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erotica Aleksandar Bezinović / Katarina Vojković Solo exhibitions by Aleksandar Bezinović and Katarina Vojković is the last one of the exhibitions with which, this year, we present young artists related to Velika Gorica and its surroundings. About the works presented at the exhibition art historians Rozana Vojvoda and Petra Petrušić writes: Creation and dissolution, construction and deconstruction, appearing and disappearing; all of these pairs of antonyms can be applied to Aleksandar Bezinović’s work created within the last two years. Through procedures which include lighting on fire, scraping, a profuse use of adhesive materials, even the intentionally induced corrosion of metal plates, the author additionally emphasizes the already unsteady relationship between the foundation, the figurative motif, words and colour. Reconstruction, as the central theme of this exhibition, becomes an applicable and, at the same time, relative creative principle – everything can somehow be reconstructed when technology and a creative principle are in line: a palm tree or even the human body
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Aleksandar Bezinović / Katarina Vojković Samostalnom izložbom Aleksandra Bezinovića i Katarine Vojković zavrašavamo program kojim smo ove godine predstavili mlade akademske umjetnike vezane za Veliku Goricu i okolicu, bilo podrijetlom, bilo trenutnim životom i radom. O slikarstvu Aleksandra Bezinovića i Katarine Vojković, ovoga puta pišu povjesničarke umjetnosti Rozana Vojvoda i Petra Petrušić. Rozana Vojvoda tako ističe da se Bezinovićevo slikarsko istraživanje bavi "ulogom čovjeka u općem poretku stvari": Stvaranje i rastvaranje, konstrukcija i dekonstrukcija, nastajanje i nestajanje; sve su to parovi suprotnosti koji se mogu aplicirati na radove Aleksandra Bezinovića nastale u protekle dvije godine. Postupcima koji uključuju paljenje, struganje, obilno korištenje vezivnih sredstava, pa čak i namjerno izazvanu koroziju metalnih ploča, autor dodatno naglašava poljuljane odnose između podloge, figurativnog motiva, riječi i boje. Rekonstrukcija kao misao vodilja ove izložbe, postaje primjenjiv i istodobno relativan stvaralački princip - sve se na neki način može rekonstruirati u sprezi tehnologije i stvaralačkog principa; palma pa čak i ljudsko tijelo.