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The Theatre was ritual and sacred The art of representation or theater is something as old as mankind itself. Scholars on the subject does not have a consensus about the origin of theater but can present some ideas about it. The expression of feelings, and the communication may have been the driving force behind the invention of the theater, so to get to know and understand a little more about the utility or function of the theater, we will make a short visit to some points in history, checking the different functions assigned to it. Our ancestors, known as "prehistoric man", as practiced rites in which representations were scenic and narrative with magical function. Availing themselves of musical elements, body movements and paintings. Thus, the theater came up with the man himself, as well as dance, music and painting, used in their rituals for hunting, in praise to the gods and to tell stories. Even then, it was used the ruse of pretending to be another person or another person, living another life and acted depicting events that were part of their daily lives. According to Fischer, 2002, p. 45 "The decisive role of art in this period was to give power over nature, over enemies, on partners about reality, finally to towards a strengthening of the human community." Have you tried to imagine what life was like our prehistoric ancestors? As living in society, hunted, raised their children and faced their fears and anxieties? A hazardous environment, and unknown, sheltering in caves, our distant relatives gathered around a campfire at the end of a hard day, telling their adventures in a hostile land. And you know, one story leads to another, and the need will arise to show how they acted at any given time and how such a person or animal acted in another. Ready! Already characterized the theatrical phenomenon since the theater exists when we have: A person who pretends to be something or someone: character. A story or an action to be represented: action. A given space (busy place during the action) space. Someone who see or watch this representation: spectator. But this time, there was still a division between actors and spectators, ie, all participated in the ritual and the place they did was community, was not called stage or theater, these forms, which remain even today in certain demonstrations, rituals , parties, celebrations, among others.
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Kazalište je ritual i sveta Umijeće predstavljanja ili kazalište je nešto stara kao i čovječanstvo. Znanstvenici na temu nema konsenzusa o podrijetlu kazalištu, ali može prezentirati neke ideje o tome. Izražavanje osjećaja, a komunikacija može biti pokretačka sila iza izuma kazališta, tako da upoznaju i razumiju nešto više o korisnosti ili funkcija kazališta, mi ćemo napraviti kratki posjet nekim trenucima u povijesti, provjerom različita funkcije dodijeljene. Naši preci, poznat kao "pračovjeka", što prakticiraju obreda u kojima su reprezentacije slikovit i pripovijesti s čarobnim funkciji. Sami availing glazbenih elemenata, pokrete tijela i slika. Dakle, kazalište došao na čovjeka, kao i ples, glazba i slikarstvo, koriste u svojim ritualima za lov, u pohvalama na bogove i pričati priče. Čak i tada, to je bio korišten prevara od predstavljajući se kao druga osoba ili druga osoba, živi drugi život i djelovao prikazuje događaje koji su dio svakodnevnog života. Prema Fischer, 2002, str. 45 "odlučujuća uloga umjetnosti u tom razdoblju bio je dati moć nad prirodom, nad neprijateljima, na partnera o stvarnosti, konačno ka jačanju ljudske zajednice." Jeste li pokušao zamisliti kako je izgledao život naših predaka pretpovijesnih? Kako živjeti u društvu, lovi, podigli svoju djecu, a suočeni svoje strahove i tjeskobe? Opasnoj okolini, a nepoznato, skrivajući se u pećinama, naši daleki rođaci okupljeni oko logorske vatre, na kraju napornog dana, govorim svoje avanture u neprijateljskoj zemlji. I znate, jedna priča vodi u drugu, a potrebno će biti pokazati kako su se ponašali u bilo kojem trenutku i kako takva osoba ili životinja djelovao u drugoj. Spremni! Već je okarakterisao kazališni fenomen jer kazalište postoji kada imamo: Osoba koja se pretvara da je nešto ili netko: lik. Priču ili akcije biti predstavljeni: akcije. Dati prostor (zauzeti mjesto u akciji) prostor. Netko tko vidjeti ili gledati ovaj prikaz: gledatelja. Ali ovaj put, tu je još uvijek podjela između glumaca i gledatelja, odnosno, svi su sudjelovali u ritualu i mjesta su učinili je zajednica, nije pozvao pozornici ili kazalište, ove oblike koji se zadržavaju i danas u nekim demonstracijama, rituali , stranke, proslave, među ostalima.