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small circuses that arise primarily in the inner cities still maintain the old "traditions". As for those who have adapted to changing times, the first change that occurred was in the family relationship. The children of the owners of circuses began to focus on academics and administrators working as a circus, not as artists. The circus has become a big company. Two consequences of these changes took place: the first is that the new "entrepreneurs" of the circus have a less sentimental. For them the circus is a business that has to make profit. The second is that, to suppress the demand for artists, since the circus families now take care of the administration, came the circus schools, forming new artists. These are not part of the family and the relationship established is boss and employee. The same way as an employee who sells his labor power, the circus artist working for a wage. Its workforce has become, also merchandise. With these changes, we observed a loss of the cultural characteristics of the original circus, because there is no more transmission of knowledge circus family, except for a few exceptions. Changes in the administration of the modern circus also helped to create a new category of circus, known as "new circus". In the opinion of Baroni , the contemporary circus is characterized by a mix of practices, of which we highlight dance, theater, art, aesthetics and technology elements such as light and sound. This is a model artistic circus that is not enough to be skilled, but it is necessary to tell something. For its realization, the artists need to be multipurpose. The most expressive model of this type is the Canadian circus Cirque du Soleil Today is Circus? Has yes sir! Reeeeeeeeeespeitável public! From now on, you will no longer spectators, but will be part of the show. Do not forget that we reflect on what we are doing and relate to our society. Are you ready to enter the arena? To address the audience that is eager for the show? Then invite the first artists to enter the scene: The Jugglers!! Physical Education See the Leaves: "Football beyond the four lines." For Marx, "the value of a commodity is determined by the amount of socially necessary labor spent in its production"
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mali cirkusi koje nastaju prvenstveno u siromašnim gradskim dalje zadržati stare "tradicije". Kao i za one koji su se prilagodili promjeni puta, prva promjena koja se dogodila bila je u srodstvu. Djeca vlasnika cirkusa počeli fokusirati na akademika i administratorima koji rade kao cirkus, a ne kao umjetnika. Cirkus je postao velika tvrtka. Dva posljedice tih promjena dogodio: prva je da je novi "poduzetnici" u cirkusu imaju manje sentimentalna. Za njih cirkus je posao koji mora napraviti profit. Druga stvar je da, kako bi obuzdale zahtjeve za umjetnike, jer su cirkuske obitelji sada voditi brigu o upravi, došli su cirkuske škole, formiranju nove izvođače. To nisu dio obitelji, a odnos koji je šef i zaposlenika. Na isti način kao zaposlenik koji prodaje svoju radnu snagu, cirkuski umjetnik koji radi za plaću. Njezina radna snaga je postala, i robe. S tim promjenama, gledali smo gubitak od kulturnih obilježja izvornog cirkus, jer nema više prijenosa znanja cirkus obitelji, osim nekoliko iznimaka. Promjene u upravi suvremenog cirkusa također pomogao stvoriti novu kategoriju cirkus, poznat kao "novog cirkusa". Prema mišljenju Baroni , suvremenog cirkusa odlikuje mješavinom praksi, od kojih izdvajamo ples, kazalište, umjetnost, estetika i elementi tehnologije kao što su svjetlo i zvuk. To je model umjetničke cirkus koji nije dovoljno biti vješt, ali potrebno je nešto reći. Za njegovu realizaciju, umjetnici trebaju biti višenamjenska. Najizražajniji model ovog tipa je kanadska cirkusa Cirque du Soleil Danas je cirkus? Je da, gospodine! Reeeeeeeeeespeitável javnosti! Od sada, više nećete navijača, ali će biti dio showa. Nemojte zaboraviti da smo razmišljati o tome što smo radili, a odnose se na našem društvu. Jeste li spremni za ulazak u arenu? Za rješavanje publiku koja je željan za show? Zatim pozovite prve umjetnike ući scenu: Žongleri! Tjelesni odgoj Vidi lišća: "Nogomet izvan četiri linije." Za Marxa, "vrijednost robe određuje se u iznosu od društveno potrebnog rada proveo je u svojoj proizvodnji"