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Режисьор: Мартин Скорсезе В ролите: Леонардо Ди Каприо, Марк Ръфало,Бен Кингсли, Емили Мортимър, Мишел Уилямс, Макс фон Сюдов, Eлиас Котеас Жанр: Драма, Мистерия, Трилър Държава: САЩ Година: 2010 Времетраене: 138 минути Реэюме: През 1954 федералният шериф Теди Даниълс поема разследването на случай с изчезването на пациент от лудница, която се намира на остров. Не след дълго, странни събития го карат да си мисли, че е получил случая, защото лекарите експериментират с пациентите си. Инстинктите на Теди разкриват обещаваща следа, но управата на болницата не му разрешава достъп до архивите, които могат да разрешат целия случай. Когато ураган прекъсва всички връзки с континента, Теди започва да се съмнява във всичко – в собствените си спомени, в партньора си, дори в разума си. Мартин Скорсезе и Леонардо Ди Каприо работят заедно за четвърти път след „Бандите на Ню Йорк”, „Авиаторът” и „От другата страна”.
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Leonardo DiCaprio as U.S. Marshall Teddy Daniels, trying to keep it all together on Shutter Island. Photo Courtesy of Parmount Pictures Shutter Island ***1/2 Cast: Leonardo DiCaprio, Mark Ruffalo, Ben Kingsley, Max Von Sydow, Jackie Earl Haley, and Michelle Williams Directed by Martin Scorsese Screenplay by Laeta Kalogridis based upon the novel by Dennis Lehane Film Review by Benji Carver benji@moviehoppingnotacrime.com Martin Scorsese's Shutter Island is a place where dreams bend into reality and reality itself is a cold hard steel cell of psychological terror. The trappings of the story are standard film-noir, set in 1954. A burned out U.S. Marshal Teddy Daniels (played by Leonardo DiCaprio in another volatile cocktail performance) and his new partner Chuck Aule (played by the always reliable Mark Ruffalo) are sent to investigate the disappearance of a missing women at the state mental hospital called Shutter Island, a dark jagged rock, off the coast of Boston, Massachusetts. The island and its inhabitants are taken right out the Twin Peaks textbook of murmurs, whispers, and dark shadows looming in the background. As they arrive on the island, Daniels and Aule are taken to see chief of staff, Dr. Crawly and Dr. Nahering (played by Ben Kingsley and Max Von Sydow in their classic hushed voices) – two ever present characters on the island that seem to be withholding much information, as Daniels and Aule further investigate into the history of the hospital. Daniels, who is suffering from massive migraines and violent nightmares of his recently deceased wife (played with haunting empathy by Michelle Williams), also seems to be on the island for more personal reasons than the missing women’s case. Daniels being on the brink of insanity provides a jumping off point for Scorsese and his screenwriter Laeta Kalogridis to create a world that is fueled by 50s Cold War paranoia, haunting dreams, and homages to Shock Corridor, Kiss Me Deadly, and Vertigo, giving the movie a lot of manic energy which is a blast to watch in its almost two-and-half hour time frame. Scorsese also paints the look of the movie in a dark grimy B-movie style with cinematographer Robert Richardson of Inglourious Basterds and The Aviator and layers it with new score from Robbie Robertson that recalls the screeching violins of Bernard Hermann scores. The music, camera angles, and hyperactive performances is nothing new to the Scorsese’s world but what makes, Shutter Island, stand out from his body of work is the pure cinematic entertainment value it brings. The claustrophobic tension of the island and the dramatic crux of DiCaprio's psychic creates a movie that goes beyond its B-movie origins. Shutter Island builds to its climax giving us a standard big-budget twist of an ending, but since Scorsese is a dramatic storyteller he gives us an ending that is almost compelling and disturbing. Like all good Scorsese movies, it's about the rush of the movie-going experience and here with Shutter Island, he has created a great dramatic rush that – if I may say so – Hitchcock would be proud of.