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Vid f, "Rött", ser ut som en stor klump av r, men en n, bilden f. This is a unique technique developed byDavid Spriggs, en brittisk-kanadensiska konstn, att m. Each form he creates looks suspended in space and the viewer’s perception changes as he navigates around the installation. Its an interesting technique, which seems simple and not hidden from the viewer, än, it exudes a sense of mystery and wonder. David Spriggs explains more about this to FractalEnlightenment, “I developed my technique in 1999 after considering the notion of painting not on a flat surface but through three-dimensional space. I was also interested in thinking about transparency not just as a property of light but as a medium itself. This lead to the layering process and to what I now call strata-perspective.” ‘Red’ is created using spray paint on layered and hung sheets of transparent plastic film ‘Red’ is Spriggs exploration into colour His paintings are called Stratachrome, a term he has coined from the Latin word ‘Strata’ meaning layers, and chroma means colours. “Unlike in linear-perspective where the illusion of depth is created by a vanishing point, strata-perspective is created with multiple image planes in space that collectively give depth. The viewer becomes the vanishing point to the images which now have infinite ways to see them, it is a sort of reversal of linear perspective.” Axis of Power was exhibited during the height of the financial crisis. This context gave the work a symbolic meaning that related to the pivoting power of the region Each work consists of anywhere between 18 till 400 separate transparent planes that are painted on and layered specifically through space. The one below called‘Vision’is simply white paint airbrushed on transparent sheets and the outcome is stunning; the image looks like an implosion as well as an explosion. Vision Closer look and Vision is continually altered Spriggs’s art is fascinating since it’s not confined/restricted to one particular form, it can take various forms and meaning, based on the viewer’s perception and the angle. Speaking of his source of inspiration behind such convincing illusions, Spriggs says, “My inspiration comes mostly from science, teknikområdet, and philosophy. They all overlap in many ways. I’m very interested in current science on the nature of time and space, notably the research at CERN. I keep coming back to the ideas of Jean Baudrillard on simulation, Paul Virilio’s notions of how technology collapses space, and the Futurist’s concepts of the form without boundaries. I’m also a big fan of the Light and Space artists of the 60’s, and contemporaries like James Turrell, Anish Kapoor, and Ollafur Elliasson.” Another interesting and massive installation was‘Stratachrome: the Saga of Green’, which uses the same green screen used in cinema. There are different symbols within the work and the meanings connected through all these symbols. Stratachrome: The Saga of Green Its a S-shaped installation created to break the flatness of an image and work within the sculptural presence Bilderna, some blurred, some precise – among them are a cross-section of a brain, a nude model appears in pose, soldiers, a military vehicle, an exploded 3D camera – appear to hover within the curved structure – are painted in layers onto 400 large sheets of transparent film. Enigmatic at first glance, Stratachrome, includes the viewer as subject behind the reproduced images. Different symbols are present within the work, this one includes inverted military and amorphous skull Spriggs takes anywhere between 2 weeks for a small work to half a year for a large installation. Lot of his work explores not only the forces of nature like cyclones but dwells into the creations of man with explosions, etc.. “I’m interested in the boundaries of a form, and power as both a symbol and a force. Explosions for example are interesting because they are in a state of rapid transformation – where the form of an object no longer can be defined. Half Explosion From the side view of all my works, the apparent 3D form also dematerializes and materializes again from another view. I think it is important that the subject is tied conceptually to the process and medium. Each artwork I make deals with often with very different issues and concepts.” ‘Half Explosion’ focuses on the explosion itself without the object or form it would be exploding from. Currently Spriggs is working on a series of Stratachrome installations that explore the symbolic, historical, and perceptual elements of colour. His new work Blue will be exhibited in New York in October. Tack för oss med en andel, inte bara hjälper det oss att växa, genom att dela kunskap du bidra till att den planeter medvetandet. Tack s: Namaste & welcome to the Fractal Enlightenment Community! This is your space to expand consciousness, share your sacred journeys, initiate discussions, display your work, meet like-minded beings and travel to outer realms to find your inner self! Enjoy your journey in the fractal abode! Stäng
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David Spriggs’ Privid 3D umjetnosti Na prvi pogled, 'Red', izgleda kao veliki blob crnog dima di, ali bli, slika se pretvara u 3D prostoru gdje se objektiviranog boja. Ovo je jedinstvena tehnika razvio David Spriggs, britansko-kanadski umjetnik, slikati na vi. Svaki oblik stvara izgled suspendirane u prostoru i promjene percepcije gledatelja kako manevrira oko instalacije. Njegova zanimljiva tehnika, što se čini jednostavna i ne skriva od gledatelja, još, ona odiše osjećaj otajstva i divljenja. David Spriggs objašnjava više o tome kako FractalEnlightenment, “Razvio sam svoju tehniku u 1999 nakon razmatranja pojma slikanja ne na ravnu površinu, ali kroz trodimenzionalni prostor. Bio sam također zainteresiran za razmišljanje o transparentnosti ne samo kao svojstvo svjetlosti, ali kao samog medija. To je dovelo do procesa raslojavanje i ono što sam sada nazvati strata-perspektiva.” Svaki se rad sastoji od bilo gdje između 18 na 400 zasebne transparentne zrakoplovi koji su oslikani na i slojevite posebno kroz prostor. Jedan ispod naziva "Vizija" jednostavno bijela boja airbrushed na transparentan listova i rezultat je zapanjujući; Slika izgleda kao implozije i eksplozije. Spriggs umjetnost je fascinantno, jer to nije ograničena / ograničena na jedan određeni oblik, to može imati različite oblike i značenja, temelji se na percepciji gledatelja i kut. Govoreći o svom izvoru inspiracije iza takvih uvjerljivih iluzija, Spriggs kaže, “Moja inspiracija dolazi uglavnom iz znanosti, umjetnost, i filozofija. Svi su se preklapaju na mnogo načina. Jako sam zainteresiran za tekuću znanost o prirodi vremena i prostora, osobito istraživanja u CERN-u. Ja se uvijek rado vraćaju na idejama Jeana Baudrillarda o simulaciji, Paul Virilio je dosjetkama kako tehnologija propada prostor, i na futurist je Pojmovi obliku bez granica. Ja sam također veliki fan od svjetla i prostora umjetnika 60-ih, i suvremenici poput Jamesa Turrell, Anish Kapoor, i Ollafur Elliasson.” Još jedan zanimljiv i masivna instalacija je 'Stratachrome: Saga o Green ', u kojem se isti koristi u zelenu zaslon kino. Postoje različiti simboli unutar radu i značenja povezana kroz sve ove simbole. Trenutno Spriggs radi na nizu Stratachrome instalacija koje istražuju simboličko, povijesni, i perceptivne elementi boje. Njegov novi posao Plava će biti izložena u New Yorku u listopadu.