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Режисьор : Майкъл Бей В ролите : Джош Хартнет, Алек Болдуин, Куба Гудинг мл, Уилям Фихтнър, Том Сайзмор, Скот Уилсън, Кейт Бекинсейл, Колм Фиори, Бен Афлек, Мако, Джон Войт, Дан Акройд, Юън Бремнър и др. Жанр : Екшън, Драма, Романтичен Държава : САЩ Година : 2001 Времетраене : 183 минути Резюме : На фона на живота и любовта на едно поколение, трагично пометени от най-мащабния сблъсък, видян от съвременния човек. Продуцентът Джери Брукхаймър и режисьорът Майкъл Бей, създали супер хитовете "Армагедон” и "Скалата”, отново доказват класата си с едни от най-жестоките и вълнуващи сцени на въздушен бой, снимани досега. Пърл Харбър е разтърсващ екшън, умело съчетан с красива романтика. Двама мъже се вричат във вечно приятелство. Една жена се влюбва първо в единия, а после и в другия с цялото си сърце. Драматична любовна история, разказана на един дъх, на фона на най-безумния и мащабен сблъсък, видян от съвременния човек – Втората световна война. Филм за любовта, приятелството и предателството, и жестокия ад на войната, който по своята наелелектрезираща емоционалност и поразяваща визия може да си съперничи само със "Спасяването на редник Райън” и "Титаник”
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Movie - Pearl Harbor (Michael Bay, 2001) Recommendations Fashion Week Portable.tv presents an entire week of programming about fashion to coincide with London Fashion Week. The Cremaster Series Art project of five feature length films with related sculptures, photographs, drawings, and artist's books by Matthew Barney. Movie - Pearl Harbor (Michael Bay, 2001) "Nearly every line of the script drops from the actors' mouths with the leaden clank of exposition, timed with bad sitcom beats". A.O. SCOTT Pearl Harbor is a 2001 American action drama war film directed by Michael Bay produced by Jerry Bruckheimer and written by Randall Wallace, It features a large ensemble cast, including Ben Affleck, Josh Hartnett, Alec Baldwin, Jon Voight, Kate Beckinsale, Cuba Gooding, Jr., Dan Aykroyd, Colm Feore, Mako, Tom Sizemore, Jaime King and Jennifer Garner. Pearl Harbor is a dramatic reimagining of the Japanese attack on Pearl Harbor and the subsequent Doolittle Raid. Some special prints were made from the color negatives using the recently re-introduced Technicolor dye inhibition printing process. Despite negative reviews from critics, Pearl Harbor became a major box office success, earning $449,220,945 at the world wide box office[2] and won the Academy Award for Best Sound Editing. Box office Pearl Harbor grossed $200 million at the domestic box office and $450 million worldwide. The film was ranked the sixth highest-earning picture of 2001.[2] Critical reception Despite the enormous box office success, the critical response to Pearl Harbor at the time of its release tended toward mixed to negative, and the film earned only a 25% approval rating according to review aggregator website Rotten Tomatoes based on 166 reviews with an average rating of 4.4/10, making it Bay's second worst reviewed movie to date, next to Transformers: Revenge of the Fallen.[4] On Metacritic, the film has a score of 44 based on 35 reviews, indicating "mixed or average reviews."[5] While it earned praise for its technical achievements, the screenplay and acting were popular targets for critics. Roger Ebert gave the film one and a half stars and wrote, "The film has been directed without grace, vision, originality, and although you may walk out quoting lines of dialogue, it will not be because you admire them" and criticized its liberties with historical facts: "There is no sense of history, strategy or context; according to this movie, Japan attacked Pearl Harbor because America cut off its oil supply, and they were down to an 18-month reserve. Would going to war restore the fuel sources? Did they perhaps also have imperialist designs? Movie doesn't say".[6] Michael Bay responded to Ebert's criticism of his film: "He commented on TV that bombs don't fall like that. Does he actually think we didn't research every nook and cranny of how armor-piercing bombs fell? He's watched too many movies. He thinks they all fall flat — armor-piercing bombs fall straight down, that's the way it was designed! But he's on the air pontificating and giving the wrong information. That's insulting!"[7] Nonetheless, on a similar refrain, A. O. Scott of The New York Times wrote, "Nearly every line of the script drops from the actors' mouths with the leaden clank of exposition, timed with bad sitcom beats".[8] USA Today gave the film two out of four stars and wrote, "Ships, planes and water combust and collide in Pearl Harbor, but nothing else does in one of the wimpiest wartime romances ever filmed."[9] In his review for the Washington Post, Desson Howe wrote, "although this Walt Disney movie is based, inspired and even partially informed by a real event referred to as Pearl Harbor, the movie is actually based on the movies Top Gun, Titanic and Saving Private Ryan. Don't get confused".[10]Peter Travers of Rolling Stone magazine wrote, "Affleck, Hartnett and Beckinsale - a British actress without a single worthy line to wrap her credible American accent around - are attractive actors, but they can't animate this moldy romantic triangle".[11] Time magazine's Richard Schickel criticized the film's love triangle: "It requires a lot of patience for an audience to sit through the dithering. They're nice kids and all that, but they don't exactly claw madly at one another. It's as if they know that someday they're going to be part of "the Greatest Generation" and don't want to offend Tom Brokaw. Besides, megahistory and personal history never integrate here".[12] Entertainment Weekly was more positive, giving the film a "B-" rating, and Owen Gleiberman praised the Pearl Harbor attack sequence: "Bay's staging is spectacular but also honorable in its scary, hurtling exactitude ... There are startling point-of-view shots of torpedoes dropping into the water and speeding toward their targets, and though Bay visualizes it all with a minimum of graphic carnage, he invites us to register the terror of the men standing helplessly on deck, the horrifying split-second deliverance as bodies go flying and explosions reduce entire battleships to liquid walls of collapsing metal".[13] In his review for The New York Observer, Andrew Sarris wrote, "here is the ironic twist in my acceptance of Pearl Harbor-the parts I liked most are the parts before and after the digital destruction of Pearl Harbor by the Japanese carrier planes" and felt that "Pearl Harbor is not so much about World War II as it is about movies about World War II. And what's wrong with that?"[14]