https___missionlocal.org_2019_08_alleged-assault-during-mannys-protest-leads-to-two-arrests_.xml
http___galerija.sczg.hr_index.php_2019_02_11_otvorenje-izlozbe-monoliti-autora-domagoja-rogine__1.xml
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[et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”3.0.47″][et_pb_row admin_label=”row” _builder_version=”3.0.48″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_text admin_label=”Text” _builder_version=”3.0.74″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”] An Aug. 6 altercation in front of Manny’s Cafe led to the arrest of two demonstrators after police said the protestors assaulted a longtime Mission resident. Police arrested Dayton Andrews, 26, and Max Goodwin, 27, on that day, but released them 17 hours later. According to Dan Mayfield, a San Jose based attorney who consulted with the activists, the charges against the two men were dropped on Aug. 12 pending further investigation. But the alleged victim, a 63-year-old man, said he plans to press charges against Andrews, Goodwin and three others he says punched and manhandled him. The man said he was walking near Manny’s at 3092 16th St. in the evening hours of Aug. 6 when he saw the men banging on the cafe’s windows. When he pulled out his phone to record video, the alleged victim said he was attacked. “It was very confusing. I was surrounded by a sea of bodies and they were screaming, ‘Who the fuck are you?’ right in my face,” said the man, who asked that his name not be published as he fears he’ll become the subject of a harassment campaign. The two demonstrators who were arrested during the ongoing protests outside Manny’s, a cafe and community meeting place at 16th and Valencia streets, have denied the allegations. The charges – felony false imprisonment, conspiracy to commit a crime, second-degree robbery, assault with force, and misdemeanor battery – have been dropped for the moment, but the bond premium on the $75,000 bail is non-refundable. To pay their balance of $11,000, Andrews and Goodwin turned to GoFundMe and have raised $5,980 from 127 donors as of Aug. 22. Officer Joseph Tomlinson, a San Francisco Police Department spokesman, said police were called to the scene of an alleged assault at around 6 p.m. on Aug. 6. Upon arriving at the cafe, police spoke to the victim who said he had been walking by and recorded the protesters. When he told them to stop banging on the windows, five demonstrators allegedly surrounded him and began pushing and striking him. Activists started routinely protesting outside of Manny’s earlier in the year, arguing that the venue further gentrifies the neighborhood and objecting to Manny’s proprietor Manny Yekutiel’s support of Israel’s right to exist. Andrews said he was singled out by police even though he had stayed away from the main group of protesters. He said he did remember that an older man had been heckling the group and alleged that he stuck his camera in the protester’s faces, but Andrews said that he stayed away from the pack and parties involved. “There were like 30 people there. I don’t know why I was chosen,” Andrews said. A video posted on Twitter shows the moment Andrews was arrested, followed by an 18-second clip with Goodwin already in handcuffs. The videos, all under 30 seconds, do not show the alleged altercation or scuffle that ostensibly predicated the arrests. Goodwin said the charges were false, and that police did not have any proof. “People were looking and filming. It’s ridiculous. It was all out in the open,” Goodwin said. Yekutiel said in an email that he had been moderating an event discussing methods of ending homelessness in the city when the alleged assault happened. “As we have always done and always will, we support the First Amendment right to free assembly and free speech insomuch as it does not negatively impact the physical or emotional safety of our staff or patrons. However, we strongly oppose violence of any kind, and will continue to ensure a safe, secure and respectful place for peaceful and constructive dialogue as is our long-stated mission,” Yekutiel wrote. [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]
