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Forget everything you ever thought you knew about fairy tales, and "Little Red Riding Hood." In this book, Catherine Orenstein explores the history of the fairy tale, from the French court, Charles Perrault, Hans Christian Anderson, the brothers Grimm, Bruno Bettelheim, Italo Calvino, Gwen Strauss, and Anne Sexton. As she explains, "The endeavor of this book is to draw Little Red Riding Hood forth from her literary crypt, to unwrap the protective vellum that mummifies her in the rare book section of the library." In this survey of literature, Orenstein inspects the derivations of Little Red Riding Hood, who has been depicted as a seductress, a victim, a femme fatale, and a she-wolf in various works. Changes in society have dramatically affected the evolutions of the tale. The Origins of the Fairy Tales Fairy tales are fantastical tales, with talking creatures, great heroes, fair maidens, magical and miraculous deeds, and heroic quests. While the tales are often considered part of children's literature, the tales can be horribly grotesque. Although the Grimms' brother popularized fairy tales for children, they also censored many of the tales, removing the explicit or potentially controversial elements from the tales. According to Orenstein, "The first recorded reference to a fairy tale seems to occur in a letter Madame de Sevigne wrote to her daughter in 1677 describing one of 'the stories they amuse the ladies with at Versailles'." The tales became popular in French salons, entertaining men and women with "utopian musings." Fairy tales were "frequently about marriage, love, education, and the roles of men and women." D'Aulnoy is given credit for publishing the first fairy tale in 1690, but it wasn't long until Perrault and others carried on the tradition. An Epic Journey Re-invented As a standard in children's literature, Little Red Riding Hood is a little girl who makes her epic quest to her grandmother's house to visit her ailing grandmother. Along the way, the girl meets a wolf, who discovers her intent and runs on ahead to Grandmother's house. The wolf then eats Little Red Riding Hood's grandmother and awaits the girls arrival. The tale has many derivations. And, with the arrival of Little Red Riding Hood, the tale is told in several ways. In Charles Perrault's tale, the wolf (interpreted as a man who seduces women) hides under the covers, and urges the girl to "climb into bed with me." The girl comments on "what big" arms, legs, ears, eyes, and teeth the wolf has, which ends with the wolf saying "The better to eat you!" The wolf then "threw himself upon Little Red Riding Hood and ate her up." In Perrault's fairy tale, published in 1697, no woodsman comes to rescue her; and Little Red Riding Hood does not save herself. It's a morality tale, warning girls and women that "Wolves may lurk in every guise." "Little Red Cap," by Jacob and Wilhelm Grimm, is one of the most famous derivations of the Red Riding Hood tale. After the wolf ate Little Red Cap, he fell to sleep and his snoring drew the attention of a hunter. The hunter enters the house, sees the sleeping wolf and says: "So here you are, you old sinner... I've been looking for you for a long time." Then, instead of shooting the wolf, he cuts open the wolf and lets out Little Red Cap and her grandmother. The hunter then puts heavy stones in the wolf's stomach. When the wolf wakes up, he drops dead. The hunter then skins the wolf and goes home. Of course, Little Red Cap has learned her lesson. She will never again stray from the path, or be fooled by a wolf's deception. Not all of the Little Red Riding Hood versions are as familiar or as tame. In an oral folktale, "The Grandmother's Tale," the wolf arrives at Grandmother's house, kills her, and puts her flesh and blood in the pantry. Upon arrival, the wolf tells the girl to eat the flesh and drink the wine (blood) in the pantry. And, as she eats, the cat says, "She is a slut who eats the flesh and drinks the blood of her granny." Despite the bloody gore of this tale, the girl manages to escape from the wolf. From there, Orenstein discusses the case of Stubbe Peeter, a man who was accused of taking on the form of a werewolf, as he enticed men, women and children to their deaths. According to Orenstein, "if Stubbe Peeter's trial was sensational, his crime was not unique. Indeed, in certain areas, at this particular moment in history, it seems to have been almost commonplace."
