Je ne sais pas pourquoi” и други попадения. През 1989 година Кайли прави и първия си игрален филм “The delinquents”. Но истинските и огромни успехи тепърва предстоят и то главно в музикалното поприще. Успехът на “Kylie” и продължаващият на “Съседи” кара феновете все по-упорито да искат от своите идоли — Кайли и Донавън да направят дует. Мечтата им е изпълнена с мултиплатинения сингъл “Especially for you”, който е сред трите най-продавани сингли на Кайли по света, достигайки тираж от над 1.5млн копия по света включително и в Америка. След като “унищожава” класациите с хитовете от дебюта си Кайли не спира да работи, а още на следващата година т.е. 1989 вади втория си албум “Enjoy yourself” с първи успешен сингъл от него “Hand on your heart”. Тавата триумфира и с още три хита включително и “Tears on my pillow” - саундтрак към “The delinquents”. Междувременно Джейсън Донавън се отнася доста неочаквано към певческите успехи на приятелката си, като ѝ казва, че се е взела твърде насериозно и е забравила от къде е тръгнала. Завистта на Донавън е трудно приета от чувствителната Кайли, която обаче тепърва прохожда в големия шоубизнес и е решена да го покори. За тази увереност ѝ помага и хващането “на калъп” между Донавън и помощник-режисьорката на “Съседи”. Така Кайли се оказва окончателно в Лондон. С помощта на автори от ранга на Уотърман, Стък и Алткен, както и на собствените си композиторски умения Кайли прави завой в своя музикален облик. Песни като “Better the devil you know”, “Step back in time”, “What do I have to do”, “Shocked” от третия ѝ албум “Rhythm of love” я превръщат в модна икона и показват новата ѝ същност — на изкусителка и лошо момиче. Естесвено Кайли дължи до голяма степен преобразяването си на режисьора Дейвид Хоугън, направил оригиналните визия и замисъл в разбиващите клипове от албума. Песните отново са сред топ 10 в класациите и певицата продължава да трупа слава и да обира благопожеланията на критиката. Най-важна роля за метаморфозата у Кайли обаче има тогавашният ѝ приятел — вокалистът на INXS Майкъл Хътчинс. Техният роман започва с това, че той помага на крехката певица да се избави от един досаден ухажор след приключването на един от концертите ѝ от първото ѝ турне. За Кайли във времето на връзката им Майкъл е Бог. Той успява да промени визията и навиците ѝ посредством разгулен живот, алкохол и наркотици, но не и душата ѝ. За звездата Хътчинс изневерите били нормално нещо, но за чувствата на Кайли били абсурд. Аферата на Майкъл с тв водещата Пола Йейтс слага край на връзката им. Междувременно Кайли е записала и четвъртия си албум “Let’s get to it”. От него излизат също четири сингъла като най-високо в класациите попада кавърът “Give me just a little more time”, а феновете приемат страхотно и баладата “Finer feelings”. След този албум обаче Кайли решава, че не може да продължи музикалното си развитие с компанията PWL и след издаването на достигналия до първо място неин първи бест и двата нови хит-сингъла от него “Celebration” и “What kind of fool…”, тя прекратява договорните си взаимоотношения с звукозаписната къща. [редактиране] 1994 - 1998 година През 1993 година подписва контракт с BMG и лейбъла “Deconstructions”. Първият им общ проект е албумът “Kylie Minogue” от 1994 година. Той е доста различен от досегашните проекти на Кайли, но това не му пречи да се нареди на 4 място във Великобритания и да извади три оригинални и новаторски сингли “Confide in me”, “Put yourself in my place” (любимата балада на Кайли) и може би най-неконвертируемият ѝ сингъл “Where is the feeling”. В този период Кайли и Майкъл Хътчинс обявяват окончателната си раздяла. В телефонен разговор между тях Майкъл я моли да му прости за грешките, но Кайли е категорична. В момента, в който затваря слушалката обаче тя решава, че при следващото му позвъняване ще му прости и те отново ще бъдат щастливи. Следващо позвъняване обаче няма. Два дни по-късно Кайли научава от пресата за самоубийството на Майкъл. Тя трудно понася мисълта и новината и започва да се обвинява за смъртта му. Кошмарът продължава месеци наред, през които тя бяга от мислите си чрез нови проекти. Един от тях е дуетът с Ник Кейв “Where the wild roses grow”, който се превръща в най-продавания сингъл на певеца, а клипът показва нови посоки в творческия път и на двамата. Междувременно Кайли прави роля и за филма с Жан-Клод Ван Дам “Streetfighter”. След двегодишна пауза Кайли обявява излизането на петият ѝ албум “Impossible princess” за началото на септември 1997 година. Трагичната смърт на принцеса Даяна, както и доста технически незиправности забавя проекта с повече от половин година, като той се появява през март 1998, предшестван от синглите “Some kind of bliss” и “Did it again”. Във Великобритания албумът излиза с обложка “Kylie” поради двузначността на предвиденото заглавие. Новата тава на Кайли е посрещната с огромен възторг от феновете, те оценяват положително по-рок звученето в някои от песните на любимата си певица, както и съчетанието с други експериментаторски музикални стилове като дръм енд бейз, хаус и твърда електроника. По ремикс версиите на синглите Кайли работи с най-изявените имена в тази област като Brothers in rhythm, Junior Vasques и