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The first compilation of writings by a master of photography. One of the leading lights in photography of the twentieth century, Henri Cartier-Bresson is also a shrewd observer and critic. His writings on photography and photographers, which have appeared sporadically over the past forty-five years, are gathered here for the first time. Several have never before appeared in English. The Mind's Eye features Cartier-Bresson's famous text on "the decisive moment" as well as his observations on Moscow, Cuba, and China during turbulent times, which ring with the same immediacy and visual intensity that he brings to his photography. Cartier-Bresson remains as direct and insightful as ever in his writings. His commentary on photographer friends he has known-including Robert Capa, André Kertész, Ernst Haas, and Sarah Moon-reveal the impassioned and compassionate vision for which Cartier-Bresson is beloved. Henri Cartier-Bressons photography came to define the 20th century. This book tells his life story through his images: all the major events from his youth to his death in 2004 are described, contextualized and analysed in the light of his photographic work. From his early encounters with the Surrealists, his film work and his experiences in the SecondWorldWar, to the development of his own personal aesthetic, the concept of the decisive moment, and the foundation of Magnum Photos, his influence on the world has been profound and unforgettable. Henri Cartier-Bresson reveals--as only a few great artists have done consistently--the richness, the sensibilities, and the varieties of the human experience in the twentieth century. This volume of Aperture's Masters of Photography series confirms the genius of the photographer whose pictures with the new, smaller hand-held cameras and faster films defined the idea of "the decisive moment" in photography. Cartier-Bresson's imagery is intimate, but it is also utterly respectful of his subjects. In his wide travels throughout the world, he has captured universal meanings through the glimpses into the lives of individuals in scores of countries. Each photograph is in itself a masterpiece of dramatic form; taken together, Cartier-Bresson's works constitute a personal history of epic scope. Henri Cartier-Bresson presents forty-two of the artist's photographs, each recognized a a masterpiece of the medium. In addition, Cartier-Bresson offers a brief statement of his own artistic ethos, his striving for the spontaneity through intuition that imbues his work. "Within the canon of European photography books it would be difficult to find one more famous, revered and influential as Henri Cartier-Bresson's "The Decisive Moment,"" wrote Jeffrey Ladd in "Time LightBox," in a feature on Steidl's new edition of this ultimate photobook classic. Originally published in 1952, this collection of Cartier-Bresson's best work from his early years was embellished with a collage cover by Henri Matisse. The book has since influenced generations of photographers, while its English title defined the notion of the famous peak in which all elements in the photographic frame accumulate to form the perfect image-not the moment of the height of the action, necessarily, but the formal, visual peak. This new publication-the first and only reprint since the original 1952 edition-is a meticulous facsimile of the original book that launched the artist to international fame, with an additional booklet on the history of "The Decisive Moment" by Centre Pompidou curator Clément Chéroux. Henri Cartier-Bresson (1908-2004) was born in Chantelou-en-Brie, France. He initially studied painting and began photographing in the 1930s. Cartier-Bresson cofounded Magnum in 1947. In the late 1960s he returned to his original passion, drawing. In 2003 Cartier-Bresson established the Fondation Henri Cartier-Bresson in Paris, one year before his death. Author: Henri Cartier-Bresson Publisher: Release Date: 2009-06-23 Genre: Art Compares the work of two forefront twentieth-century photographers, discussing their shared 1935 exhibit at the Julien Levy Gallery in New York, their parallel achievements in America between 1929 and 1947, and their use of photography as a form of social criticism. Henri Cartier-Bresson (1908-2004) is one of the most influential and beloved figures in the history of photography. His inventive work of the early 1930s helped define the creative potential of modern photography. Following World War II, he helped found the Magnum photo agency, which enabled photojournalists to reach a broad audience through magazines such as "Life" while retaining control over their work. Cartier-Bresson would go on to produce major bodies of photographic reportage, capturing such events as China during the revolution, the Soviet Union after Stalin's death, the United States in the postwar boom and Europe as its older cultures confronted modern realities. Published to accompany an exhibition at The Museum of Modern Art, this is the first major publication to make full use of the