http___ganznovi2017.sczg.hr_index.php_2017_11_27_dance_inn-x-ganz-petra-hrascanec-sasa-bozic-i-simone-aughterlony-hrdebe-compass__lang_en.xml
http___ganznovi2017.sczg.hr_index.php_2017_11_27_dance_inn-x-ganz-petra-hrascanec-sasa-bozic-i-simone-aughterlony-hrdebe-compass__1.xml
1.1 2.1 3.1 4.1 4.2 4.3 4.4 4.5 4.6 4.7 4.8 5.1 6.1 7.1 8.1 9.1 10.1 11.1 12.1 13.1 14.1 15.1 16.1 17.1 18.1 19.1 20.1 20.2 21.1 21.2 21.3 21.4 21.5 22.1 22.2 22.3 22.4 22.5 22.6 23.1 24.1 24.2 24.3 24.4 24.5 24.6
DANCE_INN X GANZ – PETRA HRAŠĆANEC, SAŠA BOŽIĆ I SIMONE AUGHTERLONY (HR/DE/CH): COMPASS 12., premiere, 20h @&TD big hall, (entrance: invites only) 12., 20 h @ &TD big hall, free entrance Let’s not anymore feign surprise by estrangement. Start here, before familiarity takes hold with knots of misrecognition. Circumnavigating the cautious understanding of the stranger, since there is no understanding, we look to the compass. Watch the needle waver and drift off course; magnetic deviation in nearness to the desirable. Wet with tears or soaked by storms, another wave brings another sailor and thoughts of amorality. Drying out will mark the passage of time or might bring winds to weather the storm. Bring smoked fish and loads of salt for preservation. I’ll watch you eat as I have watched others before. Visual: Michael Günzburger Created by: Simone Aughterlony, Petra Hrašćanec, Saša Božić Performed by: Simone Aughterlony, Petra Hrašćanec Music: Hahn Rowe Set and costume design: Ana Savić-Gecan Light design: Bruno Pocheron, Miljenko Bengez Photography: Ivica Ivčević, Damir Žižić Production for 21:21: Andrea Remetin, Ivan Mrđen Production for Verein für Allgemeines Wohl: Sina Kießling Production for &TD: Silvija Stipanov Produced by: 21:21 Co-produced by: Simone Aughterlony, Verein für Allgemeines Wohl, Studentski centar u Zagrebu – Kultura promjene – Teatar &TD via apap-Performing Europe 2020, International Coproduction Fund of the Goethe-Institut Project is realized with the support: City of Zagreb, Ministry of Culture Croatia, International co-production fund Goethe-Institute, Stadt Zürich Kultur, Kanton Zürich Fachstelle Kultur, Swiss artistic fund Pro Helvetia and Creative Europe Program Special thanks to: Emily Wilson, Petra Šoštarić, Gessnerallee Zurich The performance Compass is part of the research project Twins started by artistic company 21:21 from Zagreb Petra Hrašćanec and Saša Božić have been active on the Croatian and European dance and theatre scene for a number of years in various formats and production environments. Their collaborations always insist on the procedural nature of artwork, invention of stage discourses and playing with various performance dispositions. In the field of performing arts, Petra Hrašćanec is active as a dancer, choreographer and pedagogue. The main point of her interest and education is contemporary dance whereas her works are characterised by a specific use of a host of different media to investigate the body and corporeality. Hrašćanec is also an active external member of Francesco Scavetta’s WEE COMPANY based in Norway. As a choreographer, Petra Hrašćanec creates either as a member of the artistic organization 21:21 (as one of the art directors) or in collaboration with the partnership organisation de_facto and a host of Croatian institutions (&TD Theatre, The Zagreb Youth Theatre, Pogon Jedinstvo, The Zagreb Dance Centre). Since 2013, Hrašćanec is a lecturer and a mentor leading the programme for contemporary dance technique at the Dance Department of the Academy of Dramatic Art in Zagreb, Croatia. Saša Božić is active in various artistic fields ranging from theatre