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Exhibition: Video, Television, Anticipation Video, Television, Anticipation guest curators: Branka Benčić and Aleksandra Sekulić opening: Saturday 23th August 21 / 23 h, with introduction by co-curator Aleksandra Sekulić artists: Bojan Jovanović, Dalibor Martinis, Studio Imitacija Života (Darko Fritz, Željko Serdarević), Dejan Vlaisavljević NIKT, Zhel (Željko Vukičević), Low-Fi Video Anticipation is a build-in perspective, which we intend to reveal by a certain epistemology of forgetting, or evoking the (pre)sense of future of art and media as a horizon of video as a practice in its initial exploring and agonistic relations to television. In the entire cultural space of former Yugoslavia we can recognize continuity and anticipation in regarding the film production of cinema clubs and pioneering work with video art. Soon television is becoming a point of reference and field of research as well as the artistic influence on the formation of specific aesthetics. This exhibition connects works from several decades: from the struggle in broadening the space of artistic interventions, using media ‘space of flows’, through the radical practices in Yugoslav cine-amateurism and alternative culture of the 1980s; experiments within the television program and appropriation of the media images; to the creation of the self-organized media spaces sustained by the video as the media of new micro-cinema communities. At the same time as the television has shaped the specific aesthetics, art is shaped by television, and the works of artists presented at the exhibition are questioning the cultural impact of television and its authority. Artists have destabilized the codes and conventions such as watching television, tv set as an object in the fields of installation and sculpture, and questioning the passive attitude of observers as well as ways of cultural production and consumption. Making an overview of a history of freedom, as it was claimed by the practices of video, we are in process of getting back its future, and revealing the potential which is now accessible, and in its course, anticipated. Write a Comment:
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Izlozba: Video, televizija, anticipacija Video, televizija, anticipacija otvaranje izložbe: subota 23. 8. od 21 do 23 sata, s uvodnom riječi kokustosice Aleksandre Sekulić Siva zona ugošćuje grupnu izložbu Video, televizija, anticipacija čije su kokustosice Braka Benčić (Pula, Zagreb) i Aleksandra Sekulić (Beograd). Izložba je prvi puta prikazana u Hrvatskoj, nakon postava prošle godine u Beogradu. U posebnom postavu prilagođenom galerijskom prostoru na tri kata Sive zone, predstavljeni su radovi slijedećih umjetnika: Bojan Jovanović, Dalibor Martinis, Studio Imitacija Života (Darko Fritz, Željko Serdarević), Dejan Vlaisavljević NIKT, Zhel (Željko Vukičević), Low-Fi Video. Anticipacija je ugrađena perspektiva, ono što otkrivamo epistemologijom zaboravljanja, ili evociranjem (pred)osjećaja budućnosti umjetnosti i medija kao horizonta video praksi u inicijalnom istraživanju i agonističkom odnosu s televizijom. U cjelokupnom kulturnom prostoru bivše SFRJ možemo pratiti i prepoznavati neke kontinuitete i anticipacije odnosa produkcije kino klubova i pionirskog rada s videom. Televizija postaje referentno mjesto, koje reflektira njezinu produkcijsku moć i dominaciju, kao i formativan utjecaj na oblikovanje specifične estetike. Ova izložba povezuje radove iz nekoliko desetljeća: od borbe za širenje polja umjetničkih intervencija, koristeći medije kao “prostor tokova”, radikalnih praksi jugoslavenskog kino-amaterizma i alternativne kulture osamdesetih; eksperimenata u televizijskom programu i aproprijacije medijskih slika, do stvaranja samoorganiziranih medijskih prostora razvijanih videom kao medijem novih microcinema zajednica. Istovremeno dok je televizija oblikovala specifičnu umjetničku estetiku, umjetnost je oblikovala televiziju, a radovi umjetnika prisutni na izložbi preispituju upravo kulturni utjecaj televizije i njezin autoritet. Umjetnici su destabilizirali konvencije gledanja televizije i dovodili u pitanje pasivan odnos promatrača i televizije, kao i načine kulturne proizvodnje i potrošnje. Osvrtom na povijest slobode koju je tražio, u procesu smo vraćanja budućnosti videu, otkrivanja tada anticipiranog, a danas aktualnog potencijala. Dalibor Martinis talks to Dalibor Martinis Shoot to kill, Neško Uskoković Write a Comment: