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ការ Metaphysical ដំណើរតាមរយៈជំងឺឆ្កួតជ្រូក After waking from a childhood coma at around the age of 4, Myron Dyal awoke to a complete loss of memory never to be regained. From that point forward he experienced seizures and visions that no one could explain – blacking out, seeing things no one else could affirm. With staunch Christian beliefs his family treated the disorder as if it were demonic possession including the requisite religious rite of exorcism. It would take some time before Myron would be diagnosed with temporal lobe epilepsy and now at the age of 70 he has come into his own blessing in living with it in grace. At the onset of a complex partial seizure, California-based artist, Myron, falls into somewhat of an altered state not induced by external means. He can communicate, talk and can function physically on some basic levels. However, what he sees is the vision of another world, a surreal environment populated with entities with whom he can speak and interact. He may not be isolated completely from our world, but for as long as he is in this state his living presence is in another realm of consciousness. Though he interacts with us, his memory of what’s happening on our side of the veil can be non-existent; នៅឡើយទេ, he comes out of this state with a story to tell from the other side. Inspired by his mystical experiences encountered during those episodes, Myron translates these ineffable visions into drawings, paintings and mixed-media sculptures communicating viscerally and spiritually what no words can express. He began with journal entries recording his visions. He has thousands of drawings in numerous journals. Many of the human-like creatures are in fact non-human and otherworldly with features such as pincer hands, fan like protuberances on the heads, many appendages or a tail. Symbolism is ubiquitous. Looking at the entire work Myron has created over decades one gets a real sense of what lies behind the veil through which Myron passes. With energetic sensibility and organic surrealism, his paintings and sculptures speak of a personal myth, what Joseph Campbell would call a hero’s journey. In his autobiographical journal “Journey to Zelcon” Myron tells us of a journey into the underworld in which he is ferried to its apparent leader who he calls a demonic entity. The entity asks Myron why he is there and then proceeds to tell him it is no place for mortals. “Leave this place. Leave and never return.” Despite being surrounded by corpses, rotting flesh, bloody entrails, the foulest stench and the darkest gut wrenching scenes imaginable, at that moment Myron’s fears were allayed. He even describes this entity’s demeanor as kind and gentle. Although the visions may be disturbing in imagery and the experience may be frightening, what Myron feels is love, not fear. One of the important figures in Myron’s other world is a kind entity that Myron named Charon. Although inspired by the ferryman of the famous Greek myth, this Charon is not a ferryman but a spirit guide who often appears in Myron’s works in some form. His latest endeavor is the creation of a pantheon of goddesses and anthropomorphized figures which he collectively calls “Charon’s Pantheon.” (this collection is currently at the Performing Arts Center Gallery of Cal State University, California, where it remains until June 7, 2014.) Altered states of consciousness have been inspiration to many an artist for ages. Many of these have been voluntarily induced with the use of natural and synthetic hallucinogens like those used in shamanistic rituals. Further exploration of the motifs in these art works, the works of Myron and others with temporal lobe epilepsy, may give insight into the deep root that all of these artists are tapping. We might call this root a single underlying cosmic consciousness. Aldous Huxley called this “Mind At Large” in his book “The Doors of Perception.” This experience of interconnectedness or oneness is something many of us experience more often than not in fleeting moments. As Myron Dyal continues to dance with goddesses of another world, we can attempt to understand what they have to teach us vis-à-vis his artistic medium. Image Source: Myron Dyal art
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Metafizički Putovanje kroz epilepsije Nakon buđenja iz djetinjstva komi na oko dobi od 4, Myron Dyal probudio do potpunog gubitka pamćenja nikad se povratio. Od tog trenutka, on je doživio napade i vizije koje nitko nije mogao objasniti – Onesvijestio, viđenje stvari koje nitko drugi mogao potvrditi. S nepokolebljivi kršćanskim uvjerenjima njegova obitelj tretira poremećaj kao da je demonsko posjedovanje uključujući potrebnu vjerskog obreda egzorcizma. To će potrajati neko vrijeme prije nego što je Myron bi se s epilepsija temporalnog režnja, a sada dijagnosticirana u dobi od 70 on je došao u svoj blagoslov u živi s njim u milosti. Na početku je složenih parcijalnih napadaja, California-based umjetnik, Myron, pada u pomalo izmijenjenom stanju nije izazvana vanjskim sredstvima. On može komunicirati, razgovarati i može funkcionirati fizički na nekim osnovnim razinama. Međutim, ono što