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Fractals m?t ph?n c?a v?n h Fractals là một phần của tự nhiên, they are a part of us. Undeniably, fractals also form part of different cultures, long before computer generated fractals were discovered – from the architecture of Indian temples that resemble fractal structure to indigenous African villages where fractals are embedded in their architecture, textiles, art and religion. According to Ron Eglash, university professor and author of African Fractals: Modern Computing and Indigenous Design, this was not simply unconscious or intuitive. Phi li. Ki?n tr Many villages, constructed over many generations without anybody being in charge, formed an intricate fractal pattern as a whole. Like in southern Zambia, the Ba-ila housing settlements are designed like enormous rings. Each extended family house is like a ring-shaped livestock pen with a gate at the front of the ring. Near the gate are small storage buildings, and moving around the ring, the buildings become progressively larger dwellings, until the largest, ngôi nhà của cha, is opposite the gate (back of the pen). Ở mặt sau của ngôi nhà của mỗi gia đình là bàn thờ gia đình. T??ng t? v?y, the front of the settlement is the gate. Near the gate are smaller home rings, progressing to larger as we go around the settlement ring. Inside, đó cũng là sự trở lại của giải là ngôi nhà của trưởng. Mặt trước của ngôi nhà của trưởng là cổng, with progressively larger buildings around the ring, until the largest, nhà của trưởng, at the back. It is a ring of rings and a status gradient increasing with size from front to back, reflected in every scale of the settlement. The relation of the chief to the tribe is described by the word “kulela,” means “to nurse and to cherish.” He is like the father of the community, v. Eglash began this research in the 1980s when he noticed the striking fractal patterns in aerial photos of African settlements. He explains this further in the video below – In the Mandara Mountains of Cameroon live various ethnic groups commonly referred to as Kirdi. Theo thiết kế fractal Mokoulek của họ, with small circular granaries and larger circular granaries spiraling within 3 large stone enclosures, which themselves spiral from a central point which is the square part in the blue print. There is a sort of recipe or algorithm that determines how the system expands to accommodate growth. This volume measure was then converted to a number of granaries and these were arranged in spirals. The design is not simply a matter of adding on granaries randomly, but rather the expansion of a quantitative and deliberate process. Văn hóa Not only architecture, but fractals are also seen in African textiles, sculptures, masks, religious icons and cosmologies. In Ethiopia, fractals can be seen in crosses (with a three-fold iteration) and also in the Lalibela churches. Fractal imagery is used in African religions to show gods with the most and the least spiritual power. Gods representing orderly, cyclic patterns (such as Nummo in Mali and Dan in Benin, hi?n th? tr) tend to have low power. Gods associated with the power of life like (Nyame in Ghana, Mawu in Benin) have higher power. The same principle of construction based in a fractal shape can be applied to designing Cornrow or braided hairstyles. Africans have been using fractals to create beautiful and intricate hairstyles for a long time, braiding iterations of a same form. Even their wedding blanket, which is primarily woven from camel hair, has an interesting story attached to it. The weavers say that the blanket has spiritual energy woven into each pattern and that every successive iteration shows an increase in this energy. tin r?ng n?u c (where the pattern is most dense, and hence the spiritual energy is greatest) they would risk death. So the wedding couple has to keep the weavers awake until its complete by giving them food and kola nuts. The African focus on fractals emphasizes their own cultural priorities: it can even be heard in their polyrhythmic music (similar simultaneous rhythms at different scales). This is an amazing find that shows how fractals play a vital role in forming the fabric of our universe, its not only present in plants, c, ?, n, rivers, etc., but its present in ancient civilizations across the world that mimic our cosmic design.
