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And the music we hear today? Although currently our reference to hear and appreciate a song is the chromatic scale, from the early twentieth century began to experience a series of transformations in music, in contrast with the classical patterns of tonal music. Musicians such as Arnold Schoenberg began composing atonal music, breaking with tonality; Igor Stravinsky breaks the metric rigidity of classical music and uses new rhythms and harmonies, Maurice Ravel composed Bolero , foreshadowing the minimalist music (which uses minimal rhythmic variations , melodic and harmonic) as present in music today. You may have heard Ravel's Bolero or Rite of Spring (Stravinsky). These songs are present in advertisements, radio and even mobile phone as a ringtone. In Brazil, Carlos Gomes is based on Brazilian culture to write the opera The Guarani and Heitor Villa-Lobos composed his songs from themes of folklore and popular culture. Our popular music blends elements of classical music with African music, Indian and Oriental, through the work of musicians such as Chiquinha Gonzaga, Pixinguinha, Top Hat and many others who become prestigious and become popular. The blues, which has its roots in the work songs of peoples of African descent in the United States, is a superposition of harmonic and tonal system modal system. Originally this particular social group, the blues becomes known by several other people, being the basis for other musical forms like jazz and later rock. During this period (first half of the twentieth century) that occurred in the two world wars and movements of the working class for better conditions of life and work, art in all its forms, is now challenging the classical forms of artistic production , representing the bourgeoisie and its paradigm founded on rationality. In the second half of the twentieth century, consolidated the cultural industry (music as a consumer product) and the globalization of culture through advances the media. With the rock and roll was introduced electrification of the instruments and the incorporation of noise (sounds beyond the notes of the chromatic scale) in the music heard by millions of people.
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I glazba čujemo danas? Iako je trenutačno naš referentni čuti i cijeniti pjesmu je kromatske ljestvice, iz ranog dvadesetog stoljeća počeo osjećati niz transformacija u glazbi, za razliku od klasičnih obrazaca tonske glazbe. Glazbenici poput Arnolda Schönberga počeo skladati glazbu atonalna, nego s tonaliteta, Igor Stravinski razbija metrički krutost klasične glazbe i koristi nove ritmove i harmonije, Maurice Ravel Bolero , nagovještaj je minimalistički glazbe (koji koristi minimalne ritmičke varijacije , meloharmonijska), kao u glazbi danas. Možda ste čuli o Ravel Bolero ili Posvećenje proljeća (Stravinski). Ove pjesme su prisutni u reklamama, radio, pa čak i mobilni telefon kao zvuk zvona. U Brazilu, Carlos Gomes se temelji na brazilskoj kulturi napisati operu Guarani , a Heitor Villa-Lobosa , skladao pjesme s temama iz folklora i popularne kulture. Naša popularna glazba spaja elemente klasične glazbe s afričke glazbe, indijske i orijentalne, kroz rad glazbenika kao što su Chiquinha Gonzage, Pixinguinha, cilindar i mnogi drugi koji su postali prestižne i postali popularni. Blues, koji ima svoje korijene u radnim pjesmama naroda afričkog podrijetla u Sjedinjenim Američkim Državama, je superpozicija harmonijskom i tonski sustav sustava modalni. Prvobitno ovaj društvena skupina, blues postaje poznat po nekoliko drugih ljudi, što je temelj za neke druge glazbene forme poput jazza i rocka kasnije. Tijekom tog razdoblja (prva polovina dvadesetog stoljeća) koje su se dogodile u dva svjetska rata i pokreta radničke klase za bolje uvjete života i rada, umjetnosti u svim njezinim oblicima, sada je izazov klasične oblike umjetničke proizvodnje , što predstavlja buržoaziju i svoju paradigmu utemeljen na racionalnosti. U drugoj polovici dvadesetog stoljeća, konsolidirano kulturne industrije (glazba kao potrošačkih proizvoda) i globalizaciji kulture kroz napredak u medijima. rock and roll je uveden elektrifikacije instrumenata i pripojenja buke (zvukovi izvan bilješkama iz kromatske ljestvice) u glazbi čuli milijuni ljudi.