http___www.iti-museum.com_hr_instrumenti_detail_113_sopele__1.xml
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Martin Glavaš , Pula Wood, Cane, Woodturning Great: The instrument has six finger-holes . The bell has two vent-holes and one of them is drilled through the pipe on both sides. The sopela is decorated with ridges and grooves made on a lathe and parallel rings made with an incandescent wire also with the help of a lathe. The instrument is lacquered with transparent varnish. Small: The instrument has seven finger-holes on the pipe and the seventh hole (for the little finger) is double. The bell has a vent-hole. The sopela is decorated with ridges and grooves made on a lathe and parallel rings made with an incandescent wire also with the help of a lathe. The instrument is lacquered with transparent varnish. Ivan Radić Wood, Metal, Woodturning Great: The instrument has six finger-holes . The bell has two vent-holes and the bottom one is drilled on both sides of the pipe. The upper part of the pipe is reinforced with cast lead. The sopele are decorated with parallel rings made on a lathe, and the bell has an egg-shaped thickening. The instrument is painted and lacquered. This type of sopela is characteristic of the area of the island of Krk and the Kvarner bay. Small: The instrument has six finger-holes . the pipe has two vent-holes drilled on both side of the pipe. The upper part of the pipe is reinforced with cast lead. The sopela is decorated with parallel rings made on a lathe. The bell is thickened with the help of a lathe and it has two vent-holes with the bottom one drilled on both sides of the pipe. The instrument is painted and lacquered. This type of sopela is characteristic of the area of the island of Krk and the Kvarner bay. Anonymous Wood, Woodturning None The instrument has seven finger-holes while the seventh one (for the little finger) is double. The chanter has two metal rings inserted while on the bell there is also one. Further, the bottom of the bell is reinforced with a metallic part. The bell has also a vent-hole. The sopela is decorated with ridges and grooves made on a lathe. By the working method, it is possible that instrument was made by Miro Blažina – Pikutar. Božidar Oplanić Wood, Metal, Woodturning Great: The instrument has seven finger-holes while the seventh one (for the little finger) is double. the pipe has a vent-hole drilled through the pipe on both sides. The bell has two vent-holes, and one of them is drilled through the pipe on both sides. Rings made of brass and chromed iron are inserted on the upper parts of the bell and the pipe. the pipe and the bell are decorated with ridges and grooves made on a lathe. The sopela is painted with a brownish colour and varnished. The pirouette and the reed are missing. Small: The instrument has six finger-holes . The bell has two vent-holes, and one of them is drilled through the pipe on both sides. A brass ring is inserted on the upper part of the bell. The instrument is decorated with rings and parallel ridges and grooves made on a lathe. The sopela is painted with a brownish colour and subsequently varnished. The pirouette and the reed are missing. Martin Glavaš , Pula Wood, Cane, Metal, Woodturning Great: The instrument has six finger-holes . The bell has two vent-holes, and one of them is drilled through the pipe on both sides. The sopela is decorated with ridges and grooves made on a lathe and with parallel rings made with an incandescent wire, also with the help of a lathe. The instrument is painted with a brownish colour and varnished. Small: The instrument has six finger-holes and a vent-hole drilled through the pipe on both sides. The bell also has a vent-hole. The sopela is decorated with ridges and grooves made on a lathe and parallel rings made with an incandescent wire also with the help of a lathe. The instrument is painted brown and varnished. Martin Glavaš , Pula Wood, Cane, Metal, Woodturning Great: The instrument has six finger-holes . The bell has two vent-holes, and one of them is drilled through the pipe on both sides. The sopela is decorated with ridges and grooves made on a lathe and with parallel rings made with an incandescent wire, also with the help of a lathe. The instrument is lacquered with transparent varnish. Small: The instrument has six finger-holes and a vent-hole drilled through the pipe on both sides. The bell also has a vent-hole. The sopela is decorated with ridges and grooves made on a lathe and parallel rings made with an incandescent wire also with the help of a lathe. The instrument is lacquered with transparent varnish. Vinko Trubić , Krk Wood, Cane, Metal, Woodturning Great: The instrument has six finger-holes . The bell has a vent-hole drilled on both sides. The upper part of the pipe is reinforced with cast lead. The sopela is decorated with parallel rings made on a lathe. These are the first sopele that the maker made and are typical of the island of Krk and the Kvarner bay. Small: The instrument has six finger-holes . the pipe has two vent-holes drilled on both sides of the pipe. The upper part of the hand-made pipe is reinforced with cast lead. The bell is decorated with carved thin parallel rings and egg-shaped thickenings made on a lathe. It has a drilled hole that was blocked afterwards. The cracked bell is fixed at three points with iron staples. The maker is the father Vincent Trubić, a master whose sopele are also part of the holdings of the EMI. This type of sopela is characteristic of the area of the island of Krk and the Kvarner bay. Vinko Trubić , Krk Wood, Metal, Woodturning Great: The instrument has six finger-holes . The bell has two vent-holes and the bottom one is drilled on both sides of the pipe. The upper part of the pipe is reinforced with cast lead. The sopele are decorated with parallel rings made on a lathe, and the bell has an egg-shaped thickening. The instrument