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(MAGALDI 2004) Theatre of Epidaurus - Century BC Policleto built by the young. In Greek theaters there were divisions for public social classes, a fact that gave to the Roman Theatre, where the best places were occupied by a privileged few. As for the Greek theater was a meeting place of the community, the Roman theaters were closed buildings, which served to give enjoyment to a large audience. It is in Rome that are used for the first time the curtain separating the stage from the audience before the start of the pieces. During the Middle Ages were not built theaters. As the official theater was the religious, or the representations were made within the churches or in front of them, using the entry itself as a backdrop. Other times it was used public squares, where the parts were represented in stage called pallets which were larger spaces, using the simultaneous stages, namely, different scenarios were visible throughout the performance. A gate served to suggest a city, a rise represented a mountain. "In the left corner of the dais, a huge dragon's mouth served for the passage of demons and going to hell for sinners. On the right, above the ground, stood paradise ... " Medieval Illustration of Scenario. Clear the desks, the Teatro arrived
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(MAGALDI 2004) Kazalište Epidaurus - stoljeće prije Krista Policleto izgradili mladi. U grčkim kazalištima bilo podjele za javne društvenih slojeva, što je činjenica koju je dao u rimskom kazalištu, gdje su najbolja mjesta su zauzeli nekoliko privilegiranih. Što se tiče grčkog kazališta bio je mjesto susreta zajednice, rimska kazališta bila zatvorena zgrada, koja je služila kako bi uživanje u velikoj publici. To je u Rimu koji se koristi za prvi put zavjesa odvaja pozornicu iz publike prije početka komada. U srednjem vijeku nisu građeni kazališta. Kao službeni kazalištu bio religiozni, ili su prikazi nastali unutar crkve ili ispred njih, koristeći ulazak sebe kao pozadina. Drugi puta to je bio koriste javnim trgovima, gdje su dijelovi bili zastupljeni u fazi zove palete koje su bile veće prostorije, koristeći se istodobno faze, naime, različiti scenariji su vidljivi tijekom cijele izvedbe. Vrata služio predložiti grad, uspon predstavljao planinu. "U lijevom kutu pozornici, veliki zmaj usta služio za prolaz demone i ide u pakao za grješnike. (...) Na desnoj strani, iznad zemlje, stajao raj ... " Srednjovjekovni Ilustracija scenarija. Poništite stolovi, Teatro stigla