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Aleksandar Bezinović / Katarina Vojković Solo exhibitions by Aleksandar Bezinović and Katarina Vojković is the last one of the exhibitions with which, this year, we present young artists related to Velika Gorica and its surroundings. About the works presented at the exhibition art historians Rozana Vojvoda and Petra Petrušić writes: Creation and dissolution, construction and deconstruction, appearing and disappearing; all of these pairs of antonyms can be applied to Aleksandar Bezinović’s work created within the last two years. Through procedures which include lighting on fire, scraping, a profuse use of adhesive materials, even the intentionally induced corrosion of metal plates, the author additionally emphasizes the already unsteady relationship between the foundation, the figurative motif, words and colour. Reconstruction, as the central theme of this exhibition, becomes an applicable and, at the same time, relative creative principle – everything can somehow be reconstructed when technology and a creative principle are in line: a palm tree or even the human body Željka Cupek / Marija Lovrić Solo exhibition by Željka Cupek and Marija Lovrić is one of the exhibitions with which, this year, we present young artists related to Velika Gorica and its surroundings. About the works presented at the exhibition, the artists says: Introspection, 2016 These days, living a modern and, you could say, superficial way of life, creates a need to connect with oneself. This is an extremely important human need which we often neglect. Even when we are talking about awareness or self-confidence, we very rarely truly feel that. Self-awareness is a higher state of consciousness, a connection with one's self. It is the ability to feel the messages from our inner reserves of emotional memory. In order to advance our self-awareness we need to explore ourselves, respect our bodies, take care of ourselves and enter out inner selves. Each person is unique, both physically and psychologically. Each person has their own energy frequency and when we connect we feel the new energy which permeates into us and prompts various emotions. We feel vibrations, depths, we see colors, hear different sounds. Sometimes we become intensely self-aware, aware of our own physiological processes. The Day My Internet Art Paid Off Željko Badurina, Maja Čule, Hrvoje Hiršl, Dina Karadžić, Tea Stražičić, Igor Štromajer Curated by Irena Borić, Martina Kontošić, Renata Šparada The Day My Internet Art Paid Off! is an exhibition featuring works by Željko Badurina, Maja Čule, Hrvoje Hiršl, Dina Karadžić, Tea Stražičić and Igor Štromajer, all of which touch upon different economic aspects dictated by new relations online. Tabs, procrastination, self-promotion, collaboration, spam, comment sections, shares, likes – these are all fragments, be it material or digital, of circulating data. On the web, the circulation performed by numerous users gives value and power to the circulated information. Therefore, internet economies do not only allude to typical digital financial transfer protocols, but are also based, to a large extent, on generating symbolic capital, i.e., values. Bearing in mind the context of the web as a corporate and supervised medium, the exhibition brings to the forefront the artist's reactionary role in relation to the economic models developed on the 2.0 web. Ljubomir Stahov, "From Nature" Ljubomir Stahov's world stands out from the contemporary Croatian art corpus as an articulated visual arts oeuvre which exists by and for itself, away from any trends, tendencies and without belonging to any particular group or movement. However, if we were to insist on finding spiritual and stylistic similitudes, we would find them in Ordan Petlevski's primordial, fossil and organic forms, a unique personal world of “organic micro-figuration” (Zdenko Rus), as well as in Biserka Baretić’s oeuvre which also embraces the concept of susceptible matter, a spirit