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The New Reproduction Techniques: Photography and Film It is not today that the human being seeks to seize and control the movement in some material way. Since ancient Egypt toys Cave painting. Were invented to reproduce the pictures (of animals or ho- mens) in motion. And even before the Egyptians, the first drawings found in caves within the magical-religious, which were part also was already trying to control the movement of nature (animals, for example), they purported to invoke the gods to inspire them in the hunt. With the passage of time, other objects were invented for the same purpose, but it was with photography and later with the film he was most successfully achieved. First the picture at the end of the nineteenth century in Europe, which has revolutionized the way to print images, to record the facts, or to portray the way we see the world. Imagine that with photography, many painters were concerned with the end of his art before a more refined technique, which fixed the images with more realism, objectivity and detail. At first, tried to imitate painting photography to refine their techniques, enhancing the realism of your images, even as a way to recover from the crisis and avoid its tragic end on the new machine, in a second moment, the picture proved that it was more an artistic language, whose main characteristic was to expand the capacity of vision of the human eye, and that in no way intended to take the merit of painting. This broadening of the vision not only in the sense of physical reach, but as a way of looking at reality with another careful with new perspectives, a new dimension of time, effects and other resources, was that photography allowed. With the emergence of cinema in the early twentieth century, in Europe, this achievement of the movement on screen, obtained a greater impact.
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Nove Razmnožavanje Tehnike: Fotografija i film Nije danas da ljudsko biće nastoji da iskoriste i kontrolu Pokret na neki materijalni način. Od drevnog Egipta igračke Špilja slikarstvo. Su izmislili reproducirati slike (životinja ili ho- mens) u pokretu. I još prije Egipćana, prvi nacrti naći u špiljama u čarobni-vjerske, koje su bile dio je također već bio težak za kontrolu kretanja prirode (životinje, primjerice), oni navodno zazivati bogove kako bi ih potaknuti na lov. S vremenom, drugi predmeti su izmislili za istu svrhu, ali to je s fotografijom, a kasnije sa filmom je većina uspješno ostvaren. Prva slika je krajem devetnaestog stoljeća u Europi, koja je revolucionirala način za ispis fotografija, snimanje činjenice, ili se prikazuju način na koji vidimo svijet. Zamislite da s fotografijom, mnogi slikari su zabrinuti s kraja njegova umjetnosti prije profinjene tehnike, koja mijenja slike s više realizma, objektivnosti i detaljima. Isprva, pokušao imitirati slikanja fotografije poboljšati svoje tehnike, povećanje realizam svoje slike, pa čak i kao način da se oporavi od krize i izbjegne njegov tragični kraj na novi stroj, u drugom trenutku, slika pokazala da je to je bio više umjetnički jezik, čije je glavno obilježje bio proširiti kapacitet vizije ljudskog oka, i da ni na koji način namjerava preuzeti zasluge slikarstva. Ovo proširenje vizije, ne samo u smislu fizičke ruke, već kao način gledanja na stvarnost s druge oprezni s novim perspektivama, nova dimenzija vremena, efektima i ostalim resursima, bilo da je slikanje. S pojavom kina u ranom dvadesetom stoljeću, u Europi, ovaj uspjeh pokreta na zaslonu, dobiti veći utjecaj.