http___livro-ensino-medio.f1cf.com.br_arte_hr_art-219.html_1.xml
1.1 2.1 3.1 3.2 5.1 6.1 8.1 9.1 10.1 11.1 12.1 14.1 14.2 15.1 16.1 17.1 18.1 19.1 20.1 21.1 22.1 23.1 24.1 25.1 26.1 27.1 28.1 29.1 30.1 31.1 32.1 33.1 33.2 34.1 35.1 36.1 37.1 38.1
Art Meet fragments Manifesto Pau-Brazil: "Poetry is in the facts. Hovels The saffron and ocher Favela, under the blue Cabralian are aesthetic facts." Poetry for poets. Joy of those who do not know and discover. A language without archaisms without scholarship. Natural and neological. The million dollar contribution of all errors. As we speak. How are. Poetry Pau-Brazil is a dining sunday morning with birds singing in the woods summarized cages, one skinny guy writing a waltz for flute and Maricota reading the newspaper. In the newspaper goes all present. No form for contemporary expression in the world. Seeing with eyes-free. ACTIVITY The Artist Note the work of Tarsila do Amaral, its phase named Pau-Brazil. The theme of this work is Brazil? A fruit vendor portrays our country? In this phase, Tarsila exalts tropical nature, its flora and fauna, the figure of the black and mestizo. Portrays Brazilian cities through a combination of blue and pink shades and the use of geometric elements to the way Cubist. This scene reminds some Brazilian city? Highlight the elements that resemble a tropical landscape. What the critics are on Manifesto Pau-Brazil about Art respected at the time? What relationships can be established between the work Seller of Fruits , Tarsila and Manifesto Pau-Brazil, Oswald de Andrade? This work meets expectations nationalists? Tarsila do Amaral was born in Capivari, São Paulo, in 1886 and died in 1973. Not participated in the Week of Modern Art, but it is the greatest artist of Brazilian modernism. Being born in the interior of the farm, he painted many landscapes, figures and tropical plants. Was both modern and Brazilian. Brazilian Art: an illustrious unknown
1.1 2.1 3.1 3.2 5.1 6.1 8.1 9.1 10.1 11.1 12.1 14.1 14.2 15.1 16.1 17.1 18.1 19.1 20.1 21.1 22.1 23.1 24.1 25.1 26.1 27.1 28.1 29.1 30.1 31.1 32.1 33.1 33.2 34.1 35.1 36.1 37.1 38.1
Umjetnost Upoznajte ulomke Manifesto Pau-Brazil: "Poezija je u činjenicama. Potleušice šafran i oker favela, pod plavim Cabralian su estetske činjenice." Poezija za pjesnika. Radost onima koji ne znaju i otkriti. Jezik bez arhaizama bez stipendije. Prirodna i neological. Milijuna dolara doprinos svih pogrešaka. Kao što govorimo. Kako su. Poezija Pau-Brazil je jutros blagovaonica nedjelju s pjev ptica u šumi sažeti kaveza, jedan mršavi momak pisanja valcer za flautu i Maricota čitajući novine. U novinama ide sve prisutne. Ne Obrazac za suvremeni izraz u svijetu. Vidjevši s oči-free ". AKTIVNOST Artist Napomena rad Tarsila do Amaral, njegova faza nazvana Pau-Brazil. Tema ovog rada je Brazil? Plod prodavatelja oslikava našu zemlju? U ovoj fazi, Tarsila uzvisuje tropske prirode, flore i faune, Lik crnog i melez. Prikazuje brazilske gradove kroz kombinaciju plave i ružičaste nijanse i korištenje geometrijskih elemenata na putu Cubist. Ova scena podsjeća na neke brazilske gradove? Istaknite elemente koji podsjećaju na tropske krajolik. Koji su kritičari su na manifestu Pau-Brazil o umjetnosti ostvarena na vrijeme? Ono što se odnosi mogu uspostaviti između rada Prodavač ploda , Tarsila i Manifest Pau-Brazil, Oswald de Andrade? Ovaj rad ispunjava očekivanja nacionalistima? Tarsila do Amaral je rođen u Capivari, Sao Paulo, u 1886, a umro je 1973. Nije sudjelovao u tjednu moderne umjetnosti, ali to je najveći umjetnik brazilskog modernizma. Biti rođen u unutrašnjosti farme, slikao brojne krajolike, slike i tropske biljke. Je moderan i Brazilac. Brazilski Umjetnost: slavan nepoznato