http___en.wikipedia.org_wiki_Singing_bowls.xml
http___fractalenlightenment.com_hr_585_spirituality_the-tibetan-singing-bowl_1.xml
1.1 2.1 2.2 3.1 3.2 3.3 3.4 4.1 5.1 6.1 6.2 6.3 6.4 6.5 7.1 7.2 7.3 7.4 8.1 8.2 9.1 9.2 10.1 11.1 11.2 11.3 11.4 12.1 13.1 13.2 13.3 14.1 14.2 14.3 14.4 15.1 16.1 17.1 18.1 19.1 19.2 19.3 19.4 19.5 20.1 20.2 20.3 21.1 21.2 21.3 21.4 22.1 22.2 22.3
Singing bowl Singing bowls (also known as Tibetan Singing Bowls, rin gongs, Himalayan bowls or suzu gongs) are a type of bell, specifically classified as a standing bell. Rather than hanging inverted or attached to a handle, singing bowls sit with the bottom surface resting, and the rim of singing bowls vibrates to produce sound characterized by a fundamental frequency (first harmonic) and usually two audible harmonic overtones (second and third harmonic).[citation needed] Singing bowls are used worldwide for meditation, music, relaxation, and personal well-being. Singing bowls were historically made throughout Asia, especially Nepal, China and Japan. They are closely related to decorative bells made along the silk road from the Near East to Western Asia. Today they are made in Nepal, India, Japan, China and Korea. Contents Origins, history and usage[edit] In some Buddhist practices, singing bowls are used as a signal to begin and end periods of silent meditation. Some practitioners (for example, Chinese Buddhists) use the singing bowl to accompany the wooden fish during chanting, striking it when a particular phrase is chanted. In Japan and Vietnam, singing bowls are similarly used during chanting and may also mark the passage of time or signal a change in activity, for example changing from sitting to walking meditation. In Japan, singing bowls are used in traditional funeral rites and ancestor worship. Every Japanese temple holds a singing bowl.[citation needed] Singing bowls are found on altars and in meditation rooms worldwide. There aren't any traditional texts about singing bowls so far as we know. All known references to them are strictly modern. However, a few pieces of art dating from several centuries ago depict singing bowls in detail, including Tibetan paintings and statues.[citation needed] Some Tibetan rinpoches and monks use singing bowls in monasteries and meditation centers today. Singing bowls from at least the 15th century are found in private collections.[citation needed] Bronze bells from Asia have been discovered as early as the 8th–10th century BC and singing bowls are thought to go back in the Himalayas to the 10th-12th century AD.[citation needed] Singing bowls are played by striking the rim of the bowl with a padded mallet. They can also be played by the friction of rubbing a wood, plastic, or leather wrapped mallet around the rim of the bowl to emphasize the harmonic overtones and a continuous 'singing' sound. Both antique and new bowls are widely used as an aid to meditation. They are also used in yoga, music therapy, sound healing, religious services, performance and for personal enjoyment. Antique singing bowls[edit] Antique singing bowls produce harmonic overtones creating an effect that is unique to the instrument. The subtle yet complex multiple harmonic frequencies are a special quality caused by variations in the shape of the hand made singing bowls. They may display abstract decorations like lines, rings and circles engraved into the surface. Decoration may appear outside the rim, inside the bottom, around the top of the rim and sometimes on the outside bottom. Modern development[edit] Singing bowls are still manufactured today in the traditional way as well as with modern manufacturing techniques. New bowls may be plain or decorated. They sometimes feature religious iconography and spiritual motifs and symbols, such as the Tibetan mantra Om mani padme hum, images of Buddhas, and Ashtamangala (the eight auspicious Buddhist symbols). New singing bowls are made in two processes. Hand hammering is the traditional method of creating singing bowls which is still used to make new bowls. The modern method is by sand casting and then machine lathing. Machine lathing can be done only with brass, so machine lathed singing bowls are made with modern techniques and modern brass alloy. See also[edit] References[edit] Further reading[edit] - de Leon, Emile (2012) The Mastery Book of Himalayan Singing Bowls: A Musical, Spiritual, and Healing Perspective (Book & Audio CD's) Temple Sounds Publishing / ISBN 9780988266100 / Library of Congress Control Number: 2012948143 - Müller-Ebeling, Claudia, Christian Rätsch, Surendra Bahadur Shahi (2002). Shamanism and Tantra in the Himalayas. Trans. by Annabel Lee. Rochester, Vermont: Inner Traditions. - Shrestha, Suren (2009). How to Heal with Singing Bowls: Traditional Tibetan Healing Methods (Book and Audio CD). Sentient Publications. - Jansen, Eva Rudy (2004). Singing Bowls. A Practical Handbook of Instruction and Use. New Age Books, New Delhi. - Terwagne, Denis & John W. M. Bush (2011). Tibetan singing bowls. Nonlinearity 24: R51.
