http___majarakocevic.com_radovi_sabloni__1.xml
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graphics with print installation 20 x 18 cm installation / mixed media Maja Rakočević Cvijanov The “Templates” piece examines the personal scenarios within the realm of intimacy i.e. intimate relationships. Swamped with personal biases that we formed in early childhood, we often create our environmental scenarios that we afterwards stereotypically repeat through psychological games in order to stay “safe” and hence avoid the closeness that involves risks, because intimacy exposes all of our weaknesses. However, if we recognize and overcome the fear of our own weaknesses, we can create art from intimacy. The Life script, Playing games and Relationship triptych initially depicts the creation of personal scenario that automatically leads us to repetition of formulaic or stereotypical relationships in a very tight framework of that scenario. At the time we bring consciousness to playing psychological games within the given scenario, we arrive to the place of reality, bare and without masks, and only then we can act authentically and independently, and thus be creative in the field of intimacy.
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Šabloni grafike sa otiskom instalacija 20 x 18 cm instalacija/kombinovana tehnika mr Maja Rakočević Cvijanov Rad Šabloni sa bavi preispitivanjem ličnog scenarija u okviru bliskosti tj. partnerskih odnosa. Zatrpani ličnim predubeđenjima koje smo formirali u najranijem detinjstvu često sebi stvaramo životne scenarije koje posle toga šablonski ponavljamo kroz psihološke igre, kako bi ostalni „sigurni“ i tako izbegli bliskost koja podrazumeva rizik, jer se u intimnosti razotkrivaju sve naše slabosti. Međutim, ukoliko uvidimo i prevladamo strah od sopstvenih slabosti možemo od bliskosti stvoriti umetnost. Kroz triptih Life script, Playing games i Relationship predočava se najpre stvaranje ličnog scenarija koji nas automatski vodi u šablonski ponavljane odnose koji se kreću u vrlo tesnom okviru scenarija. U trenutku kada se osvesti igranje psiholoških igara po zadatom scenariju stiže se na mesto stvarnosti, ogoljeno i bez maski, i tek tada se može delovati autentično i svoje, i tako biti kreativni u polju bliskosti.