http___www.kontejner.org_projekti_touch-me_touch-me-festival-2008-osjecaj-se-bolje_izlozba-15_artgasm-world-ripple__1.xml
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Artgasm: Art for nothing - orgasms for free Artgasmis a public performance where anonymous (male) participants are given an orgasm (including ejaculation) by a medical team. By using a special medical vibrator, applied to a specific nerve on the penis, it is possible to induce an orgasm/ejaculation to any male participant, whether he wants it or not. The device used is built to give orgasms to men with spinal cord injuries. Induced orgasm is also partly applicable to women, but is not part of this performance. The project Artgasm recombines aesthetics with ecstatics and ascetics. - questions our understanding of art by reducing the artistic experience to pure physical pleasure. It makes orgasms to art. The performance will medically manipulate the male audience/participant to experience the maximum of corporal pleasure - orgasm. The orgasms are involuntarily induced through a medical device and under the medical treatment of a doctor and nurse. - questions the control of pleasure - by making it uncontrollable. It physically forces pleasure on the participants - uses semen as a statement of biopolitics (identity, nationality, bio-market) - engineers the pleasure of joy. This is literally orgasms by pushing a button. A dream turning unpleasant. Artgasm reduces art to aesthetics in its original meaning: perception by means of the senses. Artgasm is a pure, measurable and visible corporal experience. It is indirectly a critique of the contemporary art-market and art-system ruled by invisible social control mechanisms and commercial interests. Further it comments on the biopolitics of pleasure control. Foucault'sHistory of Sexuality suggests that pleasure and truth are found under the rule of self-control. In a society where the individual's life is dominated by the care for the self, excess becomes the danger. Artgasm makes pleasure a combination of the schism between sexual regulation and self-discipline versus libertine or permissive conduct. All forced onto the participants. WorldRipple is an artistic experiment in technology, touch and communication that explores two fundamentally important questions: - How can touch build better personal communication and understanding between people? - What does it mean to be physically near and close to someone in a globalized, networked world? World Ripple is a sensual, haptic, invisible and immaterial sculpture made sensorially sense-able by a tactile, wireless and mobile bodysuit. The sculptures are triggered by GPS coordinates. They are expressed as physical stimulations and sound-based compositions. The sculptures of World Ripple are experiential and sensed – in the open, outdoor landscape. As computer constructed structures they can be endlessly large and dynamic experiences that can cross, be sensed around and encompass the world. The users wear a transparent, body-based and visually hidden system. The bodysuit is underneath their ordinary clothing and the mobile, sensor- and GPS-based system carried in a shoulder bag. Walking through the world they will sense and interfere with the sculptures. In the zones of collision between different structures and users new patterns of interference will arise, forming new, interpersonal and social ripples. Over time the sculptures will be changed by the user’s personal tracks – becoming a social zone of construction for shared feelings. The project aims at transforming the urban and public space into a sensual, changing and invisible structure. World Ripple represents a moveable structure that is influenced by the users and the patterns of interference between them. It lets the user sense an empty space filled with human sensations. Through GPS coordinates and satellite-based navigation immaterial sculptures are placed in the open outdoor landscape. The sculptures are either location-based events, a kind of haptic theatre, or dynamic structures moving, changing, developing their dimensions and properties over time. The movements of the users draw new paths in real space. The coordinates of these paths build ‘walls’ that channel, amplify and direct sensory data. When a user meets another user’s ‘wall’ or profile, there will be another sensory ‘wall’ arising - sensed as changes in sound and corporal stimulation. It’s a ripple, a changing event in the shape of wave patterns. World Ripple codes the users to behave differently from others. They are given new movements in the way they have to walk around, search for structures, stop, sense and possibly by physical reactions (exclamations, voice, utterances etc). In this manner World Ripple represents a Different Reality that aims at expanding our understanding of the world by overlapping (virtual) data with (physical) reality in order to make experiential fiction. The social space of experience can be constituted in several ways. One is to feel how others have impacted the structures via interference. Another is the hunt for others feelings. Where has person X gone? Which sensory tracks has he left? These structures of emotions can both be a) predefined data that are played as the user passes through specific zones, and b) events that are made in real-time based on the users sensations. In this way the project takes on the character of an adventurous, personal and intimate game. World Ripple is a collaboration with Per Anders Kvam
