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Philosophy The film is thus a form of production of meaning with the power of image. In it you have the possibility privileged discussion on the relationship between thought and technique, since film making not only imply a technical knowledge - and when it comes down to the cinema is impoverished - but in understanding the relationship between language and thought, between the individual and universal. The cinema and philosophy, according to Merleau-Ponty, divide the task of exposing and discussing worldviews. In that film, not only as art for the masses, or vehicle ideological, political and economic purposes (though they can not completely exclude these dimensions of film or any art form), but as a language, as a way visual of a world of meaning, that man perceives and represents intuition, becomes a form of art features of modernity. In this visual emphasis to the cinema not only expresses, communicates, or entertains. It makes you think, asks the emotions, senses and produces plays and reinvents meanings. activity Answer the questions below: Introduce the relationship between film production and airing of ideological propaganda in totalitarian systems. Capitalism also produces art for ideological? Develop the concepts of Merleau-Ponty's perception about the changes in the contemporary world. How the changes in perception explain the diversity of current artistic expressions and manifestations? The Special Theory of Relativity In addition to these transformations of modern psychology that require rethinking the human in its multiple dimensions, Physics also made some revolutions which on the one hand, resulted in major technological breakthrough, and it also has made us rethink the situ- human action in the world. The Theory of Relativity, developed by parti- Albert Einstein (1879-1955). German musician Albert Einstein was one of those discoveries that revolutionary- nated way of thinking about the workings of the universe and our position in space and time. In Newtonian physics, the notions of time and space are taken as absolute, that is not dependent on any variant. Once you can measure a unit of time or speed, these are seen as the only true and thanks belief in universal mechanical, which guarantee the consistency and pattern. But if es- The Film and a New Perception
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Filozofija Film je, dakle, oblik proizvodnje značenja sa snagom slike. U njoj imate mogućnost povlašteni raspravu o odnosu između misli i tehnici, jer film ne samo što podrazumijeva tehničko znanje - i kada ga se svodi na kino je osiromašen - ali u razumijevanju odnosa između jezika i misli, između individualna i univerzalna. Kino i filozofije, prema Merleau-Ponty, podijelite zadatak izlažu i diskutiraju svjetonazore. U tom filmu, ne samo kao umjetnost za mase, odnosno za vozila ideološke, političke i gospodarske namjene (iako oni ne mogu u potpunosti isključuje ove dimenzije filma ili bilo kojeg oblika umjetnosti), ali kao jezik, kao način vizualni svijet značenja, da čovjek razumije i predstavlja intuiciju, postaje oblik umjetnosti značajki modernosti. U tom vizualnom naglaskom na kino ne izražava samo, komunicira ili zabavlja. To misliš, pita emocije, osjetila i stvara drama i Reinvents značenja. djelatnost Odgovorite na pitanja u nastavku: Uvesti odnos između filmske produkcije i emitiranja ideološke propagande u totalitarnim sustavima. Kapitalizam također proizvodi za umjetnost ideološkim? Razviti koncepte Merleau-Ponty percepcije o promjenama u suvremenom svijetu. Kako su promjene u percepciji objasniti raznolikost aktualnih umjetničkih izraza i manifestacijama? Posebna teorija relativnosti Osim tih promjena moderne psihologije koja zahtijeva promišljanje ljudsko tijekom svojih više dimenzija, fizika i neke revolucije koja s jedne strane, i najveće tehnološkog napretka, a također je napravio nas promisle situ- ljudsko djelovanje u svijetu. Teorija relativnosti, razvijen od strane sudjelova- Albert Einstein (1879-1955). Njemački glazbenik Albert Einstein bio je jedan od onih otkrića koja revolucionarno- tala način razmišljanja o djelovanju svemira i našeg položaja u prostoru i vremenu. U Newtonove fizike, pojmovi prostor i vrijeme se uzimaju kao apsolutna, koja nije ovisna o bilo kojoj varijanti. Nakon što može mjeriti po jedinici vremena ili brzine, ovo se vidi kao jedini pravi i zahvaljujući vjeri u univerzalnu mehanički, koji jamči dosljednost i uzorak. Ali ako es- Film i New Percepcija