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Добавен: 07.03.15 Гледания:11013 Exodus: Gods and Kings / Изход: Богове и Царе (2014) - Приключенският епос „Изход: Богове и Царе“ е историята за смелостта на един човек да се изправи срещу мощта на една империя.По времето на фараоните, когато египтяните са живели добре, а еврейските роби са били измъчвани, Царят управлява всички в Египет с двамата си синове, Рамзес истинския му син, и Мойсей приемния му син. Фараонът цар иска да избере новия владетел на Египет заради влошеното си здраве. Рамзес се възкачва на трона и открива, че брат му е роден евреин. Моисей се опитва да намери себе си и се стреми да помага на неговия народ. Двамата братя сега се конкурират за Египет, един брат роден да управлява, и друг брат роден да се противопостави на правилата и да поведе народа си към славата. Жанр Екшън, Приключенски, Драма Режисьор : Ридли Скот В ролите : Крисчън Бейл, Джоел Едгертън, Индира Варма, Джон Туртуро, Мария Валверде, Хиам Аббас, Кеворк Маликян, Арън Пол, Сигорни Уивър, Бен Кингсли, Адриан Палмър Държава : Великобритания, САЩ, Испания Година : 2014 http://www.imdb.com/title/tt1528100/ Как да пуснете филма: НатиснетеCLOSE Xза да затворите рекламата и да се появи бутона за пускане на филма, натиснете го. Подобни филми на Exodus: Gods and Kings / Изход: Богове и Царе (2014):
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Movie review: Exodus: Gods and Kings - Details - Category: Cinema - Published: 25 December 2014 - Written by Raymond Johnston The same story that inspired ‘The Ten Commandments’ gets a 21st century treatment The holiday season always seems to be a good time for a rollicking Bible epic. The genre offers something for everyone: special effects for the kids, some muscle flexing and exotic maidens for teenagers, and some romance and morality for adults. Rating *** Directed by Ridley Scott In 3D and 2D With Christian Bale, Joel Edgerton, John Turturro, Aaron Paul, Ben Mendelsohn, María Valverde, Sigourney Weaver, Ben Kingsley, Hiam Abbass, Isaac Andrews, Ewen Bremner Some copies may be dubbed into Czech Exodus: Gods and Kings modernizes the conventions a bit but in the end doesn’t stray far from the mold. The story is the same chunk of Bible pages that spawned both famous film versions of The Ten Commandments, from 1923 and 1956, which also lit up holiday season silver screens. The different title, Exodus, stresses that this shouldn’t be looked on as a remake of The Ten Commandments. But comparisons can’t be avoided. Former Batman actor Christian Bale steps into the Charlton Heston role of Moses. Bale, though, replaces the bold confidence of earlier versions with a lot of uncertainty and even hints of mental instability. The script, attributed to four writers, doesn’t have God appear to Moses until after he is hit in the head with a rock. Throughout the film, it is ambiguous as to whether these apparitions are real or a result of mental illness due to trauma. Even his followers regard him as mad at times, which makes sense based on his erratic behavior. But the main conflict between Moses and the Egyptian Pharaoh Ramses, played by Joel Edgerton, lacks a central spark. Ramses is depicted as a cowardly, indecisive figure. He makes one yearn for the infinitely more regal Yul Brynner who assayed the role in 1956. Edgerton’s weak Ramses forces one to root for Bale’s somewhat broody Moses, but only because nobody better is around. Other often reliable actors such as John Turturro, Sigourney Weaver and Ben Kingsley also soft step their roles to make the characters more human and less epic. Turturro tries to ditch his usual Brooklyn accent for a British one, and the result is a bit mannered. Weaver has just a few short scenes and hardly any lines of dialogue, and her presence seems to be an effort at getting more star names on the movie poster. Kingsley also just has a scenes as a soft spoken religious leader who reveals some crucial plot points. One plus is María Valverde who brings some needed passion and vivacity to Moses’ wife, Zipporah. Her role is largely expanded from the original text, where she is a bit of a footnote. There is one bit of comic relief in all of the heavy going. Whatever role he plays, Ewen Bremner will always seem like one of the junkies from Trainspotting. Seeing him in Egyptian drag trying to explain the Biblical plagues as a sort of minor hiccup that can be fixed provides one of the film’s only laughs. The depiction of ancient Egypt in 3D is stunning, and when Moses goes to see how the great works of the city are made from slave labor, it does open his eyes. But just as the characters start to develop, the CGI quickly takes over the plot as the Biblical plagues come with poisoned water, dead fish, frogs, flies and what have you, each more visually stunning than the previous one, all leading up to (spoiler, if you never saw The Ten Commandments or read the book) the parting of the Red Sea. Even before Exodus: Gods and Kings was released, people were faulting the casting for being too European and not representing the real look of ancient Egypt. That is a matter of scholarly debate that goes beyond the scope of this review. If the casting offends you, however, by all means don’t support the film with your ticket money. Another problem that is often in historical films is a weird kind of homophobia. One of the more treacherous characters, Viceroy Hegep, played by Ben Mendelsohn, fills his role with stereotypical gay mannerisms. He is also first the one to go blackmailing and betraying. The film does offer a few bits of food for thought. God is not an old man with a booming voice. How he is depicted raises some questions about his character and actions. Authorship of the Ten Commandments, one of the pillars of Western society for thousands of years, is also questioned. Some liberties are taken with the Biblical source material as well. The director and screenwriters don’t treat the Old Testament as if it is etched in stone. The changes aren’t as ridiculous as the ones in Darren Aronofsky’s Noah, with its Transformer-like rock monsters and unwelcome pirate-film-style revenge plot that literally almost sinks the entire ship. But Scott and his team do turn Moses is turned into a guerrilla war strategist and pseudo-general, which seems a very modern plot twist. In humanizing the characters and updating the story, some of the old magic was lost, and not all of it could be replaced with CGI — though the filmmakers did try. Ridley Scott is no stranger to historical fiction, though his record is a bit hit-and-miss. Gladiator (2000) was a huge success, but there are also turkeys like 1492: Conquest of Paradise (1992). His latest effort, which was dedicated to the memory of his brother Tony Scott, falls somewhere in the middle. About the Author Raymond Johnston Raymond Johnston is Editor in Chief of the Prague Post. 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