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Modern Times : Jacques Rancière March 29, 2017 at 20:00h @ La Bellone, Brussels Book Launch & Music – Movement Research for One Book With: Jacques Rancière (Paris), Leonardo Kovačević (Zagreb), Petar Milat (Zagreb), Ivana Momčilović (Brussels), Stephane Ginsburgh (Brussels)-piano, Kosta Jakić (Brussels)-piano, Dejana Sekulić (Brussels)- violin and sound research, Marta Coronado (Brussels)- movement research, Flora Bouteilla (Helsinki)- live editing, Gregoire Rousseau (Helsinki)- electricity sculptures Organised by: Multimedijalni institut (Zagreb), Collective Eimigrative art and Edicija Jugoslavija (Belgrade/Brussels), Phd in One Night Collective (Brussels/Vis) — La Bellone (Rue de Flandre 46, 1000 Brussels) * ABOUT THE BOOK * Jacques Rancière : Modern Times – Essays on Temporality in Art and Politics [168 pages, first edition by Multimedijalni institut and Edicija Jugoslavija, 2017] The entire work of Jacques Rancière – from The Nights of Labour until more recent Béla Tarr, the Time After – can be seen as work of constant displacing and resettling various forms and constraints of time. In the beginning, it was the question of structural lack of time of those whose “work does not wait”, who needed to steal it from the night to redouble their lives as writers and poets. Rancière’s immersion in workers’ archives went in 1987 through the Ignorant Schoolmaster episode: the disruption of a linear vision of pedagogical chronometer where there is always one “before and after” (the ignorance) to whom Rancière opposed “any moment and any time” from which the learning starts and continues. It resulted later in the problematisation of procedures of construction of historical objects and meanings (The Names of History), and, around 1989, the author of On the Shores of Politics analysed proclamations of an end or a beginning of time and its political consequences. From mid 1990s, the problem of temporality will lead to a research of regimes of artistic historicities, and to an exploration of time as presented in the works of modern literature and cinema. As if writers and film-makers had much more to say about the time than historians or philosophers. But if Jacques Rancière is a philosopher of time, as some suggest, he is certainly not the one who puts it immediately in the relation with a “being”, nor does he care about melancholic affirmation of the finitude, popular nowadays. Time is for him always already distributed and fragmented, with shares in it too unequal and non-conform to be an object of metaphysical considerations. For Rancière temporal division has primarily always been a social division of the common sensible. Time is thus situated out of traditional visions of divisions and separations in which future is the only promise of decent and egalitarian present. In contrary, for the author equality starts here and now: workers strike is, for example, one of those (im)possible constructions of the immanent common space-time sensible transformations. Modern Times is a book in which Rancière in systemic and synthetic manner presents his general reflection on time, while also pointing towards a common time or moments of emancipation. Those are for the author resumed perfectly in the figure of a wave: between inactivity and activity, before and after there is always a common sea full of movements and moments ready to break the horizon of a predictably cemented present.
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Modern Times : Jacques Rancière 29.03.2017, 20:00h @ La Bellone, Bruxelles Predstavljanje & umjetničko istraživanje oko jedne knjige Sudjeluju: Jacques Rancière (Pariz), Leonardo Kovačević, Petar Milat (Zagreb), Ivana Momčilović (Bruxelles), Stephane Ginsburgh (Bruxelles) – klavir, Kosta Jakić (Bruxelles) – klavir, Dejana Sekulić (Bruxelles) – violina i zvuk, Marta Coronado (Bruxelles) – pokret, Flora Bouteilla (Helsinki)- live editing, Gregoire Rousseau (Helsinki)- električne skulpture Organiziraju: Multimedijalni institut (Zagreb), kolektiv Eimigrative art i Edicija Jugoslavija (Beograd/Bruxelles), kolektiv Phd in One Night (Bruxelles/Vis) — La Bellone (Rue de Flandre 46, 1000 Bruxelles) * O KNJIZI * Čitav korpus Jacquesa Rancièrea – od Noći proletera do nedavne knjige Béla Tarr, vrijeme od poslije – možemo sagledati kao neprestani rad na razmještanju i ponovnom određivanju različitih oblika vremena i ograničenja koje ono sa sobom nosi. U početku se radilo o pitanju stukturnog manjka vremena kod ljudi “čiji posao ne može čekati”, koji su ga morali ukrasti od noći da bi postali pjesnici i pisci. Rancièreovo uranjanje u radničke arhive dovelo ga je do epizode koja je opisana u Učitelju neznalici: raskidu s linearnim pogledom, koji obilježava pedagoški kronometar, pri čemu uvijek postoji neko “prije i poslije” (neznanja). Njemu je Rancière suprotstavio “bilo koji moment i bilo koje vrijeme” u kojem učenje može započeti i nastaviti se. Ta je epizoda kasnije rezultirala problematizacijom procedura konstrukcije predmeta historije i njihovih značenja (Imena historije). Oko 1989., Rancière u knjizi Na obalama politike analizira objave kraja povijesti i početka vremena, te njihove političke posljedice. Od sredine 1990-ih, problem temporalnosti navest će ga na proučavanje režima umjetničkih povijesnosti i na istraživanje vremena kakvo nastupa u djelima moderne književnosti i filma; pisci i filmaši, izgleda, mogu puno više reći o vremenu nego povjesničari ili filozofi. No, ako Jacquesa Rancièrea nazovemo filozofom vremena, kao što neki predlažu, onda moramo istaknuti da on vrijeme ne stavlja u odnos s “bitkom” niti ga pretjerano zanima danas popularna melankolična afirmacija konačnosti. On vrijeme smatra uvijek već raspodijeljenim i fragmentiranim, pri čemu su udjeli u njemu nejednaki, te ono ne može biti predmet metafizičkih razmatranja. Za Rancièrea je temporalna raspodjela uvijek prvenstveno socijalna raspodjela zajedničke osjetilnosti. Vrijeme je, dakle, smješteno onkraj tradicionalnih pogleda na podjele i razdvajanja u kojima samo budućnost pruža obećanje pristojne i egalitarne sadašnjosti. U konstrastu spram tog stava, Rancière smatra da jednakost započinje ovdje i sada: štrajk radnika je, primjerice, jedna od (ne)mogućih konstrukcija imanentnog, zajedničkog prostor-vremena osjetilnih transformacija. Moderna vremena su knjiga u kojoj Rancière na sistematičan i sintetičan način predstavlja svoj opći pogled na vrijeme, no također i knjiga u kojoj ukazuje na zajedničko vrijeme ili momente emancipacije. Njih savršeno oprimjeruje figura vala: između neaktivnosti i aktivnosti, između nekog prije i nekog poslije, stoji zajedničko more prepuno pokreta i momenata spremnih da razbiju horizont predvidljive, zacementirane sadašnjosti. Moderna vremena zajednički objavljuju Multimedijalni institut i Edicija Jugoslavija u suradnji sa Studentskim kulturnim centrom Novi Sad, a tekstovi u knjizi baziraju se na predavanjima koja je Rancière posljednjih nekoliko godina održao u gradovima bivše Jugoslavije. Ovo je njihovo prvo objavljivanje.