http___livro-ensino-medio.f1cf.com.br_arte_hr_art-158.html_1.xml
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Art The city, work, field, finally, the whole environment has a soundscape (soundscape). This name was given by the artist, researcher and educator Canadian Muray Shafer (2003). For him, our ears are vulnerable to a wide variety of noises and our brain energy demand by selecting the sounds that we can pre judicar. Professionals airports and certain metallurgical, are exposed to more than 85 decibels during work, so they have the right to lower workload and retire with fewer years of service, for unhealthiness. Each community has its characteristic sounds, which can be of birds or other animals, machines, musical instruments, accent regions, etc.. When we take vacations, for example, can also rest our ears, changing the soundscape of our day-to-day. It is no coincidence that around the world, people prefer to go on vacation where there are natural sounds, such as sea , rivers, forests, fields, etc.. Of course, some people prefer to go to big cities on vacation, but, anyway, changing soundscape already causes changes in the way we listen. Did you know that today is not the use of everyday sounds is a source for creating the forefront of music? In Brazil, Hermeto Pascoal and Tom Zé are examples of musicians who explore the soundscape using in their music sounds of objects of day-to-day. Paulo Barbatuques The group creates music sonorizando the body itself, and in Rio de Janeiro there is a group cyclists and musicians called The sound of our daily
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Umjetnost Grad, rad, Polje, konačno, cijeli okoliš je zvukovlje (zvučno). To ime je dobio od strane izvođača, istraživač i pedagog kanadske Muray Shafer (2003). Za njega, naše uši su osjetljive na razne zvukove i našeg mozga energije u odabiru zvukove koje možemo pre judicar. Stručnjaci zračnih luka i sigurno metalurška, izložene su više od 85 decibela tijekom rada, tako da oni imaju pravo na niže radno opterećenje i otići u mirovinu s manje godina radnog staža, za nezdravost. Svaka zajednica ima svoje karakteristične zvukove, što može biti od ptica i drugih životinja, strojevi, glazbeni instrumenti, naglasak regijama, itd.. Kad smo uzeti odmor, na primjer, također mogu odmoriti naše uši, mijenjanje zvukovlje našem dana u dan. Nije slučajnost da je diljem svijeta, ljudi vole ići na godišnji odmor tamo gdje su prirodni zvukovi, kao što su more , rijeke, šume, polja, itd.. Naravno, neki ljudi vole ići u velike gradove na odmoru, ali, svejedno, mijenjanje soundscape već uzrokuje promjene u načinu na koji slušamo. Jeste li znali da danas nije korištenje svakodnevnih zvukova je izvor za stvaranje čelu glazbe? U Brazilu, Hermeto Pascoal i Tom Zé su primjeri glazbenika koji istražuju soundscape koristeći u svojoj glazbi zvukove objekata dana u dan. Paulo Barbatuques skupina stvara glazbu sonorizando samo tijelo, te u Rio de Janeiru postoji skupina biciklista i glazbenika pod nazivom Zvuk našeg svakodnevnog