http___www.gavella.hr_eng_productions_current_productions_heart_larger_than_hands.xml
http___gavella.hr_predstave_aktualne_predstave_srce_vece_od_ruku_1.xml
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‘’Stage 121’’ (the atrium of the theatre) Director and Music Editor: Tamara Damjanović Dramaturges: Tamara Damjanović and Nina Bajsić Stage Design and Costume Design: Marita Ćopo Lighting Design: Zdravko Stolnik Photography: Nina Đurđević Production’s Visual Identity: Vanja Cuculić / Studio Cuculić Cast: Wife: Barbara Nola Husband: Hrvoje Klobučar Female Friend: Tara Rosandić Male Friend: Andrej Dojkić Stage Manager and Prompter: Marina Fakac The song ‘’Smoke Gets In Your Eyes’’ by The Platters is used in the production. First rehearsal: January 16th, 2017 Opening night: March 28th, 2017 Every text is an adventure, a starting point, a means to express: a moment of life, oneself, someone by your side, ourselves. One just (!) needs to know how – needs to feel it, needs to see it. The production ‘’Heart Larger Than Hands’’ is the result of one small group’s work. The group that, at a certain point (in, probably, completely different life circumstances), agreed to think in the same direction: to delve into the text, then to delve into another (at first a completely unknown) person and into themselves. They tried to understand all of that together and then went on - to create. Based on the basic dramaturgical principles of a play, the text of the play developed, on the one hand, from the actors’ improvisations (respecting in the process the personalities of the actors) and on the other hand it expanded the assumed plot and dramaturgically filled the ellipsis of the text – in order to explore the arches of the faces, of the story and of the emotions; in order to tell a common story, based on the existing one; in order to blend, at a certain moment, a certain place, a certain theatre, on a specific year, certain human sensibilities which (perhaps, indeed just perhaps) cannot be blended; in order to experience, live, feel. ‘’This is a small production on the new stage in Gavella Theatre. It is well-directed and well-performed. It is a production that ought to be recommended and that will be loved by all who have walked in the shoes of its protagonists, all who have cheated and have been cheated on.’’ (Bojana Radović, Večernji list) ‘’Barbara Nola, Hrvoje Klobučar, Tara Rosandić and Andrej Dojkić convincingly and extraordinarily precisely go through complex Strindbergian battles of mutual distancing and approaching, which is something the audience welcomed with waves of applauses.’’ (Nataša Govedić, Novi list) ‘’A very vivacious and convincing play premiered on the newly opened Stage 121 in Gavella Theatre on Tuesday night. The name of the play is ‘’Heart Larger Than Hands’’ and it is directed by Tamara Damjanović, who presented the audience with a story of a bizarre love square between two married couples of the younger generation, who during their struggle to find love lose themselves, their partners and their lovers. The version performed in Gavella Theatre is somewhat different from the original, because it, partly, blends actors’ improvisations, so the play has a subtle Zagreb-like feel. The play is especially enriched by the wide range of nuanced emotions and the actors’ own experiences.’’ (Nina Ožegović, T-portal)
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"Scena 121" (atrij kazališta) Redateljica i izbor glazbe: Tamara Damjanović Dramaturginje: Tamara Damjanović i Nina Bajsić Scenografkinja i kostimografkinja: Marita Ćopo Oblikovatelj svjetla: Zdravko Stolnik Autorica fotografija: Nina Đurđević Vizualni identitet predstave: Vanja Cuculić / Studio Cuculić Igraju: Žena: Barbara Nola Muž: Hrvoje Klobučar Prijateljica: Tara Rosandić Prijatelj: Andrej Dojkić Inspicijentica i šaptačica: Marina Fakac U predstavi se koristi pjesma "Smoke gets in your eyes" The Plattersa. Prva proba: 16. siječnja 2017. Premijera: 28.ožujka 2017. Predstava traje sat i 30 minuta, sa pauzom. O režijsko-dramaturškom tretmanu teksta (predstava po motivima teksta "Srce veće od ruku") Svaki tekst je avantura, polazište, poligon za izraziti: trenutak života, sebe, drugoga pored sebe, nas. To se samo (!) treba znati – osjetiti, prepoznati. Predstava "Srce veće od ruku" rezultat je rada jednog malog kolektiva koji je u nekom trenutku (s nekim, vjerojatno, sasvim drugačijim životnim okolnostima) pristao misliti u istom smjeru: zagrabiti u tekst, zatim u (isprva nepoznatog) drugoga, u sebe, sve to skupa (pokušati) razumjeti, a onda – stvarati. Polazeći od osnovnih dramaturških zadanosti dramskog teksta, tekst predstave razvio se jednim dijelom iz glumačkih improvizacija (poštujući tako konstelacije ličnosti svakog od glumaca), a drugim smjerom u širenju pretpostavljene fabule te dramaturškim punjenjem elipsi teksta – kako bi se istražili lukovi lica, priče, osjećaja; kako bi se, na temu postojeće, ispričala jedna zajednička priča, kako bi se u nekom trenutku, na nekom mjestu, u nekom teatru, neke određene godine, koja je mogla biti i neka druga, spojili neki (možda – zaista, samo možda) sasvim nespojivi ljudski senzibiliteti; kako bi se nešto – doživjelo, proživjelo, osjetilo. "Ovo je mala predstava na novoj sceni "Gavelle", dobro režirana i dobro odglumljena, predstava koju treba preporučiti i koju će voljeti svi koji su se našli u koži njenih junaka, svi koji su varali i bili prevareni." (Bojana Radović, Večernji list) "Barbara Nola, Hrvoje Klobučar, Tara Rosandić i Andrej Dojkić izvanredno precizno i uvjerljivo prolaze kroz složene strindbergovske bitke međusobnog udaljavanja i približavanja, što je publika ispratila opetovanim valovima aplauza." (Nataša Govedić, Novi list) "U Gavelli, na novootvorenoj komornoj Sceni 121, premijerno je izvedena u utorak navečer vrlo životna i uvjerljiva predstava "Srce veće od ruku" u režiji mlade redateljice Tamare Damjanović, koja je pred gledatelje bacila priču i bizarnom ljubavnom četverokutu između dva bračna para mlađe generacije, koji u grčevitoj potrazi za ljubavlju gube sebe, partnera, ljubavnika. (…) Gavellina verzija je ponešto drugačija od originala jer se u njoj dijelom spajaju i glumačke improvizacije pa komad ima suptilan zagrebački štih, a posebno bogatstvo donosi mu velika paleta nijansiranih emocija i iskustva samih glumaca." (Nina Ožegović, T-portal)