други. Критката обаче не спестява резервираността и нападките си срещу текстовете и музиката на песните, които до един са на певицата, както срещу цялостното звучене на “Impossible princess”. Самата Кайли казва, че това е албумът, за който е получавала най-добрата критика в кариерата си. От проекта излиза трети сингъл, електронното парче “Breathe”, а Австралия е наградена и с четвърти - “Cowboy style”. В крайна сметка този албум и до днес остава в съзнанието на хората като най-некомерсиалния, но най-личния за Кайли. Между 1998 и 2000 година Кайли позачезва от хоризонта. Единствено страхотното и пищно турне “Intimate and live” я показва на феновете. Но през този период тя не спира да работи. Подготвя своето ударно завръщане. Напуска BMG и се преориентира към EMI, Parlophone. Преди това обаче издават една страхотна компилация “Hits+”, включваща няколко от най-големите ѝ хитове плюс доста нови и неиздавани песни, и ремикси. [редактиране] 2000 - 2004 година През юни 2000 година Кайли се реабилитира с предизвикалия бурен възторг сингъл “Spinning around”. Песента става номер едно едновременно в няколко държави и континенти. Следва поредният удар с “On a night like this”, както и самият албум “Light years” от септември 2000 година. Кайли пак е там, където ѝ е мястото — принцесата на поп музиката, музикалната икона на не едно поколение. “Light years” вади още няколко много успешни песни като “Kids” с Роби Уилямс, “Please stay”, “Butterfly”. Промяна има не само в музикално, но и в имиджово отношение за Кайли — тя е по-секси от всякога с прословутите си панталонки от клипа на “Spinning around”, както и с цялостна си визуална концепция. Този албум е представен чрез изключително успешното турне "On a night like this". Но успехът не е моментен, а “Light years” е само началото на новата инвазия на Кайли Миноуг в музикалния живот. През септември 2001 година се появява нейната песен-емблема и до днес - “Can’t get you out of my head”. С нея Кайли става номер едно във всяка една държава в Европа, в няколко в Азия, както и в денс класациите в Америка, където също песента предизвиква огромно оживление. Сингълът се продава в двумилионен тираж — невероятно постижение. Освен това певицата се превръща и в единствената освен Мадона изпълнителка, която има номер едно сингъл в три различни десетилетия. Логичното продължение на успеха е албумът “Fever”, продал се в седем милиона копия по целия свят. Хит линията е продължена от уникалното парче “In your eyes”, както и от “Love at a first sight” и “Come into my world”, с което Кайли открива градиозното си турне “Fever tour 2002”. За този албум Кайли получава и първото "Грами" в своята кариера. Междувременно е приключила злополучната ѝ връзка с британския модел Джеймс Гудинг. Той изнася цялата им история по страниците на жълтите вестници, като заявява, че Кайли била егоцентрична и вечно търсеща вини у себе си. Още повече че манекенът бил и ужасно ревнив и изявата на Кайли с Джъстин Тимбърлейк на Британските награди доста го изнервила. След кратка почивка Кайли отново дава заявка за силен албум с пилотния си съавторски хит “Slow” заедно с Емилиана Торини. Песента се настанява удобно под номер едно в хит листите във Великобритания и Австралия, като и до днес държи рекорда за най-дълго престоял на челна позиция сингъл. Атрактивният клип, заснет в Барселона, също си спечелва голям брой фенове, които разграбват сингъла от музикалните магазини. Песните за албума “Body language” са много чувствени и изпети с много стил и елегантност. Кайли е намерила покой и с новия си любим — френският актьор Оливие Мартинес. Още два много успешни сингли вади Кайли от проекта си, това са “Red blooded women”, включващ и дългоочаквания ремикс на “Slow” на Chemical brothers, както и невероятно грациозния хит “Chocolate” с безупречен в хореографско, а и във всяко едно друго отношение клип. След няколко месеца, през октомври 2004 година, Кайли прави нов пробив в класациите с композираното от нея и актуалните Siser sisters парче “I believe in you”, което достига до номер две в чартовете. То е от уникалния по рода си бест на звездата “Ultimate Kylie”, включващ песни от началото на кариерата ѝ досега. Друг нов сингъл в този албум е отново съавторската песен “Giving you up”. В края на 2004 година Кайли е номинирана за награда Грами. [редактиране] 2005-2007 година — Рак на гърдата Кайли е щастлива. Тогава тече най-голямото ѝ досега турне по света, за което билетите се разпродават за няколко минути, за което се готвят танцьори, техници, режисьори, хореографи, сценографи, музиканти, вокалисти или поне около 500 човека екип, който придружава звездата в нейните изпълнения в Европа и Австралия. Но всяка приказка има и хубави, и лоши моменти. За Кайли един черен такъв е началото на месец май 2005 година, когато преди рождения ѝ ден, в разгара на турнето ѝ диагностицират рак на гърдата. Медиите по цял свят гърмят новината, а мениджмънтът на звездата дава официална пресконференция, на която тя обявява, че ѝ предстои операция и евентуално лечение. Оставащите концерти в Австралия и Южна Азия са отменени, като е обявено, че парите от билетите ще бъдат върнати. Феновете обаче обожават Кайли и като пожелание за скорошното ѝ възстановяване не връщат ценните хартийки. Отделно са направени хиляди сайтове, които събират пожелания за Кайли в този момент и които се предават до мениджърите ѝ. Самата тя не веднъж изпраща електронни съобщения до почитатели си, като им благодари за подкрепата. В крайна сметка се налага освен операция и лечение чрез химио и радиотерапия, което приключи едва в началото на 2007. През цялото време освен на милионите фенове Кайли имаше опората и на своето семейство и на приятеля си Оливие. Много слухове за тяхна сватба плъзваха често, но всичките бяха отричани. В последните дни най-популярната съвременна попзвезда направи своите първи медиини изяви. В новия си вид Кайли се показа най-напред на парти на Долче и Габана в Портофино, Италия. Само няколко дена по-късно тя замина за Ню Йорк, където проведе срещи със Scissor Sisters за новите песни, които подготвя сега. По време на лечението Кайли е написала голяма част от парчетата за новия си албум. Според слуховете той ще се казва "Уроци", а първият сингъл, който ще бъде ремиксиран от въздесъщия Junior Vasque. В края на годината Кайли изпълнява и оставащите концерти от спряното си турне като реверанс към хилядите си фенове. В края на 2007 година е издаден албумът с име "X". Най-известните песни от него са "2 Hearts" и "Wow". Певицата издава и документален филм, заедно с Уилям Бейкър, наречен "White Diamond". [редактиране] Участия в реклами Кайли се гмурва много бясно и в рекламата тази година. Още в края на 2006 тя издаде детска книжка. Последва парфюмът ѝ "Darling", който стана най-продаваният на Острова. Веригата "H&M" пък заложи на нея за лятната си колекция и не сбърка, защото облеклата се приеха доста добре. За промоцията Кайли направи и специален мини концерт в Шанхай, Китай. Кайли участва също и в традиционната благотворителната вечер на фестивла в Кан като заедно с Шарън Стоун спретнаха изпровизиран дует. Неслучайно Кайли е любимка на мнозина. От пухкавите сладострастни устни, през модерната музика и актуалните модни линии, панталонките от “Spinning Around”, съблазнителния поглед от “Slow”, убийствения звук на “Can’t get you Out Of My Head”, перфекционизмът, до най-дребния детайл на съвършенството, Кайли дава на всеки онова, което иска да види. Тя е рядка смесица от всичките компоненти и дарби на природата. А ние само можем да ѝ се радваме, като споменем например изпълненията ѝ на Олимпийските игри в Сидни и ултра секси модната ѝ линия “LoveKylie”. Тя е безупречна в кариерата, но това не винаги е знак и за успешен личен живот. [редактиране] Кайли Миноуг в България Кайли Миноуг за първи път гостува в България за концерт през 2008 г. Единственият концерт се състои на 18 май на софийския стадион „Локомотив“. В един от клиповете на Кайли участва момиче от България.Казва се Фелициана от Чепеларе. [редактиране] Дискография [редактиране] Албуми - "Kylie" - 1988 - PWL - "Enjoy Yourself" - 1989 - PWL - "Rhythm of Love" - 1990 - PWL - "Let's get to it" - 1991 - PWL - "Kylie Minogue" - 1994 - Deconstruction - "Impossible princess" - 1997 - Deconstruction - "Light years" - 2000 - Parlophone - "Fever" - 2001 - Parlophone - "Body Language" - 2003 - Parlophone - "X" - 2007 - Parlophone - "Aphrodite" - 2010 - Parlophone [редактиране] Компилации - "Greatest hits" - 1992 - PWL - "Intimate and live" - 1998 - Mushroom - "Hits +" - 2000 - BMG - "Confide in me" - 2002 - BMG - "Artist collection: Kylie Minogue" - 2004 - BMG - "Ultimate Kylie" - 2004 - EMI - "Ultimate Kylie" - 2006 - EMI (издание от турнето) - "Showgirl: Homecoming" - 2007 - EMI - "Irresistible Kylie" - 2007 - BMG [редактиране] Албуми с ремикси - "Kylie's remixes" vol.1 - "Kylie's remixes" vol. 2 - "Greatest remix hits" 1, 2, 3, 4 - "Impossible remixes" - "Mixes" - "Boombox" [редактиране] Сингли - "The Loco-Motion" - 1987 - "I Should Be So Lucky" - 1987 - "Got to Be Certain" - 1988 - "Je Ne Sais Pas Pourquoi" - 1988 - "It's No Secret" - 1988 - "Turn It into Love" - 1988 - "Hand on Your Heart" - 1989 - "Wouldn't Change a Thing" - 1989 - "Never Too Late" - 1989 - "Tears on My Pillow" - 1990 - "Better the Devil You Know" - 1990 - "Step Back in Time" - 1990 - "What Do I Have to Do?" - 1991 - "Shocked" - 1991 - "Word Is Out" - 1991 - "If You Were with Me Now" (с Keith Washington) - 1991 - "I Guess I Like It Like That" (промо сингъл) - 1991 - "Give Me Just a Little More Time" - 1992 - "Finer Feelings" - 1992 - "What Kind of Fool (Heard All That Before)" - 1992 - "Celebration" - 1992 - "Confide in Me" - 1994 - "Put Yourself in My Place" - 1994 - "Where Is the Feeling?" - 1994 - "Some Kind of Bliss" - 1997 - "Did It Again" - 1997 - "Breathe" - 1998 - "Cowboy Style" - 1998 - "Spinning Around" - 2000 - "On a Night like This" - 2000 - "Please Stay" - 2000 - "Your Disco Needs You" - 2001 - "Butterfly" (промо сингъл) - 2001 - "Can't Get You Out of My Head" - 2001 - "In Your Eyes" - 2002 - "Love at First Sight" - 2002 - "Come Into My World" - 2002 - "Secret (Take You Home)" (промо сингъл в Тайван) - 2003 - "Red Blooded Woman" - 2004 - "Chocolate" - 2004 - "I Believe in You" - 2004 - "Giving You Up" - 2005 - "Sometime Samurai" - 2005 - "In My Arms" - 2008 - "All I See" - 2008 - "The One" - 2008 - "All the Lovers" - 2010 - "Get Outta My Way" - 2010 - "Better Than Today" - 2010 - "Put Your Hands Up (If You Feel Love)" - 2011 [редактиране] EP - "A Kylie Christmas" - 2010 - "North American Tour" - 2011 [редактиране] Външни препратки - Официален сайт - Профил на Кайли Миноуг в MySpace - Кайли Миноуг в Last.fm - Профил на Кайли Моноуг в IMDB
