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Jump Street / Внедрени в час 2 (2014) Режисьор: Фил Лорд, Крис Милър Сценарист: Майкъл Бакол, Родни Ротман, Джона Хил, Орен Юзиел Продуцент: Нийл Х. Мориц, Джона Хил, Чанинг Тейтъм В ролите: Ник Оферман, Питър Стормаер, Роб Ригъл, Ричард Греко, Джо Крест, Дейв Франко, Айс Кюб, Чанинг Тейтъм, Джона Хил Изкласили в гимназията (цели два пъти), Шмид (Джона Хил) и Дженко (Чанинг Тейтъм) се изправят пред големи промени, когато им се налага да влязат под прикритие в местен колеж. Когато Дженко среща сродна душа в отбора на колежа, а Шмид се влива в местната бохема, двамата започват да се съмняват в партньорските си отношения. Сега те не само трябва да разрешат случая, но и да разберат дали могат да се държат като възрастни. Ако тези двама позастарели юноши успеят да се превърнат от новаци в истински мъже, то колежът ще се окаже най-доброто нещо, което някога им се е случвало. Тагове: Гледан: 983 пъти / Рейтинг: 3.0 (2 гласа) / Как да гледам? / Искам филм / Каталог Добави коментар Само регистрирани потребители, могат да пишат коментари. [ Регистрация | Вход ]
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Movie Title: Decade Released: Genre: After their initial 21 Jump Street program turned out to be a success, Morton Schmidt (Jonah Hill) and Greg Jenko (Channing Tatum) are back on the streets chasing narcotics. However, after a drug bust goes wrong, they’re put back on the program under the command of Capt. Dickson (Ice Cube) – now located across the street at 22 Jump Street. Their assignment is to go undercover as freshman college students and locate the supplier of a drug known as WHYPHY (Work Hard Yes, Play Hard Yes) that’s already claimed the life of one of the students. Full disclosure: I wasn’t the biggest fan of the first film. Did I hate it? Certainly not (show originals Johnny Depp and Peter DeLuise’s cameos were a big plus), but overall it came off as just a middle of the road comedy (Dave Franco’s lightweight villain didn’t help). That said, while 22 Jump Street isn’t perfect and falls prey to the same tired joke schtick that befell the first film, I enjoyed it a little bit more. What was one of 21 Jump Street’s strengths again works here, and that’s the bromance chemistry between Jonah Hill and Channing Tatum. These two work really well together. We can spend all day poking fun at Channing Tatum the supposed romantic and action star, and I’ll be the first to hop on that bandwagon. However, Tatum has found a wheelhouse that works for him, and that’s comedy. Whether it’s these films or his cameo in This Is the End, he seems perfectly at ease with poking fun at his heartthrob image. There’s room for improvement, but I believe he’s found a genre and style that could work for him. Returning with the lead duo in a handful of scenes is Ice Cube, who was one of the better aspects of the first film, and continues to be so here, delivering a near-scene-stealing rant midway through the film. In spite of the number of junk disguised as comedies he’s been in (this year’s Ride Along, for example), he’s proves here that in the hands of better filmmakers he can provide laughs (Barbershop). Peter Stormare – always welcome in playing a villain (Fargo) – doesn’t get much, but manages to make do at times as the kingpin Schmidt and Jenko are after. Amber Stevens is a welcome presence as the art major Schmidt befriends to acquire certain leads, and Wyatt Russell has some dependably funny moments with Tatum as the college quarterback that’s so “identical” to Jenko he gets in the way of Jenko and Schmidt’s bromance. Directors Phil Lord and Christopher Miller (who directed the first film and this year’s fantastic The Lego Movie) are no strangers to the self-aware, pop culture referencing style of comedy. Their entire filmography is loaded with it. They, along with writers Michael Bacall, Oren Uziel and Rodney Rothman, deliver a 112 minute wink at the viewer that constantly calls into question the need for a comedy sequel. Everyone wants to make them bigger and better when they should just stick to the formula. At times, the gimmick works. Nick Offerman shares a scene between Hill and Tatum that best utilizes it, but the more they trot the gimmick out, the less amused by it I was. I mean, do I really need to be winked at for the entire film? Of course, you’re not gonna avoid it when the entire film is based around it, and in fairness, even when the jokes don’t work, Lord and Miller keep things moving at an even pace. I was just hoping for a little bit more thought in the referential humor instead of just the same old gags revolving around “Hey, they look too old to be college students.” and “Just stick to doing the same formula. Everyone likes it that way.” Complaints aside, Lord and Miller are no slouches when it comes to handling referential humor and The Lego Movie alone proved that. In the hands of a lesser director, the more tiresome jokes could’ve dragged this film down further, but I laughed here more than I didn’t, even more than its predecessor, and that’s really all you can ask for in a comedy. Yeah, a number of the jokes had me thinking, “I get the point already!”, but I say it’s still better to have filmmakers and actors that are in on the joke than not. I give 22 Jump Street a B- (★★★). Review source: http://silverscreenfanatic.com/2014/06/13/22-jump-street/