http___www.gavella.hr_eng_productions_current_productions_the_drunks.xml
http___gavella.hr_predstave_arhiva_predstava_pijani_1.xml
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Director: Vito Taufer Translation: Irena Lukšić Dramaturge: Dubravko Mihanović Stage Design: Igor Pauška Costume Design: Marita Ćopo Music: Nana Forte and Jure Ivanušič Stage Movement Assistant: Pravdan Devlahović Stage Speech Assistant: Ivana Buljan Legati Lighting Design: Zdravko Stolnik Dramaturge Assitant: Filip Jurjević Cast: Marta, a young, pretty girl: Dijana Vidušin Mark, director of a major international film festival: Ozren Grabarić Laura, a model: Tara Rosandić Magda, Laura’s friend: Martina Čvek Lorens, Magda’s husband: Sven Šestak Gustav, a banker: Ranko Zidarić Lora, Gustav’s wife: Nela Kocsis Karl, a banker: Filip Šovagović Linda, Karl’s wife: Ksenija Pajić Rudolf, PR manager: Marko Petrić Maks, executive manager of a bank: Živko Anočić Matijas, manager in an advertising agency: Amar Bukvić Gabrijel, deputy director of a construction company: Enes Vejzović Roza, a prostitute: Tena Nemet Brankov Stage Manager: Ana Dulčić Prompter: Martina Fakac First rehearsal: April 30th, 2018 Rehearsal continued: August 27th, 2018 Opening night: September 14th, 2018 All of the characters in the play by Ivan Vyrypaev, one of the more intriguing contemporary Russian playwrights, are drunk. Drunkenness is here a concept, a metaphor and a condition. Those who are intoxicated are basically drunk – confused, disoriented, lost – in spirit. Vyrypaev inventively merges metaphysical drama with comedy, more often than not bordering with the absurd. He also blends religion and irony, which made some critics call him ‘’a combination of Tarkovsky and Tarantino’’. One of the characters in the play says: ‘’One needs to see the goals and tasks we set for ourselves, that’s all’’, which is precisely the point: fourteen people wandering through the (big) city landscape of this text appear as if they don’t know where they are going, so the actions they take are often bizarre and on the spur of the moment. The humour which alleviates their existence is rough and ruthless. The plot twists are conditioned by sudden declarations of love, admissions of infidelity, out-of-the-blue hellos and goodbyes... And when it comes to alcohol(ism), one shouldn’t rule out literalness, so the play warns of that social problem as well. Directed by Vito Taufer, the Slovenian director with immense theatre experience, well-known on Croatian stages, ‘’The Drunks’’ are a play that calls for an electrifying ensemble performance. Full of nervous motions and passionate logorrhoea, rowdy and physical, where excessive wordiness and drunken whirlwinds are an indication of that which is suppressed within us... ‘’’’The Drunks’’ are an excellent way to open the new season in Zagreb. Boris Svrtan’s tenure in Gavella will be remembered by this play and by the ‘’Reunification of the Two Koreas’’. (...) ‘’The Drunks’’ are a mouthful. It is a play that seeks maximum engagement from the director, the dramaturge and each individual actor.’’ (Bojana Radović, Večernji list) ‘’Gavella opened the season with and intelligent, witty, almost philosophical play, ‘’The Drunks’’, written by the contemporary Russian playwright Ivan Vyrypaev. The Slovenian director Vito Taufer staged the play as a series of dynamic, entertaining, bizarre, funny and often absurd situations with the emphasis on the text and actors’ interpretations. It was a very convincing performance that made us think.’’ (Nina Ožegović, T-portal) ‘’Gavella’s actors, accompanied by the almost constant, unobtrusive, yet varied and rich jazz soundtrack (composed by Nana Forte and Jure Ivanušič), take us through a drunken night. Some of them, like Filip Šovagović (Karl, the banker) and Ranko Zidarić (Gustav, the banker) manage, through the condition of alcoholic distortion of consciousness, to reach the high voltage of psychic powers that control the self: Šovagović as Karl brilliantly portrays the psychotic denial or the total negation of those aspects of reality which he’s not able to accept, whereas Zidarić as Gustav portrays the announcement of a grand religious brotherhood of all living things in the universe in an equally suggestive manner. Sven Šestak (Lorens), too, dares to look ‘’beyond’’ the screen of alcoholism and see what lurks there. Both Živko Anočić (Maks) and Enes Vejzović (Gabrijel) are brilliant in the bachelor party scenes.’’ (Nataša Govedić, Novi list) ‘’Marita Ćopo’s costumes are vivid and finely tuned. The empty, dimly lit, cabaret-like stage design by Igor Pauška works very well and the atmosphere is complete by the satirical musical ‘’gifs’’ by Nana Forte and Jure Ivanušič...’’ (Tomislav Čadež, Jutarnji list)