is painted and lacquered. The pirouette lacks the reed. This type of sopela is characteristic of the area of the island of Krk and the Kvarner bay. Small: The instrument has six finger-holes . the pipe has two vent-holes drilled on both side of the pipe. The upper part of the pipe is reinforced with cast lead. The sopela is decorated with parallel rings made on a lathe. The bell is thickened with the help of a lathe and it has two vent-holes with the bottom one drilled on both sides of the pipe. The instrument is painted and lacquered. The pirouette lacks the reed. This type of sopela is characteristic of the area of the island of Krk and the Kvarner bay. Martin Glavaš , Pula Wood, Woodturning Great: The instrument has six finger-holes . The bell has two vent-holes, and one of them is drilled through the pipe on both sides. The sopela is decorated with ridges and grooves made on a lathe and with parallel rings made with an incandescent wire, also with the help of a lathe. The instrument is lacquered with transparent varnish. The pirouette and the reed are missing. Small: The instrument has six finger-holes and a vent-hole drilled through the pipe on both sides. The bell also has a vent-hole. The sopela is decorated with ridges and grooves made on a lathe and parallel rings made with an incandescent wire also with the help of a lathe. The instrument is lacquered with transparent varnish. Part of the bell is broken off and the pirouette and the reed are missing. Martin Glavaš , Pula Wood, Cane, Olive, Metal, Woodturning Great: The instrument has six finger-holes . The bell has two vent-holes, and one of them is drilled through the pipe on both sides. The sopela is decorated with ridges and grooves made on a lathe and with parallel rings made with an incandescent wire, also with the help of a lathe. The instrument is lacquered with transparent varnish. Small: The instrument has six finger-holes and a vent-hole drilled through the pipe on both sides. The bell also has a vent-hole. The sopela is decorated with ridges and grooves made on a lathe and parallel rings made with an incandescent wire also with the help of a lathe. The instrument is lacquered with transparent varnish. The pirouette lacks the reed. Martin Glavaš , Pula Wood, Cane, Metal, Woodturning Great: The instrument has six finger-holes . The bell has two vent-holes, and one of them is drilled through the pipe on both sides. The sopela is decorated with ridges and grooves made on a lathe and with parallel rings made with an incandescent wire, also with the help of a lathe. The instrument is lacquered with transparent varnish. Small: The instrument has six finger-holes and a vent-hole drilled through the pipe on both sides. The bell also has a vent-hole. The sopela is decorated with ridges and grooves made on a lathe and parallel rings made with an incandescent wire also with the help of a lathe. The instrument is lacquered with transparent varnish. Martin Glavaš , Pula Wood, Cane, Metal, Woodturning Great: The instrument has six finger-holes . The bell has two vent-holes, and one of them is drilled through the pipe on both sides. The sopela is decorated with ridges and grooves made on a lathe and with parallel rings made with an incandescent wire, also with the help of a lathe. The instrument is coloured with a reddish-brown colour and varnished. Small: The instrument has six finger-holes and a vent-hole drilled through the pipe on both sides. The bell also has a vent-hole. The sopela is decorated with ridges and grooves made on a lathe and parallel rings made with an incandescent wire also with the help of a lathe. The instrument is coloured with a reddish-brown colour and varnished. During the making of the instrument the back of the pipe was drilled with seven holes (presumably by mistake) that were later blocked with wooden plugs and a mixture of wood glue and sawdust. Vinko Trubić , Krk Wood, Cane, Metal, Woodturning Great: The instrument has six finger-holes . The bell has two vent-holes and the bottom one is drilled on both sides of the pipe. The sopela is decorated with parallel rings made with an incandescent wire on a lathe. The bell has egg-shaped thickenings. The sopele are painted and lacquered. Small: The instrument has six finger-holes . the pipe has two vent-holes drilled on both side of the pipe. The sopela is decorated with parallel rings made with an incandescent wire on a lathe. The bell is thickened with the help of a lathe and it has two vent-holes with the bottom one drilled on both sides of the pipe. The instrument is painted and lacquered. This type of sopela is characteristic of the area of the island of Krk and the Kvarner bay. Mario Sandrić , Butkovići, Pula Wood, Metal, Woodturning Great: The instrument has six finger-holes . The bell has two vent-holes and one of them is drilled through the pipe on both sides. The sopela is decorated with ridges and grooves made on a lathe and parallel rings made with an incandescent wire also with the help of a lathe. The bell of the sopela is slightly cracked. The instrument is painted or varnished in a bright shade of brown. The pirouette lacks the reed. Small: The instrument has seven finger-holes on the pipe and the seventh hole (for the little finger) is double. The bell has a vent-hole drilled on both sides. The sopela is decorated with ridges and grooves made on a lathe and parallel rings made with an incandescent wire also with the help of a lathe. The instrument is painted or varnished in a bright shade of brown. The pirouette lacks the reed. Mate Maružin-Žliga , Kanfanar Wood, Cane, Metal, Woodturning The instrument has seven finger-holes on the pipe and the seventh hole (for the little finger) is double. The bell has a vent-hole drilled on both sides. The upper part of the pipe is reinforced with an iron ring. The bell is also reinforced with iron rings at the bottom and at the top, but