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School The relationship between religiosity and Medieval Theatre In the fifth century AD, with the expansion of the Christian Church, doing theater now considered an act of sacrilege serious being a pagan activity, ie, not Christian origin. Thus, the actors were viewed askance by society and every baptized Christian should resign to participate or attend any theatrical performance. But even so, there were theatrical events in the Middle Ages fleeing the control of the Church. It has long been this way. However, the Church, realizing the great power of influence and attention awakened by the theater, began to assert this feature during the celebrations. In this case, the theater was used to convey religious doctrine, the teachings of the Bible and knowledge of the saints, being a very important resource for the liturgical celebration. Thus, they were used from the fourteenth century, the Mysteries, Autos, Passions and Miracles, who were theatrical forms of the time. Them were staged episodes from the Bible, from the Gospels or the lives of saints and parts used to attract people's attention, explaining the doctrines of the Christian faith. These dramatizations lasted several days and involved almost the entire city. Initially, they were represented within the church itself, but with the increased interest of the public, had to be moved to the front of them and then to the squares, in days of festivities. We can see now in Brazil, in many cities, representation of pieces in that style, during Holy Week, for example: "Passion of Christ". You may have seen or participated in one, is not it? Dell'arte Comedy, Theatre of Masks In the late Middle Ages and the Renaissance, theater in Europe reached large audiences and fulfilled other functions beyond the religious. Due to changing economic, political and social changes in Europe, the fourteenth and fifteenth centuries, constituted new economic centers, and the region most benefited from this process was the Italian peninsula, which is Italy. These changes influenced the lifestyle of the Italians and also theater. Come the first companies of itinerant actors or mambembes who performed from town to town in wagons that served as the stage. The artists, no longer stuck only to religious themes imposed by the church, go to seek inspiration in Comé- Movements and Periods
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Škola odnos između religioznosti i srednjovjekovnog kazalište U petom stoljeću, sa širenjem kršćanske Crkve, to kazalište sada smatra čin oskvrnuća ozbiljna kao poganin djelatnost, odnosno, nije kršćanski podrijetlo. Dakle, glumci su pogledali iskosa prema društvu i svaki kršteni kršćanin trebao podnijeti ostavku sudjelovati ili pohađati bilo kazališnu izvedbu. Ali čak i tako, bilo kazališnih predstava u srednjem vijeku bježe kontrolu nad Crkvom. To je već dugo na ovaj način. Međutim, Crkva, shvaćajući veliku moć utjecaja i pažnju probudila u kazalište, počele su ostvarivati ovu značajku tijekom proslave. U ovom slučaju, kazalište je korišten prenijeti vjersku doktrinu, učenjima Biblije i znanja svetih, biće vrlo važan resurs za liturgijsko slavlje. Dakle, oni su se od četrnaestog stoljeća, misteriji, Autos, strasti čuda, koje su bile kazališne forme vremena. Njih su organizirali epizode iz Biblije, iz Evanđelja ili živote svetaca i dijelove koji se koriste kako bi privukli pozornost ljudi, objašnjavajući nauka kršćanske vjere. Ove dramatizaciju trajala nekoliko dana, a koji su uključeni gotovo cijeli grad. U početku, oni su predstavljeni u samoj Crkvi, ali s povećanom interesu javnosti, morao biti premješten na prednji dio njih, a zatim na trgovima, u dane blagdana. Možemo vidjeti da je sada u Brazilu, u mnogim gradovima, zastupanje komada u tom stilu, u Velikom tjednu, na primjer: "Pasija". Možda ste vidjeli ili sudjelovali u jednom, zar ne? dell'arte Komedija, Kazalište maski U kasnom srednjem vijeku i renesansi, kazalište u Europi dosegao veliku publiku i ispuniti druge funkcije izvan religiozni. Zbog promjenjive gospodarske, političke i društvene promjene u Europi, četrnaestog i petnaestog stoljeća, predstavlja nove ekonomske centre, a regija, najviše koristi od ovog procesa je talijanski poluotok, što je Italija. Te promjene utječu na način života Talijana i također kazališta. Dođite prve tvrtkama putujućih glumaca ili mambembes koji su nastupali od grada do grada u vagonima koji su poslužili kao pozornice. Umjetnici, više ne zaglavi samo na vjerske teme nametnute od strane crkve, idu da traže inspiraciju u Come- Promjene i razdoblja