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Artgasm: Art for nothing - orgasms for free Artgasm je javni performans u kojemu medicinski tim izaziva orgazam (uključujući ejakulaciju) u anonimnih (muških) sudionika. Korištenjem posebnog medicinskog vibratora, koji se stavlja na određeni živac na penisu, moguće je izazvati orgazam/ejakulaciju u bilo kojega muškog sudionika, htio on to ili ne. Sprava koja se koristi izrađena je u svrhu izazivanja orgazma u muškaraca s ozljedama hrptene moždine. Inducirani orgazam djelomično je primjenjiv i na žene, ali to nije dio ovoga performansa. Projekt Artgasm rekombinira estetiku s ekstatikom i asketikom. - dovodi u pitanje naše razumijevanje umjetnosti, svodeći umjetničko iskustvo na puki tjelesni užitak. On od orgazama radi umjetnost. Performans će medicinski manipulirati muškog gledatelja/sudionika kako bi ovaj doživio vrhunski tjelesni užitak - orgazam. Orgazmi se izazivaju bez sudionikove volje, s pomoću medicinske sprave i pod medicinskim nadzorom liječnika i medicinske sestre. - dovodi u pitanje nadzor nad užitkom – time što ga čini nenadgledivim. On fizički nameće užitak sudionicima. - koristi sjeme kao biopolitički iskaz (identitet, nacionalnost, bio-tržište) - upravlja užitkom radosti. Tu se doslovce radi o orgazmima na pritisak dugmeta. San koji postaje neugodan. Artgasm svodi umjetnost na estetiku u njezinu izvornom značenju: na percepciju posredstvom čula. Artgasm je čist, mjerljiv i vidljiv tjelesni doživljaj. On je neizravna kritika suvremenog umjetničkog tržišta i umjetničkog sustava, kojima upravljaju nevidljivi mehanizmi društvene kontrole i komercijalni interesi. Nadalje, on komentira biopolitiku kontrole užitka. Foucaultova Povijest seksualnosti govori o tome kako se užitak i istinu može pronaći pod vodstvom samokontrole. U društvu u kojemu životom pojedinca dominira briga za sebe sama, suvišak se pretvara u opasnost. Artgasm od užitka čini kombinaciju raskola između seksualne regulacije i samodiscipline nasuprot liberalnom i popustljivom ponašanju. A sve se to nameće sudionicima. WorldRipple je umjetničko eksperimentiranje s tehnologijom, dodirom i komunikacijom, koje postavlja dva pitanja temeljne važnosti: - Na koji način dodir može stvoriti bolju komunikaciju i razumijevanje među ljudima - Što znači biti fizički blizu drugome u globalnom, umreženom svijetu? World Ripple je senzualna, taktilna, nevidljiva i nematerijalna skulptura, koja je čulno prilagođena čulima s pomoću taktilnog, bežičnog i mobilnog odijela. Skulpture se pokreću GPS koordinatama. Izražavaju se u obliku tjelesnih stimulacija i kompozicije utemeljenih na zvuku. World Ripple skulpture doživljavaju se i osjećaju na otvorenom, u vanjskom krajobrazu. Kao računalno izrađene strukture, one mogu biti beskrajno velika i dinamična iskustva, koja mogu prelaziti i obuhvaćati čitav svijet te biti doživljena širom svijeta. Korisnici na tijelu nose proziran i vizualno skriven sustav. Pripijeno odijelo nalazi se ispod njihove uobičajene odjeće, a mobilni sustav, opremljen senzorima i GPS-om, nose u torbi preko ramena. Hodajući svijetom, osjećat će skulpture i interferirati s njima. U zonama sraza između različitih struktura i korisnika pojavit će se novi obrasci interferencije, stvarajući nove, međuosobne i društvene nabore. Tijekom vremena korisnici će svojim osobnim putanjama mijenjati skulpture – koje će postati društvenom zonom konstrukcije zajedničkih osjećaja. Cilj projekta je pretvoriti urbani i javni prostor u senzualnu, promjenljivu i nevidljivu strukturu. World Ripple predstavlja pokretljivu strukturu na koju utječu korisnici i obrasci njihove interferencije. Ona omogućava korisniku da osjeti prazan prostor ispunjen ljudskim osjećajima. S pomoću GPS koordinata i satelitske navigacije nematerijalne skulpture smještaju se u otvoreni vanjski krajobraz. Skulpture mogu biti događaji vezani uz neku lokaciju, vrsta taktilnog kazališta ili pak dinamične strukture koje se kreću, mijenjaju, razvijaju svoje dimenzije i osobine tijekom vremena. Kretanje korisnika povlači nove putanje u stvarnom prostoru. Koordinate tih putanja grade 'zidove' koji kanaliziraju, pojačavaju i usmjeravaju osjetilne podatke. Kada korisnik naiđe na 'zid' ili profil drugoga korisnika, nastat će novi osjetilni 'zid' – koji će se doživjeti u vidu promjena u zvuku i tjelesnoj stimulaciji. To je nabor, promjenjivi događaj u obliku valnih uzoraka. World Ripple kodira korisnike tako da se ponašaju drugačije od drugih. Daje im nove pokrete i načine na koje moraju hodati okolo, tražiti strukture, zastajati, osjećati i po mogućnosti fizički reagirati (uzvicima, glasom, izričajima itd.). U tom pogledu World Ripple predstavlja jednu Drukčiju Stvarnost, čiji je cilj proširiti naše razumijevanje svijeta preklapanjem (virtualnih) podataka sa (fizičkom) stvarnošću kako bi se stvorila iskustvena fikcija. Društveni prostor iskustva može se uspostaviti na nekoliko načina. Jedan od njih je taj da se osjeti kako su drugi utjecali na strukture interferencijom. Drugi je lov na osjećaje drugih. Kamo je otišla osoba X? Kakve je osjetilne tragove ostavila za sobom? Te strukture emocija mogu biti a) unaprijed određeni podaci koji se reproduciraju dok korisnik prolazi kroz određene zone, i b) događaji koji nastaju u stvarnom vremenu na temelju osjećaja korisnika. Na taj način projekt poprima karakter avanturističke, osobne i intimne igre. World Ripple je projekt ostvaren u suradnji s Per Anders Kvamom.