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Redatelj: Vito Taufer Prevoditeljica: Irena Lukšić Dramaturg: Dubravko Mihanović Scenograf: Igor Pauška Kostimografkinja: Marita Ćopo Autori glazbe: Nana Forte i Jure Ivanušič Suradnik za scenski pokret: Pravdan Devlahović Suradnica za scenski govor: Ivana Buljan Legati Oblikovatelj svjetla: Zdravko Stolnik Asistent dramaturga: Filip Jurjević Vizualni identitet predstave: Vanja Cuculić / Studio Cuculić Autor fotografija: Jasenko Rasol Igraju: MARTA, mlada, lijepa devojka: Dijana Vidušin MARK, direktor velikog međunarodnog filmskog festivala: Ozren Grabarić LAURA, manekenka: Tara Rosandić MAGDA, Laurina prijateljica: Martina Čvek LORENS, Magdin muž: Sven Šestak GUSTAV, bankar: Ranko Zidarić LORA, Gustavova supruga: Nela Kocsis KARL, bankar: Filip Šovagović LINDA, Karlova supruga: Ksenija Pajić RUDOLF, PR menadžer: Marko Petrić MAKS, izvršni menadžer banke: Živko Anočić MATIJAS, menadžer reklamne agencije: Amar Bukvić GABRIJEL, zamjenik direktora građevinske kompanije: Enes Vejzović ROZA, prostitutka: Tena Nemet Brankov Inspicijentica: Ana Dulčić Šaptačica: Marina Fakac Prva proba: 30. travnja 2018. Nastavak rada: 27. kolovoza 2018. Premijera: 14. rujna 2018. U drami jednog od najzanimljivijih suvremenih ruskih dramatičara, Ivana Viripajeva, svi su likovi pijani. Pijanstvo je ovdje koncept, metafora i stanje. Jer opijeni alkoholom, zapravo su pijani – zbunjeni, dezorijentirani, izgubljeni – duhom. Pritom je Viripajev inventivno združio metafizičku dramu s komedijom, nerijetko i apsurdnom, te religiju s ironijom, pri čemu ga neki kritičari nazivaju "spojem Tarkovskog i Tarantina". "Treba vidjeti ciljeve i zadatke koje si postavljamo, i to je sve.", reći će jedan od likova "Pijanih", ali upravo u tome i jest stvar: četrnaest osoba koje tumaraju (vele)gradskim prizorištima ovoga teksta doimaju se kao da ne znaju kamo idu, pa su potezi što ih povlače nerijetko bizarni i ishitreni. Humor koji im olakšava postojanje opor je i bespoštedan, uz preokrete uvjetovane iznenadnim izjavama ljubavi, priznanjima nevjere, naprasnim sastancima i rastancima... A kad je alkohol(izam) u pitanju, ne treba isključiti ni doslovnost, pa "Pijani" upozoravaju i na taj društveni problem. U režiji Vite Taufera, slovenskog redatelja velikog kazališnog iskustva, udomaćenog i na hrvatskim scenama, "Pijani" nam se ukazuju kao komad koji priziva elektriziranu kolektivnu igru, sav u nervoznom gibanju i strastenoj logoreji, svadljiv i tjelesan, gdje su bujice riječi i kovitlaci pijanstava iskaz onog potisnutog, zapretenog u nama... "'Pijani' su odlično otvaranje nove kazališne sezone u Zagrebu, predstava po kojoj ćemo uz "Ponovno ujedinjenje dviju Koreja" u režiji Paola Magellija, pamtiti Svrtanove ravnateljske godine na čelu Gavelle. (…) "Pijani"su velik zalogaj, onaj koji traži maksimalan angažman redatelja, ali i dramaturga, te svakog od glumaca ponaosob." (Bojana Radović, Večernji list) "Dramsko kazalište "Gavella" započelo je novu sezonu inteligentnim i duhovitim, gotovo filozofskim tekstom "Pijani", suvremenog ruskog dramatičara Ivana Viripajeva, kojeg je slovenski redatelj Vito Taufer postavio kao niz dinamičnih, zabavnih, bizarnih, duhovitih i često apsurdnih situacija s naglaskom na tekst i glumačke interpretacije. (…) Bila je to izvedba kojoj smo povjerovali i koja poziva na razmišljanje." (Nina Ožegović, T-portal) "Gavellini glumci, uz gotovo stalnu pratnju nenametljive, ali varijacijama bogate i jazzerski orkestrirane glazbe (kompozitori: Nana Forte i Jure Ivanušič), provode nas jednom pijanom noći. Neki od njih, poput Filipa Šovagovića (bankar Karl) i Ranka Zidarića (bankar Gustav), uspijevaju kroz stanja alkoholnog iskrivljenja svijesti dotaknuti visoki napon psihičkih sila koje upravljaju ljudskim jastvom: Šovagović kao Karl fenomenalno igra psihotično poricanje ili potpuno negiranje onih aspekata stvarnosti koje nije u stanju prihvatiti, dok Zidarić u roli Gustava jednako sugestivno igra objavu velikog religioznog pobratimstva svih bića u svemiru. (…) I Sven Šestak (Lorens) usuđuje se glumački otvoriti pogledu ono što kulja "iza" paravana alkohola. (...) Izvrsni su i Živko Anočić (Maks) i Enes Vejzović (Gabrijel) u prizorima momačke večeri." (Nataša Govedić, Novi list) "Scenski su aktivni i lijepo ugođeni kostimi Marite Ćopo, funkcionira ispražnjena, kabaretski osjenčana scena Igora Pauške, atmosferu podvlače i satirični glazbeni "gifovi" Nane forte i Jure Ivanušiča…" (Tomislav Čadež, Jutarnji list) "S predstavom 'Pijani', prvom ovogodišnjom premijerom, zagrebačko kazalište 'Gavella' očigledno ima hit – preporuke se prenose od usta do usta, nije potrebna nikakva reklama." (Snježana Pavić, Globus)