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Čitate li svom djetetu Crvenkapicu? Napišite nam koji mu je najdraži lik i boji li se strašnog vuka! Šest odgovora, koje ostavite od srijede, 2. listopada do utorka, 8. listopada 2013., nagradit ćemo s po dvije ulaznice za predstavu Crvenkapica u zagrebačkom Kazalištu Trešnja. http://www.klokanica.hr/vrticka-dob/igra-i-aktivnosti/osvojite-karte-za-crvenkapicu-763 [klokanica.hr] Crvenkapicu čitamo barem jednom tjedno,a slušamo i na cd-u, najviše voli songove a pogotovo kad mama pjeva.“ ja vuk sam strašni što šumom luta,i kad sam gladan…sve progutam!” Cesto citamo i pricamo, a i glumimo Crvenkapicu. Starija djevojcica je Crvenkapica, ja sam mama i baka i lovac, a tata je vuk. Mlada djevojcica je dodani lik - sestrica od Crvenkapice. Svaki lik ima svoj glas, nosi se kosarica za baku, vuk ima kapicu bakinu… Jedna od omiljenih prica. Sinu mi je to dugo bila omiljena priča za laku noć. Samo on je inzistirao da djevojčica nosi plavu kapu, i da se zove Plavokapica. Jako bi ga ljutilo kad bi umorna “krivo” nazvala djevojčicu… Sad prihvaća i Crvenkapicu. Čitanje i pričanje Crvenkapice već nam je duže vrijeme dio svakodnevice. Kako raste moje dijete, tako raste i Crvenkapica, detalji kojima se posvećujemo tijekom pričanja mijenjaju se i razvijaju, vuk dobiva različite epitete, ali sve manje je strašan. Nekad je izazivao strah, ali sad smo se navikli na njega pa ga i mijenjamo. Uvijek naglašavamo da se mama treba slušati jer ona zna zašto govori to što govori. Izbjegavamo brutalne dijelove fabule o kojima smo mi slušali kad smo mi bili djeca. Najdraži lik mojoj djevojčici sama je Crvenkapica, vesela i radoznala djevojčica kakva je i sama. Već 2 godine listamo malenu knjižicu, ali moja curica ima strpljenja slušati tek do dijela kad Crvenkapica sretne vuka. Njoj nije strašan lovac Luka, ali ga zove drugim imenima i sama smišlja svoje verzije priče. Dobro je, za sad je zapamtila da je djevojčica Crvenkapica. Ali i ilustracije nas vesele. moja je kcer spojila 2 lika u jedan pa ovu pricu zove Vukokapica Moja kćer je obožavala priču o Crvenkapici i svaku večer smo iznova čitali i čitali….. i tako sve dok nije prešla na Keljugu kako ona kaže. Vuk je Puk, a Crvenkapica je Pakica. Sada istu priču čitamo sinu koji je hrabri povac koji ubije zločestog uka i spasi Pakicu i Akicu… MOJA STARIJA CURKA JAKO VOLI CRVENKAPICU, NO SVE DONEDAVNO SAM ONAJ DIO VUKU KAKO JE POJEO BAKU I CRVENKAPICU, TE MU IH JE LOVAC VADIO IZ TRBUHA I STAVIO U NJ KAMENJE PRESKAKALA I ULJEPŠAVALA. TO MI JE DIO PRIČE KOJI I KOD MENE IZAZIVA JEZU, NO ONA GA JE ČULA U VRTIĆU I REKLA MI KAKO JE TETA ISPRIČALA KRIVU CRVENKAPICU I GOVORILA SMIJEŠNE STVARI DA JE BAKA I CRVENKAPICA ZAVRŠILE U TRBUHU VUKA, TE MI REKLA DA JE PITALA TETU KOLIKI BI TAJ VUK TREBAO IMATI TRBUH, JER U NJEZIN NE STANE NI JABUKA. “moderna” verzija crvenkapice (za moje curice) ima novi detalj u dijelu kad crvenkapica pita baku zašto ima tako velike oči- to je sigurno zato, veli Lana, jer je crvenkapici mama kupila “lepršavu” suknjicu, kakvu ja imam, pa je vuk oduševljen, kao moji dečki u vrtiću kad ja dođem :)