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[et_pb_section bb_built=”1″][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.19.5″] Otvorenje izložbe Monoliti autora Domagoja Rogine održat će se 1. veljače u 20 sati. Izložba će biti otvorena do 16. veljače, a radno vrijeme galerije je radnim danom od 12 do 20 sati te subotom od 10 do 13 sati. Osnova vedantske filozofije može se pronaći u pojmu advaita, koji znači nedvojnost, a odnosi se, ukratko, na jedinstvenost pojedinca i bitka (osnove postojanja). Svaka pojedinačna svijest je prema tom učenju nerazdvojiva od svega ostaloga što postoji – od drugih svijesti, ali i od cijelog svemira. Na tu nedjeljivost podsjetile su me slikarske težnje Domagoja Rogine iskazane u ciklusu koji je naslovio Monoliti. Već samim tim imenom koje označava strukturu načinjenu od jednog kamenog bloka, pa i lapidarnim potezom, te gustim i slojevitim nanosima boje kojima oblikuje senzacije na platnu, on nas podsjeća na stoljetnu težnju slikarstva ka postizanju jedinstva promatrača, autora, prizora, forme kojom se taj prizor prezentira, materije koja ga tka i asocijacija koje on budi. Sve izrečeno na ovim slikama izrečeno je u intenzivnom jeziku boje – predmeti poput čajnika ili buketa cvijeća, tijelo morske nemani, doživljaj jutarnje atmosfere ili autoportret kojemu se sjena naviruje preko ramena. Čini se da autor svemu odbija dati narativni razlog izvan same slikarske fascinacije. To su prizori njegove osobne svijesti, njegovi osjećaji i demoni koji dobivaju vlastite oblike i usisavaju nas. Mi smo, tako, zajedno s njim u tom vječnom trenutku jutra u atelijeru, kada je zrak svjež i gust, a dan obećava brojne prilike, a također s njim plovimo kroz prazan prostor njegovih snoviđenja u utrobi životinje slične morskome psu, sjajne kože i golemih usta, koja sugeriraju neobuzdano gutanje. To proždiranje ide u dva smjera: ono je i slikareva pohlepna konzumacija svijeta, kojega probavljenog izbacuje na platno, ali i gutanje gledatelja koje čini slika, njezina asimilacija naše pažnje i budnosti, te pretakanje cijele naše ličnosti u mentalni proces čuđenja i divljenja. Zato kažem da s Roginom putujemo u samoj utrobi zvjeri, to jest u utrobi slike. On nam ne želi dopustiti da se od njegovih slika odvojimo i da ih gledamo kao nešto izvan nas. U tome je njihov silni intenzitet, koji je imenom ciklusa povezan s osjećajem divljenja pred megalitskim konstrukcijama, prapovijesnim uspravnim kamenjem posijanim po svijetu s magijskim i obrednim svrhama poistovjećenja čovjeka s kozmosom i prirodom. Pored ovih slika svjedoci smo ekspresije tvari i stvari, transformacije površine slikarskog platna u prostor osobne nedokučivosti i čistog estetskog djelovanja (što svoje povijesne korijene ima u enformelu ili apstraktnom ekspresionizmu). S tim u vezi nameće se i spoznaja o arbitrarnosti doživljaja i o proizvoljnosti značenja koja pridajemo formama: svako tumačenje koje upisujemo u neko umjetničko djelo plod je sinergije našeg iskustva sa iskustvom stvaraoca. Domagoj Rogina je svoj osjećaj raznovrsnih predmeta i prostora izrazio u istovremeno nijemoj i rječitoj umjetnosti slikarstva, a ti izrazi za senzibilnog promatrača postaju poput sjene na njegovu autoportretu – tamni obrisi našeg lika, koji se nekim čudom otimaju pokretima koje bi trebali slijediti i žive svoj vlastiti, neobičan život. Stihovi Eliotove Puste zemlje obećavaju: „Pokazat ću ti nešto drugačije od / Tvoje sjene u jutro dok korača za tobom / Tvoje sjene predvečer dok ti hrli u susret / Pokazat ću ti tvoj strah u šaci prašine“. Slikarstvo je, također, svakako nešto drugačije od sjene ili oponašanja svijeta. To je odlamanje komada stvarnosti i njihovo klesanje u nove monolite ljudskih strahova, želja i fascinacija. (iz predgovora, Feđa Gavrilović) Domagoj Rogina rođen je 1989. u Varaždinu. Diplomirao je slikarstvo u klasi prof. Damira Sokića na Nastavničkom odsjeku na Akademiji likovnih umjetnosti Sveučilišta u Zagrebu 2017. godine. Izlagao je na nekoliko samostalnih (2017. U ogledalu, Galerija Greta; Plivač, Galerija V. Filakovac i 2014. Fragmentologija 2/2, Galerija 3,14) i tridesetak skupnih izložbi (2017. Bijenale slikarstva, HDLU; 13. Erste fragmenti, Galerija Kranjčar; 2014. Salon mladih, HDLU i dr.) Boravio je na rezidenciji u Belgiji 2015. godine. Od 2018. godine radi kao profesor likovne i tehničke kulture u Centru za odgoj i obrazovanje Slava Raškaj u Zagrebu. [/et_pb_text][et_pb_gallery _builder_version=”3.19.5″ gallery_ids=”636,637,638″ show_title_and_caption=”off” hover_overlay_color=”rgba(255,255,255,0.9)” /][/et_pb_column][/et_pb_row][/et_pb_section]