the latter one is missing. The sopela is decorated with thin rings, ridges and grooves made on a lathe. The instrument is painted with a brown colour. The reed and pirouette may not be original. Miro Blažina-Pikutar , Marčana Wood, Cane, Walnut, Metal, Woodturning Great: the instrument has six finger-holes . There are two vent-holes on the bell and one was drilled through the pipe on both sides. The sopela is decorated with ridges and grooves made on a lathe. A part of the bell is broken, and the stop that holds the pirouette is missing. Small: The instrument has seven finger-holes while the seventh one (for the little finger) is double. the pipe has a vent-hole drilled through the pipe on both sides. The bell has also two vent-holes, and one of them is drilled through the pipe on both sides. The sopela is decorated with ridges and grooves made on a lathe. Jože Križmanić , Veli Ježenj (Pazin) Wood, Woodturning The bell of the great sopela and the fontanelle. The sopela is inventoried without the pipe. The fontanelle has four cross-drilled holes, and the central hole coincides with a hole drilled in the bell. The bell has two vent-holes drilled on both sides. The bell is decorated with carved thin lines and other geometric motifs such as triangles, squares and rhomboids. The stock has decorative parallel thin rings made with an incandescent wire on a lathe. The bell is cracked. Ivan Fonović-Zlatela oko/intorno/around 1900. , Lazarići (Kršan) Wood, Metal, Woodturning, Hand made The instrument has seven finger-holes on the pipe and the seventh hole (for the little finger) is double. the pipe has a vent-hole drilled on both sides. The bell also has such a hole. More holes for the stop are drilled in different places of the bell. The dimensions of this small sopela are a lot bigger than the average measures for this kind of instrument. On the bottom side of the pipe there are slots made for thumbs. The sopela is decorated with incised parallel rings with jagged ridges. A metal ring is inserted above the first hole of the pipe. The bell and the upper part of the pipe are damaged. Martin Glavaš , Pula Wood, Cane, Metal, Woodturning Great: The instrument has six finger-holes. The bell has two vent-holes and one of them is drilled through the pipe on both sides. The sopela is decorated with ridges and grooves made on a lathe and parallel rings made with an incandescent wire also with the help of a lathe. Decorative crosshairs made with an incandescent wire are situated between the parallel rings of the bell. The instrument is lacquered with transparent varnish. The initials of the maker – MG – made with an incandescent tin stamp are inside the bell. Small: The instrument has seven finger-holes on the pipe and the seventh hole (for the little finger) is double. The bell has a vent-hole drilled on both sides. The sopela is decorated with ridges and grooves made on a lathe and parallel rings made with an incandescent wire also with the help of a lathe. Decorative crosshairs made with an incandescent wire are situated between the parallel rings of the bell. The initials of the maker – MG – made with an incandescent tin stamp are inside the bell. The pirouette lacks the reed. Martin Glavaš , Pula Wood, Cane, Metal, Woodturning Great: The instrument has six finger-holes . The bell has two vent-holes and one of them is drilled through the pipe on both sides. The sopela is decorated with ridges and grooves made on a lathe and parallel rings made with an incandescent wire also with the help of a lathe. Decorative crosshairs made with an incandescent wire are situated between the parallel rings of the bell. The instrument is lacquered with transparent varnish. The initials of the maker – MG – made with an incandescent tin stamp are inside the bell. Small: The instrument has seven finger-holes on the pipe and the seventh hole (for the little finger) is double. The bell has a vent-hole drilled on both sides. The sopela is decorated with ridges and grooves made on a lathe and parallel rings made with an incandescent wire also with the help of a lathe. In addition to parallel rings made on a lathe the bell also has carved jagged decorations. The instrument is lacquered with transparent varnish. The initials of the maker – MG – made with an incandescent tin stamp are inside the bell. Anton Peteh , Petešljari (Žminj) Wood, Metal, Woodturning Great: The instrument has five finger-holes . It is made without the usual third hole. The bell has one vent-hole. At the point where the pipe enters the bell there is another part - a fontanelle - as the remains of a Renaissance shawm, decorated with dots made with an incandescent wire and a drilled hole that matches the one drilled on the bell. The sopela is decorated with turned rings and parallel ridges and grooves. The instrument is painted with a brownish colour. The stop for the pirouette on the bell and the reed are missing. Small: The instrument has six finger-holes and a vent-hole drilled through the pipe on both sides. The bell has one vent-hole. The sopela is decorated with three dots made with an incandescent wire and with parallel decorative rings, ridges and grooves made on a lathe. The instrument is painted with a brownish colour. The pirouette lacks the reed. Darko Vitasović , Boduleri (Vodnjan) Wood, Maple, Woodturning, Carving Great: The instrument has six finger-holes . The bell has two vent-holes and one of them is drilled through the pipe on both sides. The sopela is decorated with ridges and grooves made on a lathe and parallel rings made with an incandescent wire also with the help of a lathe. In addition, the bell also has carved jagged decorations. The initials of the maker – DV (Darko Vitasović) – made with an incandescent wire are inside the bell. The instrument is lacquered with transparent varnish. The reed and the wooden stop on the pirouette are missing. (Note: the instrument