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Ensemble Modern & Tibor Szirovicza, photo: Matej Grgić How can music without words have an ethical dimension? By comparing various poetics of the 20th century composers, the lecture Sound and Silence or About Listening explores the significant place and the importance composers give to silence in their works, and how that changes the way we listen to music. Through their work on the 20th and 21st century music, the members of the Maurice String Quartet, who received the Best Performance Award at last year's Summer Courses for New Music, endeavor to commission works by a younger generation of composers in order to encourage fresh, rich and varied music production with a view towards the future. Lachenmann's string quartet Grido (Scream) contains a series of unusual performing techniques, which require listening without expecting the usual patterns or roles in the quartet, even though this may be the most conventional among his string quartets. The composition was written in 2001, when Iannis Xenakis passed away. His string quartet Tetras is considered to be one of the best chamber music pieces, and we have an opportunity to listen to it today at the KIC. Educating, encouraging and promoting contemporary music performers is one of the key factors to laying the foundation for continuation and evolution of the initiative and activities that the Cantus Ensemble has started in Croatia 15 years ago. The first step in this direction are undoubtedly student ensembles, so this year's MBZ is happy to give the microphone to Zagreb’s ASMANGU that will perform today at the Music Academy conducted by Ivan Josip Skender, and to Split’s S/UMAS ensemble tomorrow at the KIC. The Choir of the Croatian Radio and Television accepted the challenge of interpreting new music by Finnish composers and the repertoire prepared earlier with Finnish musicians by maestro Nils Schweckendiek. The program also features the premiere of Beyond the Deadline by the Croatian composer Franjo Đurović. This is the spot where the best part of music is sometimes created by "those who do not take themselves seriously". Note: the sequence of the concert has been changed with regard to the catalog and the MBZ program booklet. In 1965, the Zagreb Soloists have first performed Kelemen's composition, the same one that a new generation of the Soloists will open tonight’s concert with. The program also features compositions by Claude Vivier and Đuro Živković, and for the first time we will have an opportunity to hear Elegy by Viktorija Čop, written on a commission by the 29th MBZ that the Soloists have prepared with Edo Mičić who is conducting this concert. "The echoes coming from humility and compassion of the heart" is the purpose of Kevin Juillerat’s composition written to the lyrics by Emily Dickinson that will conclude today's Biennale day.
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Ansambl Modern i Tibor Szirovicza, foto: Matej Grgić Praizvedbom svoga djela Sinkronicitet bio je iznimno zadovoljan i Tibor Szirovicza, hrvatski skladatelj kojemu je ovo iskustvo zasigurno dalo ‘vjetra u leđa’ za daljnje kreativne pothvate. Nakon koncerta Ansambla Modern Oduševljena publika ispunila je i dvoranu Blagoja Berse Muzičke akademije na jazz koncertu organiziranom u suradnji s ciklusom jazz.hr. Uz hrvatske jazz glazbenike okupljene u sastav Abstract Construction Collective nastupio je svjetski jazz pijanist Chris Jarrett. Što nas očekuje danas, 25. travnja? Prošle su godine na ljetnim tečajevima za Novu glazbu odnijeli nagradu za najbolju izvedbu, a kroz svoj rad na glazbi 20. i 21. stoljeća članovi gudačkog kvarteta Maurice nastoje inzistirati na praksi narudžbi djela mlađih skladatelja s ciljem poticanja svježe, bogate i raznovrsne glazbene produkcije, usmjerene prema budućnosti. Niz neobičnih izvođačkih tehnika nalazi se u Lachenmannovu gudačkom kvartetu Grido (Krik) koji zahtijeva slušanje bez očekivanja uobičajenih obrazaca ili uloga u kvartetu, premda je među njegovim gudačkim kvartetima ovaj možda najkonvencionalniji. Skladba je nastala 2001. godine, kada je preminuo Iannis Xenakis, čiji gudački kvartet Tetras slovi kao jedna od njegovih ponajboljih komornih skladbi, a slušamo je danas u KIC-u u 15 sati. Svakako vrijedi poslušati u Artist talk u KIC-u u 15 sati na kojem će Branimir Pofuk razgovarati s pijanistom Filipom Fakom te dirigentom Aleksandrom Kalajdžićem i finalistima 5-Minute Piano Concerto Competition. Odgajanje, poticanje i promicanje interpreta suvremene glazbe jedan je od ključnih preduvjeta kako bi se postavili temelji za nastavak, ali i razvijanje inicijative i prakse, koju u Hrvatskoj već 15 godina predvodi Cantus Ansambl. Prvi korak prema tome svakako su studentski sastavi, pa ovogodišnji MBZ s veseljem prepušta pozornicu zagrebačkome ASMANGU, danas u Muzičkoj akademiji u 18 sati pod dirigentskim vodstvom Ivana Josipa Skendera te sutra splitskome S/UMAS ansamblu u KIC-u. Zbor HRT-a prihvatio se izazova interpretacije Nove glazbe finskih skladatelja i repertoara koji je ranije s finskim glazbenicima pripremao maestro Nils Schweckendiek. Na programu koncerta u Muzeju Mimara u 20 sati je i praizvedba djela hrvatskog skladatelja Frane Đurovića Beyond the Deadline. Mjesto je to gdje ponekad nastaje i ponajbolji dio glazbe “onih koji sebe ne shvaćaju ozbiljno”. Napomena: redoslijed koncerta je izmijenjen u odnosu na katalog i programsku knjižicu MBZ-a. Zagrebački solisti su 1965. godine praizveli Kelemenovu skladbu kojom nova generacija Solista otvara večerašnji koncert. u Hrvatskom glazbenom zavodu u 22 sata. Na programu su i skladbe Claudea Viviera te Đure Živkovića, a prvi put imamo prigodu čuti Elegiju Viktorije Čop, narudžbu 29. MBZ-a, koju su Solisti pripremili u radu s Edom Mičićem, koji ravna koncertom. “Odjeci koji proizlaze iz poniznosti i samilosti srca” cilj su skladbe nastale na stihove Emily Dickinson Kevina Juillerata koja će zaključiti današnji biennalski dan.