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Fever (Kylie Minogue album) Fever is the eighth studio album by Australian singer Kylie Minogue, released on 1 October 2001 in Australia and the United Kingdom by Parlophone. The album was later released in the United States on 26 February 2002 and was Minogue's first album release in the region since her second studio album Enjoy Yourself (1989). Minogue worked with writers and producers such as Cathy Dennis, Rob Davis, Richard Stannard, Julian Gallagher, TommyD, Tom Nichols, Pascal Gabriel and others to create the disco and Europop-influenced dance-pop album. Other musical influences of the album range from synthpop to club music. Four singles were released from the album. Its lead single "Can't Get You Out of My Head" was released in September 2001 and became a massive commercial success, peaking atop the charts of 40 countries and selling more than five million copies worldwide. The song, which is often recognised as Minogue's signature song, is her highest selling single as of today and one of the best-selling singles of all time. Follow-up singles "In Your Eyes" and "Love at First Sight" also performed well on charts internationally. The last single "Come into My World" won Minogue a Grammy Award for Best Dance Recording in 2004, and stands as her only Grammy Award-winning song to date. All four singles charted within the top 10 in Australia and the United Kingdom, with "Can't Get You Out of My Head" peaking at number one in both countries. In order to promote the album, Minogue embarked on the KylieFever2002 tour. Upon its release, Fever received generally positive reviews from music critics, many of whom praised its production and commercial nature. Likewise, the album was a commercial success, peaking at number one on the charts of countries like Australia, Austria, Germany, Ireland and the United Kingdom. In the United States, the album peaked at number three on the US Billboard 200 chart, becoming Minogue's biggest hit in the country. The album was certified seven-times platinum in Australia by the Australian Recording Industry Association (ARIA), five-times platinum in the United Kingdom by the British Phonographic Industry (BPI), and platinum in the United States by the Recording Industry Association of America (RIAA). In Australia, Fever was the thirteenth best selling album of the decade. Fever has sold over six million copies worldwide and is Minogue's highest selling album. Contents - 1 Background and production - 2 Musical styles and lyrical content - 3 Release and artwork - 4 Promotion - 5 Critical reception - 6 Commercial performance - 7 Impact and legacy - 8 Track listing - 9 Credits and personnel - 10 Charts - 11 Certifications - 12 See also - 13 References - 14 External links Background and production[edit] In 1998, Minogue was dropped from her label Deconstruction following the poor commercial performance of her sixth studio album Impossible Princess.[4] She instead signed on to Parlophone and released her seventh studio album Light Years.[5] The disco and Europop inspired album was a critical and commercial success,[5] and was later certified four times-platinum in Minogue's native country Australia for shipment of 280,000 units,[6] and platinum in the United Kingdom for shipment of 300,000 units.[7] "Spinning Around" was released as the lead single off the album and was a commercial success, attaining a platinum certification in Australia for shipment of 70,000 units,[8] and a silver certification in the United Kingdom for shipment of 200,000 units.[7] She promoted the album by embarking on the On a Night Like This tour. Soon after, Minogue began work on her eighth studio album Fever. On the album, she collaborated with producers and writers such as British singer-songwriter Cathy Dennis, who co-wrote two songs out of the three she co-produced, Rob Davis, who co-produced and co-wrote three songs, and Richard Stannard and Julian Gallagher, who co-produced and co-wrote three songs.[1][9] In the vein of Light Years, Fever is a disco and dancepop album that contains elements of adult contemporary and club music.[1][10] The recording of the album took place at studios such as the Biffco Studios in Dublin, Hutch Studios in Chicago, Olympic Studios in London and Stella Studios.[9] Musical styles and lyrical content[edit] Fever is primarily a dance-pop album, with prominent elements of 1970s-influenced disco and Europop.[1][2][3] Jacqueline Hodges from BBC Music wrote that the album is not "pure pop", and is rather characterized by a more adventurous dance-oriented sound.[13] NME critic Alex Needham identified a "filter disco effect", described as "the one that sounds like you've gone under water and then ecstatically come up for air," working on various songs on the album.[2] Needham saw Fever as an "update" from the "frothy disco" of Light Years.[2] Songs like the opening track "More More More" and closing track "Burning Up" are examples of the disco-influenced production of the album. The former is an uptempo song with a "funky" bassline,[13] while the latter was described as a "slow burn" disco song.[1] Teen pop elements appear on songs like "Love at First Sight", which begins with an electric piano intro,[3][14] and the "aggressive" "Give It to Me".[1][10][15] The lead single "Can't Get You Out of My Head" is a "robotic" midtempo dance and nu-disco song.[1][11] Many critics felt that various songs on the album, particularly "Come into My World", are similar to "Can't Get You Out of My Head".[2][16] The title track and "Dancefloor" draw influences from synthpop and club music, respectively.[3][10][13] "In Your Eyes" contains hints of trance and house music.[15] Minor influences of ambient music surface on the "atmospheric" "Fragile".[3] Minogue's vocal delivery ranges from "sensuous" (in "More More More") to "sweet" (in "Your Love"). The latter track contains instrumentation from an acoustic guitar.[13] Jason Thompson from PopMatters commented that Minogue "knows how to express herself through irresistible melodies and seductive emoting",[3] such as on the title track, which makes use of "suggestive panting".[13] Unlike Minogue's previous studio efforts, Fever does not contain any ballads.[1] The lyrical content of Fever chiefly focuses on themes of love and enjoyment. Thompson described the album to be "all about dancing, fucking, and having a good time".[3] In the song "Love at First Sight", Minogue describes how she fell in love with her partner at "first sight" and how it led to good things happening for her.[3] "Can't Get You Out of My Head" was termed a "mystery" as the singer never mentions who the her object of desire in the song is.[11] Lynskey Dorian from The Guardian suggested that Minogue refers to either "a partner, an evasive one-night stand or someone who doesn't know she exists" as her obsession.[11] The production of "Give It to Me" contrasts with its lyrics: Minogue urges her partner to "slow down," but the beat "goes in the opposite direction and tells your body to push it a little more on the dance floor."[3] The lyrics of "Fragile" are simple and aim directly at the "[listener's] heart".[3] "Come into My World" is a "plea for love" as Minogue invites her partner into her life.[3] On the other hand, "Dancefloor" focuses on issues like dealing with an end of a relationship, with Minogue celebrating a break-up by "lose[ing] it in the music".[3] Release and artwork[edit] Fever was released by Parlophone on 1 October 2001, in Australia, the United Kingdom, and other European countries.[9][17] In the United States, the album was released by Capitol Records on 26 February 2002,[18][19] and was Minogue's first album to be released in the country since her second studio album Enjoy Yourself (1989).[5] Thus, Minogue was reintroduced to the US after nearly 13 years of inactivity in the region.[19] A special edition of the album, containing a previously unreleased track entitled "Whenever You Feel Like It", was released on 19 November 2002.[20] Minogue's close friend and stylist William Baker, collaborated with graphic designer Tony Hung to create the artwork's concept of electro-minimalism.[21] On the cover, which was photographed by Vincent Peters, Minogue is seen "bound by a microphone cord, literally tied to her craft" and dressed in white leotard designed by Fee Doran, under the label of Mrs Jones, and shoes made by Manolo Blahnik.[21] In her 2012 fashion retrospective book Kylie / Fashion, Minogue commented on the album's theme, saying: "The whole campaign was so strong, sure, ice cool. Willie's [William's] styling was incredible and [Peters'] photography made for a second amazing album cover with him."[21] A new cover was issued for the US version of the album and features a close-up of Minogue biting on a bracelet.[1] The US version cover also served as the cover for second single of the album, "In Your Eyes".[22] Promotion[edit] Singles[edit] "Can't Get You Out of My Head" was released as the lead single from the album on 17 September 2001.[23] The song was well received by music critics, many of whom complimented its vibe and danceability. Commercially, the single was a massive success and peaked at number one on the charts of every European country (except Finland)[23] and Australia.[24] The song was released in the United States and managed to peak at number seven on the Billboard Hot 100 chart,[25] becoming Minogue's best selling single in the region since "The Locomotion".[23] It was certified triple-platinum in Australia for shipment of 210,000 units,[26] platinum in the United Kingdom for shipment of 600,000 units,[7] and gold in the United States for shipment of 500,000 units.[27] An accompanying music video for the single was directed by Dawn Shadforth and features Minogue and a number of backup dancers dancing in various futuristic backdrops.[28] "In Your Eyes" was released as the second single of the album on 18 February 2002.[29] It received generally positive reviews from music critics and was praised for its house influences. It became the second consecutive single from the album to peak atop the Australian Singles Chart.[30] The song was also commercially successful internationally and peaked in the top ten of charts in countries like Italy,[31] Finland,[32] Switzerland,[33] and the United Kingdom.[34] It was certified gold in Australia for sales of 35,000 units,[35] and silver in the United Kingdom for sales of 200,000 units.[7] An accompanying music video for the song was again directed by Shadforth, and features Minogue performing a dance routine and striking various poses in a colourful neon-lighted room.[36] "Love at First Sight" was released as the third single from the album on 10 June 2002.[37] It received positive reviews from music critics, with many of whom favouring its production. The song was a commercial success and peaked in the top ten of charts in countries like Australia,[38] Denmark,[39] Italy,[40] New Zealand[41] and United Kingdom.[42] The song was remixed by Ruff and Jam and this version was released in the United States, where it managed to chart at number 23 on the Billboard Hot 100 chart.[25][37] It was certified gold in Australia for sales of 35,000 units[35] and in New Zealand for sales of 7,500 units.[43] An accompanying music video for the single was directed by Johan Renck and features Minogue dancing in a futuristic environment sporting cargo pants and teal eyeshadow.[44][45] "Come into My World" was released as the fourth and final single off the album on 11 November 2002.[46] It generated a favourable response from music critics, who enjoyed its lyrical content. Commercially, the single performed fairly well and peaked in the top 10 in Australia,[47] Belgium (French-speaking Wallonia region),[48] and the United Kingdom.[49] In the United States, the song peaked at number 91 on the Billboard Hot 100 chart.[25] It received a gold certification in Australia for sales of 35,000 units.[35] An accompanying music video for the song was directed by Michel Gondry and features Minogue strolling around a busy street in Paris, France; every time she completes a full circle, a duplicate of her appears through one of the stores, and by the end of the video there are four Minogues present together.[50] Tour[edit] Minogue launched the KylieFever2002 concert tour to promote the album. The tour was split in seven acts and "Can't Get You Out of My Head", "Come into My World", "Fever", "In Your Eyes", "Love at First Sight" and "Burning Up" were the songs from the album to be included on the setlist.[51] For the performances, Minogue wore "skimpy" and skin-tight outfits,[52] and was often seen wearing a glittering silver bikini and skirt coupled with silver boots.[53] The outfits were designed by Italian luxury industry fashion house Dolce and Gabbana, and Minogue went through a total of eight costume changes during the tour.[54] The performances that took place at the Manchester Evening News Arena, England, were filmed for inclusion in the live DVD for the concert tour entitled KylieFever2002: Live in Manchester, which was released on 18 November 2002.[52][55] The DVD was certified platinum in Canada for sales of 10,000 units,[56] gold in Germany for sales of 25,000 units,[57] and double-platinum in the United Kingdom for shipments of 100,000 units.[7] Critical reception[edit] Fever received generally favourable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Fever received an average score of 68 based on 15 reviews, indicating "generally favourable reviews".[58] Jason Thompson from PopMatters gave the album an extremely positive review and praised the conception and production of the album, calling it a "perfect album of gorgeous dance music" and claiming that "there probably won't be a better album like it all year long".[3] Chris True from AllMusic also gave it an acclaimed review and enjoyed the simple disco and dancepop music of the album, saying that there is "not one weak track, not one misplaced syrupy ballad to ruin the groove".[1] Alex Needham from NME positively reviewed the album and noted that while the album lacks depth, it is "as effervescent as a foot spa" and that through the album, Minogue "shows the upstarts how it's done".[2] Dominique Leone from Pitchfork Media gave it a favourable review and praised its simple and "comfortable" composition, terming it a "mature sound from a mature artist, and one that may very well re-establish Minogue for the VH1 generation".[10] Alexis Petridis from The Guardian praised the commercial nature of the album and called it a "a mature pop album only in that it's aimed at the boozy girl's night out rather than the school disco".[60] Jacqueline Hodges favoured the album's consistency and complimented its commercial prospect, predicting that the album is "going to sell bucket loads".[13] Jim Farber from Entertainment Weekly labelled the album "the best guilty-pleasure retro-dance smash since Eiffel 65's "Blue"", but felt that Minogue "milks the formula (of "Can't Get You Out of My Head") dry on the album".