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STENZEL. Monument to Justice and the State of Paraná without Fear of the Future Granite sculptures, December 19 - Curitiba - Paraná. It was through the invitation of Governor Benedict Muñoz Rocha who in 1952 conceived the project Stenzel known "honu", currently exposed in the Square December 19 (or Naked Man Square), in Curitiba. This statue of a man giving a forward, is the State of Paraná No Fear of the Future it also panel granite bas-relief representing developing socioeconomic Paraná, the obelisk and wife that symbolizes justice. The Monument to Justice was designed to sit in front of the Court, but for unknown reasons ended up behind the Iguaçu palace and then be transferred to the praInfelizmente, many people realized that the Monumenà Justice (naked woman) and The State of Paraná No Fear of Futu- (Naked man) are designed to stay in one place and that was made noticeably smaller than the man because Stenzel represent women as inferior. Totalequivocada interpretation, since the projects were made to local diferencom different reasons. Here we see the need to know the work before issuing pre-judgments. was born in Curitiba in 1911. Through a scholarship subsidized by Manoel studied sculpture at the National School of Fine Arts in Rio de Janeiro, where he later was asZaco Paraná. Was also a professor of EMBAP which for lack of space, just le- instead of sculpture, anatomy physics. Despite having made works of paramount importance to the State, Erbo Stenzel died poor and forgotten in an asylum in 1980.
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Stenzel. Spomenik pravde i države Paraná, bez straha od budućnosti Granit skulpture, 19. prosinca - Curitiba - Paraná. Ona je kroz poziv guvernera Benedikta Muñoz Rocha koji je 1952 osmislile projekt Stenzel poznat "Honu", trenutno je izložena u Square 19. prosinca (ili Naked Man trg), u Curitibi. Ovaj kip čovjeka daje naprijed, je država Paraná Nema straha od budućnosti . ona također ploči granita bareljef predstavlja razvoj socioekonomski Parana, obelisk i žena koji simbolizira pravdu. Spomenik pravosuđa je dizajniran da sjedi pred sudom, ali iz nepoznatih razloga završio iza Iguaçu palače, a zatim se prenosi na praInfelizmente, mnogi ljudi shvatili da Monumenà pravde (gola žena), a država nema Paraná Strah od bu- (Goli muškarac) su dizajnirani da ostanu na jednom mjestu i da je napravio osjetno manji od čovjeka, jer Stenzel predstavljaju žene kao inferiorne. Totalequivocada tumačenje, jer su projekti bili su na lokalnim diferencom različitih razloga. Ovdje vidimo potrebu da upoznaju Rad prije izdavanja pre-sudove. rođen je u Curitibi 1911. Kroz stipendije subvencionira Manoel studirao kiparstvo na National School of Fine Arts u Rio de Janeiru, gdje je kasnije bio asZaco Paraná. Je također profesor EMBAP koji zbog nedostatka prostora, samo le- umjesto skulptura, anatomija fizike. Unatoč tome što su djela od najveće važnosti za državu, Erbo Stenzel umro siromašan i zaboravljen u ludnici u 1980.