1.1 2.1 2.2 3.1 3.2 4.1 5.1 5.2 6.1 6.2 7.1 8.1 9.1 10.1 10.2 10.3 11.1 12.1 12.2 13.1 13.2 14.1 14.2 14.3 15.1 15.2 15.3 16.1 16.2 17.1 18.1 19.1 20.1 20.2 21.1 21.2 22.1
Tibetanski Pjevanje Bowl Zvuk je vibracija koja rezonira s du, koji se mo. Zvuk ima moć da ozdravi ne samo na fizičkoj razini, ali i na emocionalnoj i duhovnoj razini. Tibetanski Pjevanje zdjele, koji stoje zvona, umjesto visi invertirani ili vezan na ru?ku, da je ostala na dnu povr. Strane i rub pjevanje zdjele vibriraju proizvesti duboke i umirujuće zvuk. Tradicionalno, pjevanje zdjele su korišteni u cijeloj Aziji kao dio Bon (Lhasa dijalekt, Riječ bon znači 'religija’ te je najstarija duhovna tradicija Tibeta.) i tantričkog budistički Sadhana. Korištenje pjevanje zdjele u Tibetu je predmet mnogih rasprava i mnoge priče. Neki ljudi kažu da su se za meditaciju, dok drugi kažu da su čarobne alati za iscjeljenje i transformaciju sebe i materije. Kineski budisti koristiti pjevanje posudu pratiti drvenu ribu tijekom pjevanje, to udaranje kad određeni izraz u sutra pjeva. U Japanu i Vijetnamu, pjevanje zdjele na sličan način koriste tijekom pjevanje i može označiti protok vremena ili signalizirati promjenu u aktivnosti. Danas su zaposleni u cijelom svijetu, kako unutar tako i bez tih duhovnih tradicija, za meditaciju, opuštanje, zdravstvo, osobnu dobrobit i religijska praksa. Naše iskustvo s tibetanskog pjevačkog Bowl: Čim sam počeo koristiti pjevanje zdjelu, Znao sam da je imao dublji smisao, počnete kopanjem palicu na strani zdjele, onda ti trljati štap oko zdjelu na takav način da preuzmu kontrolu nad vibracija i okretanjem ovo vibracije oko zdjelu s brzinu i visinu od trenja možete stvoriti različite frekvencije i zvuka. No, ono što je još zanimljivije je način na koji vaše tijelo reagira na vibracije koje teče kroz vaše ruke. Osjećaj mira spušta kroz vas kao što hrle zdjelu i usredotočiti se na zvuk i kontrolom vibracija u ruci. Čini se tako čarobno njegova prilično nevjerojatno što se zdjela može učiniti za vas. Stari i Novi: Tradicionalno, Antički pjevanje zdjele su izrađeni od Panchaloga (pet metali u sanskrtu), Brončana legura bakra, vjerovati, cinka i željeza i drugih metala. Antikviteti često uključuju srebro, zlata i nikla, oni proizvode multiphonic i polyharmonic prizvuka koji su jedinstveni za antičkim instrumente. Suptilni još složenije više harmonijske frekvencije su posebna kvaliteta visokokvalitetnog brončane legure. Pjevanje zdjele više nisu izrađeni na tradicionalan način i smatra izgubljena umjetnost. Starinski pjevanje zdjele vrlo su cijenjeni i uzima u svijetu. Njihova popularnost je zbog svoje fine izrade i izvanredan zvuk. Proces starenja čini se kako bi poboljšali se ton i stoljetni antikviteta proizvesti nevjerojatno bogat i lijep zvuk. Dok su novi pjevanje zdjele izrađene od industrijskog kvalitetnog metala, uglavnom bakra i široko se izvoze iz Nepala i Indije. Novi pjevanje zdjele i kristalne zdjele ne proizvede topao i složeni ton finih antikviteta. Oni zvuči kao jasan i jednostavan zvona, bez toplim nijansama i svijetle harmonijskih prizvukom za koji starine poznati. Pjevanje zdjele također se koristi za saldo čakre. Video ispod je za iscjeljivanje korijen čakre. Izvor slike: Komentari Pjevanje zdjele uvijek bio fantastičan terapija za mir i opuštanje .To čini mirno i umirujuće. Hvala na postu! Slažem se da antički pjevanje zdjele definitivno imaju finije zvuk. su još uvijek u potrazi za antiknim tibetanske zdjele?? Imam još uvijek vrlo malo prodati profesionalnih glazbenika ili iscjelitelji zvuk se može vratiti kada možete pronaći dobar majstora za popravak