was exposed at the exhibition Croatian Intangible Cultural Heritage on UNESCO list, 30.09.2015.) Small:The instrument has seven finger-holes on the pipe and the seventh hole (for the little finger) is double. The bell has a vent-hole drilled on both sides. The sopela is decorated with ridges and grooves made on a lathe and parallel rings made with an incandescent wire also with the help of a lathe. In addition to parallel rings made on a lathe the bell also has carved jagged decorations. The instrument is lacquered with transparent varnish. The reed on the pirouette is missing. (Note: the instrument was exposed at the exhibition Croatian Intangible Cultural Heritage on UNESCO list, 30.09.2015.) Miro Blažina-Pikutar , Marčana Wood, Woodturning, Hand made The instrument has six finger-holes . There are two vent-holes on the bell and one was drilled through the pipe on both sides. The sopela is decorated with ridges and grooves made on a lathe. A part of the bell is broken; the pirouette and the stop that holds it are missing. Sopela has been cut longitudinally across the central axis in order to understand the making techniques of the bell and the conical pipe from inside. Sopela was glued afterwards. oko/intorno/around 1900 Wood, Woodturning The instrument has six finger-holes. There is one vent-hole on the pipe drilled through on both sides, and the other vent-hole on the bell. Sopela is completely handmade. On the bottom of the chanter, there is a space made for positioning the thumb. The pirouette belongs for sure to another sopela from the collection- The bell is damaged. The chanter and the bell are handmade decorated with carved geometrical motifs. Ivan Fonović-Zlatela oko/intorno/around 1900 , Lazarići (Kršan) Wood, Woodturning, Hand made The instrument has six finger-holes. The pipe has two vent-holes and one of them is drilled through the pipe on both sides. The other hole has been made and closed later. There is also one vent-hole on the bell. There are two metallic rings on the chanter and one on the bell. The bell of the sopela is cracked. Circular grooves were made on the pipe for metallic rings that are missing. The bell has a vent-hole. The sopela is decorated with ridges, grooves and parallel rings made on a lathe. The pirouette, the reeds and the wooden stop are missing. Anton Peteh , Petešljari (Žminj) Wood, Woodturning, Hand made The instrument has six finger-holes. The pipe has two vent-holes. There are also two vent-holes on the bell. One of them was made and closed later. The chanter of the instruments belongs to small sopela and the bell to the great sopela. That means that a part of the chanter was modificated, in order to fit in the bell. The chanter is decorated with parallel rings made on a lathe and the bell In addition has circular carved jagged decorations. Most probably, the pirouette belongs another instrument from the collection, precisely, to the handmade small sopela (Inv. Num. Nada Stepčić (donacija/donazione/donation) Wood, Woodturning, Hand made The instrument has five finger-holes. There is one vent-hole on the fontanelle and one on the bell, drilled through the pipe on both sides. There is another vent-hole on the fontanelle that has been added later. The instrument is decorated with three dots made with an incandescent wire and with parallel decorative rings. The instrument is slightly damaged. On the chanter there are two metallic rings. The pirouette, reed and the wooden stop are missing. Ivan Fonović-Zlatela oko/intorno/around 1900 , Lazarići (Kršan) Wood, Woodturning, Hand made The instrument has six finger-holes. Besides, there is another smaller hole, drilled through the pipe on both sides, distant from the last finger-hole 27 mm. It is not clear if this hole has a function of a vent-hole or of a finger-hole. There is one vent-hole on the fontanelle and one on the bell, drilled through the pipe on both sides. The fontanelle is decorated with parallel decorative rings and with a carved figure of a human face. The instrument is slightly damaged and reinforced with the iron wire. Same the bell. The bell is decorated with carved motifs. The pirouette, reed and the wooden stop are missing. Ivan Fonović-Zlatela oko/intorno/around 1900 , Lazarići (Kršan) Wood, Woodturning, Hand made The instrument has seven finger-holes. Third and seventh have been closed later. The seventh finger-hole was also probably made afterwards. It is possible that each finger-hole was slightly enlarged. There is one vent-hole on the fontanelle and another one on the bell, drilled through the pipe on both sides. The fontanelle is decorated with three dots made with an incandescent wire and with parallel decorative rings. The bell is decorated with carved motifs. The pirouette, reed and the wooden stop are missing. Justina Radetić oko/intorno/around 1900. Wood, Walnut, Hand made The instrument is entirely handmade. It has six finger-holes. There is one vent-hole on the bell drilled through the pipe on both sides. The sopela has two metallic rings, one on the bell and the other on the bottom of the pipe. There was probably another ring on the upper part of the pipe. The sopela is decorated with a ring on the bell made with an incandescent wire. The pirouette, the reed and the stop that holds the pirouette are missing. Anton Peteh , Petešljari (Žminj) Wood, Woodturning, Hand made The instrument has six finger-holes. There are two vent-holes on the bell and one was drilled through the pipe on both sides. On the upper part of the pipe and on the upper part of the bell there are two thin metallic rings, one on each part. The sopela is decorated with three dots made with an incandescent wire and with parallel decorative rings, ridges and grooves made on a lathe. It is unsure if the stop for the pirouette belongs to this sopela. It is also possible that another pirouette that doesn't match to any other sopela from the collection, for the similarity of the making technique, belongs to this one. Mate Maružin-Žliga , Kanfanar Wood, Woodturning, Hand made The instrument has seven finger-holes on the pipe and the seventh hole (for the little finger) is double. The pipe has two vent-holes and one of them is drilled through the pipe on both sides. The pipe of the sopela is cracked. Circular grooves were made on the pipe for metallic rings that are missing. The bell has a vent-hole. The sopela is decorated with ridges, grooves and parallel rings made on a lathe. The pirouette and the reeds are missing. Mate Maružin-Žliga , Kanfanar Wood, Woodturning, Hand made The instrument has seven finger-holes on the pipe and the seventh hole (for the little finger) is double. The pipe has a vent-hole drilled through the pipe on both sides. There are circular grooves made on the pipe for the inserted metallic rings. The sopela is decorated with ridges, grooves and parallel rings made on a lathe. The bell is decorated with thin engraved lines. The pirouette and the reeds are missing.
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Martin Glavaš , Pula Drvo, Trstika, Tokarenje Vela: Instrument ima šest rupa za prebiranje. Na lijku se nalaze dvije rupe glasnice od kojih je jedna izbušena obostrano kroz cijev. Sopela je ukrašena tokarenim izbočenjima i žljebovima te paralelnim prstenovima izrađenim užarenom žicom na tokarskom stroju. Sopele su lakirane bezbojnim lakom. Mala: Instrument ima sedam rupa za prebiranje i jednu rupu glasnicu izbušenu na lijku. Sopela je ukrašena tokarenim izbočenjima i žljebovima te paralelnim prstenovima izrađenim užarenom žicom na tokarskom stroju. Instrument je lakiran bezbojnim lakom. Ivan Radić Drvo, Metal, Tokarenje Vela: Instrument ima šest rupa za prebiranje. Na lijku se nalaze dvije rupe glasnice od kojih je donja izbušena obostrano kroz cijev. Gornji dio prebiraljke učvršćen je lijevanim olovom. Sopele su ukrašene tokarenim paralelnim prstenovima, a na lijku je zadebljanje u jajolikom obliku. Instrument je obojen i lakiran. Ovakav tip sopela karakterističan je za područje otoka Krka i Kvarnerskog primorja. Mala: Instrument ima šest rupa za prebiranje. Na samoj prebiraljci obostrano kroz cijev izbušene su i dvije rupe glasnice. Gornji dio prebiraljke učvršćen je lijevanim olovom. Sopela je ukrašena tokarenim tankim paralelnim prstenovima. Lijak je zadebljan tokarenjem i na njemu je izbušene jedna rupa. Instrument je obojen i lakiran. Ovakav tip sopela karakterističan je za područje otoka Krka i Kvarnerskog primorja. Anonymous Drvo, Tokarenje None Instrument ima sedam rupa za prebiranje od kojih je sedma (za mali prst) dvostruka. Na lijku se nalazi jedna rupa glasnice. Na prebiraljnci su umetnuta dva metalna prstena dok je na lijku jedan. Dno lijka dodatno učvrščeno metalnim pojačanjem. Sopela je ukrašena tokarenim izbočenjima i žljebovima. Prema načinu izrade, izgledno da je instrument izradio Miro Blažina – Pikutar. Božidar Oplanić Drvo, Metal, Tokarenje Vela: Instrument ima sedam rupa za prebiranje od kojih je sedma (za mali prst) dvostruka. Na prebiraljci je obostrano kroz cijev izbušena i jedna rupa glasnica. Na lijku se nalaze dvije rupe glasnice od kojih je jedna izbušena obostrano kroz cijev. Na gornjim dijelovima lijka i prebiraljke umetnuti su prstenovi od mjedi (mesinga) i kromiranog željeza. Prebiraljka i lijak ukrašeni su tokarenim izbočenjima i žljebovima. Sopela je obojena smećkastom bojom i lakirana. Nedostaju špulet i pisak. Mala: Instrument ima šest rupa za prebiranje. Na lijku se nalaze dvije rupe glasnice od kojih je jedna izbušena obostrano kroz cijev. Na gornjem dijelu lijka umetnut je prsten od mjedi (mesinga). Instrument je ukrašen tokarenim paralelnim prstenovima te izbočenjima i žljebovima. Sopela je obojena smećkastom bojom i potom lakirana. Nedostaju špulet i pisak. Martin Glavaš , Pula Drvo, Trstika, Metal, Tokarenje Vela: Instrument ima šest rupa za prebiranje. Na lijku se nalaze dvije rupe glasnice od kojih je jedna izbušena obostrano kroz cijev. Sopela je ukrašena tokarenim izbočenjima i žljebovima te paralelnim prstenovima izrađenim užarenom žicom na tokarskom stroju. Instrument je obojen smeđom bojom i lakiran. Mala: Instrument ima šest rupa za prebiranje i jednu obostrano kroz cijev izbušenu rupu glasnicu. Jedna takva rupa nalazi se i na lijku. Sopela je ukrašena tokarenim izbočenjima i žljebovima te paralelnim prstenovima izrađenim užarenom žicom na tokarskom stroju. Instrument je obojen smeđom bojom i lakiran. Martin Glavaš , Pula Drvo, Trstika, Metal, Tokarenje Vela: Instrument ima šest rupa za prebiranje. Na lijku se nalaze dvije rupe glasnice od kojih je jedna izbušena obostrano kroz cijev. Sopela je ukrašena tokarenim izbočenjima i žljebovima, a užarenom žicom su na tokarskom stroju izrađeni ukrasni prstenovi. Instrument je lakiran bezbojnim lakom. Mala: Instrument ima šest rupa za prebiranje i jednu obostrano kroz cijev izbušenu rupu glasnicu. Jedna takva rupa nalazi se i na lijku. Sopela je ukrašena tokarenim izbočenjima i žlijebovima te paralelnim prstenovima izrađenim užarenom žicom na tokarskom stroju. Instrument je lakiran bezbojnim lakom. Vinko Trubić , Krk Drvo, Trstika, Metal, Tokarenje Vela: Instrument ima šest rupa za prebiranje. Na lijku se nalazi jedna rupa glasnica izbušena obostrano kroz cijev. Gornji dio prebiraljke učvršćen je lijevanim olovom. Sopele su ukrašene tokarenim paralelnim prstenovima. Ovo su prve sopele koje je graditelj napravio a karakteristične su za područje otoka Krka i Kvarnerskog primorja. Mala: Instrument ima šest rupa za prebiranje. Na samoj prebiraljci su obostrano kroz cijev izbušene i dvije rupe glasnice. Gornji dio ručno izrađene prebiraljke učvršćen je lijevanim olovom. Lijak je ukrašen tokarenjem urezanim tankim paralelnim prstenovima i jajolikim zadebljanjem. Na njemu je izbušena i jedna rupa koja je naknadno začepljena. Napuknuti lijak