http___www.gavella.hr_eng_productions_current_productions_august_osage_county.xml
http___gavella.hr_predstave_aktualne_predstave_kolovoz_u_okrugu_osage_1.xml
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Director: Slađana Kilibarda Translator: Tomislav Kuzmanović Stage Design: Valentina Crnković Costume Design: Marita Ćopo Music: Pavle Miholjević and Jura Ferina Assistant Dramaturge: Dubravko Mihanović Speech Assistant: Ivana Buljan Legati Stage Movement Assitant: Irma Omerzo Lighting Design: Zdravko Stolnik Photography: Jasenko Rasol Production's Visual Identity: Vanja Cuculić / Studio Cuculić CAST: Beverly Weston: Zoran Gogić Violet Weston: Anja Šovagović Despot Barbara Weston Fordham: Bojana Gregorić Vejzović Bill Fordham: Janko Rakoš Jean Fordham: Anja Đurinović Ivy Weston: Antonija Stanišić Šperanda Karen Weston: Nela Kocsis Mattie Fae Aiken: Jelena Miholjević Charlie Aiken: Darko Milas Little Charles: Hrvoje Klobučar Johnna Monevata: Lukrecija Tudor Steve Heidebrecht: Ranko Zidarić Sheriff Deon Gilbeau: Đorđe Kukuljica Stage Manager: Snježana Majdak Prompter at the rehearsal: Andrea Glad First rehearsal: December 8th, 2014 Opening night: February 27th, 2015 The Pulitzer Prize-winning play by Tracy Letts has been proclaimed ''the most exciting new play Broadway has seen in the last few years'', as well as ''a stunning creation'' that can stand alongside the ''great American family dramas''. Perhaps the sensation-prone US critics did not overdo it this time, because there is something in ''August: Osage County'' which we do not encounter in plays often: a well-crafted play that combines O'Neill with humour, cinically witty and shockingly sad, placed somewhere between (dark) comedy and melodrama, with such well written, ''juicy'' characters any actor would only wish for playing. Letts shows us tenderness and cruelty as the two sides of intimacy while the unforgettable characters keep lining up, bathed in neuroses, alcohol, pills, hysteria, desolation, the desire to escape... ''Life is very long'', a quote by T.S. Eliot, is merely a slightly opened window of one family's disfunctionality, where women are those who fight and men are the ''weaker sex''. Directed by Slađana Kilibarda, ''August: Osage County'' should primarily be a story about what we are prepared to do (to ourselves) when we do not know how to love... Awards: ''Gavella Fair'', 2015 - Best actor in season's premieres 2014/2015: Anja Šovagović Despot ''An excellent opening night in Gavella which lasted almost three hours (...) a grand piece of work in which every actor precisely or brilliantly played the part. The role of Violet Weston is the best one in Anja Šovagović Despot's career.'' (Tomislav Čadež, Jutarnji list) ''It is quite rare that Croatian actresses have the chance to show such range of despair and vulnerability as the one portrayed in August: Osage County by Anja Šovagović Despot. Šovagović Despot plays a vigilante. A hardened fighter. Both mater familias and the fury. Bojana Gregorić Vejzović, an actress who is getting more unconventional and confident in the acting risks she takes, portrays Violet's daughter Barbara and shows us the most difficult crumbling of one's own identity, which is remarkably graded, energetically precise and filled with tragic intesity.'' (Nataša Govedić, Novi list) ''Tracy Letts is both an actor and a playwright. He won a Pulitzer for August: Osage County. More important than the award is the fact that he is an author who knows how to write for the actors; who created a grand play full of strong roles, first and foremost female ones; a play any general manager of a theatre (especially a drama theatre) would like to have staged.'' (Bojana Radović, Večernji list) ''The text builds the tension on stage with precision. It is made of virtuoso dialogues which were fluently translated by Tomislav Kuzmanović, who preserved their greatest value - to indirectly and nuancedly, through speech, outline the characters and the temperament of the speaker. In order to create a grand performance from such an appealing material, one needs to have virtuoso acting performances like the ones all members of the August: Osage County have given.'' (Tomislav Kurelec, Kazalište.hr) ''...this is a very good humorous tragedy about family secrets, love and lack of understanding, with several excellent portrayals led by the very convincing Anja Šovagović Despot.'' (Igor Tretinjak, Vijenac) ''Gavella Theatre really does have the cast for this play, which is apparent in every scene so much so that the production itself is becoming a turning point in some actors' careers, while in the case of others their significance, both past and the future, is affirmed. August: Osage County is a huge play that ought to be revisited.'' (Igor Ružić, Kulturpunkt.hr) ''Gavella's ensemble almost never fails, because this playhouse with the biggest charisma has an outstanding group of actors. Therefore Slađana Kilibarda could not have missed much in her casting, although she clearly had a distinct ''sense'' of which actor can give their maximum in a certain role and that is why the casting is perfect.'' (Elizabeta Hrstić, PolitikaPlus.com)