[16] Michael Hubbard from MusicOMH enjoyed the fun nature of the album and said that "if you want something to drive to, dance to, play at a house party or cheer your workmates up with, Fever is for you".[61] Sal Cinquemani from Slant Magazine gave the album a negative review, criticizing Minogue's "painfully precise" vocals and the album's monotiny.[59] Commercial performance[edit] In Minogue's native country Australia, Fever entered and peaked at number one on the Australian Albums Chart on the week of 21 October 2001, and spent a total of five weeks at the position.[17] In this region, Fever was certified seven-times platinum for shipments of 490,000 units by the Australian Recording Industry Association.[62] The success of the album in Australia was such that it was listed in the top-ten highest selling albums of the country in both 2001 and 2002, appearing at numbers five[63] and four,[64] respectively. It also became the best selling dance album in the country in both 2001[65] and 2002.[66] In the United Kingdom, Fever entered and peaked at number one on the UK Albums Chart on the week of 13 October 2001, spending a total of two weeks on the position.[67][68] The album spent a total of 70 weeks inside the top 40 of the chart.[68] In this region, the album was certified five-times platinum by the British Phonographic Industry for shipments of 1,500,000 units.[7] The album achieved similar success in other regions. In Austria, the album entered and peaked at number one on the Austrian Albums Chart and spent a total of 29 weeks on the chart.[69] In this territory, it was certified platinum for sales of 15,000 units by the International Federation of the Phonographic Industry.[70] In Denmark, the album entered and peaked at number four on the Danish Albums Chart and spent one week at this position.[71] In this region, it was certified gold by the International Federation of the Phonographic Industry.[72] In France, the album entered the French Albums Chart at number 51 and peaked at number 21, spending a total of three weeks at this position.[73] In this region, the album was certified platinum for sales of 100,000 units by the Syndicat National de l'Édition Phonographique.[74] In Germany, the album peaked at number one on the German Albums Chart for two weeks.[75] In this region, it was certified platinum by the Federal Association of Music Industry for shipments of 200,000 units.[57] In Ireland, the album entered the Irish Albums Chart at number two[76] and peaked at number one, spending a total of one week on this position.[77] In New Zealand, the album entered and peaked at number three on the New Zealand Albums Chart, spending a total of one week at this position.[78] In this region, the album was certified double-platinum by the Recording Industry Association of New Zealand for shipments of 30,000 units.[79] In Switzerland, the album entered the Swiss Albums Chart at number 12 and peaked at number three, spending a total of one week at the position.[80] In this territory, the album was certified double-platinum by the International Federation of the Phonographic Industry for sales of 40,000 units.[81] In the United States, the album sold 115,000 copies in its first-week and debuted at number three on the Billboard 200 chart, becoming Minogue's highest charting album in the region till date.[82][83] In this region, the album was certified platinum by the Recording Industry Association of America for shipments of 1,000,000 units.[27] In Canada, the album peaked at number 10 on the Canadian Albums Chart and spent a total of two weeks on the chart.[84] In this region, the album was certified double-platinum for shipments of 200,000 units by Music Canada.[85] Fever has reportedly sold over six million copies worldwide.[19][86] Impact and legacy[edit] Following its release, Fever reportedly sold over six million copies worldwide, becoming Minogue's highest selling album, as of today.[19][86] The album's lead single "Can't Get You Out of My Head" peaked atop charts in 40 countries[87] and sold more than five million copies worldwide,[88] becoming Minogue's highest selling single till date[23] and one of the best-selling singles of all time. The song is notable for being Minogue's biggest and strongest commercial breakthrough in the United States, a region in which Minogue previously had managed to achieve little success.[5][12][19][89][90] It is also considered to be Minogue's signature song.[91] Due to the single's commercial impact,[92] the album enjoyed similar success in the United States and earned Minogue her only platinum album certification in the region.[27] The album's success in Russia led to Minogue becoming the first non-Russian music artist to be awarded the "diamond" award by the National Federation of Phonograph Producers.[93] According to the IFPI, Fever was the thirtieth best-selling album globally in the year 2002.[94] Following its release, Fever was considered to be a prominent example of Minogue's constant "reinventions".[1][95] The image she adopted during this period was described by Baker as "slick, minimalist and postmodern", and it was seen as a step forward from the "camp-infused" tone of Light Years.[96] Larissa Dubecki from The Age used the term "nu-disco diva" to describe Minogue during this period.