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12., 20:00, premiere, (entrance: invites only) &TD big hall 17. 12., 20:00, free entrance, &TD big hall This project came into existence as a synergy of different ideas, thoughts, compositions and tasks from all authors, interactively working in their interspaces, where all participants love the place where nothing is full but it becomes full. It becomes and stays between two worlds, floors, ideas, somewhere between known and unknown. In her work, Aleksandra develops this idea and work principle in which she develops work situations where everyone is engaged in the discussion about the theme they are interested in. That is how she creates independent space full of trust in which the roles are interchangeable. Results of the process authors test at the end of the rehearsal by presenting the Play of the day, which result in final performance. interspace is an elevator an elevator by floors not numbers an elevator by states in all directions. interspace chooses them. it chooses between silence, emptiness, junk, legs, roller. between love, neutrality, nothingness, the sun. purple sun. interspace, the space between us. toward us. where he/she plays and chooses. TRAS – Petra Chelfi, Ivana Pavlović and Martina Tomić are artists and performers, active members of Croatian dance scene for years. With Sara Barbieri, Nina Sakić and Karolina Suša they have founded Tras kolektiv. They all work outside the collective in their own artistic landscape, but here they connect their different experiences which become work they co-author, and with the idea of collaboration with coreographers, directors and artists from different fields. Till now they have worked with Natalija Manojlović, Irma Omerzo, Vilim Matula, Rajko Pavelić, Pavlo Heidler. This year, their collaborators are coreographer Aleksandra Janeva Imfeld, one of the founders of Nomad Dance Academy,... ALEKSANDRA JANEVA IMFELD, NENAD KOVAČIĆ, PETRA CHELFI, IVANA PAVLOVIĆ, MARTINA TOMIĆ:... DANCE_INN X GANZ – PETRA HRAŠĆANEC, SAŠA BOŽIĆ I SIMONE AUGHTERLONY... 12., premiere, 20h @&TD big hall, (entrance: invites only) 10. 12., 20 h @ &TD big hall, free entrance Let’s not anymore feign surprise by estrangement. Start here, before familiarity takes hold with knots of misrecognition. Circumnavigating the cautious understanding of the stranger, since there is no understanding, we look to the compass. Watch the needle waver and drift off course; magnetic deviation in nearness to the desirable. Wet with tears or soaked by storms, another wave brings another sailor and thoughts of amorality. Drying out will mark the passage of time or might bring winds to weather the storm. Bring smoked fish and loads of salt for preservation. I’ll watch you eat as I have watched others before. Visual: Michael Günzburger Created by: Simone Aughterlony, Petra Hrašćanec, Saša Božić Performed by: Simone Aughterlony, Petra Hrašćanec Music: Hahn Rowe Set and costume design: Ana Savić-Gecan Light design: Bruno Pocheron, Miljenko Bengez Photography: Ivica Ivčević, Damir Žižić Production for 21:21: Andrea Remetin, Ivan Mrđen Production for Verein für Allgemeines Wohl: Sina Kießling Production for &TD: Silvija Stipanov Produced by: 21:21 Co-produced by: Simone Aughterlony, Verein für Allgemeines Wohl, Studentski centar u Zagrebu – Kultura promjene – Teatar &TD via apap-Performing Europe 2020, International Coproduction Fund of the Goethe-Institut Project is realized with the support: City of Zagreb, Ministry of Culture Croatia, International co-production fund Goethe-Institute, Stadt Zürich Kultur, Kanton Zürich Fachstelle Kultur, Swiss artistic fund Pro Helvetia and Creative Europe Program Special thanks to: Emily Wilson, Petra Šoštarić, Gessnerallee Zurich The performance Compass is part of the research project Twins started by artistic company 21:21 from Zagreb Petra Hrašćanec and Saša Božić have been active on the Croatian and European dance and theatre scene for a number of years in various formats... MARIA JEREZ (ES): MARIA IS GOING TO SCHOOL... residence@ OŠ Mihaela Šiloboda (Sv. Martin pod Okićem) 9. 