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Art Note that the Emperor Constantine was represented in mosaic Byzantine period, with a halo on his head. Constantine was the Roman emperor who confirmed Christianity as the official religion of the Empire. In the sacred images just the head of Christ and the saints was surrounded by this golden circle and shiny. How can we interpret the halo on the head of Constantine? The halo on the head of Christ, the saints, and even characters like Constantine is a symbol of power. At present, objects which represent power? Following the work The Lamentation, Giotto, her areolas were represented just over the heads of the saints. Note that the fresco seems divided into two parts. What are they, and what they mean? Giotto used some trickery representation to highlight the figure of Christ. For example, all the characters of the frame - angels, saints and ordinary people - turn their attention to Jesus. The path that appears behind the figures that protect Christ symbolizes the descent of Calvary. What the artist can express through this representation? Compare the fresco by Giotto in the mosaic representing Constantine and Relief Egyptian Temple in Meidnet Hamu. Note that unlike the works of Ancient Egypt when Pharaoh, as being the most important character, was represented larger Giotto represented Christ the same size as the other characters. Now compared with the figure of Constantine, in which the halo was represented on an emperor, Giotto represents the areolas identifying the saints, angels and Christ.
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Umjetnost Imajte na umu da je car Konstantin je zastupljena u mozaiku bizantskog razdoblja, s aureolom na glavi. Konstantin je bio rimski car koji je potvrdio kršćanstvo službenom religijom carstva. U svetih slika samo glava Krista i svetaca bio okružen tom zlatnom krugu i sjajna. Kako možemo protumačiti aureolu na glavi Konstantina? Aureola na glavi Krista, svecima, pa čak i likovi poput Konstantina je simbol snage. Trenutačno, predmeti koji predstavljaju moć? Nakon rada naricanja, Giotto, njezini areolas su predstavljeni samo iznad glava svetaca. Imajte na umu da je freska čini se podijeliti u dva dijela. Što su oni i što oni znače? Giotto koristiti neke trikovima zastupljenost istaknuti figuru Krista. Na primjer, svi su likovi u okvir - anđeli, sveci i obični ljudi - skrenuti pozornost na Isusa. Put koji se pojavljuje iza brojke koje štite Krist simbolizira silazak Kalvariji. Koji umjetnik može izraziti kroz ove reprezentacije? Usporedite freska by Giotto u mozaika Konstantin i Relief egipatskog hrama u Meidnet Hamu. Imajte na umu da za razliku od djela drevnog Egipta kada je faraon, kao najvažniji lik, predstavljao veći Giotto predstavljeni Krista iste veličine kao i drugih znakova. Sada u usporedbi s likom cara Konstantina, u kojoj je aureola zastupan cara, Giotto predstavlja areolas identificiraju svetima, anđelima i Krista. Podržavate li umjetnost?