http___galerijagalzenica.info_en_category_tags_love.xml
http___galerijagalzenica.info_category_tags_seks_1.xml
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love Lovepiece Nina Bajrić Blažeković, Ana Belošević, Petra Brnardić, Danko Friščić, Davor Mezak, Marijan Molnar, Jelena Remetin, Damir Sokić, Marijana Stanić, Ana Šerić & Ivana Vadla, Ivan Tudek, Vlatko Vincek Curator: Ana Belošević Is it even possible to define love? How can we define an emotional action so susceptible to subjective evaluation? Be it physical, romantic, spiritual, manic, pragmatic, platonic, ideal....there is this constant need to understand and explain it (to explain it in order to understand it). It is an art & craft because it demands discipline, concentration, patience, faith (Erich Fromm), but above all, as art itself, it demands freedom and courage to be our true selves, the courage to expose our private lives to an individual/viewer/observer and lay bare our insecurity to a critical mass. Art and humanity has always had, and always will have, one true eternal muse – love. ...(“He who approaches the temple of the Muses without inspiration, in the belief that craftsmanship alone suffices, will remain a bungler and his presumptuous poetry will be obscured by the songs of the maniacs,“ Plato). From Rodin's to Magritte's kiss, from Chagall's Bella to Koons' Cicciolina, Tracey Emin's tent and Jenny Holzer's sign (Love Is What You Want, Protect me from what I want ) to Marina Abramović's walk along the Great Wall of China, to Bizet's Carmen or Joy Division (Love will tear us apart), it (love / relationship) remains a mystery, unpredictable and risky as birth itself, as some damned energy which drives and destroys, always omnipresent and elusive, at the same time here and there, eerily frightening and outrageously appealing, never simple. Eros and Thanatos, locked in eternal battle.
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seks Lovepiece Nina Bajrić Blažeković, Ana Belošević, Petra Brnardić, Danko Friščić, Davor Mezak, Marijan Molnar, Jelena Remetin, Damir Sokić, Marijana Stanić, Ana Šerić & Ivana Vadla, Ivan Tudek, Vlatko Vincek Kustosica: Ana Belošević Da li je uopće moguće definirati pojam ljubavi? Ili kako definirati emocionalnu akciju tako podložnu subjetivnoj procjeni? Bila ona fizička, romantična, spiritualna, manična, pragmatična, platonska, idealna…postoji vječna potreba za njezinim razumijevanjem i objašnjenjem ( da se objasni kako bi se razumijela). Ona je umijeće/art&craft jer zahtijeva disciplinu, koncentraciju, strpljenje, vjeru (Erich Fromm), no najviše, kao i umjetnost, zahtijeva slobodu i hrabrost da budemo ono što jesmo. Hrabrost da podastremo vlastitu intimu drugoj osobi/gledatelju/promatraču, a svoju nesigurnost prepustimo na uvid kritičnoj masi. Umjetnost/čovječanstvo je imalo, i imat će, uvijek jednu vječnu muzu - ljubav. (" Onaj koji hramu Muza prilazi bez nadahnuća i uvjeren da je zanatstvo dovoljno ostat će neuk, a njegovo će samodopadno pjesništvo zasjeniti pjesme luđaka", Platon). Od Rodinovog do Magrittovog poljupca, od Chagallove Belle do Koonsove Ciccioline, šatora Tracy Amin i natpisa Jenny Holzer (Love Is What You Want, Protect me from what I want ) preko hodanja Marine Abramović po Kineskom zidu, Bizetove Carmen ili Joy Divisona (Love will tear us apart), ona ( ljubav /veza ) ostaje i dalje misterija, nepredvidljiva i riskantna kao rođenje, neka prokleta energija koja pokreće i uništava, uvijek sveprisutna i neuhvatljiva, u isto vrijeme ovdje i tamo, sablasno strašna i sablažnjivo privlačna, nikada jednostavna. Eros i tanatos i njihova vječna borba.