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Fractals a Part of African Culture Fraktali su dio prirode, they are a part of us. Undeniably, fractals also form part of different cultures, long before computer generated fractals were discovered – iz arhitektura indijskih hramova koji nalikuju fraktalnu strukturu autohtonim afričkim selima gdje Fraktali su ugrađene u arhitekturi, textiles, art and religion. Po Ron Eglash, sveu?ili: Moderna ra?unarstvo i Autohtoni dizajn, to nije bio samo u nesvijesti ili intuitivno. Afrikanci povezani ove fraktalna dizajna za pojmove poput rekurzije i skaliranje koja postoji u afri?koj autohtoni sustav znanja. Arhitektura Mnogi sela, izgra?ene kroz mnoge generacije, bez bilo tko bude nadle, formirana zamr. Kao u ju, BA-Ila stambena naselja su dizajnirane poput golemih prstenova. Svaki pro. U blizini vrata su male gra?evine za pohranu, i kre?e se oko prstena, zgrade postaju sve ve?i stanovi, dok najve?i, Kuća oca, Nalazi se nasuprot vrata (natrag olovke). Tako naprijed prema natrag mjera statusnu gradijent za dom. Na poleđini svake obiteljsku kuću nalazi oltar kućanstvo. Sli?no, Prednji dio naselja je vrata. U blizini vrata su manjih ku?e prstenje, napreduje na ve?i . Unutra, koji je ujedno vratio naselja je glavni u kući. Ispred šefa kuće je vrata, s progresivno ve?e zgrade oko ringa, dok najve?i, načelniku dom, straga. To je prsten od prstena i status gradijent pove?ava s veli?inom od naprijed prema natrag, ogleda se u svakom mjerilu naselja. Odnos “Slu,” sredstva “dojiti i njegovati.” On je poput oca zajednice, a taj odnos je odjekivao obitelji i duhovnim vezama na svim razinama, a strukturno mapirati kroz self-sli?na arhitekturi. Eglash zapo?eo ovo istra. On to obja – U Mandara planinama Kamerunu . Njihov Mokoulek je nastavak Fractal design, s malim kru 3 veliki kameni ku?i, koja sama spirala iz sredi. Postoji vrsta recepta ili algoritam koji odre?uje kako se sustav pro. Ona je odre?ena znanja o poljoprivrednom prinosa. Ova mjera volumena zatim se prevede u nekoliko shrambi i oni su postavljeni u spirale. Dizajn nije samo stvar dodavanja na , nego . Kultura Ne samo arhitektura, ali fraktali su tako?er vidjeli u afri?kim tekstila, Skulpture, maske, vjerske ikone i kozmologije. U Etiopiji, Fraktali mogu se vidjeti u kri (s trostrukom iteraciji) a tako?er u Lalibela crkvama. Fractal slika se koristi u afri?kim religijama pokazati bogove s najvi. Bogovi predstavljaju uredne, cikli?ki uzorci (kao , Gore prikazano) imaju tendenciju da imaju male snage. Bogovi povezani sa snagom (Nyame in Ghana, Mawu u Beninu) imaju ve?u mo?. Isti princip izgradnje sjedi. Afrikanci su pomo?u fraktala za stvaranje lijepe i zamr, pletenice ponavljanja u istom obliku. ?ak njihova vjen?anja deka, koji je prvenstveno satkana je od devine dlake, je zanimljiva pri?a u prilogu. U tkalci re?i da deka je duhovna energija utkana u svaki uzorak i da svaka uzastopna iteracija pokazuje pove?anje u ovoj energije. Oni vjeruju da ako rade zaustavlja u sredini (gdje je uzorak je najgu, i stoga je duhovna energija najve?a) oni bi riskirao smrt. Dakle vjen?anja par mora zadr. Afri?ka fokus na fraktala nagla: to čak može čuti u njihovim polyrhythmic glazba (Sli?ne simultano ritmovi na razli?itim razinama). To je nevjerojatna nalaz koji pokazuje kako fraktali igraju vitalnu ulogu u formiranju tkivo na, njegova prisutan ne samo u biljkama, trees, oblaci, mountains, rijekama, itd., ali je prisutna u drevnim civilizacijama diljem svijeta koji opona. Reference: Komentari stvarno zanimljivo, Sjećam se kad sam bila mala ja bi volio crtanje uzoraka i tek sada shvaćam da sam bio crtež fraktali.