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Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser. «Edges of talk» for flute/ flute piccolo, cello and piano (2007). Performed by: I. Bushuev (flute/ flute piccolo), N. Solonovich (cello), M. Dubov (piano) The conversation presents itself there in the most varied forms: dramatic heat and bitter irony, philosophy and contemplation, dispute and reflexion, conversation in half-voices and shout, conversation at the top of the voice and whisper and many other qualities as well. So, musicians carry out theatrical performance during the course of their concert playing. Author: K. Kulkova Comments Off on Edges of talk (2007). Katya Kulkova – the composer, whose works are distinguished by a depth of emotions and bright imaginative sphere in combination with a high technique and clear formal structure. She is in constant search of synthesis of all the best that has been found by composers during last epoch, and the most important opening of the Newest music. More about ‘Katya Kulkova’ » Author: K. Kulkova Comments Off on Katya Kulkova. Part one: Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser. Part two: Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser. Part three: Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser. The «garden of butterflies»composition is built from many «butterflies» — a one-day composed-improvised pieces, that became one of composer's blog post type. The composition is a 42-minute long electro-acoustic composition and the division in parts is made only for better listening experience. More about ‘Garden of butterflies, tape music. Author: M. Puchkov Comments Off on Garden of butterflies, tape music. Mikhail Puchkov strives to stay apart the musical styles, searching that inner music he is being bound to. His search can lead him towards primitivism and «the new simplicity” or to some experiments in the electronic music. The composer by himself treats that only as a preparation to the search of his own style as a long path of studying and revealing the hidden. More about ‘Mikhail Puchkov’ » Author: M. Puchkov Comments Off on Mikhail Puchkov. Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser. Performed by: Nadezhda Artamonova (violin), Sergey Kondrashov (conductor), orchestra «Russian philharmony». Recorded live September 11, 2008 at the concert in Composers House, Moscow. The music here is composed as organic and free as if the author is born with the classical form within… The composition is complete and convincing, with that warmth available only to the sound of the violin ПpoизBeдeHиe пoлyчилocb цeлbHoe и yбeдиTeлbHoe, c Toй TeплoToй и cepдeчHocTbю, kakaя пpиcyщa Toлbko зByчaHию ckpипkи. Mikhail Puchkov, «Russian Musician 2.0» More about ‘Poem for the violin and orchestra (2006)’ » Author: A. Komissarov Genre: acoustics, symphony orchestra, violin Comments Off on Poem for the violin and orchestra (2006). Moscow Conservatory alumni. Author of music for several movies and series. In his works he strives for the simplicity and clarity of the musical language. More about ‘Andrej Komissarov’ » Author: A. Komissarov Comments Off on Andrej Komissarov. Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser. Composition for flute, clarinet, french horn, violin and cello. The future in the piece is showed as an existing reality. Instruments go out of their initial nature and nearly lose it completely. The inaudibility of certain moments confirms the transition of the music to a new form when the situation of concert performance becomes the important thing without the necessity of having sounding realisation. More about ‘Ctrl + C / Ctrl + V. 2008’ » Author: G. Dorokhov Genre: chamber ensemble Comments Off on Ctrl + C / Ctrl + V. 2008. Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser. Performers: Dmitry Tolpegov (trombone) and Department of Defense's Symphony orchestra, conductor — N. Sokolov. I'm greatly interested in torsion fields' divergence, so I wanted to reproduce them through music... Joke It's an one movement concerto, traditional music written simply for the joy of the music itself Author: D. Tolpegov Genre: acoustics, cиMфoHичeckий opkecTp, TpoMбoH Comments Off on Concerto for trombone and orchestra. Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser. The main idea of this one-movement composition is the search of non-standard approach to the string quartet genre and destruction of several stereotyped being applied to the quartet music. The role of pitch is secondary in this composition. Several rhythmic formulas and their transformations majorly through polyphonic techniques and also the sounds of majorly destructive and broken nature are the "building blocks" of this piece. All this leads to the creation of sound thicket that sometimes suddenly shut off or gradually rise or transform in the mechanical zones of rhythmic pulsation... More about ‘String quartet. Author: G. Dorokhov Genre: acoustics, string quartet Comments Off on String quartet. A traditionalist. The traditionalist. And a trombonist. More about ‘Dmitry Tolpegov’ » Author: D. Tolpegov Comments Off on Dmitry Tolpegov.
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Audio isječak: Adobe Flash Player (verzija 9 ili iznad) je potrebno za igranje ove audio isječak. Preuzmite najnoviju verziju ovdje. Također trebate imati omogućen JavaScript u pregledniku. Glavna ideja ovog jednog pokreta sastav je potrazi za nestandardne pristup žanru gudački kvartet i uništenja nekoliko stereotipnih se primijeniti i na kvartet glazbe. Uloga parcele je sekundarna u ovom sastavu. Nekoliko ritmičke formule i njihove transformacije kroz majorly polifone tehnike i zvukove majorly destruktivne i slomljena priroda "zgrada blokovi" ovog dijela. All this leads to the creation of sound thicket that sometimes suddenly shut off or gradually rise or transform in the mechanical zones of rhythmic pulsation...