12., 18 h, public presentasion- canceled@ Galerija SC During 2 weeks, children of the elementary school “Mihael Šilobod” in Zagreb will teach Croatian language to Maria Jerez. During this change of roles, the important thing is not the transfer of a symmetrical power, but the establishment of a fragile situation for all parties, a place of uncertainty where no one can reach solutions in an immediate and effective manner. This project pays attention to all the moments when we name something for the first time, to the thinking that is behind language, to the political power of the processes of learning, to the misunderstandings as a place of opportunity, to the relation to someone coming from another world. This project builds a space where the unknown is implemented as a desirable place of potentiality. A project by Maria Jerez and pupils and teachers of the elementary school Miahel Šilobod in Sv. Marin pod Okićem Pupils: Sebastijan Držanić, David Friedman, Filip Garašić, Marko Holetić, Nina Holetić, Laura Konosić, Ana Ložnjak, Lara Mihalina, David Nikl, Klara Oblak, Jan Peles, Leon Požgaj, Nina Radovinović, David Suša, Amalija Škofić, Marko Škvarić, Tara Šobot, Fran Šolčić, Ema Vrtar, Viktor Vučković, Matej Žamarija Teacher: Mirna Hrenek Scientific and creative collaborator: Marta Haraminčić Thank you: Ivana Ivković, Petar Jandrić, Daniela Katunar and Ani Širanović Production: Student Centre Zagreb – Culture of Change – Theatre &TD within apap-Performing Europe 2020 project and elementary school Mihael Šilobod. Supported by Creative Europe Programme of the EU. Maria Jerez’s work is located “between” choreography, cinema and visual arts. She produces the pieces The Case of the Spectator, This Side Up, The Perfect Alibi, ba-deedly-deedly-deedly-dum ba-boop-be- doop!, Alma de Rímel & The... DANCE_INN X GANZ – METTE EDVARDSEN: NO TITLE (NO/BE)... 12., 20 h @ SC Gallery With the piece No Title I start out where my last piece ended. In Black I made invisible objects appear by naming them and placing them in space. Having been obsessed with what is here, I now look into what is not as a way of activating and producing thoughts and imaginations. In this new piece I address existence through negation. Once you leave behind that which is not, the perspective opens to all there is instead. The work continues the play with the possibilities and limits of language, and that of being, in space and in time. No Title is about how reality exists in language and how this extends into real space. It is about how memory and imagination blur. It is about things and how things can be there and gone at the same time, and that what defines this is various. It is about things that are gone and about things that remain. No Title is about the awareness that all things are impermanent and that nothing lasts forever. It is about things that have gone before their time and things that never quite disappear. It is about what the piece and its making is, what a piece can do, what it is for, what its power and limit could be. It is about the gap between a world and our ideas of it, the invincible gap between thought and experience, between here and there. No Title is a writing in space, a writing that is both additive and subtractive. It is a writing that traces and erases, that moves and halts, that looks at things that are not there and recovers that which is instead. Created and performed by: Mette Edvardsen Production:... HEINE AVDAL & YUKIKO SHINOZAKI/FIELDWORKS (BE/NO/JP): BORROWED LANDSCAPES... 12., residence @ &TD theatre 8. 13:00-15:0, performances @ bio&bio store, Radnička cesta 49. Borrowed Landscape consists of a series of location-inspired performances set in diverse private and public spaces. Previous editions took place in a model house, a shopping mall, and the foyer of a theatre. The title of this project is derived from the Japanese term shakkei. It refers to the technique used in Japanese traditional garden design of integrating the surrounding existing landscape into the composition of a garden. This approach is reflected in the unique way in which Heine Avdal and Yukiko Shinozaki bring together different realities in the specific urban sites they choose to investigate. Avdal and Shinozaki’s inventive, subtle and often humorous interactions with the chosen locations, their slightly exaggerated movements or incongruous actions and the ingenious soundscapes developed by long-time collaborator Fabrice Moinet, insert poetry into those spaces that define our personal and professional lives. At the same time, the hybrid realities created in this way invite the (accidental) audience to take a step back and look again, to interact with and experience these ordinary spaces differently