directing, choreography and creation of dramatic text to organization of promotional cultural actions and strategic planning of culture projects. As a dramaturge, Božić collaborates with renowned choreographers and dancers in Croatia and abroad. Along with a host collaborative projects, Saša Božić accomplished a number of independent dramatic, dance and multimedia projects that are currently part of the repertoire of the main Croatian theatre institutions. Also, Božić successfully and regularly presents his collaborations in European theatre institutions, i.e. Hebbel am Ufer in Berlin, Gessnerallee in Zurich, National Dance Centre in Oslo, Bitef in Belgrade, MESS in Sarajevo, Zuricher Theater spektakel in Zurich, Karantena in Dubrovnik. He also works as an assistant professor at the Acting Department of the Academy of Dramatic Art in Zagreb. The creations of Petra Hrašćanec and Saša Božić are presented at renowned European dance festivals and theaters, such as: Rencontres Choreographiques Internationales de Seine-Saint-Denis, Paris, UOVO festival in Milano, Dance centre La Jette in Bruxelles, Les Subsistances in Lyon, Theatre de la Bastille in Paris, among others. Simone Aughterlony is an independent artist based and supported in Zurich and Berlin, working predominantly in dance and performance contexts. Over more than a decade, Simone has been devising and producing choreographic works. As a performer, she has worked with artists such as Meg Stuart/Damaged Goods, Forced Entertainment and Jorge León, Phil Hayes amongst others. Engaging with alternative forms of kinship, inside her process new constellations of family emerge as possibilities for reconfiguring a culture of togetherness that foster both familiar and unknown quantities. Her works playfully compose with representation and its saturation, seeping into and embracing the phenomenology of misrecognition and the absurd. Simone approaches the performance genre as a world building practice where she navigates the contradiction between the domination of desire alongside the agency of all elements.
1.1 2.1 3.1 4.1 4.2 4.3 4.4 4.5 4.6 4.7 4.8 5.1 6.1 7.1 8.1 9.1 10.1 11.1 12.1 13.1 14.1 15.1 16.1 17.1 18.1 19.1 20.1 20.2 20.3 20.4 20.5 21.1 21.2 22.1 22.2 22.3 22.4 23.1 23.2 23.3 23.4 23.5 24.1
DANCE_INN X GANZ – PETRA HRAŠĆANEC, SAŠA BOŽIĆ I SIMONE AUGHTERLONY (HR/DE/CH): KOMPAS 9. 12, 20h, premijera @ Velika dvorana Teatra &TD 10. 12., 20h @Velika dvorana &TD Nemojmo se više pretvarati da nas udaljavanje iznenađuje. Započnimo tu, prije no što nas bliskost zarobi čvorovima nesporazuma. Ploveći oprezno prema razumijevanju stranca, a razumijevanja nema, zurimo u kompas. Promatraj kako igla oklijeva i skreće sa smjera; magnetsko odstupanje u blizini željenog. Mokri smo od suza ili od oluja, val koji slijedi nudi još jednog mornara i misao o zabranjenom. Osušene kapi pokazuju koliko je vremena prošlo i kakav je vjetar rastjerao oluju. Ponesi dimljene ribe i brdo soli za konzerviranje. Gledat ću te dok jedeš, baš kao što sam prije gledala druge. Vizual: Michael Günzburger Autori: Simone Aughterlony, Petra Hrašćanec, Saša Božić Izvođačice: Simone Aughterlony, Petra Hrašćanec Glazba: Hahn Rowe Kostimi i scena: Ana Savić-Gecan Svjetlo: Bruno Pocheron, Miljenko Bengez Fotografija: Ivica Ivčević, Damir Žižić Produkcija za 21:21: Andrea Remetin, Ivan Mrđen Producent za Verein für Allgemeines Wohl: Sina Kießling Produkcija za Teatar &TD: Silvija Stipanov Produkcija:21:21 Koprodukcija: Simone Aughterlony, Verein für Allgemeines Wohl, Studentski centar u Zagrebu – Kultura promjene – Teatar &TD u sklopu apap-Performing Europe 2020, International Coproduction