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Redateljica: Slađana Kilibarda Prevoditelj: Tomislav Kuzmanović Scenografkinja: Valentina Crnković Kostimografkinja: Marita Ćopo Autori glazbe: Pavle Miholjević i Jura Ferina Dramaturški suradnik: Dubravko Mihanović Suradnica za govor: Ivana Buljan Legati Suradnica za scenski pokret: Irma Omerzo Oblikovatelj svjetla: Zdravko Stolnik Fotografije: Jasenko Rasol Vizualni identitet predstave: Vanja Cuculić / Studio Cuculić Igraju: Beverly Weston: Zoran Gogić Violet Weston: Anja Šovagović Despot Barbara Weston Fordham: Bojana Gregorić Vejzović Bill Fordham: Janko Rakoš Jean Fordham: Anja Đurinović Ivy Weston: Antonija Stanišić Šperanda Karen Weston: Nela Kocsis Mattie Fae Aiken: Jelena Miholjević Charlie Aiken: Darko Milas Mali Charles: Hrvoje Klobučar Johnna Monevata: Lukrecija Tudor Steve Heidebrecht: Ranko Zidarić Šerif Deon Gilbeau: Đorđe Kukuljica Inspicijentica: Snježana Majdak Šaptačica na probama: Andrea Glad Prva proba: 8. prosinca 2014. Premijera: 27. veljače 2015. Predstava traje 3 sata. Dobitnik Pulitzerove nagrade, tekst Tracyja Lettsa proglašen je "najuzbudljivijom novom dramom koju je Broadway vidio posljednjih godina", kao i "zapanjujućom kreacijom" koja može stajati uz bok "velikim američkim obiteljskim dramama". Bombastičnosti skloni tamošnji kritičari ovaj put, možda, i nisu pretjerali, jer "Kolovoz u okrugu Osage" doista je nešto što se u suvremenom dramskom pismu ne susreće često: čvrsto oblikovan komad što O'Neilla združuje s humorom, cinično duhovit i potresno tužan, smješten u međuprostor između (crne) komedije i melodrame, izvrsno napisanih, "sočnih" likova kakve bi svaki glumac poželio igrati. Nježnost i okrutnost kod Lettsa lice su i naličje prisnosti, a nezaboravni karakteri nižu se pred nama kao na traci, okupani neurozama, alkoholom, tabletama, histerijom, izgubljenošću, željom za bijegom... "Život je vrlo dug.", citat T. Eliota, tek je odškrinut prozor u disfukcionalnost jedne obitelji, gdje su žene one koje se bore, a muškarci su "slabiji spol". U režiji Slađane Kilibarde, "Kolovoz u okrugu Osage" ponajprije bi trebao biti priča o tome što smo (si) sve spremni učiniti kad ne znamo kako voljeti... Nagrade: "Gavella Fair", 2015. - najbolja glumica u premijernim predstavama sezone 2014./2015.: Anja Šovagović Despot "Gavelline večeri", 2015. - nagrada za najbolju žensku ulogu: Anja Šovagović Despot Nagrada hrvatskog glumišta, 2015. - za najbolju glavnu žensku ulogu: Anja Šovagović Despot Festival glumca, 2016. - "Fabijan Šovagović" za najbolje glumačko ostvarenje: Anja Šovagović Despot "Gavella je dala odličnu gotovo trosatnu premijeru (...) grandiozno djelo svi glumci iznijeli su točno ili briljantno. (...) Violet Weston je najbolja uloga koju je u svojoj karijeri ostvarila Anja Šovagović Despot." (Tomislav Čadež, Jutarnji list) "Hrvatske glumice odveć rijetko imaju prilike odigrati takav dijapazon očaja i ranjivosti kakav u "Kolovozu" igra Anja Šovagović Despot. (...) Šovagović Despot igra osvetnicu. Prekaljenu borkinju. I mater familias i furiju. (...) Najteže mrvljenje vlastitog identiteta izvanredno stupnjevano, energetski precizno i s punim tragičkim intenzitetom igra Bojana Gregorić Vejzović kao Violetina kći Barbara: glumica sve nekonvencijalnija i sigurnija u glumačkim rizicima na koje se odvažuje." (Nataša Govedić, Novi list) "Tracy Letts je glumac i dramski pisac. Za "Kolovozu okrugu Osage" dobio je Pulitzera. Važnije od nagrade same jest činjenica da je to autor koji zna pisati za glumce i koji je stvorio veliku dramu, jakih uloga, ponajprije ženskih, koju bi svaki ravnatelj teatra (napose dramskog predznaka) želio imati na svojoj sceni." (Bojana Radović, Večernji list) "Tekst precizno gradi scensku napetost, a sačinjen je od virtuoznih dijaloga koje je tečno preveo Tomislav Kuzmanović sačuvavši njihovu najveću vrijednost da kroz govor posredno i vrlo nijansirano ocrtavaju likove i temperament onog koji govori. Da bi se iz takvog atraktivnog materijala stvorila velika predstava potrebne su i virtuozne glumačke interpretacije kakve su ostvarili svi članovi ansambla "Kolovoza u okrugu Osage"." (Tomislav Kurelec, Kazalište.hr) "...riječ je o vrlo dobroj humornoj tragediji o obiteljskim tajnama, ljubavi i nerazumijevanju, s nekoliko odličnih glumačkih partija predvođenih vrlo uvjerljivom Anjom Šovagović Despot. "(Igor Tretinjak, Vijenac) ""Gavella" zaista ima podjelu za ovu predstavu i to u svakom trenutku pokazuje u tolikoj mjeri da je sama predstava prijelomna u nekim karijerama, dok drugima tek potvrđuje značaj, kako prošli tako i budući. (...) "Kolovoz u okrugu Osage" velik je komad dramskog kazališta koji zaslužuje i prvi i drugi pogled." (Igor Ružić, Kulturpunkt.hr) "Gavellin ansambl gotovo nikada ne podbaci, jer ova kazališna kuća s najvećom karizmom ima vrhunsku glumačku ekipu. Slađana Kilibarda dakle nije ni mogla promašiti puno u odabiru, no očito je imala osobito istančan "sluh" tko od glumaca u kojoj ulozi može dati svoj maksimum i podjela je zato upravo savršena." (Elizabte Hrstić, PolitikaPlus.com)