učvršćen je na tri mjesta željeznim spajalicama. Graditelj je otac Vinka Trubića, majstora čije su sopele također dijelom fundusa EMI-a. Ovakav tip sopela karakterističan je za područje otoka Krka i Kvarnerskog primorja. Vinko Trubić , Krk Drvo, Metal, Tokarenje Vela: Instrument ima šest rupa za prebiranje. Na lijku se nalaze dvije rupe glasnice od kojih je donja izbušena obostrano kroz cijev. Gornji dio prebiraljke učvršćen je lijevanim olovom. Sopele su ukrašene tokarenim paralelnim prstenovima, a na lijku je zadebljanje u jajolikom obliku. Instrument je obojen i lakiran. Na špuletu nedostaje pisak. Ovakav tip sopela karakterističan je za područje otoka Krka i Kvarnerskog primorja. Mala: Instrument ima šest rupa za prebiranje. Na samoj prebiraljci obostrano kroz cijev izbušene su i dvije rupe glasnice. Gornji dio prebiraljke učvršćen je lijevanim olovom. Sopela je ukrašena tokarenim tankim paralelnim prstenovima. Lijak je zadebljan tokarenjem i na njemu su izbušene dvije rupe glasnice od kojih je donja izbušena obostrano kroz cijev. Instrument je obojen i lakiran. Na špuletu nedostaje pisak. Ovakav tip sopela karakterističan je za područje otoka Krka i Kvarnerskog primorja. Martin Glavaš , Pula Drvo, Tokarenje Vela: Instrument ima šest rupa za prebiranje. Na lijku se nalaze dvije rupe glasnice od kojih je jedna izbušena obostrano kroz cijev. Sopela je ukrašena tokarenim izbočenjima i žljebovima, a užarenom žicom na tokarskom stroju izrađeni su ukrasni prstenovi. Instrument je lakiran bezbojnim lakom. Nedostaju špulet i pisak. Mala: Instrument ima šest rupa za prebiranje i jednu rupu glasnicu izbušenu obostrano kroz cijev. Na lijku je također izbušena jedna takva rupa. Sopela je ukrašena tokarenim izbočenjima i žljebovima, a užarenom žicom su na tokarskom stroju izrađeni ukrasni prstenovi. Instrument je lakiran bezbojnim lakom. Dio lijka je odlomljen i nedostaju špulet i pisak. Martin Glavaš , Pula Drvo, Trstika, Maslina, Metal, Tokarenje Vela: Instrument ima šest rupa za prebiranje. Na lijku se nalaze dvije rupe glasnice od kojih je jedna izbušena obostrano kroz cijev. Sopela je ukrašena tokarenim izbočenjima i žljebovima, a užarenom žicom na tokarskom stroju izrađeni su ukrasni prstenovi. Instrument je lakiran bezbojnim lakom. Nedostaju špulet i pisak. Mala: Instrument ima šest rupa za prebiranje i jednu rupu glasnicu izbušenu obostrano kroz cijev. Na lijku je također izbušena jedna takva rupa. Sopela je ukrašena tokarenim izbočenjima i žljebovima, a užarenom žicom su na tokarskom stroju izrađeni ukrasni prstenovi. Instrument je lakiran bezbojnim lakom. Dio lijka je odlomljen i nedostaju špulet i pisak. Martin Glavaš , Pula Drvo, Trstika, Metal, Tokarenje Vela: Instrument ima šest rupa za prebiranje. Na lijku se nalaze dvije rupe glasnice od kojih je jedna izbušena obostrano kroz cijev. Sopela je ukrašena tokarenim izbočenjima i žljebovima te paralelnim prstenovima izrađenim užarenom žicom na tokarskom stroju. Sopele su lakirane bezbojnim lakom. Mala: Instrument ima šest rupa za prebiranje i jednu rupu glasnicu obostrano izbušenu kroz cijev. Na lijku je također izbušena jedna takva rupa. Sopela je ukrašena tokarenim izbočenjima i žljebovima te paralelnim prstenovima izrađenim užarenom žicom na tokarskom stroju. Instrument je lakiran bezbojnim lakom. Martin Glavaš , Pula Drvo, Trstika, Metal, Tokarenje Vela: Instrument ima šest rupa za prebiranje. Na lijku se nalaze dvije rupe glasnice, od kojih je jedna izbušena obostrano kroz cijev. Sopela je ukrašena tokarenim izbočenjima i žljebovima te paralelnim prstenovima izrađenim užarenom žicom na tokarskom stroju. Instrument je obojen crvenkasto-smeđom bojom i lakiran. Mala: Instrument ima šest rupa za prebiranje i jednu rupu glasnicu obostano probušenu kroz cijev. Na lijku je također izbušena jedna takva rupa glasnica. Sopela je ukrašena tokarenim izbočenjima i žljebovima te paralelnim prstenovima izrađenim užarenom žicom na tokarskom stroju. Instrument je obojen crvenkasto-smeđom bojom i lakiran. Kod izrade, sa stražnje strane izbušeno je sedam rupa (pretpostavljamo greškom) koje su kasnije začepljene drvenim čepićima te smjesom ljepila za drvo i piljevine. Vinko Trubić , Krk Drvo, Trstika, Metal, Tokarenje Vela: Sopela ima šest rupa za prebiranje. Na lijku se nalaze dvije rupe glasnice od kojih je donja probušena obostrano. Sopela je ukrašena paralelnim prstenovima izrađenim užarenom žicom na tokarskom stroju. Na lijku su zadebljane u jajolikom obliku. Sopele su obojene i lakirane. Mala: Instrument ima šest rupa za prebiranje. Na samoj prebiraljki obostrano kroz cijev izbušene su i dvije rupe glasnice. Sopela je ukrašena paralelnim prstenovima izrađenim užarenom žicom na tokarskom stroju. Lijak je zadebljan tokarenjem i na njemu su izbušene dvije rupe glasnice od kojih je donja izbušena obostrano kroz cijev. Instrument je obojen i lakiran. Ovakav tip sopela karakterističan je za područje otoka Krka i Kvarnerskog primorja. Mario Sandrić , Butkovići, Pula Drvo, Metal, Tokarenje Vela: Instrument ima šest rupa za prebiranje. Na lijku se nalaze dvije rupe glasnice od kojih je jedna izbušena obostrano kroz cijev. Sopela je ukrašena tokarenim izbočenjima i žljebovima te paralelnim prstenovima izrađenim užarenom žicom na tokarskom stroju. Na lijku je sopela lagano napuknuta. Obojene ili lakirane svijetlom nijansom smeđe boje. Nedostaje pisak na špuletu. Mala: Instrument ima sedam rupa za prebiranje, od kojih je sedma (za mali prst) dvostruka. Na lijku se nalazi jedna rupa glasnica izbušena obostrano kroz cijev. Sopela je ukrašena tokarenim izbočenjima i žljebovima te paralelnim prstenovima izrađenim užarenom žicom na tokarskom stroju. Instrument je obojen ili lakiran svijetlom nijansom smeđe boje. Nedostaje pisak na špuletu. Mate Maružin-Žliga , Kanfanar Drvo, Trstika, Metal, Tokarenje Instrument ima sedam rupa za prebiranje od kojih je sedma (za mali prst ) dvostruka. Na lijku