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Captain America: Civil War / Първият отмъстител: Войната на героите (2016) http://www.imdb.com/title/tt3498820/ Филми , Екшън , Трилър , Фантастика Режисьор: Антъни Русо , Джо Русо В ролите: Крис Евънс , Скарлет Йохансон , Пол Бетани , Джеръми Ренър , Емили Ван Камп , Себастиан Стан , Пол Ръд , Франк Грило , Дон Чийдъл , Елизабет Олсън , Антъни Маки , Чадуик Боусман , Робърт Дауни-мл. , Даниел Брюл Chris Evans като "Steve Rogers / Captain America" Robert Downey Jr. като "Tony Stark / Iron Man" Scarlett Johansson като "Natasha Romanoff / Black Widow" Sebastian Stan като "James Buchanan 'Bucky' Barnes / The Winter Soldier" Anthony Mackie като "Sam Wilson / Falcon" Jeremy Renner като "Clint Barton / Hawkeye" „Първият отмъстител: Войната на героите“ продължава историята след „Отмъстителите: Ерата на Ултрон“ и Стив Роджърс повежда нов екип Отмъстители в неспирната им борба за опазване на човечеството от най-различни заплахи. След като международен инцидент с участието на Отмъстителите дава жертви, политическият натиск за създаването на система за публична отчетност и управляващ орган, който да решава кога да бъдат ползвани услугите им, расте. Подобни филми Новата ситуация внася разкол между Отмъстителите, докато се опитват да спасят света от нов злодей. Безспорно моментът в трейлъра, който предизвика реакцията на феновете, е изправянето на Капитан Америка срещу Железният човек. Доскоро (близки) приятели, сега те застават един срещу друг. В „Първият отмъстител: Войната на героите“ ще видим добре познати герои като Капитан Америка (Крис Еванс), Железният човек (Робърт Дауни-мл.), Черната вдовица (Скарлет Йохансон), Бъки Барнс (Себастиан Стан), както и нови, доста любопитни герои – познатият ни вече Ант-мен (Пол Ръд) и дебюта на Чадуик Боузман като Черната пантера и Том Холанд като Спайдър-мен. Още препоръчани филми Завръщането на първия отмъстител Батман срещу Супермен: Зората на справедливостта Captain America: The First Avenger Дедпул Отмъстителите: Ерата на Ултрон ТОР: Светът на мрака
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Director: Anthony & Joe Russo Writer: Christopher Markus, Stephen McFeely DP: Trent Opaloch Editor: Jeffrey Ford Score: Henry Jackman Producer: Kevin Feige, Alan Fine, Louis D'Esposito, Stan Lee, Nate Moore, Patricia Whitcher, Victoria Alonso Starring: Chris Evans, Robert Downey Jr., Scarlett Johansson, Elizabeth Olson, Don Cheadle, Sebastian Stan, Chadwick Boseman, Daniel Brühl, Paul Bettany, Jeremy Renner Distribution: Walt Disney Studios Motion Pictures Length: 2 hrs. I find it surprising that Captain America: Civil War has been so widely praised for its even-handedness. At no point did it seem unclear to me which characters the film judged to be right or wrong. It is, perhaps, even-handed in the sense that it lays out a rationale behind each character's actions, but it leaves little, if any, room for the viewer to make a decision about whether Steve Rogers or Tony Stark is in the right. Why? Because, for all that this film purports to have concern for the violence that occurs wherever the Avengers go, there's no room to criticize the Avengers in the MCU. No one else is powerful enough to battle the various cosmic and preternatural forces that threaten humanity, and every film shoves their backs so hard against the wall that questioning their actions becomes pointless. As a result, the people in this film who want to restrict the Avengers have to be wrong at the end of the day. I'd wager the film even knows this, because these characters are portrayed as naive, myopic, and, most vexingly, smug. Martin Freeman plays one of these characters this way, and even William Hurt, whose character initially comes across as earnest, eventually becomes a hapless blowhard too. So, the movie insists that Steve Rogers, Captain America, is right. This might not even be a problem if only he wasn't so thoroughly, aggressively wrong. His actions in this film are those of a narcissist and a psychopath, and while the film lays out an emotional foundation for him, I find it very hard to care when its plot bends so very hard to make him unassailable. When Bucky Barnes, the Winter Soldier, is accused of horrific crimes, Cap takes the law into his own hands on principle, hoping to save Bucky from the government's actions against him. This has to be one of the most solipsistic stories ever to have been told in a Marvel movie; rather than justify Cap's actions by giving him reason to believe in his own righteousness, that righteousness is instead assumed. He has no reason to believe his actions are in the right - and, therefore, neither do we - but we're to accept that they simply are. They turn out to be, but this is little consolation because they could