[95] Andy Battaglia from The A.V. Club opined that Minogue's public image and her persona in her music videos "presented herself as a mechanical muse whose every gesture snapped and locked into place with the sound of a vacuum seal".[97] He further remarked that the singer's "hygienic coo summoned a cool sort of cyborg soul, and her videos showed her gliding through sleek futurescapes, tonguing the sweet-and-sour tang of a techno kiss".[97] Adrien Begrand from PopMatters felt that the simplicity of the album made it a "classy piece of work" and commented that Minogue's experience and choice of collaborators resulted in "the thirtysomething Minogue upstaging soulless, brainless music by younger American pop tarts like Britney [Spears] and Christina [Aguilera]".[98] Robbie Daw from Idolator pointed out that Britney Spear's recording of her 2004 hit "Toxic", Madonna's comeback album Confessions on a Dance Floor (2005), Paris Hilton's musical debut Paris (2006), and radio stations' shift towards playing "more groove-oriented sounds" all followed the release of Fever, although he admitted that "we have no way of knowing whether Kylie Minogue's eighth studio album was directly responsible for these pop happenings".[19] Chris True from AllMusic, in his biography of Minogue, commented that the release of the album and lead single "Can't Get You Out of My Head" cemented her position as an international music icon, saying "Her place in pop music history would be consolidated in 2001, and she would be reintroduced to America after more than a decade as well".[5] Fever also brought Minogue a number of accolades and award nominations. At the 2002 ARIA Music Awards ceremony, the album won the awards for "Best Pop Release" and "Highest Selling Album", and garnered a nomination in the category of "Album of the Year".[99] At the same ceremony, "Can't Get You Out of My Head" won the awards for "Single of the Year" and "Highest Selling Single", and Minogue won the "Outstanding Achievement Award".[99] At the 2002 Brit Awards ceremony, Fever won the award for "Best International Album", while Minogue was nominated for "Best International Female Solo Artist" and "Best Pop Act", winning the former.[100] At the 2002 MTV Europe Music Awards ceremony, the album was nominated for "Best Album"; Minogue was nominated for "Best Female Act", "Best Dance Act", and "Best Pop Act", winning the latter two.[101][102] During this period, Minogue earned her first Grammy Award nomination when "Love at First Sight" was nominated in the category of "Best Dance Recording" at the 2003 award ceremony, although it lost to British electronic band Dirty Vegas's song "Days Go By".[5][103] She eventually won a Grammy Award when "Come Into my World" was nominated in the same category at the 2004 award ceremony.[104] It marked the first time an Australian music artist had won an award in a major category at the American award show since Australian rock band Men at Work won the award for "Best New Artist" in 1982.[104] The song is Minogue's only Grammy award winning song to this date.[105] Track listing[edit] Credits and personnel[edit] Credits are adapted from AllMusic.[111] Charts[edit] Certifications[edit] *sales figures based on certification alone ^shipments figures based on certification alone xunspecified figures based on certification alone See also[edit] - List of European number-one hits of 2001 - List of number-one albums of 2001 in Australia - List of UK Albums Chart number ones of the 2000s References[edit] - ^ a b c d e f g h i j k l True, Chris. 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"Queen rules in album sales". Toronto Sun. Retrieved 19 January 2014. - ^ "American album certifications – Kylie Minogue – Fever". Recording Industry Association of America. Retrieved 1 November 2013. If necessary, click Advanced, then click Format, then select Album, then click SEARCH - ^ Trust, Gary (4 March 2011). "Ask Billboard: Katy Perry, Kylie Minogue, Cee Lo Green". Billboard. Retrieved 2 September 2013. - ^ "IFPI Platinum Europe Awards – 2003". International Federation of the Phonographic Industry. Retrieved 1 November 2013. External links[edit] - The Videos - Kylie: The Videos - The Kylie Collection - The Videos 2 - Kylie On the Go – Live In Japan - Let's Get To.. The Videos - Kylie - Live in Dublin - Greatest Hits - The Kylie Tapes 94–98 - Live in Sydney - Intimate and Live - KylieFever2002: Live in Manchester - Greatest Hits 1987–1992 - Greatest Hits 87–97 - Greatest Hits 1987–1999 - Body Language Live - Kylie Minogue: Artist Collection - Ultimate Kylie - Kylie: Showgirl - White Diamond / Showgirl Homecoming - KylieX2008 - Aphrodite Les Folies: Live In London - The Best of Kylie Minogue - Albums certified quintuple platinum by the British Phonographic Industry - Albums certified platinum by the Recording Industry Association of America - 2001 albums - Albums produced by Pascal Gabriel - Capitol Records albums - English-language albums - Kylie Minogue albums - Mushroom Records albums - Parlophone albums - Albums certified platinum by the Asociación Mexicana de Productores de Fonogramas y Videogramas