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articulated around a narcissistic display space in your interlocutors tend to minimize the criticality of the spectators. Cultural producers need listeners, readers and viewers, which potentiate the consumption of products, and make viable future mercadológicas invested. "The spectacle is not a transit deranged content emerging from broadcasters looking for receivers, but the new stage of social relations. Images before messages are goods - goods that reveal the very face of the capital. Capitalism becomes a mode of production of signs - not more stuff. It is as a mode of production that the show can be understood.'s image as the capital manifests " Previously, judokas tournament Kimono white and that the difference was only a red stripe and a white randomly chosen. However, in the late 90's to serve the interests of television, one of the judoka has to wear white and the other blue. This rule change was justified by the need for better visualization of the competitors in television broadcasts. SEARCH Now that you've observed how was the process of commodification of judo, it would be interesting to know how the judo athletes preparing for a competition, as is the process of sports training. As a suggestion for this activity, the whole class could visit a gym. Look at her school students who practice some form of struggle. Make an appointment to see which fight practice, as are the lessons, as are the teachers and what the goals of each fight. Build a previous script with questions to be analyzed: the violence in fights, blows main rules, hierarchy, lane changes, respect, concentration, whether there is competition and others that you deem necessary. Present their findings to their peers and compare with those presented by other students. ACTIVITY If possible, perform, along with their teacher and classmates, a tournament, simulating an official competition with weighing division by categories, by age, split by sex, etc. After each student would be interesting to put on paper what were the difficulties, which the feelings, impressions and other issues deemed to be relevant.
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artikulirala oko narcisoidnog prikaz prostora u svojim sugovornicima imaju tendenciju da se smanjiti kritičnost gledatelje. Kulturna proizvođači trebaju slušatelji, čitatelji i gledatelji, koji pojačavaju potrošnju proizvoda, i napraviti održivu budućnost mercadológicas uložena. "Spektakl nije tranzitna poremećeni sadržaja koji proizlaze iz emitera u potrazi za prijemnike, ali nova faza društvenih odnosa Slike prije nego što su poruke roba -.. Roba koja otkriva samu lice grad kapitalizma postaje Način proizvodnje znakova -.. nije više stvari (...) To je kao način proizvodnje koji pokazuju može razumjeti je fotografija kao glavni manifestira " Prije toga, judokas turnir Kimono bijela i da je razlika bila samo crvenom trakom i bijeli slučajno izabrani. Međutim, u kasnim 90-ih služiti interesima televiziji, jedan od judaša mora nositi bijelo, a drugo plavo. Ovo pravilo je promjena bila opravdana potrebom za bolju vizualizaciju natjecatelja u televizijskim emisijama. TRAŽI Sada kada ste primijetili kako je proces komodifikacije judo, bilo bi zanimljivo znati kako se judo sportaši pripremaju za natjecanja, kao što je proces sportske pripreme. Kao prijedlog za ove aktivnosti, cijeli razred mogao posjetiti teretanu. Pogledajte njezine učenike koji prakticiraju neki oblik borbe. Napravite sastanak kako bi vidjeli što se bore praksi, kao što su lekcije, kao što su učitelji i što su ciljevi svake borbe. Graditi prethodnu skriptu s pitanjima kako bi se analizirati: nasilje u borbama, udarci glavna pravila, hijerarhija, trake mijenja, poštovanje, koncentracija, da li postoji konkurencija i drugih da misli da je potrebno. Predstavite svoja otkrića sa svojim vršnjacima i usporedite s onima predstavljen od strane drugih učenika. AKTIVNOST Ako je moguće, obaviti, zajedno sa svojim učiteljima i školskim kolegama, turnir, simulirajući službenu konkurenciju s vaganjem podjela po kategorijama, po dobi, spolu, Split itd. Nakon svakog studenta bi zanimljivo staviti na papir ono što su teškoće, koje su osjećaji, dojmovi i druga pitanja smatraju relevantnima.