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STRATEGIJA2.6 6/18/03 5:12 PM Page 193 segments in culture are numerous and diversified. When each is elaborated upon in detail, from the policy pertaining to the theatre or film to the one relating to cultural minorities, managing bodies and professional ones (culture councils), it will become possible to unequivocally determine what, precisely, the basic goals are and what the essential means in specific cultural fields and specific parts of the country are. In general terms, we are advocating an idea according to which the means of cultural development include institutions, financing or infrastructure, namely dimensions that do not directly constitute human resources (cultural, educational and social). Objects are the means of development while people are the goals. The definition of meaningful activity in culture should not exclude individuals who are not artists, managers or political or other influential or well known people, but only operators who keep culture running. They all work in culture in their own way. The more comprehensive definition of culture we are opting for has to take into account that great achievements or exceptional values are the products of cultural acts, the development of creative personalities, building of cultural monuments or historic towns are impossible without the work of countless and anonymous people; these range from parents and former teachers who are now well known and deserving individuals to stage workers, construction workers and cleaning persons. Are the operators a mere means in the development of a great mind, national or international? They are, if we take culture exclusively as the social elite s way of self pre sentation or self assertion. They are not if we view culture, and we give priority to this meaning, as capital in knowledge that mutually connects and attracts an increasing num ber of people, which makes borders softer and enhances communication and cooperation between the large and small, between those who know much about a small number of things and those who know a bit about many things, between specialists and common sense creating in that manner new and intermediary forms of knowledge and purpose ful action. Such a community becomes at the same time more educated, more democrat ic, more interactive and united. Sustainable development requires this kind of holistic perception of developmental pos sibilities and goals, while the comprehensive as possible perception of development and its real interdependence are extremely well suited for culture. The strategy of sustainable and inter dependent development implies that every field from micro economics and financing to pension funds, from traffic to science, from national security to culture footer Copyright 2006, Gamahosting.net. Sva prava zadrzana. web hosting hrvatska
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STRATEGIJA2.6 6/18/03 5:12 PM Page 144 OpEenito, sredstva su ciljevi ni eg ranga ili manjeg stupnja opEenitosti (ili manjeg vre mena potrebnog za njihovo postizanje) u odnosu na vi e (obuhvatnije) ciljeve. to je u krajnjoj liniji Eisto sredstvo a to Eisti cilj razvitka, ovisi o stupnju konkretizacije strategije razvitka, tj. kada se treba zaustaviti u razlaganju sastavnica ili uvjeta razvitka da bi se do lo do elementarnih Eestica u svakom od nabrojenih podruEja kulture i takve atome proglasiti pukim sredstvima razvitka. U buduEim elaboratima (policy papers), kojima Ee se na osnovi dionica u ovom nacrtu planirati i programirati kulturna djelatnost u pojedinom podruEju kulture i pojedinoj teri torijalnoj jedinici u Hrvatskoj, tek Ee biti moguEe potpuno konkretizirati odnos izme u ciljeva i sredstava razvitka. Strategijskih je dionica u kulturi mnogo i one su raznovrsne. Kad svaka bude detaljnije razra ena, od politike teatra ili filma do politike prema kul turnim manjinama, struke Ee na nedvosmislen naEin utvrditi konaEna ili elementarna sredstva razvitka u svom podruEju. Ipak, ovdje se zala emo da se institucionalne, financijske ili infrastrukturne dimenzije, dakle one koje izravno nisu dio ljudskog kapitala (kulturni i socijalni), tretiraju kao sred stva. Uvijek treba paziti da metodom redukcije elemenata djelovanja na sredstva ne izbacimo iz definicije svrhovitog djelovanja u kulturi ljude koji nisu umjetnici, menad eri ili politiEari ili druga va na ili vi enija lica, nego samo operatori koji odr ava ju kulturni pogon. Svi oni rade u kulturi na svoj naEin. Obuhvatnija definicija kulture, za koju se zala emo, mora voditi raEuna o tome da su visoki dometi ili velike vrijednosti izvedba kulturnog Eina, formiranje stvaralaEke osobe, izgradnja kulturnog spomenika ili povijesnog grada nemoguEi bez rada nebrojenih i anonimnih ljudi, od roditelja i biv ih nastavnika sada poznatih i zaslu nih ljudi do radnika na bini, gra evinskih radnika i Eis taEica. Jesu li operatori puka sredstva u izgradnji velikog duha, nacionalnog ili svjet skog? Jesu, ako kulturu shvatimo iskljuEivo kao naEin samopredstavljanja ili samopotvr ivanja dru tvene elite. Nisu ako kulturu shvatimo, a takvo znaEenje ovdje preferiramo, kao kapital znanja koji me usobno povezuje i privlaEi sve veEi broj ljudi, koji omek ava granicu i poveEava komunikaciju i suradnju izme u velikog i malog, izme u onog koji znade mnogo o malo stvari i onog koji znade pomalo o mnogo stvari, izme u specijalista i zdravog razuma i na taj se naEin stvaraju nove i intermedijarne forme znanja i korisnog djelovanja. Takva zajednica postaje prosvjeEenija, interaktivnija i solidarnija istodobno. footer Copyright 2006, Gamahosting.net. Sva prava zadrzana. web hosting hrvatska