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(Coelho Netto, 1997, p. 165). Di Cavalcanti. Baile Popular Carnival Oil on canvas, 89 x 116 cm, Collection Central Bank of Brazil, Brasilia. (GEHRES, apud GONZÁLEZ et al 2005, p. 124). besides being a "physical tension which turns into tension socio-historical-political-cultural and vice-ver- sa, represent expression / creation of men and women who build the conflict between classes, ethnicities, genders, religiosity, rationalities. From the perspective of "dance as movement", this practice is understood only as a sequence of movements rocked by a rhythm which involves extensions-ups and a number of other possible body movements to be analyzed and measured for different reasons. Besides all these issues, the dance worked this perspective ignores the fact that we have different interests and motivations and causes him to be given a very personal sense, expressing feelings and emotions. Already in the perspective of "dance as art", beyond those elements mentioned above, the dance can be understood as a form of expression and ownership of the world. In this case, there would be only a concern with the perfection of the gesture, but mostly with its meaning and this understood as a construct that is effective in social, cultural and historical people keep with each other. To better understand this idea, we will resort to sociology, science of man in society, defining what can be understood as culture, ie, "(...) the ways in which men will understanding, representing and relating with various component elements of their existence: work, religion, language, science, art and politics. So, just imagine a person of oriental culture and ignores the samba rhythm and a Brazilian city of Rio de Janeiro, more specifically "the hills of Rio," culturally imbued by this rhythm. Imagine these two people dancing to the rhythm of samba in the carnival of Rio de Janeiro. It would be easy to identify which one has more affinity with the movements of this dance style? Probably you would say is Brazilian. However, the anatomical, physiological and biological processes that constitute the humans are not the same? So what differentiates them in the form of expression of the movement? What differentiates them are the cultural aspects that are rooted in their movements, which vary from culture to culture, which historically constituted and express themselves through the habits we reproduce.
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(Coelho Neto, 1997, str. 165). Di Cavalcanti. Baile Popularni karneval Ulje na platnu, 89 x 116 cm, Zbirka Središnja banka Brazila, Brasilia. (GEHRES, apud Gonzalez i sur 2005, str. 124). osim što je "fizička napetost koja se pretvara u napetosti društveno-povijesno-političko-kulturne i vice-ver- SA, predstavlja izraz / stvaranje muškaraca i žena koji grade sukob između klasa, nacionalnosti, spolove, religioznost, rationalities. Iz perspektive "plesa kao pokret", ova praksa se shvatiti samo kao slijed pokreta pogodio ritam koji uključuje ekstenzije-up prozora i niz drugih mogućih pokrete tijela kako bi se analizirati i mjeriti zbog različitih razloga. Osim svih ovih pitanja, dance radio ove perspektive zanemaruje činjenicu da imamo različite interese i motivacije, a uzrokuje ga treba dati vrlo osobni osjećaj, izražavajući osjećaje i emocije. Već u perspektivi "ples kao umjetnost", iza tih elemenata spomenutih, ples može se shvatiti kao oblik izražavanja i prava na svijetu. U tom slučaju, ne bi bilo samo problem sa savršenstvom gestu, ali uglavnom sa svojim značenjem i ove shvaćene kao konstrukt koji je učinkovit u društvenim, kulturnim i povijesnim ljudi bi jedni s drugima. Da bi bolje razumjeli ovu ideju, mi ćemo posegnuti za sociologiju, znanost o čovjeku u društvu, definira što se može shvatiti kao kulture, odnosno, "(...) način na koji će ljudi razumijevanje, koje predstavljaju i odnose s različiti sastavni elementi njihova postojanja.: rad, religije, jezika, znanosti, umjetnosti i politike " Dakle, samo zamisliti osobu od orijentalne kulture, a zanemaruje samba ritam i brazilskom gradu Rio de Janeiru, točnije "Brda Rio", kulturno prožeti ovim ritmom. Zamislite ovo dvoje ljudi koji plešu u ritmu sambe na karnevalu u Rio de Janeiru. Bilo bi lako utvrditi koji od njih ima više afinitet s kretanjem ovog plesnog stila? Vjerojatno će reći da je Brazilac. Međutim, anatomske, fiziološke i biološki procesi koji čine ljudi nisu isti? Tako što ih razlikuje u obliku izraz pokret? Što ih razlikuje su kulturni aspekti, koje su ukorijenjene u svojim pokretima, koji variraju od kulture do kulture, koji je povijesno činili i izražavaju kroz navikama razmnožavaju.