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In the Contemporary World From the nineteenth century, with the development of industrial society and new urban reality, this ideal of beauty is changing and the arts come to represent the problem generated by the new social structure, such as the exploitation of labor, the wars, the contrasts between city and field and other social conflicts. The development of new communication technologies interfere with the formation of new patterns of taste and resize the notions of beauty. These changes can be seen more easily with the advent of the media, and are strongly influenced by it. By the power of these vehicles of mass communication, these ideals of beauty become increasingly standardized and focused on consumption. The marketing that is done around these new standards of beauty are generating new concerns about the body, it becomes an object of propaganda and consumption. Behind this look on the body, are produced discourses that seek control and power. In this case, for economic purposes explicit and serious ethical implications to be discussed. ACTIVITY www.pralmassi.blig.ig.com.br/ The Potato Eaters (1885), oil on canvas Van Gogh (1853-1890). Vincent van Gogh Foundation, Amsterdam. Note that work to carelessness in portraying the beauty, but represent the daily life of a family. Answer the following questions. Which pattern of physical beauty proposed or imposed by the context of our present life? As this pattern is transmitted? What these patterns represent? Such current beauty ideals can have negative effects for individuals? In what way? Which would be the difference between beauty who seeks beauty in the arts of useful objects, everyday? Crafts can be characterized as an art form? Why? Yet today we can find models beauty of different periods in any way contemporary art? Art should maintain some social need or moral commitment? The Modern Aesthetics Aesthetics, while reflecting on the beauty itself, arose in the eighteenth century, the German philosopher Baumgarten His appearance took place in the context of the Enlightenment movement in Europe filosóficocultural occurred, I knew, at that moment, the great absolutist kings. It was against the abuses of these rulers that many thinkers rebelled. The Absolutism was a form author- Thinking Beauty
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U suvremenom svijetu Od devetnaestog stoljeća, s razvojem industrijskog društva i nove urbane stvarnosti, to ideal ljepote se mijenja i umjetnost dolaze predstavljati problem generira nove socijalne strukture, poput eksploatacije rada, ratovima, suprotnosti između grada i terenske i druge društvene sukobe. Razvoj novih komunikacijskih tehnologija utjecati na formiranje novih obrazaca ukusa i veličinu pojmove ljepote. Ove promjene mogu se vidjeti lakše s dolaskom medija, i pod snažnim utjecajem njega. Po sili tih vozila masovne komunikacije, ti ideali ljepote postaju sve standardizirana i usmjerena na potrošnju. Marketinga koji se obavlja oko tih novih standarda ljepote stvaraju nove brige o tijelu, ona postaje predmet propagandi i potrošnje. Iza ovog pogleda na tijelo, proizvedeni su diskursi koji traže kontrolu i moć. U tom slučaju, u gospodarske svrhe eksplicitan i ozbiljne etičke implikacije bi se raspravljati. AKTIVNOST www.pralmassi.blig.ig.com.br/ Krumpir Eaters (1885), ulje na platnu Van Gogh (1853-1890). Vincent van Gogh Foundation, Amsterdam. Imajte na umu da je rad na nemar za portretiranje ljepotu, ali predstavljaju svakodnevni život jedne obitelji. Odgovorite na sljedeća pitanja. Koji uzorak fizičku ljepotu predložio niti zbog kontekstu našeg sadašnjeg života? Kao što je ovaj uzorak prenosi? Što ti obrasci predstavljaju? Takvi tekući ideali ljepote može imati negativne posljedice za pojedince? Na koji način? Koji će biti razlika između ljepote koja traži ljepotu u umjetnosti korisnih predmeta, svakodnevni? Obrt može se okarakterizirati kao oblik umjetnosti? Zašto? Ipak, danas možemo pronaći modele ljepote različitih razdoblja na bilo koji način suvremena umjetnost? Art treba održavati neki društvenu potrebu ili moralnu obvezu? moderna estetika Estetika, dok se odražava na ljepotu same, nastao u XVIII stoljeću, njemački filozof Baumgarten Njegov nastup je održan u kontekstu prosvjetiteljskog pokreta u Europi filosóficocultural dogodile, znao sam, u tom trenutku, velikih apsolutističke kraljeva. To je bio protiv zloupotrebe tih vladara da mnogi mislioci pobunio. Apsolutizam je oblik autor- Razmišljajući Ljepota