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Philosophy if the process of self Spirit, man can represent, roughly, the beautiful. Therefore there are contents that are more suitable for artistic representation. Such content may not be completely abstract, because they need a sensible representation. But to be natural and sensible that content is nonetheless also spiritual, that is, nature is not far or opposite to the Spirit, as we have stated previously. There is a unity between the general and the particular, between the spiritual and the material in Hegel. This unit is concrete and representable by art. The third requirement, ence of a work of art is that it is figurative, individual. Any has its work material shape (circular or square, for example) and its www.fiu.edu material content (wood or iron, for example). But the work of art there are still a spiritual way and spiritual content. These are what give identity to the artwork, ie, different from any other man-made artifact. The specific art is the union between content and representation are in a concrete way: the artwork. Therefore, there is no way that can cater for any content. There is a conversation, intimate connection, the work of art, between form and content. Both are concomitantly, ie, one can not live without the other and it would not be the same if a form exhibited a content that will not be appropriate. Note further, the development of various art forms, such as the relationship between content and form is constructed in the course of artistic creation. If art is a means to make available content, and so on Hegel says that "... the function of art is to make the idea accessible to our contemplation upon a sensitive and not in the form of thought and pure spirituality in general ... then it is necessary that content and form are consistent with the idea to be expressed. Idea here does not mean purely a message but a spiritual content. Spiritual, here, not just the religious. Since Spirit and matter are in the unit, then the world is also concrete manifestation of the spirit. It is a spiritual concrete. But art alone is not the best way to grasp the spiritual concrete. The precise art of thinking, which is more theoretical, enables the material as with the truth. The quality of a work of art depends "... the degree of fusion bonding between the idea and the way" (ibid.). This is what underlies, for Hegel, the hierarchy of the various art forms that he will accomplish. The arts are those most perfect expression better, amounting to more truth, in the evolutionary process. This evolution is the evolution of Spirit in making your own consciousness. There is "an evolution of concrete representations of art, artistic forms, which, deciphered, give the mind the consciousness of itself" (ibid.). The perfection of a work of art, according to Hegel, is given as "... more correspond to a profound truth content and the idea of it" Need or End of Art?
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Promjena oblika umjetnosti za Hegela Prema Hegelu, postoji nekoliko umjetničke forme koje treba razumjeti u pokretu i položaj priznavanju apsolutnog Duha. Svaki oblik nastoji uhititi, začeti i predstavljaju duh na drugačiji način. Ljudskog bića, za filozofa, ima prirodnu potražnju za "... težnja za apsolutnom jedinstvu ..." (Ibid., str. Ova jedinica je savršen spoj forme i sadržaja. Lijepa umjetnost je za Hegela je "... osmišljen kao prikaz Apsolutna." (Ibid., str Ljepota javlja kao prilagodba na pojam stvarnosti - istina. Ljepota "... predstavlja jedinstvo sadržaja i kako biti zadovoljan, proizlazi iz vlasništva, adekvatnost stvarnosti na konceptu" (isto, str. 154) Prema koncepciji povijesnog i dijalektički proces ideja u povijesti, Hegel analizira evoluciju tih različitih oblika umjetnosti, podijelivši ga na tri trenutaka ili oblika: simbolička, klasične i romantične. Baš kao što čovjek ima brige za duhovnim, ideja također nosi nužnost utvrđivanja, odnosno, objektivizacija konkretnosti, u potrazi za stvari koje je prikladan za njihovu obliku, u "... njihov nemir i nezadovoljstvo Ideja razvija i širi se na ovom pitanju, upravo kako bi bila pogodna prisvoji Ta se odluka u skladu s evolucijom povijesti, koji je Duh, a čovjek kao biće koje je u stanju, kroz znanost, razmišljanja i predstavljaju Apsolutna, duhovna. Prvi oblik umjetnosti se zove Simbolička. Nela prisvajanje idejom materije nastaje na način koji ti ne odgovara, nasilni, modricama. S jedne strane sažetak ideja, druga stvar da to nije prikladno. Sadržaj je više ili manje točni, bez odlučnosti. Obrazac je vanjski i ravnodušni, izravna i prirodno. To je prvi oblik odlučnosti da "... crpi svoj izgled lik