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Guido Viaro arrived in Paraná in passing, to observe and depict the local beauties. But, in Curitiba, when he saw down the street XV the great love of his life - Yolanda - changed his mind and stayed here until the end of his life. In his first exhibition in Curitiba, it was evident the influence of Modern Art, new to the concepts of time that admit only the academic figuration. Thus their exposure had no good effect. Disgusted with his failure, Guido made a new exhibition in which pine showed figurative paintings and watercolors and soft within the taste of the time. This exhibition was a complete success, so that all works were sold. Outraged, published an article in the newspaper The Day, "criticizing his own painting, saying that it was not art, yes, the jobs that were previously shown. Due to its own criticism, some came back frames purchased." (Reference , Vol 3, No 12, p.: 67 and 68) This "act of rebellion" was important for the disruption of Art Paranaense from the past and acceptance of a more contemporary artistic language. In this direction, also created the first Little School of Art in Brazil, since they thought that children absorb their best artistic intent. "The little school did not aim to artists, but rather to create a taste for art through wider knowledge of the whole creative process." In 1970, when he died his beloved wife Yolanda, Guido Viaro languished, not by disease but by sorrow, "months later, he died, leaving the clear conviction that this world and this century, there is still sensible people dying of love. ACTIVITY Note the screen Guido Viaro. What kind of landscape it is representing urban or rural? How is this place? What do you feel looking at this landscape? Sadness, joy, loneliness ... She reminds somewhere you know? What? How are the people who live in this place? They look happy or sad? After reflecting on this work, what do you think the author wanted to portray here? Does only a landscape or have a message behind the work? What? GUIDO VIARO. landscape in 2 Oil on Canvas. - Oscar Niemeyer Museum, Curitiba Paraná.
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Guido Viaro stigao u Paraná u prolazu, promatrati i prikazuju lokalne ljepotice. No, u Curitibi, kad je vidio niz ulicu XV veliku ljubav svog života - Yolanda - predomislio i ostao ovdje sve do kraja svog života. U svojoj prvoj izložbi u Curitibi, bilo je očito utjecaj moderne umjetnosti, novi pojmova vremena da se priznaju samo akademski figuracije. Tako je njihova izloženost imao dobar učinak. Gadi sa svojim neuspjehom, Guido napravio novu izložbu u kojoj je pokazao borove figurativne slike i akvarela i meke u okusu vrijeme. Ova izložba je bila potpuni uspjeh, tako da su svi radovi bili prodao. Ogorčeni, objavio je članak u novinama Day ", kritizirajući njegovu slikar, rekavši da to nije umjetnost, da, poslovi koji su prethodno bili prikazani. Zbog svoje kritike, neki vratio okviri kupili." (referenca , Vol. 3, br 12, str:. 67 i 68) Ovaj "čin pobune" bio važan za ometanje Art Paranaense iz prošlosti i prihvaćanje više suvremenog umjetničkog jezika. U tom smjeru, također je stvorio prvi Mala škola umjetnosti u Brazilu, jer su mislili da djeca upijaju svoju najbolju umjetničku namjeru. "Mala škola nije cilj umjetnika, nego stvoriti ukus za umjetnost kroz šire znanja o cijelom kreativnom procesu." Godine 1970, kada je umro svoju voljenu suprugu Yolanda, Guido Viaro propadali, a ne bolest, nego tuga, "mjeseci kasnije, on je umro, ostavljajući jasno uvjerenje da ovaj svijet i ovaj stoljeća, još uvijek postoji razumni ljudi umiru od ljubavi. AKTIVNOST Napomena zaslona Guido Viaro. Kakav krajolik se predstavlja urbanim i ruralnim? Kako je ovo mjesto? Što vi osjećate gledajući ovaj krajolik? Tuga, radost, usamljenost ... Ona podsjeća negdje li znali? Što? Kako su ljudi koji žive u tom mjestu? Oni izgledaju sretni ili tužni? Nakon što odražava na ovom poslu, što mislite da je autor htio prikazati ovdje? Da li samo krajolik ili imaju poruku iza radu? Što? GUIDO VIARO. krajolik u dva Ulje na platnu. - Oscar Niemeyer muzej, Curitiba Paraná.