just as easily not have been, and he still would have done the same thing. And since Captain America is the one truly representing the interests of the Avengers, while Tony Stark represents the interests of a shortsighted government and his difficulty coping with his mother's death, the assumption of righteousness extends to those who support him. That includes Scarlet Witch, who is demonstrated in the film to be dangerously under-prepared and surprisingly violent. It turns all the consideration of the Avengers' violence given in the first act of the film into lip service. It is somewhat interesting that the conflict revolves around Bucky Barnes, who was victimized by a totalitarian government trying to control superhumans in the past; he'd be a rather extreme example, but he perhaps shows us the potential risk of the Avengers submitting to oversight. I can also appreciate that the godlike Vision, who first appeared in The Avengers: Age of Ultron to cleanly resolve the conflict, is now reduced to another figure with compromised judgment who commits one of the only two acts of violence in this film that actually have weight. Unfortunately, like in Age of Ultron, it still feels like the film is equivocating. In that film, Tony Stark (among others) wasn't really responsible for what he did because of Scarlet Witch's telepathy; here, the Vision can't really be held responsible for what he did, and when the film reaches a climax involving Tony Stark seeking revenge against Bucky, it only makes Tony look even worse because Bucky can't really be held responsible for anything he did. And if we're to take it that Bucky shows what the Avengers are at risk of becoming, it only serves to make the government look even more ridiculous than it already does. Perhaps unsurprisingly, the part of the film I appreciated most was a character who was not an Avenger and not entirely aligned with either side of the conflict: Black Panther. Perhaps this is because, despite his active role in the film, he serves as something of an observer to the battle between Captain America and Stark, and ultimately comes to the conclusion that it's just sordid and not something he wants to be a part of. It's too bad his final monologue in this vein is present partially to further validate Cap, and turn the audience even more against Stark. It might be easier to accept Captain America's actions if his relationship with Bucky was better realized, but neither this film nor the previous ones in which Bucky appeared accomplish that. The films are too distant from him, and Sebastian Stan's performance doesn't reveal much of an inner life. In fact, the failure to sell the friendship between Captain America and Bucky makes Cap seem even more unreasonable, if you ask me. At least Tony Stark still comes across as a mostly sympathetic figure even though the film gives him a similarly awkward treatment: it suggests that his emotional issues regarding his dead parents have an influence on his actions, but its treatment of those issues is far too crudely schematic for them to resonate or even really make sense. For one reason or another, the point that this film carried across to me was that the Avengers, for all their imperfections, are ultimately necessary and, to an extent, above criticism. The latter is what bothers me, and while I don't think it's the intention of these films to make such a point, I can't help but feel like they do. There are plenty of contrived symbolic or thematic arguments you could make as to why they don't, but at the end of the day we still experience them as witty spectacles with triumphant-feeling endings, and for all their talk about violence, it's still folded into the spectacle. I don't really have a problem with that, taken by itself. There are plenty of movies I like that involve violence, even ones with unquestioningly heroic portrayals of people who commit violence. But for some reason, this film sees fit to discuss violence in a way that forces me to question its presentation thereof. It feels cynical, and I'm not sure what to think of a movie that asks to be taken as a thoughtful statement when it seems so invested in Captain America's nebulous virtue and his incredibly misguided behavior. Frankly, it's kind of a shame that I have so much trouble taking this purely as an action movie, because the action is quite good when it isn't cut to pieces. The film deteriorates in this regard as it goes on, but never to the point where it's impossible to appreciate the choreography. When I saw this film, I expected to like it; the last two MCU films had exceeded my expectations. Many others have found it one of the best in the franchise, and I can respect the reasons given for that. But I'd thank you not to show me this pabulum again.