trapped within material confounds of the body, accompanied by frequent references to mythical symbols and archetypes like Icarus, Orpheus, Pegasus, the Gorgons and Janus. Each standing in other's light Raymond Carver, Milan Božić, Tomislav Gotovac, Sven Klobučar, Primo Levi, Ana Opalić, Terence Malick, Iris Mihatov Miočić, Ana Mušćet, Ana Opalić, Berislav Šimičić, Roberta Vilić, Sandra Vitaljić and Center Meleta for integrative body-oriented therapy (Zagreb) There is an interesting paradox within the discourse on the phenomenon of violence pointed out by Richard Bessel in his book “Violence: A Modern Obsession”: the best analyses of violence conducted, the most successful measures implemented to prevent its spread and ameliorate its consequences, occur in societies that are the least violent. Bessel primarily refers to the countries of Western Europe, the United States, Canada, Australia, etc., that is, the democratic countries with developed legal, social, educational and health systems. In these societies, the sensitivity to violence has become almost an obsession, while being kind and compassionate is more desirable than ever. How did this happen, Bessel wonders? There is no simple answer, but the origins of this obsession unarguably lie in the first half of the 20th century and the Two World Wars that took place in a time span of less than 40 years. Wars have been waged before, but the extent and the scope of destruction brought by the First and Second World War exceeded even the most pessimistic projections. The society of the developed West has undoubtedly suffered a collective trauma inflicted by these Wars. Duje Šuvar / Vid Vučak This year’s exhibition programme dedicated to young artists from Velika Gorica opens with an exhibition featuring two academic artists: Vid Vučak and Duje Šuvar. Vid Vučak graduated from the Department of Sculpture at the Academy of Arts of the University of Split in 2009. Until recently, he mostly specialized in memorial and portrait sculpture, while a new cycle of his work is going to be exhibited in Galženica Gallery. Duje Šuvar graduated from the Department of Painting at the Academy of Fine Arts in Zagreb in 2008 and from the Department of Restoration and Conservation at the same Academy in 2011. His approach to painting can be described as (Photo)realist, exploring the themes ranging from urban everyday life to Christianity.
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Željka Cupek / Marija Lovrić Samostalna izložba Željke Cupek i Marije Lovrić jedna je od izložaba kojima ove godine predstavljamo mlade akademske umjetnike vezane za Veliku Goricu i okolicu, bilo podrijetlom, bilo trenutnim životom i radom. Ovoga puta, umjesto likovnih kritičara ili kustosa, umjetnice su se same poetički odredile. O radovima predstavljenima na izložbi, Marija Lovrić kaže: Introspekcija, 2016. Modernim i moglo bi se reći površnim načinom života danas, potreba za povezivanjem sa samim sobom je vrlo bitna ljudska potreba koju često zanemarujemo. Pričamo li samo o svjesnosti ili samopouzdanju, vrlo rijetko isto istinski i osjećamo. Samosvjesnost je viša razina svjesnosti, povezanosti sa samim sobom. To je sposobnost da osjetimo poruke iz naših unutarnjih zaliha emocionalnog pamćenja. Da bi napredovali u samosvjesnosti, trebamo istražiti sebe, poštovati svoje tijelo, voditi računa o sebi, ući u svoju nutrinu. Svaka osoba je unikatna fizički i psihički. Svaka jedinka ima svoju energetsku frekvenciju i prilikom povezivanja osjećamo novu energiju koja se smjesti u nama i potakne različite emocije. Osjetimo vibracije, dubine, vidimo boje, čujemo razne zvukove. Katkad se desi da postanemo intenzivno svjesni sebe, svojih vlastitih psihičkih procesa. Napokon se isplatilo! Željko Badurina, Maja Čule, Hrvoje Hiršl, Dina Karadžić, Tea Stražičić, Igor Štromajer Kustoski koncept: Irena Borić, Martina Kontošić, Renata Šparada Otvoreni tabovi, prokrastinacija, samopromocija, kolaboracija, spamovi, komentari, shareovi, likeovi čine, materijalne i