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Carloni-Franceschetti Esso. Shadows Oozing Gold on the occasion of centenary of the birth of Pier Paolo Pasolini Institute for Contemporary Art, Zagreb Trg kralja Tomislava 20 Exhibition opening: May 27, 2022 @8:00 pm Exhibition remains open until July 2, 2022 Gallery hours: Tuesday – Saturday 1:00- 7:00 pm (closed on holidays) The Institute for Contemporary Art in Zagreb and Trieste Contemporanea present Esso: Shadows Oozing Gold by Italian artist duo Carloni-Franceschetti, in this the current year of Pier Paolo Pasolini’s centenary. With the first part of its title owed to the US oil corporation (as well as the Italian pronoun for he/it) and the rest to a well-known line by Pasolini, “shadows oozing gold in golden agony”, the Zagreb exhibition presents photographs, videos, and new installations that interpret the theme of how fascism takes root in different social strata in a dreamlike and hallucinatory way, conveying the metamorphosis between fascism, oil and Christianity and taking its cue from Petrolio, Pasolini’s posthumously published book. The depth of the study (beginning over five years ago) and the sensitivity in treatment of the themes selected for the exhibition by Cristiano Carloni and Stefano Franceschetti are exemplary in their artistic method: not abiding with the project as foreseen, because as it unfolds it takes on a form that is surprising, different from what might have been anticipated. This approach is at one with their way of analysing images in the knowledge that they conceal much more than they show. The representations that are at the heart of the exhibition resonate in pondering transmutations or the coexistence of opposites: images in negative or imagery showing the coexistence of Eucharist wafers and engine oil — wafers that blacken on contact with the oil that they themselves tend to absorb in a mismatched marriage. Two great fluid wholes are magically held as if they were the unitary potential of a rough diamond: the corporeity of unexpected reality that refers to something other than itself and the immateriality of a vortex of associations that envelops and rings around the visual history of images. This is the particularity and artistic journey of Esso: Shadows Oozing Gold, the enjoyment of which is clearly reiterated through the collection of in-depth critical evaluations by Hervé Joubert-Laurencin, Enrico Pitozzi, and Annalisa Sacchi presented in the catalogue of the exhibition. The exhibition project is curated by Giuliana Carbi Jesurun and Janka Vukmir and has been supported by the Italian Council (10th edition, 2021), program to promote Italian contemporary art in the world by the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture. Beside the co-financing from the autonomous region of Friuli Venezia Giulia a solid partnership network undergirds the promotion of this initiative, which in addition to the installation in Zagreb, includes a showcase of Carloni-Franceschetti’s in-depth studies on Pasolini’s work, with a number of stages in different places: in Venice thanks to the Adriatico Book Club as well as the Department of Architecture and Arts of Università Iuav di Venezia; in Trieste and in Friuli Venezia Giulia thanks to the support of Studio Tommaseo—Istituto per la documentazione e la diffusione delle arti and L’Officina cultural association; in Pesaro as part of the 2022 film festival curated by Fondazione Pesaro Nuovo Cinema; in Fano hosted by Gasparelli Arte Contemporanea; in Paris thanks to the research unit Laboratoire HAR (Histoire des Arts et des Représentations) at University Paris Nanterre. The project will also be broadcast on the radio by Giardini Pensili from Rimini and Usmaradio (Radio station and Research Centre for Radiophonic Studies of the University of San Marino). Cristiano Carloni (Fano, 1963) and Stefano Franceschetti (Pesaro, 1966) studied film animation and painting in Urbino and have been working together since 1995. They have produced videos, installations, electronic stage sets, animated films, photographic work and performances that have been taken up by the art world, yet in disorienting and unusual ways. Their techniques explore the optical processes of vision in the transmutation of matter as well as temporal shifts in memory. They have long worked together with research and educational institutions, as well as inaugurated, advanced and consolidated permanent courses in the audiovisual field. They have been teaching Animation Techniques at the Accademia di Belle Arti di Urbino for over a decade and held visiting professorships at the DAMS—Drama, Art and Music Studies course at the University of Bologna (2004), the École de Recherche Graphique in Brussels (2007) and the MOVIES—Moving Images Arts master’s degree course at Università Iuav di Venezia (2019, 2020). Their works have been widely exhibited at public institutions including: Museum of Contemporary Art (Chicago, 2002), Louvre Museum (Paris, 2004), Oxo Tower (London, 2004), Biennale Teatro (Venice, 2005), Central Academy of Fine Arts (Beijing, 2006), Martin Segal Center (New York, 2008), Fondazione Sandretto Re Rebaudengo (Turin, 2010), Austrian Film Museum (Vienna, 2011), MACRO (Rome, 2018). Moreover, the close collaboration with Romeo Castellucci and the Socìetas Raffaello Sanzio has as brought their work into a number of noteworthy avant-garde theatre spaces around the globe. Photo: Esso. Courtesy of artists.
