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http___galerijagalzenica.info_category_tags_poezija_1.xml
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poetry Every tree stands in silent thought Jan Chudy, F.F. Coppola, Boris Cvjetanović, Darija Čičmir, Gradski muzej Virovitica, Ivan Ivanković, Ines Kotarac, D.H. Lawrence, Barbara Loden, Sara Malić, Hana Miletić, Ema Muža, Muzej Turopolja, Muzej grada Koprivnice, Vesna Parun, Barbara Radelja, Andrea Resner, Luka Rolak, Davor Sanvincenti, Martin Scorsese, Tamara Sertić, Sv. Ambrozije, Mladen Šutej, Zlatan Vehabović, Davor Vrankić, Magdalena Vuković There is a series of exhibitions hiding under the umbrella title of “Inner museum”, and the first one is dedicated to the phenomenon of solitude. Almost all social and natural sciences agree that humans are primarily social beings. Social interactions determine our character, our actions and our moral values to a large degree. Starting from the very first contact with our parents or guardians, through the adaptation to new environments (school), to the purposeful participation in the community, intersubjective relations are essential for normal human development. Language acquisition, developing behavioural social patterns, compassion, intelligence, etc. are just some of the properties which we perceive as positive and automatically associate with sociability. On the other hand, the majority of deviations in human development – from childhood to socially responsible adulthood – are associated with the absence or some kind of a deficiency in the socialization process. Popular culture, proverbially prone to simplification, thus portrays people who prefer solitude as weirdos living on the social margins of class, space, ethics or aesthetics. Vlado Martek, Pictographic alphabet The exhibition "Pictographic alphabet" represents a selection of Martek's drawings and collages created in the period between 1987 and 2002. Up to now, they have mostly been unexhibited, and in the artist's words, they belong to the "side of me which vents my emotions". The drawings and collages testify to the spiritual turmoil in an almost diary-like manner. Love, fear, loss, pain, happiness, mutiny, doubt, ecstasy, rage... are just some of the emotions manifesting openly its strength. The establishment of a contact with another being, with society, in other words, is one of the backbones of Martek's work. By ignoring all other aspects of a painting except the communicational one, Martek formed an assembly of signs (pictographs) with the purpose of expanding the space of conversation and compassion. If we have in mind that Martek considers his paintings, including also the works presented in this exhibition, poetry, the range of possible communication is additionally widened. Vlado Martek was born in 1951 in Zagreb. He graduated philosophy and literature and has been exhibiting since 1974. He is a conceptual artist and a poet. The forms of his artistic work encompass art actions, paintings, sculptures, publicist writing, murals, graffiti, books, poetry, land art, graphics and photography. He authored 22 self-published works, 5 books of pre-poetry/poetry/post-poetry, 3 books of essays, 2 books of theoretical and philosophy texts and 5 graphic maps. He is a member of Croatian Writers' Association and Croatian Association of Artists. Martek's art is found in the most important Croatian and foreign museum collections.
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poezija Svako drvo stoji i misli Jan Chudy, F.F. Coppola, Boris Cvjetanović, Darija Čičmir, Gradski muzej Virovitica, Ivan Ivanković, Ines Kotarac, D.H. Lawrence, Barbara Loden, Sara Malić, Hana Miletić, Ema Muža, Muzej Turopolja, Muzej grada Koprivnice, Vesna Parun, Barbara Radelja, Andrea Resner, Luka Rolak, Davor Sanvincenti, Martin Scorsese, Tamara Sertić, Sv. Ambrozije, Mladen Šutej, Zlatan Vehabović, Davor Vrankić, Magdalena Vuković Pod krovnim nazivom “UM – unutarnji muzej” krije se niz izložaba od kojih je prva posvećena fenomenu samoće. Čovjek je, slažu se gotovo sve društvene i prirodne znanosti, prije svega društveno biće. Socijalna interakcija u velikom dijelu određuje njegov karakter, njegovo djelovanje, njegove moralne vrijednosti. Od prvih kontakata s roditeljima ili skrbnicima, preko prvih prilagođavanja okolini (škola), do svrhovite participacije u zajednici, intersubjektivni odnosi ključni su za normalan razvoj čovjeka.Učenje jezika, otkrivanje društvenih obrazaca ponašanja, suosjećanje, inteligencija itd. samo su neka od svojstava koje doživljavamo pozitivnima i automatski povezujemo s društvenošću. Nasuprot tome, većinu devijacija u razvoju čovjeka od djeteta do odgovornog društvenog subjekta povezujemo s izostankom ili manjkom socijalizacije. Popularna kultura, poslovično sklona pojednostavljenju, tako ljude koji preferiraju samoću prikazuje kao čudake s klasnih, zemljopisnih, etičkih ili estetičkih rubova društva. Vlado Martek, Piktogramska abeceda Izložba "Piktogramska abeceda" predstavlja izbor Martekovih crteža i kolaža nastalih u periodu od 1987. do 2002. Do sada su uglavnom neizlagani, a pripadaju, kaže umjetnik, onoj "strani mene gdje sam dao oduška svojim osjećajima". Crteži i kolaži gotovo dnevnički svjedoče o duhovnim previranjima. Ljubav, strah, gubitak, bol, sreća, pobuna, dvojba, ekstaza, bijes...samo su neki od osjećaja čija nam se snaga otvoreno prikazuje. Uspostava kontakta s drugim bićem, s društvom, drugim riječima, jedna je od okosnica Martekovog rada. Zanemarivši sve druge vidove slike osim onog komunikacijskog, Martek je formirao jedan ansambl znakova (piktograma) s ciljem širenja prostora sugovorništva i suosjećanja. Imamo li na umu da Martek svoje slike, dakle i radove predstavljene na ovoj izložbi, doživljava kao poeziju, raspon se moguće komunikacije dodatno širi Vlado Martek je rođen 1951. u Zagrebu. Diplomirao je filozofiju i književnost, a izlaže od 1974. Konceptualni je umjetnik i pjesnik. Oblici umjetničkog rada obuhvaćaju akcije, slike, skulpture, publicistiku, murale, grafite, autorske knjige, poeziju, land art, grafike i fotografije. Autor je 22 samizdata, 5 knjiga predpoezije/poezije/postpoezije, 3 knjige eseja, 2 knjige teorijsko-filozofskih tekstova i 5 grafičkih mapa. Član je Društva hrvatskih književnika i Hrvatskog društva likovnih umjetnika. Martekovi se umjetnički radovi nalaze u najvažnijim domaćim i inozemnim muzejskim kolekcijama.