and to rethink the notion of the everyday itself. fieldworks’ alluring performances reveal our routines, make us conscious of how the spaces we use every day are constructed, and of how we move and are made to move through them. Concept and direction: Heine Avdal, Yukiko Shinozaki Sound design and electronics: Fabrice Moinet, Johann Loiseau Texts: excerpts from Borrowed Landscape-Yokohama#2 by Yukio Shiba (translated and adapted by: Sara Jansen and Yukiko Shinozaki) Performed by: Heine Avdal, Heine Avdal, Šiško Horvat-Majcan, Lana Hosni, Nataša Kopeč, Nina Kurtela, Hrvoje Perc, Ivana Rončević Voices: Rannei Grenne, Ingrid Haakstad, Håkon Vadstein Karlstad, Erikk McKenzie, Fabrice Moinet, Sarah Kohne, Leo...
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HEINE AVDAL & YUKIKO SHINOZAKI/FIELDWORKS (BE/NO/JP): BORROWED LANDSCAPE 6. i 7. 12., rezidencija @ Teatar &TD 8. 12., 17:00 – 19:00 te 9. 12. 12:00-14:00, izvedbe @ bio&bio trgovina, Radnička cesta 49. Borrowed Landscape serija je izvedbi inspiriranih različitim lokacijama, postavljenih u raznolike privatne i javne prostore. Prijašnja izdanja odvila su se u modeliranoj kući, trgovačkom centru i foajeu teatra. Naslov ovog projekta izvedenica je japanske riječi shakkei. Referira se na tehniku korištenu u tradicionalnom japanskom dizajniranju vrtova i integraciji postojećeg krajolika u kompoziciju vrta. Ovaj se pristup odražava na jedinstven način na koji Heine Avdal i Yukiko Shinozaki zajedno donose različite stvarnosti na specifična, urbana mjesta koja izabiru za istraživanje. Avdalove i Shinozakine inventivne, suptilne i često humoristične interakcije s odabranim lokacijama, njihovi pomalo pretjerani pokreti ili neprimjerene akcije i genijalni soundscapeovi osmišljeni su od strane dugogodišnjega suradnika Fabricea Moineta. Umeću i poeziju u te prostore koji definiraju naše osobne i profesionalne živote. Istovremeno, hibridne stvarnosti kreirane na ovaj način, pozivaju (slučajnu) publiku da zastanu i obrate pažnju, da budu u interakciji i da iskuse ove obične prostore na drugačiji način te da ponovo promisle pojam svakodnevice. fieldworksove primamljive izvedbe otkrivaju naše rutine, osvještavaju način na koji su prostori koje koristimo svakoga dana konstruirani te kako se krećemo i kako smo primorani koristiti ih. Koncept i režija: Heine Avdal, Yukiko Shinozaki Zvuk i elektronika: Fabrice Moinet, Johann Loiseau Tekstovi: excerpts from Borrowed Landscape-Yokohama#2 by Yukio Shiba (prijevod i adaptacija: Sara Jansen and Yukiko Shinozaki) Izvode: Heine Avdal, Heine Avdal, Šiško Horvat- Majcan, Lana Hosni, Nataša Kopeč, Nina Kurtela, Hrvoje Perc, Ivana Rončević Glasovi: Rannei Grenne, Ingrid Haakstad, Håkon Vadstein Karlstad, Erikk McKenzie, Fabrice Moinet, Sarah Kohne, Leo Preston, Eivind Seljeseth, Taka Shamoto, Yukiko Shinozaki, Sachiyo Takahashi, Sigrid Marie Kittelsaa Vesaas, Heine Avdal Gostovanje u sklopu projekta apap-Performing Europe 2020 Studentskog centra u Zagrebu, sufinancirano sredstvima programa Europske Unije Kreativna Europa. Uz potporu Flanders State of the Art i Ministarstva kulture RH (Ciklus flamansko-skandinavskih autora). Heine Avdal aktivan je na poljima suvremenoga plesa, performansa, videa i vizualnih umjetnosti. U recentnim projektima fokus mu je na distribuciji prostora. Preispituje način na koji prostorne konvencije utječu na način na koji doživljavamo i na koji se krećemo kroz private/javne prostore. U tom kontekstu, Avdal također preispituje načine na koji se koristi tehnologija, tj. može li se koristiti pri stjecanju novih značenja i percepcija o ljudskome tijelu u svakodnevnim okruženjima. Yukiko Shinozaki svoj rad fokusira na unutarnjim kompleksnostima i kontradikcijama tijela. Proces transformacije ima važno mjesto u vokabularu njenih pokreta: kroz suptilne pomake i manipulacije, poznate akcije polako se transformiraju u nepoznati svijet/krajolik. Umjetničke suradnje smatra važnim faktorom u svome radu te svjesno integrira slučajne elemente koji proizlaze iz susreta s različitim umjetnicima i situacijama. Često radi na intuitivan način te je fascinirana nečim onkraj svoje mašte. Avdal i Shinozaki zajedno stvaraju kroz svoju kompaniju fieldworks. Od 2000. producirali su više od 20 radova, sve koje su izvodili i na međunarodnim turnejama. https://nl-nl.facebook.com/AvdalShinozakiFieldworks/ Heine Avdal & Yukiko Shinozaki – Borrowed Landscape-trailer from fieldworks on Vimeo.