on vidi je vizija drugog svijeta, nadrealno okruženje naseljena s osobama s kojima je mogu govoriti i komunicirati. On ne može biti izolirana u potpunosti iz našeg svijeta, ali dok god je on u takvom stanju njegova prisutnost žive u nekoj drugoj dimenziji svijesti. Iako je u interakciji s nama, njegovo sjećanje na ono što se događa na našoj strani vela može biti nepostojeći; još, on dolazi iz ove države sa priču s druge strane. Inspirirani svojim mističnim iskustvima s kojima se susreću tijekom tih epizoda, Myron prevodi te o fantastičnim vizije u crteže, Slike i mješovite medija skulpture komuniciraju viscerally i duhovno što nijedna riječ ne može izraziti. Počeo je sa stavke dnevnika snimanje svoje vizije. On ima tisuće crteža u brojnim časopisima. Mnogi od čovjeka kao bića su u stvari ne-ljudski i zagrobni sa značajkama kao što su kliješta rukama, fan kao izrasline na glavi, mnogi dodacima ili rep. Simbolika je sveprisutan. Gledajući cijelu poslu Myron je stvorio više od desetljeća jedan dobiva pravi smisao onoga što se krije iza vela kroz koji prolazi Myron. S energičnim senzibiliteta i organskog nadrealizma, Njegove slike i skulpture govoriti o osobnom mitu, što bi Joseph Campbell nazvati junaka putovanje. U svojoj autobiografskoj časopisu "Journey to Zelcon" Myron nam govori o putovanju u podzemlje u kojem je prevozio svom prividnom lidera koji on naziva demonski entitet. Subjekt pita Myron zašto je on tamo i onda nastavlja da mu kaže da nema mjesta za smrtnike. "Ostavite ovo mjesto. Ostavite i nikad vratiti. Unatoč tome što je okružen leševima, trulog mesa, krvave iznutrice, foulest smrad i najtamnije gut iskrivljenje scene zamisliti, u tom trenutku Myron strahovi su allayed. On čak opisuje ponašanje ovog entiteta je ljubazan i nježan. Iako su vizije mogu biti ometanja u slikama i iskustvom može biti zastrašujuće, ono Myron osjeća je ljubav, Ne bojim. Jedan od važnih figura u Myron je drugi svijet je vrsta entitet koji Myron zove Charon. Iako inspiriran skeledžija poznatog grčkog mita, to Charon nije skeledžija, ali duh vodič, koji se često pojavljuje u Myron djela u nekom obliku. Njegov najnoviji pothvat je stvaranje panteon božanstava i antropomorfizirani brojkama koje je kolektivno oznacuje kao "Charon je Panteon." (this collection is currently at the Performing Arts Center Gallery of Cal State University, Kalifornija, gdje ostaje do lipnja 7, 2014.) Izmijenjenim stanjima svijesti bio inspiracija mnogima umjetnik za dobi. Mnogi od njih su se dobrovoljno su inducirane uz korištenje prirodnih i sintetičkih halucinogena poput onih koji se koriste u šamanističkim rituala. Daljnja istraživanja motiva u tih umjetničkih djela, radovi Myron i drugi s epilepsija temporalnog režnja, može dati uvid u duboki korijen koji su svih ovih umjetnika šipci. Bismo mogli nazvati ovaj korijen jedan temeljni kozmičku svijest. Aldous Huxley nazvao "um u cjelini", u svojoj knjizi "The Doors of Perception". To iskustvo povezanosti i jedinstvu je nešto što mnogi od nas doživjeti više nego često ne prolazne trenutke. Kao Myron Dyal dalje plesati s božicama drugi svijet, možemo pokušati razumjeti ono što oni imaju za nas uče vis-à-vis njegov umjetnički medij. Izvor slike: Myron Dyal umjetnost Komentari Tamara, I’m not sure Myron will see your message here. I suggest that you try contacting him through his web site at myrondyal.com. In case you aren’t aware, there are some beautiful music works already composed and performed in concert with Myron’s “Charon’s Pantheon” as well as more to come by LA-based composer, Jennifer Logan. You might enjoy sampling those at this link: https://www.youtube.com/playlist?list=PL978AB6372EAD1654 As a former composer, I can totally relate to the desire to merge the visual arts and music. For me, all of my creative inspiration comes from visual acuity, either what I see with my eyes or my mind’s eye (mašta). Writing music for film and the visual arts was my passion many years ago. Mir! Michael Myron! You are incredible, I am so inspired by these works. The colour, style and the beings and beautiful and the familiarity of it all is discomforting but I can hear the notes in my head already. I am a twenty year old musician in my third and final year of a composition degree at a university in Australia. It is my goal to write multi-media compositions and art music that coincides with visual art to create and enhance artistic experiences. I would love it if you would allow me to write some music inspired from your pictures (much in the same way Mussorgrsky did in his “Pictures at an Exhibition” piece.) Peace and Love Tam Michael, thank you for the wonderful article. I love the combination of mysticism and spirituality that makes Myron’s art so deep. Myron, I honor your process. I cannot look at your work without feeling the swirling of energy all around it~ and this mystic just falls into it. How perfect. Michael, thanks for posting this and “gledanja” the reallty of my experiences. Charon is pleased as well so you can be sure that you understand and explain the why, and how of other worlds and other times!!! blessings in the goddess, Myron Dyal 2014 Nema na čemu, Myron. My pleasure. Thank you for sharing your experiences.