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These two garments, for me personally, represents timeless pieces which are for certain an indispensable part of every woman's wardrobe. All by themselves they are statement pieces of clothes that attract attention and have a very interesting history. Little black dress emerged on the fashion scene in the form of a sketch published in Vogue, by the great and inimitable Gabrielle Coco Chanel. Without sleeves, slightly above knees and accessorized with a string of pearls it was immediately compared to Ford car, which was then synonymous for massiveness, simplicity, low price and black color. Vogue also declared that it would become „a sort of uniform for all women of taste“. Chanel's design allowed it to remain unstained, spotless and to befits well on each woman. Primarily it was conceived as a coctail dress, but with a lashings of imaginative details, jewellery or long gloves it was esealy remodeled into an evening dress, while in combination with a jacket it could be worn for business meetings. Although it comes in different lengths, it is always uncomplicated and accesible to women of all social stances. Christian Dior upgraded it with sexy additions thus cementing it's place in the world of fashion, and Hubert de Givenchy, with the assistance of Audrey Hepburn in Breakfast at Tiffany's, turned it into virtualy most famous dress in cinematic history. Since then countless celebrities have appeared in little black dresses and chosen them for special occasions. If I had to pick one, it would be so called revenge dress of Lady Di – a dress in which she showed up after the divorce from Prince Charles. Thanks to Coco Chanel this dress constitutes classic and essential segment of a female apparel, which thoroughly acomplish its function – that a women can at the same time look sensual, beautiful and elegant. Moreover, according to an unwritten rule, every stylishly aware woman should have one simple, elegant black dress that she can wear in variety of events. Over-the-knee boots were originally created for men, and were especially popular in 15th century as they provided adequate protection during horse riding. The beginnings, more precisely the announcement of tall boots as part of a women style are linked with theatre and actresses who, dressed as men, wore them as a costume fragments. Adoption of these boots as a regular and permanent women fashion item started in the early 60's of the 20th century. In 1962., Cristóbal Balenciaga's fall collection presented boots that covered the knees and year later Yves Saint Laurent included thigh-high alligator skin boots in his couture collection. From that time this type of footwear, in diverse editions and material variance, appear annually on catwalks and is almost inffalible on the streets, as it has gained loyal devotees all over the world. I am one of them and in this outfit I decided for Zara's boots in camel brown, along with the Mango purse in identic hue. These days the sun has shined in Oslo, but the weather is still prety cold so is recommendable to wear something warm. The woolen little black dress is a perfect choice. Black color particularly emphasize and highlights shades of boots and purse and the burgundy coat, with which I rounded my outfit, is in harmony with their nuances. Do you have little black dress and over-the-knee boots in your wardrobe? Do you like to wear them or not, please write me in the comments? OUTFIT DETAILS: COAT: Zara DRESS: Zara BOOTS: Zara BAG: Mango SUNGLASSES: Chanel
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MALA CRNA HALJINA I ČIZME PREKO KOLJENA Ova dva odjevna predmeta za mene predstavljaju svevremenske komade koji, uvjerena sam, krase garderobe mnogih djevojaka i žena. Sami po sebi oni su statement komadi koji plijene pozornost i imaju jako zanimljivu povijest. Mala crna haljina na scenu je stupila 1926. u Vogue-u, u obliku crteža velike i neponovljive Gabrielle Coco Chanel. Bez rukava, malo iznad koljena i s niskom bisera kao modnim dodatkom, odmah je uspoređena s automobilom marke Ford, koji je tada bio sinonim za masovnost, jednostavnost, nisku cijenu i crnu boju. Vogue ju je također proglasio i „uniformom za sve žene s ukusom“. Chanel je haljinu dizajnirala tako da se na njoj ne vide mrlje i da dobro pristaje svakoj ženi. Prvenstveno je bila namijenjena za koktel zabave, ali raznim atraktivnim dodacima, nakitom ili uz pomoć dugih rukavica u trenu se pretvarala u haljinu za večernje izlaske, dok se u kombinaciji sa sakoom mogla nositi i za poslovne sastanke. Iako dolazi u različitim dužinama, uvijek je jednostavnog kroja i pristupačna ženama iz svih slojeva društva. Christian Dior nadogradio ju je sexy dodacima i zacementirao njeno mjesto u svijetu mode, dok ju je Hubert de Givenchy, u suradnji s Audrey Hepburn u filmu Doručak kod Tiffanyja, prometnuo u jednu od najpoznatijih haljina u povijesti kinematografije. Od tada su se nebrojene slavne osobe pojavljivale u malim crnim haljinama i birale ih za posebne prigode, a ako bih morala izdvojiti jednu, bila bi to tzv. revenge dress princeze Diane – haljina koju je odjenula nakon razvoda od princa Charlesa. Zahvaljujući Coco Chanel ova je haljina postala i do danas ostala klasični i esencijalni dio ženske garderobe koji savršeno izvršava svoju funkciju, a ta je da svaka žena u njoj istovremeno može izgledati senzualno, lijepo i elegantno. Štoviše, prema nepisanom pravilu, svaka bi žena u svom ormaru trebala imati jednu jednostavnu, elegantnu crnu haljinu koju može odjenuti u svakoj prilici. Čizme iznad koljena izvorno su kreirane za muškarce, a osobito su popularne bile u 15. stoljeću kada su, za vrijeme jahanja, pružale adekvatnu zaštitu koljenima. Počeci, točnije rečeno najava visokih čizama kao dijela ženskog stila vezani su uz kazalište i glumice koje su, odjevene u muškarce, kao dio kostima nosile čizme preko koljena. Usvajanje ovakvih čizama kao redovne i stalne modne stavke za žene započelo je ranih 60-ih godina 20. stoljeća. Jesenska kolekcija Cristóbala Balenciage iz 1962. sadržavala je i čizme koje su prekrivale koljena, a godinu poslije Yves Saint Laurent je u svoju couture kolekciju uvrstio i čizme od aligatorove kože u visini bedra. Od tog se vremena ova vrsta obuće, u raznim izdanjima i od različitih materijala, svake godine pojavljuje na modnim pistima, a gotovo je neizostavna i na ulicama, budući da je stekla vjerne poklonice diljem svijeta. Ja sam također jedna od njih i u ovoj sam se kombinaciji odlučila za Zara čizme preko koljena u camel smeđoj boji, uz koje sam ponijela Mango torbicu identične nijanse. Ovih je dana u Oslu izašlo sunce, ali kako je i dalje hladno potrebno se toplije obući, a vunena mala crna haljina predstavlja savršen izbor. Crna boja osobito naglašava i ističe boju čizama i torbice, a burgundy kaput, s kojim sam zaokružila moj današnji outfit, u skladu je s njihovom nijansom. Imate li i vi u svojoj garderobi malu crnu haljinu ili čizme preko koljena? Volite li ih nositi ili ne, pišite mi u komentarima? DETALJI OUTFITA KAPUT: Zara HALJINA: Zara ČIZME: Zara TORBA: Mango SUNČANE NAOČALE: Chanel Lokacija: Oslo, Norway Subscribe to: Post Comments (Atom)