je jedna rupa glasnica izbušena obostrano kroz cijev. Prebiraljka je pri vrhu ojačana željeznim prstenom. Lijak je također ojačan željeznim prstenovima pri dnu i pri vrhu s tim da ovaj potonji nedostaje. Sopela je ukrašena tankim tokarenim prstenovima te izbočenjima i žljebovima. Instrument je obojen smeđom bojom. Pisak i špulet možda nisu originalni. Miro Blažina-Pikutar , Marčana Drvo, Trstika, Orah, Metal, Tokarenje Vela: Instrument ima šest rupa za prebiranje. Na lijku se nalaze dvije rupe glasnice od kojih je jedna izbušena obostrano kroz cijev. Sopela je ukrašena tokarenim izbočenjima i žljebovima. Dio lijka je odlomljen, a klin koji drži špulet nedostaje. Mala: Instrument ima sedam rupa za prebiranje od kojih je sedma (za mali prst) dvostruka. Na prebiraljci je obostrano kroz cijev izbušena i jedna rupa glasnica. Na lijku su dvije rupe glasnice od kojih je jedna izbušena obostrano kroz cijev. Sopela je ukrašena tokarenim izbočenjima i žljebovima. Jože Križmanić , Veli Ježenj (Pazin) Drvo, Tokarenje Lijak vele sopele i bačvica . Sopela je inventirana bez prebiraljke. Na bačvici su križno izbušene četiri rupe, središnja rupa se podudara s rupom izbušenom na cijevi lijka. Na lijku su kroz cijev izbušene još dvije obostrane rupe glasnice. Lijak je ukrašen urezanim tankim crtama i drugim geometrijskim ornamentima u obliku trokuta, kvadrata i rombova. Na bačvici su užarenom žicom na tokarskom stroju izrađeni ukrasni paralelni tanki prstenovi. Lijak je napuknut. Ivan Fonović-Zlatela oko/intorno/around 1900. , Lazarići (Kršan) Drvo, Metal, Tokarenje, Ručna izrada Instrument ima sedam rupa za prebiranje od kojih je sedma (za mali prst) dvostruka. Na prebiraljci se nalazi i jedna rupa glasnica obostrano izbušena kroz cijev. Na lijku je također jedna takva rupa. Na različitim mjestima lijka izbušeno je više rupa za klin. Dimenzije ove male sopele dosta su veće od prosječnih mjera na koje se nailazi. S donje strane prebiraljke napravljeni su utori za palčave. Sopela je ukrašena urezanim paralelnim prstenovima sa zupčastim izbočenjima. Iznad prve rupe na prebiraljci umetnut je metalni prsten. Lijak i gornji dio prebiraljke su oštećeni. Martin Glavaš , Pula Drvo, Trstika, Metal, Tokarenje Vela: Instrument ima šest rupa za prebiranje. Na lijku se nalaze dvije rupe glasnice od kojih je jedna izbušena obostrano kroz cijev. Sopela je ukrašena tokarenim izbočenjima i žljebovima te paralelnim prstenovima izrađenim užarenom žicom na tokarskom stroju. Na lijku su između paralelnih prstenova užarenom žicom izrađeni ukrasni križići. Instrument je lakiran bezbojnim lakom. Unutar lijka užarenim limenim žigom urezani su inicijali graditelja - MG. Mala: Instrument ima na prebiraljci sedam rupa za prebiranje od kojih je sedma (za mali prst) dvostruka. Na lijku se nalazi rupa glasnica izbušena obostrano kroz cijev. Sopela je ukrašena tokarenim izbočenjima i žljebovima te paralelnim prstenovima izrađenim užarenom žicom na tokarskom stroju. Na lijku su između paralelnih prstenova užarenom žicom izrađeni ukrasni križići. Unutar lijka užarenim limenim žigom urezani su inicijali graditelja - MG. Na špuletu nedostaje pisak. Martin Glavaš , Pula Drvo, Trstika, Metal, Tokarenje Vela: Instrument ima šest rupa za prebiranje. Na lijku se nalaze dvije rupe glasnice od kojih je jedna izbušena obostrano kroz cijev. Sopela je ukrašena tokarenim izbočenjima i žljebovima te paralelnim prstenovima izrađenim užarenom žicom na tokarskom stroju. Na lijku su između paralelnih prstenova užarenom žicom izrađeni ukrasni križići. Instrument je lakiran bezbojnim lakom. Unutar lijka užarenim limenim žigom urezani su inicijali graditelja – MG. Mala: Instrument ima na prebiraljci sedam rupa za prebiranje od kojih je sedma (za mali prst) dvostruka. Na lijku se nalazi rupa glasnica izbušena obostrano kroz cijev. Sopela je ukrašena tokarenim izbočenjima i žljebovima te paralelnim prstenovima izrađenim užarenom žicom na tokarskom stroju. Osim paralelno tokarenih prstenova, lijak je ukrašen i izrezbarenim nazubljenim ukrasima. Instrument je lakiran bezbojnim lakom. Unutar lijka užarenim limenim žigom urezani su inicijali graditelja – MG. Anton Peteh , Petešljari (Žminj) Drvo, Metal, Tokarenje Vela: Instrument ima pet rupa za prebiranje. Izrađen je bez uobičajene treće rupe. Na lijku se nalazi jedna rupa glasnica. Na mjestu gdje prebiraljka ulazi u lijak postoji još jedan dio – drvena bačvica – kao ostatak renesansnog šalmaja, na kojoj su užarenom žicom izrađene ukrasne točkice i izbušena rupa koja se podudara s rupom na lijku. Sopela je ukrašena tokarenim paralelnim prstenovima te izbočenjima i žljebovima. Instrument je obojen smećkastom bojom. Nedostaju klin za špulet na lijku i pisak. Mala: Instrument ima šest rupa za prebiranje i jednu rupu glasnicu izbušenu obostrano kroz cijev. Na lijku se nalazi jedna rupa glasnica. Sopela je ukrašena s tri točkice izrađene užarenom žicom te tokarenim ukrasnim paralelnim prstenovima, izbočenjima i žljebovima. Instrument je obojen smećkastom bojom. Na špuletu nedostaje pisak. Darko Vitasović , Boduleri (Vodnjan) Drvo, Javor, Tokarenje, Rezbarenje Vela: Instrument ima šest rupa za prebiranje. Na lijku se nalaze dvije rupe glasnice od kojih je jedna izbušena obostrano kroz cijev. Sopela je ukrašena tokarenim izbočenjima i žljebovima, a užarenom žicom su na tokarskom stroju izrađeni ukrasni prstenovi. Prstenovi rezbareni, nazubljeni. Na lijku su užaernom žicom urezani inicijali graditelja – „DV“ (Darko Vitasović). Instrument je lakiran bezbojnim lakom. Nedostaju pisak i klin za špulet. (Napomena: Predmete je za Muzej preuzela Biškupić BAšić za izložbu Hrvatska nematerijalna kulturna baština na UNESCO-vim listama (30.09.2015.) Mala: Instrument ima sedam rupa za prebiranje od kojih je sedma (za mali prst) dvostruka. Na lijku je izbušena jedna rupa glasnica. Sopela je ukrašena tokarenim izbočenjima I žljebovima te paralelnim prstenovima izrađenim