digitalne, fragmente cirkulacije podataka. Na mreži, proces kruženja kojeg izvode mnogobrojni korisnici daje vrijednost i moć putujućoj informaciji. Internetske ekonomije stoga ne podrazumijevaju samo uobičajene protokole digitalnih financijskih transfera, već se velik dio temelji na generiranju simboličnog kapitala, odnosno vrijednosti. Imajući u vidu kontekst mreže kao korporativan i nadziran prostor, izložba u prvi plan postavlja ulogu umjetnika/ce čije je djelovanje reakcija na ekonomske modele razvijene unutar weba 2.0. Polazeći od pretpostavke da internetska stvarnost utječe na suvremeni način djelovanja, druženja i mišljenja, izložba preispituje načine na koji internet i digitalne ekonomije utječu na položaj i živote ljudi koji ga koriste. Naime, korisnici su ti koji u zamjenu za slobodu na mreži daju informaciju čime pristaju da postanu resurs pojedinih korporacija, u skladu s izrekom "Ako ne plaćaš proizvod, ti si proizvod"("If you're not paying for the product, you are the product."). Stoga se izložba fokusira na ispreplitanja tih naoko podijeljenih svjetova unutar postojećih ekonomskih odnosa; s jedne strane sama produkcija obilježena je aktualnim ekonomskim stanjem, a s druge strane online prostor izvanredno je mjesto eksploatacije i eksperimenta. Ljubomir Stahov, "Iz prirode" Svijet oblika Ljubomira Stahova izdvaja se u korpusu suvremene hrvatske umjetnosti, kao čvrsto formiran likovni prosede koji postoji sam za sebe, daleko od trendova, tendencija i manifestnih pripadanja nekoj grupi ili pravcu. No kada bismo inzistirali na duhovnom ulančavanju i stilskom srodstvu, došli bismo do Ordana Petlevskog i njegovog svijeta praoblika, fosilnih i organičkih formi, jedinstvenog osobnog svijeta „organičke mikrofiguracije“ (Zdenko Rus), ali i djela Biserke Baretić, u čijem opusu također postoji koncepcija ranjive materije, duha zatočenog u okvire materijalnog tijela, s čestim referencama na mitske simbole i arhetipove poput Ikara, Orfeja, Pegaza, Gorgone i Janusa. Svatko stoji u svjetlu drugoga Raymond Carver, Milan Božić, Tomislav Gotovac, Sven Klobučar, Primo Levi, Ana Opalić, Terence Malick, Iris Mihatov Miočić, Ana Mušćet, Ana Opalić, Berislav Šimičić, Roberta Vilić, Sandra Vitaljić i Centar za integrativnu terapijsku praksu Meleta iz Zagreba. U diskursu o fenomenu nasilja postoji jedan zanimljiv paradoks kojeg ističe Richard Bessel u svojoj knjizi „Nasilje – moderna opsesija“. Naime, najbolje analize nasilja, najuspješnije mjere u sprečavanju njegovog širenja ili u smanjivanju njegovih posljedica, dolaze iz društava koja su najmanje nasilna. Bessel misli na zemlje zapadne Europe, Sjedinjenje Američke Države, Kanadu, Australiju itd., dakle, na demokratske zemlje s razvijenim pravnim, socijalnim, obrazovnim i zdravstvenim sustavom. U društvima tih zemalja osjetljivost na nasilje postala je gotovo opsesivnom, a biti ljubazan i suosjećajan poželjnije je nego ikada do sada. Kako je do toga došlo, pita se Bessel. Odgovor nije jednostavan, ali njegovi korijeni nedvojbeno vode do prve polovice 20. stoljeća i dva svjetska rata koja su se odvila u nepunih 40 godina. Ratovi su se vodili i prije, ali razmjeri razaranja dosegnuti u 1. i 2. svjetskom ratu premašili su i najveća strahovanja. Za društvo razvijenog zapada, ovi ratovi nedvojbeno predstavljaju kolektivnu traumu. Duje Šuvar / Vid Vučak Izložbom dvojice mladih akademskih umjetnika, Vida Vučka i Duje Šuvara otvaramo izložbenu sezonu koja će biti u znaku mladih velikogoričkih umjetnika. Vid Vučak je 2009. diplomirao kiparstvo na Umjetničkoj akademiji u Splitu. Do sada se uglavnom bavio spomeničkom i portretnom plastikom, a u Galeriji Galženica će se predstaviti s novim ciklusom radova. Duje Šuvar je diplomirao slikarstvo 2008. na zagrebačkoj Akademiji likovnih umjetnosti, a 2011. je na istoj akademiji diplomirao i na Odsjeku za restauriranje i konzerviranje umjetnina. Njegov slikarski rad obilježen je (foto)realističkim prosedeom, a teme koje ga zanimaju kreću se od urbane svakodnevice do kršćanskih motiva.