extensive holdings of the Fondation Cartier-Bresson-including thousands of prints and a vast resource of documents relating to the photographer's life and work. The heart of the book surveys Cartier-Bresson's career through 300 photographs divided into 12 chapters. While many of his most famous pictures are included, a great number of images will be unfamiliar even to specialists. A wide-ranging essay by Peter Galassi, Chief Curator of Photography at the Museum, offers an entirely new understanding of Cartier-Bresson's extraordinary career and its overlapping contexts of journalism and art. The extensive supporting material-featuring detailed chronologies of the photographer's professional travels and of spreads of his picture stories as they appeared in magazines-will revolutionize the study of Cartier-Bresson's work. Henri Cartier-Bresson was perhaps the finest and most influential imagemaker of the 20th century, and his portraits are among his best-known work. Over a fifty-year period, he photographed some of the most eminent personalities of the era, as well as ordinary people, chosen as subjects because of their striking and unusual features. In 2003, the Fondation Henri Cartier-Bresson, which was created to provide a permanent home for his collected works, opened in Paris. This book is published to coincide with the first exhibition at the Fondation that is drawn entirely from those archives, and it features both well-known images and previously unpublished portraits. Each photograph has been chosen because it perfectly embodies Cartier-Bresson's description of what he was attempting to communicate in his work: 'Above all I look for an inner silence. I seek to translate the personality and not an expression.' The portraits reproduced here - discreet, without artifice - confirm once more the singular gift of Cartier-Bresson, who instinctively knew in which revealing fraction of a second to click the shutter. Author: Maria Morris Hambourg Publisher: Metropolitan Museum of Art Release Date: 2017-04-21 Genre: Photography Irving Penn (1917-2009) was among the most esteemed and influential photographers of the twentieth century. Over the course of a nearly seventy-year career, he mastered a pared-down aesthetic of studio photography that is distinguished for its meticulous attention to composition, nuance, and detail. This indispensable book features one of the largest selections of Penn's photographers ever compiled–nearly 300 in all–including famous and beloved images as well as works that have never been published. Celebrating the centennial of Penn's birth, this lavish volume spans the entirety of his groundbreaking career. An enlightening introduction situates his work in the context of the various artistic, social, and political environments and events that affected the content of his photographs. Lively essays acquaint readers with Penn's primary subjects and campaigns, including early documentary scenes and imagery; portraits of cultural figures and celebrities; fashion; female nudes; peoples of Peru, Dahomey (Benin), New Guinea, and Morocco; and still lifes. Rounding out the book are discussions of Penn's advertising pictures and his painstaking printing processes, as well as an illustrated chronology. Irving Penn: Centennialis essential for any fan of this artist's work or of the history of twentieth-century photography. Nick Waplington's fifth book features documentary images from his recent travels around the world. Aiming to reflect the honest aspirations of young people whose dreams have become stylized by the mass media, the photographer travelled from Sao Paulo, Montevideo and Buenos Aires to Cuba, Easter Island and finally Australia. Capturing the transitional existence of everyday life through a fusion of photography, writing and collected imagery, this work openly identifies the idiosyncrasies and contradictions of the West and confronts the modern stereotypes of living in the shadow of First World capitalism. 'Henri Cartier-Bresson - Photographe'r is the crowning publication of an illustrious career. The foreword by Yves Bonnefoy discusses Cartier-Bresson’s creative process, and Cartier-Bresson himself selected all the images for this summation of his finest work. Using the finest quality double impression offset printing and large-scale one-to-a-page presentation, all the famous photographs are here in these pages, alongside recent, less familiar work. In each classic image, the moment is eternal and compassion spills from the frame. This title brings together the images from Cartier-Bresson's various assignments in the United States, which he first visited in the mid-1930s. Spanning several decades, these works show the rich social diversity of American society. Gilles Mora has travelled to many of the places featured in these photographs and provides an introduction to the images. The foreword discusses Cartier-Bresson's ability to capture the reality and essence of American life. For more than 45 years, Henri Cartier-Bresson's camera has glorified the decisive moment in images of unique beauty and lyrical compassion. From the cities of war-torn Europe to the rural landscape of the American South, this retrospective volume shows the lifework of a legendary photographer. 