Fund of the Goethe-Institut Projekt je realiziran sredstvima Grada Zagreba, Ministarstva Kulture RH, Međunarodnog koprodukcijskog fonda Goethe Instituta, Stadt Zürich Kultur, Kanton Zürich Fachstelle Kultur, Švicarski umjetnički odbor Pro Helvetia te sufinanciran sredstvima programa Europske Unije Kreativna Europa. Hvala: Emily Wilson, Petra Šoštarić, Gessnerallee Zurich Predstava Compass nastaje u okviru istraživačkoga projekta Twins koji je pokrenula plesna udruga 21:21 iz Zagreba. Simone Aughterlony nezavisna je umjetnica koja stvara u Zürichu i Berlinu, radeći većinom u mediju plesa i različitim izvedbenim kontekstima. Više od desetljeća Simone stvara i producira koreografske radove. Kao izvođačica radila je s umjetnicima poput Meg Stuart/Damaged Goods, Forced Entertainment and Jorge León, Philom Hayesom… Zanimaju je alternativni oblici povezivanja u čijim se procesima stvaraju nove konstelacije obitelji kao mogućnosti za rekonfiguraciju kulture zajedništva koja njeguje poznate i nepoznate kvantitete. Njeni radovi na zaigran su način povezani reprezentacijom i njenim zasićenjem, prelijevajući se i prihvaćajući fenomenologiju pogrešnoga prepoznavanja i apsurda. Simone pristupa žanru performansa kao praksi izgradnje svijeta u kojemu ona navigira kontradikciju između dominacije žudnje i djelovanja svih elemenata. Petra Hrašćanec i Saša Božić već duži niz godina djeluju na hrvatskoj i europskoj plesnoj i kazališnoj sceni i to u različitim formatima i produkcijskim okolišima. Njihove zajedničke radove obilježava inzistiranje na proceduralnoj prirodi radova, invencija scenskih jezika i poigravanje sa različitim dispozitivima izvedbe. Petra Hrašćanec djeluje u polju izvedbenih umjetnosti kao plesačica, koreografkinja i pedagoginja. Primarno polje njezinog interesa i školovanja je suvremeni ples a njezine radove karakterizira istraživanje tijela kao realiteta izvedbe kroz različite medije. Kao izvođačica ,osim u autorskim dijelima, djeluje kao vanjska članica WEE COMPANY baziranoj u Norveškoj, koreografa Francesca Scavette. Koreografski svoje radove ostvaruje preko umjetničke organizacije 21:21 (gdje je jedna od umjetničkih voditeljica) ili partnerske organizacije de_facto u suradnji sa hrvatskim institucijama ( Kazalište &TD, Zagrebačko kazalište mladih, Pogon Jedinstvo, Zagrebački plesni centar).Od 2013. kao predavač i mentor vodi kolegij suvremena plesna tehnika na Odsjeku plesa pri Akademiji dramske umjetnosti u Zagrebu. Polje djelovanja Saše Božića vrlo je raznorodno i obuhvaća područja od kazališne režije, dramaturgije, koreografije i kreiranja dramskih tekstova do organizacije promotorskih kulturnih akcija i strateškog planiranja kulturnih projekata. Kao dramaturg surađuje sa priznatim koreografima i plesačima u zemlji i inozemstvu. Osim brojnih kolaboracijskih projekata Saša Božić ostvario je i niz samostalnih dramskih, plesnih i multimedijalnih projekata koji su trenutno na repertoaru hrvatskih kazališnih institucija. Svoje projekte uspješno i redovito predstavlja u europskim kazališnim institucijama: Hebbel am Ufer u Berlinu, Gessnerallee u Zurichu, Nacionalni plesni centar u Oslu, Bitef, MESS Sarajevo, Zuricher Theater spektakel u Zurichu, Karanteni u Dubrovniku. Docent je na Katedri scenskog pokreta pri Odsjeku glume Akademije dramske umjetnosti u Zagrebu. Radovi Petre Hrašćanec i Saše Božića predstavljeni su na renomiranim europskim plesnim festivalima i kazališnim kućama, poput: Rencontres Choreographiques Internationales de Seine-Saint-Denis, Pariz, UOVO festival u Milanu, Plesnom centru La Jette u Bruxellesu, Les Subsistances u Lyonu, Theatre de la Bastille u Parizu, između ostalih.