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Добавен: 16.02.15 Гледания:2809 The Little Death / Малката смърт (2014) - The Little Death' е една наистина оригинална комедия за секс, любов, взаимоотношения и табу. В многоетажeн разказ се взираме зад затворените врати на една привидно нормална крайградски улица. Една жена с развинтена фантазия и как нейните партньори с всички сили се борят да й се харесат. Човек, който започва афера със собствената си жена, без тя дори да подозира за това. Една двойка бореща се да запази нещата след сексуален експеримент излязъл извън контрол. Една жена, която може да намери удоволствие единствено от болката на съпруга си. 'The Little Death' изследва защо искаме това, което искаме? И докъде може дае стигнем, за да го получим? А така също и какви са последствията от мимолетния миг на сексуалното удоволствие? Жанр Комедия Режисьор : Джошуа Лоусън В ролите : Бояна Новакович, Джошуа Лоусън, Деймън Хериман, Бен Лоусън, Тесним Рок, Лиза МакКюн, Лейчи Халм, Кейт Малвейни, Патрик Брамал и др. Държава : Австралия Година : 2014 http://www.imdb.com/title/tt2785032/ Как да пуснете филма: НатиснетеCLOSE Xза да затворите рекламата и да се появи бутона за пускане на филма, натиснете го. Подобни филми на The Little Death / Малката смърт (2014):
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The Little Death is a truly original comedy about sex, love, relationships and taboo. In a multi story narrative, we peer behind the closed doors of a seemingly normal suburban street. A woman with a dangerous fantasy and her partners struggle to please her. A man who begins an affair with his own wife without her knowing anything about it. A couple struggling to keep things together after a sexual experiment spins out of control. A woman who can only find pleasure in her husband’s pain. A call centre operator caught in the middle of a dirty and chaotic phone call. And the distractingly charming new neighbour who connects them all. The little Death explores why do we want what we want? How far will we go to get it? What are the consequences of that fleeting moment of sexual ecstasy? Locked up for a minor crime, 19 year old JR quickly learns the harsh realities of prison life. Protection, if you can get it, is paramount. JR soon finds himself under the watchful eye of Australia’s most notorious criminal, Brendan Lynch. But protection comes at a price. Lynch and his crew have plans for their young protegee. Upon release, JR must help secure Lynch’s freedom, staging a daring prison break. As a reward, he’s invited to join the crew as they plan a gold heist that promises to deliver millions. However, as things start to go wrong, a deadly game of cat and mouse ensues. JR finds himself unsure of whom he can trust and on a collision course with his former mentor. A strong performance by André Benjamin, who captures the speech, stance and guitar-wielding mannerisms of Jimi Hendrix to a tee, can’t redeem 12 Years a Slave-screenwriter John Ridley’s oddly dour biopic, which struggles to capture the excitement of its subject’s breakthrough years. There’s more than a touch of Factory Girl’s staginess as Imogen Poots’s posh Linda Keith discovers Hendrix in New York and brings him to London, where he promptly shacks up with Kathy Etchingham (Hayley Atwell). The woozy soundtrack and jump-cut visuals add a touch of period hallucinogenics, but the intimate detail never rings true…. Some call him a hero. Some call him a villain. He’s “John Doe: Vigilante” – an ordinary man who decides to take the law into his own hands. Frustrated with a failing legal system that continues to allow violent criminals to go free, John Doe begins exacting justice the only way he knows how – by killing one criminal at a time. Soon he becomes a media sensation and inspires a group of copycat vigilantes, but who is the real John Doe – a pillar of justice or a cold-blooded murderer? You decide. SUPERMAN’S clone, BIZARRO, has become an embarrassing problem. Chaos and destruction follow Bizarro everywhere as he always hears the opposite of what is said, says the opposite of what he means and does the opposite of what is right. And when the citizens of Metropolis keep confusing Bizarro with Superman, the Man of Steel decides it’s time to find a new home for him… on another planet! It’s up to The Justice League to come to terms with their backward counterparts and team up with them to stop Darkseid and save the galaxy! At a Balkan folk song and dance camp in the woods of Mendocino, California, Sarah reunites with her old friend Isolde and with a song she learned years before about dragons who entwine themselves in women’s hair and carry them off through the forest, burning it as they go. When Sarah pursues a romance with a new camper Steph, the nights of sensual secrets and singing with Isolde come to an abrupt end. Sarah and Steph explore a simple attraction, but in Sarah’s dreams, women spin their wild hair and Isolde darkly approaches. When reality and fantasy collide, Sarah finds that the dragons she’s visioning may be inside her. The Dramatics is a romantic comedy about a sweet, but stressed out actress, who unexpectedly lands a starring role in the sexually explicit mini-series adaptation of a best-selling, erotic chick lit novel and her loving, but tortured stoner boyfriend, who is forced to deal with it. Loosely based on the lives of Kat Foster and Scott Rodgers, who co-penned the script and co-star in the film, The Dramatics marks their first feature together and Rodger’s directorial debut. At 29, the most long-term relationship Sasha (Leighton Meester) and Paige (Gillian Jacobs) have ever been in is with each other, using their co-dependent friendship as an excuse not to venture out into the dating world alone. But when Paige meets nerdy Tim (Adam Brody) and starts to get serious for the first time, the nature of their friendship begins to shift. Fearing she’s being cast aside, Sasha tries to keep their relationship the same, but does growing up also mean growing apart? Simon Axler is an aging actor with bouts of dementia and related issues. He is institutionalized after an incident during a Broadway play, then returns home, where he contemplates suicide. When he embarks upon an affair with a friend’s amoral lesbian daughter, his world starts to fall apart. It ends on stage, with even Axler’s audience and fellow actors unsure what’s real and what’s not. Johanna Parry, a quiet caregiver, starts a new job working for an elderly Mr. McCauley and his teenage granddaughter Sabitha. A cruel trick by Sabitha lands Johanna in an awkward one-way relationship with Ken, Sabitha’s estranged father but her newfound ambition and desire gives her courage to transform her awkward doom into real contentment.