155 duotone illustrations. Author: Kristen Lubben Publisher: Release Date: 2017-02-01 Genre: Available for the first time in an accessible paperback edition, this groundbreaking book presents a remarkable selection of contact sheets and ancillary material, revealing how the most celebrated Magnum photographers capture and edit the very best shots. Addressing key questions of photographic practice, the book illuminates the creative methods, strategies, and editing processes behind some of the world's most iconic images. Featured are 139 contact sheets from sixty- nine photographers, as well as zoom-in details, selected photographs, press cards, notebooks, and spreads from contemporary publications including Life magazine and Picture Post. Further insight into each contact sheet is provided by texts written by the photographers themselves or by experts chosen by the members' estates. Many of the acknowledged greats of photography are featured, including Henri Cartier- Bresson, Elliott Erwitt, and Inge Morath, as well as such members of Magnum's latest generation as Jonas Bendiksen, Alessandra Sanguinetti, and Alec Soth. The contact sheets cover over seventy years of history, from Robert Capa's Normandy landings and the Paris riots of 1968 via Bruno Barbey, to images of Che Geuvara by Rene Burri, Malcolm X by Eve Arnold, and portraits of classic New Yorkers by Bruce Gilden. Published to coincide with a first Fondation exhibition to be drawn entirely from the twentieth-century photographer's archives, a volume of famous and lesser-known works is comprised of pieces that most represent Cartier-Bresson's intentions.
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Bresson - Lyon, fotografije iz zbirke Mladena Tudora [napisao GPJ. 20 Travnja 2005.][vijest pročitana 315 puta] U rijeckom Malome salonu u cetvrtak, 21. ovoga mjeseca u 20 sati otvara se izložba Henri Cartier-Bressona (FR) i Danny Lyona (SAD) iz zbirke fotografija Mladena Tudora. Radovi ovo dvoje umjetnika predstavljaju najvece domete autorske reportaľne fotografije. Izloľba ostaje otvorena do 15. svibnja o.g. Henri Cartier-Bresson (1908.-2004.) dominantna je fotografska licnost 20. stoljeca, jedan od osnivaca slavne fotoagencije Magnum, ciji je Danny Lyon (1942.) bio pridruľeni clan. Spajanje funkcije reportera i senzibiliteta umjetnika definirala je djelovanje agencije, uvodeci estetiku autorske fotografije u podrucje najceące smatrano jednostavnim prenosnikom informacije. Henri Cartier-Bresson (1908. "- 2004.) i agencija Magnum (čiji je on jedan od četiri osnivača 1947.) najzaslužniji su za "estetizaciju"? fotožurnalizma. Spajanje funkcije reportera i senzibiliteta umjetnika definirala je djelovanje Agencije, uvodeći autorsku fotografiju u područje koje najčešće smatramo pukim prenosnikom informacije, jednostavnom vizualnom potvrdom da se "nešto dogodilo"?.Dva fotografska eseja - New York nastao 1959. godine i Lama Foundation iz 1972. pokazuju i potvrđuju sve odlike Bressonove estetike. Zabilježeni fragmentarni trenutci, tematski gotovo antipodi - ulični prizori megapolisa i pastoralne sekvence života u komuni, vizualno su koherentni, lišeni ironijskih i senzacionalističkih tonova, bliski dnevničkim zapisima. Kao i njegove fotografije ranih 30-tih snimljene u Francuskoj, Španjolskoj, Italiji i Meksiku, koje se smatraju začecima "ulične fotografije"?, svojom liričnom ljepotom nadilaze okvire i konvencije žanra. Fotografije Danny Lyona iz ciklusa "Razgovori s mrtvima"? dokumentiraju život zatvorenika u Texasu, a nastale su u razdoblju od 14 mjeseci tijekom 1968. i 1969. godine. Stvarnost je polazište, a Lyonov stil, u Americi nazvan "novi žurnalizam"? karakterizira autorova duboka empatija s fotografiranim subjektom. Serija fotografija objedinjena je u knjizi istog naslova, izdanoj 1971. godine u kojoj su objavljeni i tekstovi preuzeti iz zatvorskih dosjea, bilješke zatvorenika i njihova pisma, što svjedoči o Lyonovoj osobnoj bliskosti sa zatvorenicima. Zbirka fotografija Mladena Tudora sadrži dvjestotinjak fotografija autora koji su svi u nekom periodu svog rada bili vezani uz agenciju Magnum. Henri Cartier Bresson, Danny Lyon, Robert Capa, Rene Burri, Gilles Peress, Inge Morath, Marc Riboud, Donald McCulin, Elliott Erwitt, najznačajnija su imena zastupljena u to privatnoj zbirci. Njihove fotografije nisu samo indeks stvarnosti, već su godinama dio našeg kolektivnog ali i osobnog povijesnog albuma. Zbog nekog doista blesavog EU zakona dužni smo vas informirati da i naš Fotozine rabi cooki-e (kažu da su to “kolačići”) kao i valjda 99.999% stranica na kugli zemaljskoj. Za izvan nje nemamo informacija. S tim keksima mi ne otkrivamo vašu dob, visinu, debljinu, sposobnost kadriranja, lažiranje exifa i niš takvoga, već nam samo pomažu da se logirate i tak to. A kaj sad možete? kliketnut dole i reć poruci izazvanoj idiJotskim zakonom adio… (A mi smo vas zakonski informirali :P ;))