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HARMONY OF COLOR AND DRAWING On this occasion the renowned fine arts artist, Mrs Nada Žiljak is exhibiting some twenty works in acrylic paints technique on paper in various colors, very well-balanced as to themes and style. In the recently painted works intimate moods dominate, artistically transposed in a mature and creative way. This intimate experience is in correlation with a rich palette and tone scale. At this occasion form is more significantly apostrophized by the artist making it more exact in comparison to her earlier opus, except when doing illustrations where form is more exact do to the nature of the work. More abstract composing and plane painting is not passed over for the account of description. Moreover, elements of form and lyrically intoned abstract contents are brought to a state of harmony possessing quiet dynamism and fluid mobility. The drawing and painting are brought into intriguing harmony. With the help of rich coloraturas and subtle accentuation, a harmonious intimate mood is accomplished reflected by the painter's inner experience. Elements of abstract expressionism, lyrically intoned, are in the function of form content accentuating. The painter's harmony is mirrored in this. Not one of the listed elements dominates, but is imbued in their forms and intensities. The author's visual arts language is recognizable in these works too, as a result of a painter's definition and many-year presence in the artistic scene. She is true to herself in respect to the visual art element essence and in her reflexions. However, it appears that the form contents in her newer works (characters, corporeity, symbols, archetypes, love making, observing, subtle erotic moods, power and joy of living) are a concentrated substance that has sublimed and transformed from elements of abstract surface treatment. The figures move, observe, float, make love, touch each other, they are saturated, refined, elegant and mostly of elongated form. In a certain way they reflect a state of mind, mood. The rest of the surface contents certainly suggest moods and experience and they make a form that becomes a joint composition element. Thus the colorist orchestration and tonality change towards the darker, less passionate and more lifelike discourses, and the moods in some of the works are less intensive, and acquire a more meditative character. It may be stated that the artist has synthesized visual arts elements offering the viewers a unique atmosphere; in fact she is transferring her intimate moods and reflexions. Form contents appear with a very rich and impressive coloring, painted in unity with the abstract surroundings, using acryl as a good material for relatively fast surface painting. A more significant shift as to style has been gained by simultaneous confronting and synthesis of the drawing surface and the abstract contents of lyrical tones. Creativity, vision, readiness to compromise, a high cultural level and subtlety, are the characteristics of the artist's life and artistic activities. This fact certainly suggests strength that is reflected in these works too. These works in their essence breath with life, vigor, directness, intimacy incorporated in the visual arts language, characteristic of all significant artists having clear painting definitions. Nada's life credibility is completely identical to her visual arts language because she brings into her works of art joy, creativity, a life-like quality, a creative challenge and stimulus in every sense of the word. Being a lover of poetry, traveling, communication, illustrating, the transcendental and the archetype, hidden deep in one's conscience, she is true to herself and to lasting values. During all this time she has persisted and has inspired us by stimulating us to feel love and to self-realize ourselves, to be aware, to achieve reconciliation and synthesis, in the same manner she does in her works. prof. dr. sc. Mladen Jurišic
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HARMONIJA BOJE I CRTEŽA Ovom prigodom etablirana likovna umjetnica gospoda Nada Žiljak izlaže dvadesetak uradaka u tehnici akrilika na papiru u raznim bojama, tematski i stilski vrlo ujednacenih. U nedavno realiziranim radovima dominiraju intimisticka raspoloženja, slikarski zrelo i kreativno transponirana. Intimisticki doživljaj u korelaciji je sa bogatom paletom i tonskom skalom. Autorica ovaj put znacajnije apostrofira formu, koja je egzaktnija u odnosu na raniji slikarski opus, izuzev pri ilustriranju, kada je forma egzaktnija po svojoj naravi. Apstraktnije komponiranje i plošno slikanje nije zapostavljeno na racun deskripcije. Dapace, elementi forme i apstraktniji sadržaji lirski intonirani dovedeni su u harmoniju, koja opet posjeduje tihi dinamizam i fluidnu pokretnost. Crtež i slikanje dovedeni su u intrigantni sklad. Bogatim koloraturama i suptilnim akcentiranjem, postignut je skladan intimisticki ugodaj reflektiran unutrašnjim doživljajem slikarice. Elementi apstraktnog ekspresionizma, lirski intoniranog u funkciji su naglaska sadržaja forme. U tomu se zrcali ova slikarska harmonija. Niti jedan od navedenih elemenata ne dominira, nego se prožimaju u njihovim oblicima i intenzitetima. Autoricin likovni govor i u ovim djelima je prepoznatljiv, kao rezultat slikarske definicije i dugogodišnje nazocnosti na likovnoj sceni. U bitnostima likovnih elemenata i promišljanju dosljedna je. Ipak, cini se da su sadržaji forme u novijim radovima (likovi, tjelesnost, simboli, arhetip, vodenje ljubavi, promatranje, suptilna erotska raspoloženja, snaga i radost življenja) kondenzat, koji se sublimirao i transformirao iz elemenata apstraktnog tretiranja plohe. Figure se krecu, promatraju, lebde, vode ljubav, dodiruju se, prožete su, profinjene, elegantne i vecinom elongirane. Na neki nacin odražavaju stanja duha, raspoloženje. Ostali sadržaji plohe itekako sugeriraju raspoloženje i doživljaj te oblikuju formu, koja postaje sastavni kompozicijski element. Tako se koloristicka orkestracija i tonalitet mijenjaju prema tamnijem, manje strastvenim i životnijim diskursima, a raspoloženja u nekim radovima manje su intenzivna, te poprimaju meditativniji karakter. Može se ustvrditi da je umjetnica sintetizirala slikarske elemente, nudeci motriteljima jedinstven ugodaj prenoseci zapravo svoja intimna raspoloženja i promišljanja. Uz raskošan i veoma dojmljiv kolorit, pojavljuju se sadržaji forme, islikani u jedinstvu sa apstraktnim okružjem, korištenjem akrila kao zahvalnim materijalom za relativno brzo islikavanje plohe. Znacajniji stilski odmak postignut je upravo suprotstavljanjem i sintezom u isto vrijeme crtacke podloge i apstraktnog sadržaja, lirski intoniranog. Kreativnost, vizija, sklonost kompromisu, visoka kultura i suptilnost, znacajke su života i umjetnickog djelovanja autorice. Svakako da ova cinjenica sugerira snagu i dojam koja se zrcali i u ovim djelima. Ona u svojoj bitnosti odišu životnom snagom, vigorom, neposrednošcu, intimizmom, koja je inkorporirana u jezik likovnosti, svojstven znacajnim umjetnicima jasne slikarske definicije. Nadin životni kredibilitet, posvema je identican likovnom jeziku, jer ona u svoja umjetnicka djela unosi radost, stvaranje, životnost, kreativni izazov i poticaj u svakom smislu te rijeci. Kao ljubiteljica poezije, putovanja, komunikacije, ilustriranja, transcendentalnog i arhetipskog, skrivenog duboko u podsvijesti, dosljedna je sebi i trajnim vrijednostima. Sve ovo vrijeme perzistira i nadahnjuje nas i potice na ljubav i samorealizaciju, spoznaju, pomirbu i sintezu, jednako tako kao što cini u svojim djelima. prof. dr. sc. Mladen Jurišic