http___livro-ensino-medio.f1cf.com.br_arte_hr_art-48.html_1.xml
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(Concise Oxford, 2001). The Scroll as Support Parchment is the name given to a type of goat leather or sheep himself to writing, widely used in the Middle Ages. This technique was perfected in the ancient kingdom of Pergamon, hence its name. In the West, were made in the first scroll graphics texts we know. One type of illustrations of this era was the "Illumination", which is that first large decorated letter we usually see in the texts of fairy tales. screen as Support In the Renaissance passes to use the screen as a support for painting. Typically made of fabric, for example cotton, hemp or flax, stretched over a frame or chassis, use of the facilitated transport of the screen paintings. The material used was oil paint, according Vassari, was invented by Jan Van Eyck, a painter from the end of Period Gothic and early Renaissance. Turpentine, a kind of oily solvent, was mixed with pigment that was later applied to the screen. This process prevented the fast drying ink, enabling the artist to redo some of the work, modify shaded, change certain shades to give more realism to works.
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(Concise Oxford, 2001). Pomaknite kao podrška Pergament je naziv za vrstu kozje kože ili ovce sam u pisanom obliku, naširoko koristi u srednjem vijeku. Ova tehnika je usavršena u starom kraljevstvu Pergamon, odatle i njezino ime. Na Zapadu, su na prvom svitku grafičke tekstova znamo. Jedna vrsta ilustracija tog doba bio je "prosvjetljenje", a to je da prva velika uređena pismo obično vidimo u tekstovima bajki. screen kao podrška U renesansi prolazi koristiti zaslon kao potporu za slikanje. Obično izrađene od tkanine, primjerice pamuka, konoplje ili lana, ispruži preko okvira ili podvozje, korištenje olakšani transport zaslonu slike. Materijal korišten je uljanom bojom, po Vassari, izumio je Jan Van Eyck, slikara od kraja razdoblja gotike i rane renesanse. Terpentina, vrsta masnu otapala, pomiješan je s pigmentom koji je kasnije primijenjen na zaslonu. Ovaj proces spriječiti brzo sušenje tinte, što omogućuje umjetnik ponoviti neke od rada, mijenjati hladu, promijeniti neke nijanse dati više realizma na djela.