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Had ten hands, we would use them all. After putting the kids to bed, with affection Everything ready for the return of men to the home: They eat dinner and go to bed without delay. And rest well until the next day; While we, alas! We can only get some sleep Because stubborn children cry and scream In all the work (we) have our proper part, And from the time when the harvest begins Until the wheat to be cut and stored, Our toil every day is so extreme That almost never have time to dream. (Adapted from Thompson, 1998, p. 287-288). Text 14 From the eleventh century, as it was a time of expansion and growth, the woman had full access to the world of work. Following were practically all trades, but in the textile and related to food, their presence was more significantly in March sing. The uniquely feminine crafts were organized into guilds, like the male, but not all enjoying the same freedom. The freedom to pursue a trade for the woman was not well regarded by the men who decried their access to corporations. Was permitted only in very rare situations, due to being the wife or widow of master craftsman. However, it was virtually impossible to be recognized as a master of his craft, although not infrequently act as if it were: hired apprentices, buying raw materials and selling the product it produced. (Adapted from BAUER, 2001, p. 41-62).
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Da je deset ruku, koristili bismo ih sve. Nakon stavljanja djecu u krevet, S ljubavlju Sve spremno za povratak ljudi na zemlji: oni večerati i ići u krevet bez odgode. I dobro odmoriti do sljedećeg dana; Dok smo, nažalost! Mi samo možemo naspavati jer tvrdoglavi djeca plaču i vrište U svim poslovima (mi) imamo odgovarajuću ulogu, i od vremena kad je berba počinje Do pšenice kako bi se smanjiti i pohraniti, naš trud svaki dan je toliko velik da gotovo nikad ne imati vremena za san. (Preuzeto iz Thompsona, 1998, str. 287-288). Tekst 14 Od jedanaestog stoljeća, kao što je vrijeme širenja i rasta, žena je imala puni pristup svijetu rada. Slijedeće su gotovo svi trgovci, ali u tekstilnoj i zdravstvene ispravnosti hrane, njihova prisutnost je više značajno ožujka pjevaju. Jedinstveno ženstvene obrti su bili organizirani u cehove, kao muškarac, ali ne i svi uživaju istu slobodu. Sloboda nastaviti trgovinu za žene nije dobro promatrati od strane ljudi koji oplakuju njihov pristup korporacijama. Bila je dopuštena samo u vrlo rijetkim situacijama, zbog se supruga ili udovica majstora. Međutim, bilo je gotovo nemoguće da bude prepoznat kao majstor svog zanata, iako nerijetko djeluju kao da su: zaposlili pripravnika, kupnju sirovina i prodaje proizvod je proizveden. (Preuzeto iz Bauer, 2001, str. 41-62).