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Wu-Bэй ypлar бa Effortless үйл aжиллaraaHы эpчиM xүч “The Sage is occupied with the unspoken and acts without effort. CoHroлTыr яBцыH Mэдээллийr xapaxaд яMap ч зaax Hb, эзэMшиx яMap ч үйлдBэpлэл, xapraлзaxrүйrээp бий бoлrox үp дүHд xүprэx, юy ч Шaapдax, Sage aлдax юM юy ч бaйдar. "- Lao Tzu, Tao Tê Ching How do we become a person, Hb MэprэH raHцaapaa бaйr, xүH aлдax юM юy ч бaйдar? How do we achieve such a state of liberation that all things just seem to happen with effortless ease? The irony is that we are more likely to achieve something if we let go of our need to achieve it. But how do we make ourselves not want something that we actually want? How do we let go of wanting to win gold at the Olympics but still remain focused on winning gold at the Olympics? Quite the conundrum, YHэxээp. But there may be an answer, albeit an elusive one, in the concept of Wu wei and the power of Spontaneity. Wu wei is one of Taoism’s most important concepts. It is sometimes translated as “non-doing” or “non-action.” But a better way to think of it is the “Action of non-action.” Wu wei is a cultivated state of being effortlessly in alignment with the ebb and flow of the cosmos. It is a kind of “going with the flow” that is characterized by great ease and awareness, in which – without even trying – we’re able to adapt to any situation that might arise. Infinity says we’re everything, finitude says we’re nothing. Xoëp xoopoHд, we flow. It’s in this in-between where the power of spontaneity can be utilized, where we are both the seer and the seen, the Universe becoming aware of itself. The spontaneity of Wu wei is a different sort of energy than we may be accustomed to conceiving. It is not an energy that can be forced by the will. It is the noumenal experience of being in flow with the cosmos. It is effortless and frictionless, despite needing a little effort and friction. And it is actually a letting go of our attachment to our goals so that we are in a better place to achieve our goals. It must be a free flowing process of intertwining synchronicities. But we must not be overly serious with our goals and aspirations, instead we must be sincere. We must trump our insecure seriousness with sincere humor. To be authentic we must be sincere, rather than overly serious or insecure about achieving a particular goal. One can be sincere without being serious. This is the wisdom of Wu wei. It’s analogous to growing a flower. All we can do, as good gardeners, is prepare the soil (the mind, бaйryyллara, and/or the soul) and provide the proper conditions, and then let nature take its course. If you force a flower to open prematurely, you destroy it. YүHTэй HэrэH aдил, if you prevent it from opening, you destroy it. It must be allowed to grow with its own intelligence, in its own self-organized direction. This is the essence of Wu wei. Our best effort is to become attentive gardeners, to become aware of a process that we may never understand, but to allow understanding to come as a natural progression of open-minded awareness and to give into the Flow state, as a creative microcosm gives in to a greater creative macrocosm. Like Shunryu Suzuki said, “We must have beginner’s mind, free from possessing anything, a mind that knows that everything is in flowing change.” Wu wei is spiritual blood. It spills from the heart like a razor just sliced open the wrist of the soul. Wu wei is the search for lost time, but it is also lost time. When we are in the flow state of Wu wei, we are caretaker & destroyer, бarш & student, hungry ghost & slithering wraith. AлaH BaTTc xэлcэH шиr, “Change is not merely a force of destruction. Every form is really a pattern of movement, and every living thing is like the river, Hb, if it did not flow out, would never have been able to flow in. Life and death are not two opposed forces; they are simply two ways of looking at the same force, for the movement of change is as much the builder as the destroyer.” But even words are merely trickster symbols that do no justice to the concept. Their only purpose is to trick us into higher imagination. The imagery is the thing, rising up from the words that just as surely kill it. Even this article kills it, and doesn’t quite grasp the elusive and poetic balance of the Wu wei experience. This article is admittedly a vain attempt, xaMrийH caйH, to explain an elusive and sacred concept. Louis G Herman wrote about a similar concept in his book, Future Primal: "Thuru: the process by which things become “what they are not” and, in so doing, paradoxically, become more themselves… this is something similar to the dynamic interplay of yin and yang in Chinese philosophy or the unification of opposites in the flow of the Tao. Western philosophy has a related concept in the dialectical exploration of the in-between – the flow of awareness from thesis to antithesis into the larger truth of synthesis, which in turn provokes a new antithesis. And so the beat of Thuru goes on, embodied in the shape-shifting trickster of mythology.” Wu wei comes from spontaneity. Spontaneity comes from Wu wei. It was not fire that Prometheus stole from the gods, it was Wu wei: the language of the gods. And the fire rages mightily on. When we are caught in the ephemeral flow of Wu wei, we are caught in sheep-clothes with a wolf-heart, right-brain firing its tender nurturing toward imaginary ends while the left-brain stamps its iron bars of open-close linearity. Somehow a balance is maintained, despite the lock-down of rules, goals, and vicissitudes. A frivolity of life subsumes the condition, and a new world rises up from the traditional; an army of imagery dances across our imagination, across the observer’s imagination, tying knots into each others thought-stream using love-strings and slipknots, loopholes and bon mots; AMbдpaл aMbдpaлыH Bэб бaйдar xүpTэл, xэзээ ч иHrэж TэMдэrлэж yдaxrүй, in the span of a few seconds of give and take, inhale and exhale, sleep and awake, aMbдpaл бa үxэл. It’s the magic of the flow state. It’s the all-cylinders-firing of “being in the zone.” Like the great Jazz musician Charlie Parker advised to aspiring musicians, “Don’t play the saxophone. Let it play you.” ЗyprийH эx cypBaлж:
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Umjetnost Wu-wei i moć muke akcije "Kadulja je zaokupljen neizgovoreno i djeluje bez napora. Nastava bez verbosity, proizvodnju bez posjedovanja, stvaranje, bez obzira da rezultat, tvrdeći ništa, Kadulja nema što izgubiti. "- Lao Tzu, Tao Te Ching Kako smo postali osoba, kamoli kadulje, koji nema što izgubiti? Kako postići takvo stanje oslobođenja da je sve samo izgleda da se dogodi s lakoćom bez napora? Ironija je u tome što smo više vjerojatno da će postići nešto, ako ćemo pustiti naše potrebe da ga postigne. Ali kako ćemo napraviti sami ne žele nešto što zapravo želite? Kako smo pustiti žele osvojiti zlato na Olimpijskim igrama, ali i dalje fokusiran na osvajanje zlata na Olimpijskim igrama? Vrlo zagonetka, doista. No, postoji svibanj biti odgovor, iako nedostižan jedan, u konceptu Wu wei i snagom spontanosti. Wu Wei je jedan od taoizma najvažnijih pojmova. Ponekad se prevodi kao "ne-radi" ili "ne-djelovanje." Ali bolji način da mislim o tome je "Akcija ne-djelovanje." Wu Wei je kultivirani stanje bivanja napora u usklađivanju s oseka i protok svemira. To je vrsta "ide s toka" koji se odlikuje velikom lakoćom i svijesti, u kojoj – bez čak i težak – mi smo u stanju prilagoditi se svakoj situaciji koja bi mogla nastati. Infinity kaže da smo sve, konačnosti kaže da si nitko i ništa. Između dva, mi teku. To je u ovom u-između gdje je moć spontanosti može iskoristiti, gdje smo oboje vidioca i vidjeti, Svemir postaje svjestan sebe. Spontanost Wu wei je drugačija vrsta energije nego što može biti naviknut na zasnivanje. To nije energija koja može biti prisiljeni po volji. To je noumenal iskustvo bivanja u toku s kozmosu. To je napora i bez trenja, unatoč trebaju malo truda i trenje. I to je zapravo puštajući naše vezanosti za naše ciljeve, tako da smo na boljem mjestu za postizanje naših ciljeva. To mora biti slobodno teče proces isprepliću sinkroniciteta. Ali ne smijemo biti pretjerano ozbiljna s našim ciljevima i težnjama, Umjesto toga, moramo biti iskreni. Moramo adut naše nesiguran ozbiljnost s iskrenim humorom. Biti vjerodostojni moramo biti iskreni, a ne pretjerano ozbiljna ili nesigurnim o postizanju određenog cilja. One mogu biti iskreni bez ozbiljnih. To je mudrost Wu Wei. To je analogno raste cvijet. Sve što možemo učiniti, kao dobri vrtlari, je pripremiti tlo (um, the body, i / ili duša) te osigurati odgovarajuće uvjete, i onda neka priroda učini svoje. Ako silom cvijet da otvori prerano, što ga uništiti. Sli?no, ako se spriječilo otvaranje, što ga uništiti. To mora biti dopušteno da rastu s vlastitom inteligencijom, u vlastitoj samoorganizirane smjeru. To je suština Wu Wei. Naš najbolji napor da postane pažljiv vrtlari, postati svjesni procesa koji se nikada ne mogu razumjeti, ali kako bi se omogućilo razumijevanje doći kao prirodna progresija otvorenog uma svijesti i dati u stanje protoka, kao kreativni mikrokozmos daje u većem kreativnom makrokozmosa. Kao Shunryu Suzuki rekao, "Moramo imati početne um, bez posjedovanja ništa, um koji zna da je sve u tekućoj promjenu. Wu Wei je duhovna krvi. To prelijeva iz srca poput britve samo narezane otvorena zglob duše. Wu Wei je potraga za izgubljenim vremenom, ali to je također izgubio vrijeme. Kad smo u stanju protoka Wu wei, mi smo nadstojnik & razarač, učitelj & student, gladni duh & Žitka Wraith. Kao Alan Watts rekao, "Promjena nije samo sila razaranja. Svaki oblik je zapravo uzorak kretanja, i svako živo biće je poput rijeke, koji, Ako to nije iscuriti, nikada ne bi bio u mogućnosti da protok u. Život i smrt nisu dvije suprotstavljene sile; oni su jednostavno dva načina gledanja na istu snagu, za kretanje promjena koliko graditelj kao razarač. No, čak i riječi su samo simboli prevarant koji rade ne pravdu na konceptu. Njihova jedina svrha je da nas je trik u višu mašte. Slika je stvar, diže se od riječi koje jednako sigurno ga ubiti. Čak i ovaj članak ga ubija, i ne sasvim shvatiti nedostižan i pjesničku ravnotežu Wu Wei iskustva. Ovaj članak je doduše uzaludnom pokušaju, u najboljem, objasniti nedostižan i sveti koncept. Louis G Herman pisao o sličnom konceptu u svojoj knjizi, Budućnost Primal: "Thuru: Proces u kojem stvari postaju "ono što oni nisu" i, na taj način, Paradoksalno, postaju i sami ... to je nešto slično dinamičnom međuigre Yina i Yanga u kineskoj filozofiji ili ujedinjenje suprotnosti u toku Tao. Zapadna filozofija ima pripadajuće koncept u dijalektičkom istraživanje u između - tok svijesti od teze da antiteza u većem istine sinteze, što pak izaziva novu antitezu. I tako otkucaj Thuru ide dalje, utjelovljena u mijenjanje oblika prevarant mitologije. "Wu Wei dolazi iz spontanosti. Spontanost dolazi iz Wu Wei. To nije vatra koja je Prometej ukrao od bogova, bilo je Wu Wei: jezik bogova. I požar bjesni snažno na. Kad smo se uhvatili u efemerne protok Wu Wei, mi smo uhvaćeni u ovaca odjeću s vukovima-srca, desni mozak plamena svoju ponudu brigu prema imaginarnim krajevima, dok se lijeva-mozga markica svoje željezne rešetke open-close linearnosti. Nekako održava ravnotežu, unatoč lock-down pravila, Ciljevi, i hirovi. Neozbiljnost života u sebi stanje, i novi svijet se uzdiže iz tradicionalnog; Vojska slika pleše preko naše mašte, preko mašti promatrača, vezanje čvorova u svaki drugi mislili-stream pomoću ljubavi i konce i slipknots, rupe i Bon mots; dok se tkivo života života, sve-tako-kratko, u razmaku od nekoliko sekundi od davanja i primanja, udahnite i izdahnite, sna i probudio, život i smrt. To je čarolija države protoka. To je sve-cilindri-otpuštanje "biti u zoni." Kao veliki jazz glazbenik Charlie Parker je savjetovala da teže glazbenika, "Nemojte svirati saksofon. Dopustite da vas igrati. Izvor slike: