http___gallerychaos.com_en_exhibitions_2000_february-march.xml
http___gallerychaos.com_sr_izlozbe_2000_februar-mart_1.xml
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The concern about the texture of the matter is obvious especially on the drawings which do not represent the sketches or notes but deal with the “application” of sculpturing experiences of how different materials behave. Made in combined techniques, sometimes in a felt pen or in coal, they are created within the range of Popivoda’s sculpture-from a motive of very simple forms, made in the thick dispersion which creates the surface, suggesting inner fullness and volume to the collage structures that are bringing “the outer space” in its architecture. By its transparency, stratification, they suggest their ideological connection with the series of sculptures-cages Bojana Buric
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Nega teksture materije vidljiva je naročito na crtežima koji uglavnom ne predstavljaju skice ili projektne beleške, već se bave “primenom” skulptorskih iskustava ponašanja različitih materijala. Rađeni u kombinovanim tehnikama, ponekad flomasterima ili ugljem, mišljeni su u rasponu u kome se kreće Popivodina skulptura - od motiva vrlo jednostavnih formi, izvedenih gustim rasterom poteza koje tvore površinu koja količinom svoje tmastosti sugerira unutrašnju punoću i volumen do struktura kolažno mišljenih koje u svoju arhitektoniku “uvlače spoljni prostor”, svojom providnošću, slojevitošću sugeriraju svoju idejnu vezu sa serijom skulptura – kaveza. Bojana Burić