užarenom žicom. Lijak je nazubljen rezbarenjem . Sopele su lakirane bezbojnim lakom. Nedostaje pisak. (Napomena: Predmete je za Etnografski muzej preuzela Biškupić Bašić za izložbu Hrvatska nematerijalna kulturna baština na UNESCO-vim listama (30.09.2015.) Miro Blažina-Pikutar , Marčana Drvo, Tokarenje, Ručna izrada Instrument ima šest rupa za prebiranje. Na lijku se nalaze dvije rupe glasnice od kojih je jedna izbušena obostrano kroz cijev. Sopela je ukrašena tokarenim izbočenjima i žljebovima. Dio lijka je odlomljen, a špulet i klin nedostaju. Lijak i prebiraljka su longitudinalno prepiljene po središtu osi, kako bi se detaljno vidjela izrada unutrašnje strane lijka i konusne cijevi. Sopele su naknadno zalijepljene. oko/intorno/around 1900 Drvo, Tokarenje Instrument ima šest rupa i jednu obostrano izbušenu rupu glasnicu na prebiraljci. Na lijku se nalazi jedna obostrana rupa glasnica. Sopela je izrađena u potpunosti ručno, bez upotrebe tokarskog stroja. S donje strane izrađen je i utor za palac. Tokareni špulet vrlo vjerojatno pripada drugoj sopeli iz zbirke. Lijak je napuknut. Prebiraljka i lijak su ukrašeni ručno rezbarenim geometrijskim ukrasima. Ivan Fonović-Zlatela oko/intorno/around 1900 , Lazarići (Kršan) Drvo, Tokarenje, Ručna izrada Instrument ima šest rupa za prebiranje. Na prebiraljki su izbušene i dvije rupe glasnice, jedna obostrana a druga naknadno izbušena i začepljena. Na lijku obostrano izbušena jedna rupa glasnica. Na prebiraljki se nalaze dva metalna prstena a na lijku jedan. Lijak je napuknut. Prebiraljka je ukrašena paralelnim pstenovima izrađenim užarenom žicom na tokarskom stroju a lijak nazubljenim rezbarenim ukrasima. Nedostaje pisak i čepić za špulet. Anton Peteh , Petešljari (Žminj) Drvo, Tokarenje, Ručna izrada Instrument ima šest rupa za prebiranje. Na prebiraljki su izbušene i dvije rupe glasnice. Na lijku također izbušene dvije rupe glasnice od kojih jedna naknadno. Potom je ta ista rupa i začepljena. Zanimljivost je da je sama prebiraljka od male a lijak od vele sopele. Na prebiraljki je stoga prilagođen dio koji ulazi u lijak. Prebiraljka je ukrašena tokarenim paralelnim prstenovima izrađenim užarenom žicom. Lijak ukrašen sitno nazubljenim rezbarenim kružnim ukrasima. Špulet vrlo vjerojatno od druge male sopele iz zbirke koja je izrađena ručno. Nada Stepčić (donacija/donazione/donation) Drvo, Tokarenje, Ručna izrada Instrument ima pet rupa za prebiranje. Na bačvici je izbušena jedan rupa glasnica kojoj je naknadno dodana još jedna. Na lijku je izbušena obostrano jedna rupa glasnica. Na prebiraljci se nalaze dva metalna prstena. Sopela je ukrašena tankim tokarenim linijama. Bačvica je napuknuta. Ukrašena je tokarenim paralelnim prstenovima a oko glasnice izbušene tri rupice. Lijak je ukrašen nazubljenim rezbarenim ukrasima. Nedostaju špulet, pisak i čepić za špulet. Ivan Fonović-Zlatela oko/intorno/around 1900 , Lazarići (Kršan) Drvo, Tokarenje, Ručna izrada Instrument ima šest rupa za prebiranje. Osim toga, na prebiraljki postoji i jedna obostrano izbušena manja rupa udaljena od šeste rupe 27 mm. Nije jasno da li služi kao glasnica ili rupa za prebiranje. Na bačvici je izbušena jedan rupa glasnica dok je na lijku također jedna ali obostrano. Bačvica je ukrašena tokarenim paralelnim prstenovima i izrezbarenom figurom ljudskog lica. Bačvica je napuknuta i pričvršćena žicom. Lijak također napuknut i vezan žicom. Lijak je ukrašen nazubljenim rezbarenim ukrasima i linijama. Nedostaju špulet, pisak i čepić za špulet. Ivan Fonović-Zlatela oko/intorno/around 1900 , Lazarići (Kršan) Drvo, Tokarenje, Ručna izrada Instrument ima sedam rupa za prebiranje, od kojih su treća i sedma naknadno začepljene. Sedma rupa je vjerojatno naknadno i izbušena. Vrlo je izgledno da su sve rupe na instrumentu proširivane. Na bačvici je izbušena jedan rupa glasnica, a na lijku je jedna obostrana. Bačvica je ukrašena tokarenim paralelnim prstenovima a oko glasnice su izbušene tri rupice. Lijak je ukrašen nazubljenim rezbarenim ukrasima. Prebiraljka je učvršćena s dva metalna prstena. Nedostaju špulet, pisak i čepić za špulet. Justina Radetić oko/intorno/around 1900. g. Drvo, Orah, Ručna izrada Instrument je u potpunosti ručno izrađen. Ima šest rupa za prebiranje. Na lijku se nalazi jedna rupe glasnica izbušena obostrano kroz cijev. Sopela ima dva šira metalna prstena, jedan na lijku i jedan na dnu prebiraljke. Na vrhu je vjerojatno bio još jedan prsten. Na lijku jedan ukrasni prsten izrađen užarenom žicom. Nedostaju špulet, pisak i klin. Anton Peteh , Petešljari (Žminj) Drvo, Tokarenje, Ručna izrada Instrument ima šest rupa za prebiranje. Ima jednu običnu i jednu obostrano izbušenu rupu glasnicu na lijku. Na vrhu prebiraljke umetnut je uski metalni prsten, isto kao i na vrhu lijka. Sopela je ukrašena tokarenim izbočenjima i žljebovima te paralelnim prstenovima izrađenim užarenom žicom na tokarskom stroju. Klin nije sigurno da pripada ovoj sopeli. Također, moguće da sopeli pripada i jedan špulet koji ne odgovara niti jednoj drugoj sopeli iz zbirke. Mate Maružin-Žliga , Kanfanar Drvo, Tokarenje, Ručna izrada Instrument ima sedam rupa za prebiranje. Ima dvije rupe glasnice na prebiraljci od kojih je jedna obostrano izbušena. Prebiraljka je napuknuta. Na prebiraljci su napravljeni kružni žlijebovi za metalne prstenove koji nedostaju. Na lijku je izbušena jedna rupa glasnica. Sopela je ukrašena tokarenim izbočenjima i žljebovima te paralelnim prstenovima izrađenim na tokarskom stroju. Špulet i pisak nedostaju. Mate Maružin-Žliga , Kanfanar Drvo, Tokarenje, Ručna izrada Instrument ima sedam rupa za prebiranje, od kojih je sedma dvostruka. Na lijku se nalazi jedna rupe glasnica izbušena obostrano kroz cijev. Na prebiraljci izrađeni žlijebovi u koje su umetnuti metalni prstenovi. Sopela je ukrašena tokarenim izbočenjima i žljebovima te paralelnim prstenovima. Lijak ukrašen tankim rezbarenim linijama. Nedostaju špulet i pisak.