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Town Museum Korčula: New Materialisms (Station 3.6) – Grey Area New Materialisms (Station 3.6) Town Museum Korčula part of the exhibition-in-progress New Materialisms artists: Martin Callanan, Ivan Marušić Klif, Eloi Puig, Goran Trbuljak curators: Darko Fritz (Grey Area), Eilidith Lucas i Geoff Lucas (HICA) Project New Materialism has been a collaboration between grey) (area – space for contemporary and media art and HICA (Highland Institute for Contemporary Art), carried out through multi-annual series of exhibitions, performances and lectures. New Materialism project reflects historically divergent art practices and discursive fields of concrete and conceptual art, as defined in the 1960s. Project tackles understanding of those art practices through the discourse of post-media contemporary approaches to art as well as via post-digital condition of our every day life, whereby digital is interwoven with each aspect of our social being. New Materialism strives to formulate a dialogue among important authors of concrete and conceptual art and contemporary practitioners who work within the post-media context, while assuming the design of aesthetic experience as a vital mechanism which has its agency in the process of creating the physical world. Text Trends by Martin Callanan looks at our perception of words and data when displayed in graphical form thus studying the spectacularization of information. The work uses the data about the usage of Google search engine gathered within a four-year period, while reducing that process to some essential elements: searched terms vs. frequency of searched over time are presented in the form of a line graph. Through human perception of words and data, the work encourages the critique of the phenomenon of generating data. In the untitled work by Goran Trbuljak, which is being at display within the permanent exhibits in Korčula’s Town Museum, there is a hand counter which the author counts the visitors with, or, more precisely, the visitors who have been coming to his solo-exhibitions openings since the early 1970s. Those who have come more than once are counted only once. The second work is also without a title. Identical hand counter, but with another figure, one which shows the number of the people who came to his solo shows in 2016. With these works Trbuljak, via for him typical institutional critique, takes part in the questioning of the large quantification of the matters and phenomena in contemporary society from the first person position, which also reflects on the interpretations of the notion of new materialism seen through the optics of different fields that use the same term, but very often with different meanings. The Internet project “The Fine Line H-K-H-F” by Eloi Puig connects four locations, namely HICA (Inverness, Scotland, UK), Grey Area (Korčula, Croatia), Hangar (Barcelona, Spain) and Funchal (Madeira island, Portugal), monitoring weather at each location in real time. The Internet document shows a map of Europe with four locations, from each the line is started to be drawn on the map and develops over a period of two months. Four lines change their properties every day according to the weather report. This process ultimately creates a dynamic drawing generated by the particular climate of each location. Four variations of weather are taken in consideration: sun, clouds, rain and extreme weather, from 9th August to 1st September 2016. Unfortunately, the huge fire that caught Funchal showed the importance of meteorological conditions and their vital impact on people and environment. Puig’s art book Speresaic was made with the experimental software called Roloc, which operates with chromatic code of images, id est analyses an image from the spectre of colours chosen by a user. An image is subsequently converted into stripes of different sizes, depending on the chromatic proportions of an image. An image is being recomposed into vertical stripes of pure colours. Speresaic demonstrates a selection of photography of a location in Barcelona and their repeated recoding via Roloc software. Upon the artist’s invitation, the user Ljiljana Bomeštar, who visited Barcelona as a tourist, chose a set of five colours inspired by the location that she visited for the first time. Author then made a series of photo-works of the square that made an impression on the user (Plaza de Sant Pere) and recoded them chromatically. Series of the portraits by Ivan Marušić Klif’s colleagues and friends came to light via a special process. 3D scan of a face is shown on a screen of an analogue oscilloscope, which then directly rays the photo-paper. The oscilloscope was used for the manipulation of raster data, investigating into the nature of a visual signal. Write a Comment:
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Exhibition: New Materialisms (Station 3.5): Ivan Marušić Klif Audiovisual performance – Improvisation for oscilloscope and Kaosspad by Ivan Marusic Klif on 17th August. Free-jazz meets glitch. Manipulation of simple wave forms on analogue oscilloscope with sound output. Six video projections at the ambience of the old town of Korčula. Wednesday 17 . 08 . 2016 _ 22 h Knežev prolaz . Korčula dio izložbe u nastajanju New Materialisms kustos: Darko Fritz U organizaciji udruge Siva zona – prostor suvremene i medijske umjetnosti, u srijedu, 17. kolovoza 2016. u 22 sata održati će se u Korčuli audio-vizualni performans Ivana Marušića Klifa pod nazivom ‘Improvizacija za osciloskop i Kaosspad’. Freejazz meets glitch! U performansu autor manipulira jednostavne valove na analognom osciloskopu koji istovremeno oblikuju i zvuk i sliku. Vizuali se ostvaruju sa šest video projektora u ambijentu dvorišta i ulice Knežev prolaz u starom gradu Korčuli. Performans je dio projekta New Materialisms (Station 3) koji je započeo u lipnju ove godine, a ovog trena se paralelno odvija na nekoliko lokacija. 9. u Gradskom Muzeju Korčula je otvorena izložba NM (Station 3.2) koja prikazuje radove Gorana Trbuljaka; do 30. 8. NM (Station 3.3) prostorno-zvučna instalacija Hrvoja Hiršla “Rezonanca (Zvono)” u Crkvi sv. Petra u Korčuli, te do 1. 9. na internetu NM (Station 3.4): “The Fine Line H-K-H-F”, rad katalonskog umjetnika Eloia Puiga koji povezuje grad Korčulu sa tri lokacije u Europi preko dnevnih metereoloških podataka. Ivan Marušić Klif svoj izričaj bazira na implementaciji tehnologije u umjetničke svrhe. Tijekom posljednih 20 godina izveo je cijeli niz performansa, multimedijalnih instalacija i improviziranih nastupa. Osim dugogodišnjeg rada na području likovne umjetnosti i novih medija, Klif je aktivan i kao glazbenik i glazbeni producent, te autor glazbe za filmove, performanse, dramske i plesne predstave, a za svoju je site-specific instalaciju Lambda dobio Nagradu Vladimir Nazor. Projekt New Materialisms (NM) kroz višegodišnju seriju izložbi i predavanja reflektira povijesno divergentne umjetničke prakse konkretne i konceptualne umjetnosti i s njima povezana diskurzivna polja definirana tijekom 1960-ih. Projekt propituje razumijevanje istih kroz prizmu postmedijskih suvremenih pristupa umjetnosti i post-digitalne uvjetovanosti naše svakodnevice, pri čemu je digitalnošću prožet skoro svaki aspekt društvenosti. New Materialisms teži formirati dijaloge između značajnih autora konkretne i konceptualne umjetnosti i suvremenih praktičara koji djeluju u post-medijskom kontekstu s pretpostavkom oblikovanja estetskog iskustva kao značajnog mehanizma djelatnog u procesu stvaranja fizičkog svijeta. New Materialisms ostvaruje se od 2015. u suradnji Sive zone – prostora suvremene i medijske umjetnosti iz Korčule i HICA (Highlands instituta suvremene umjetnosti) iz Škotske. Write a Comment: