http___livro-ensino-medio.f1cf.com.br_arte_hr_art-270.html_1.xml
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It was in this climate that the government revealed Baroque artists admired until today, as Rembrandt, Velazquez, Caravaggio, Tintoretto, Rubens, Van Dyck, Hals, among others. The main features of the Baroque period occurred around the predominance of emotions on rationalism (characteristic of the Renaissance, the Baroque period before). The layout of the characters in the tables usually occurs in a diagonal (slanted), which brings a kind of restlessness visual (motion). Another characteristic is the lighting, which occurs with the contrast of light and dark that accentuates the feeling expressed by the work. The shades of light and shadow that give the illusion of depth in the work are obtained by the use of white and black, respectively, as can be seen in the context of La Tour. The artist Georges de La Tour was an important French painter of the Baroque. He sought inspiration in the Italian painter Caravaggio to get the representation of light and dark in his paintings. The major difference it to the other painters is that in most of the frames, the illumination appears to come from the environment outside the screen, meanwhile, La Tour is a representation of the light source as the candle in the mirror can be seen that under Repentant Magdalene ACTIVITY LA TOUR. Repentant Magdalene Oil on canvas. Metropolitan Museum of Art, New York. Can you see the diagonality which appear in La Tour? Not? So start watching parts of the work that are lit by candle. What are they? If one were to draw a straight line, passing through the same location of the light, where would she? And now, could realize the diagonality? And the mirror ... Why LaTour painted it? If it was just the lighting, just the candle would suffice. So why would represent a mirror so exquisite frame? What is a mirror in reality? And in the work, the meaning of it? On lap Magdalene, there the bones of a skull. What does the design of a skull? Why is she there? Also note that Magdalene is looking back. What is she looking at? What impression do you have? You know the story of Magdalene? From what she regrets? What is the climate that the artist manages to convey with the picture? There was an art critic who went on to say that in this context "a candle earned a massive night." What does this critic meant by this phrase? This technique of representing light and shadow appeared in all periods that followed after, until, in 1826, the picture appears, which makes the artists rethink the techniques of artistic representation, since the intention of painting as representation visual reality starts to lose its function. A light in the history of Art
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To je u ovoj klimi koja vlada otkrila baroknih umjetnika divio do danas, kao i Rembrandta, Velazquez, Caravaggio, Tintoretta, Rubens, Van Dyck, Hals, među ostalima. Glavne značajke baroknog razdoblja došlo oko prevlasti emocija na racionalizma (obilježje renesanse, baroka i prije). Izgled likova u tablicama obično se javlja u dijagonali (ukošeno), koja donosi neku vrstu nemira vizualne (motion). Druga karakteristika je rasvjeta, koja se javlja s razliku od svjetla i mraka koji naglašava osjećaj izražen radu. U nijanse svjetla i sjene koje daju privid dubine u radu su dobiveni korištenjem bijele i crne, odnosno, kako se može vidjeti u kontekstu La Tour. Umjetnik Georges de La Tour je važan francuski slikar baroka. On je tražio inspiraciju u talijanskog slikara Caravaggia da se zastupljenost svjetla i tame u njegovim slikama. Glavna razlika je u drugim slikara je da u većini okvira, uključuje se da dolaze iz okoline izvan ekrana, u međuvremenu, La Tour je zastupljenost izvora svjetlosti, kao svijeća u ogledalo može se vidjeti da je pod pokajale Magdalene AKTIVNOST La Tour. sažalijeva, Magdalena Ulje na platnu. Metropolitan Museum of Art, New York. Mogu li vidjeti diagonality koji se pojavljuju u La Tour? Dakle, početi gledati dijelove posla koji se upalila svijeće. Što su oni? Ako bi netko povući ravnu crtu, koja prolazi kroz isto mjesto u svjetlu, gdje bi ona bila? A sada, moglo ostvariti diagonality? A ogledalo ... Zašto Latour to slikano? Ako je to bio samo rasvjeta, samo svijeća bi dovoljan. Pa zašto bi predstavljati zrcalo tako fin okvir? Što je zrcalo u stvarnosti? I u poslu, smisao toga? Na krilu Magdalene, tamo su kosti lubanje. Što dizajn lubanje? Zašto je ona bila tu? Također, imajte na umu da je Magdalena je u potrazi natrag. Što ona gleda? Što dojam imate? Znate priču o Magdaleni? Od onoga što je ona izražava žaljenje? Što je klima koja je umjetnik uspio prenijeti sa slikom? Tu je likovni kritičar koji je otišao na to reći da je u tom kontekstu "svijeću zaradio ogroman noć." Što to znači kritičar ovim izrazom? Ova tehnika predstavlja svjetla i sjene pojavila u svim razdobljima koji su uslijedili nakon što je, dok se, u 1826, pojavi slika, što čini umjetnika izokreće tehnike umjetničke reprezentacije, budući namjerom slike kao reprezentacije vizualna stvarnost počinje gubiti svoju funkciju. Svjetlo u povijesti umjetnosti