http___gallerychaos.com_en_exhibitions_1998_november-december_item_807-bojan-bem-text.xml
http___gallerychaos.com_sr_izlozbe_1998_novembar-decembar_1.xml
1.1 1.2 1.3 2.1
In his “stills” there is no lower perspective. As a rule it has always been upper and a bit shunted view, like a bird’s eye view. In a long-term, very gradual and selective retreat of living beings from the iconographic repertoire, from a bird that had a dominant position on a painting from 1971, to a later drawing with just one shadow left…one stop in a gradual disappearance of material from work…just the shell of human presence… an ideal diagram of life-cycle- the disappearance of recognizable shapes shifts the focus into the area of thoughts. Mileta Prodanovic
1.1 1.2 1.3 2.1
U njegovim "kadrovima" ne postoji donji rakurs. Po pravilu, pogled je uvek bio "gornji" i malo iskosa, iz takozvane ptičje perspektive. U dugotrajnom, vrlo postepenom i selektivnom povlačenju živih bića iz ikonografskog repertoara, od ptice koja je na jednoj slici iz 1971. godine zauzimala dominantno mesto, na kasnijem crtežu ostala je samo senka...jedna stanica u postepenom, stupnjevitom nestajanju gradiva iz dela...samo ljušture ljudskog prisustva...idealni dijagram životnog ciklusa - nestanak prepoznatljivih oblika premešta težište u oblast misli. Mileta Prodanović