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Carloni-Franceschetti Esso. Shadows Oozing Gold povodom stogodišnjice rođenja Piera Paola Pasolinija Institut za suvremenu umjetnost, Zagreb Trg kralja Tomislava 20 Otvorenje izložbe: u petak, 27. svibnja 2022 u 20:00 sati Izložba ostaje otvorena do 7. srpnja 2022. Radno vrijeme galerije: utorak – subota 13:00 – 19:00 sati (praznicima i blagdanima zatvoreno) Trieste Contemporanea i Institut za suvremenu umjetnost povodom stote obljetnice rođenja Piera Paola Pasolinija predstavljaju umjetnički projekt Cristiana Carlonija i Stefana Franceschettija Esso: Shadows Oozing Gold. S prvim dijelom naslova koji dolazi iz imena američke naftne korporacije (kao i talijanskom zamjenicom za on/ono), a ostatak iz poznatog Pasolinijevog stiha, “sjene koje kapaju zlatom u zlatnoj agoniji”, zagrebačka izložba predstavlja fotografije, videa i nove instalacije koje u oniričkom i halucinacijskom ključu interpretiraju temu fašizma i oblika u kojima se on ukorijenjuje u različite društvene slojeve, stavljajući u međuodnos metamorfoze između fašizma, nafte i kršćanstva, pronalazeći polazište u Nafti, Pasolinijevoj posljednjoj i posthumno objavljenoj knjizi. Dubina studije (započeta prije više od pet godina) i osjetljivost u obradi tema koje su za izložbu odabrali Cristiano Carloni i Stefano Franceschetti uzorni su u svojoj umjetničkoj metodi: ne pridržavati se projekta kako je predviđeno, jer kako se on odvija poprima oblik koji je iznenađujući, drugačiji od onoga što se moglo očekivati. Ovaj pristup je u skladu s njihovim načinom analiziranja slika i spoznaji da one skrivaju mnogo više nego što pokazuju. Reprezentacije koje su u središtu izložbe odjekuju u promišljanju transmutacija ili suživota suprotnosti: slike u negativu ili slike koje prikazuju suživot euharistijske hostije i motornog ulja — hostije koje pocrne u dodiru s uljem koje one sami imaju tendenciju apsorbirati u neusklađeni brak. Kustosice projekta su Giuliana Carbi Jesurun i Janka Vukmir, a podržalo ga je Talijansko vijeće / Italian Council (10. izdanje, 2021.), program za promicanje talijanske suvremene umjetnosti u svijetu Glavne uprave za suvremeno stvaralaštvo talijanskog Ministarstva kulture . Osim sufinanciranja iz autonomne regije Friuli Venezia Giulia, promidžbu ove inicijative podupire čvrsta partnerska mreža, koja osim izložbe u Zagrebu uključuje niz prezentacija Carloni-Franceschettijevih studija o Pasolinijevom radu, na nizu pozornica na različitim lokacijama: u Veneciji zahvaljujući Adriatico Book Clubu kao i Odjelu za arhitekturu i umjetnost Università Iuav di Venezia; u Trstu i u Furlaniji-Julijskoj krajini zahvaljujući podršci Studio Tommaseo—Istituto per la documentazione e la diffusione delle arti i udruge u kulturi L’Officina; u Pesaru u sklopu filmskog festivala 2022. u organizaciji Fondazione Pesaro Nuovo Cinema; u Fanu Gasparelli Arte Contemporanea; u Parizu zahvaljujući istraživačkoj jedinici Laboratoire HAR (Histoire des Arts et des Représentations) na Sveučilištu Paris Nanterre. Projekt će također na radiju emitirati Giardini Pensili iz Riminija i Usmaradio (Radio postaja i Istraživački centar za radiofonijske studije Sveučilišta u San Marinu). Cristiano Carloni (Fano, 1963.) i Stefano Franceschetti (Pesaro, 1966.) studirali su filmsku animaciju i slikarstvo u Urbinu i zajedno rade od 1995. Producirali su video, instalacije, elektronske scenografije, animirane filmove, fotografske radove i performanse koji su zaokupili svijet umjetnosti, ali na dezorijentirajuće i neobične načine. Njihove tehnike istražuju optičke procese vida u transmutaciji materije, i vremenske pomake u pamćenju. Kao učitelji i umjetnici dugo surađju s obrazovnim i istraživačkim institucijama, te su uveli, promicali i utvrdili nove tečajeve na audiovizualnom području. Više od deset godina predavali su tehnike animacije na Akademiji likovnih umjetnosti u Urbinu i bili gostujući profesori na kolegiju DAMS – studiju drame, umjetnosti, glazbe Sveučilišta u Bologni (2004.), École de Recherche Graphique iz Bruxellesa (2007.) i magistarski tečaj MOVIES — Moving Images Arts Sveučilišta Iuav u Veneciji (2019., 2020.). Njihovi su radovi naveliko izlagani u javnim institucijama uključujući: Muzej suvremene umjetnosti (Chicago, 2002.), Muzej Louvre (Pariz, 2004.), Oxo Tower (London, 2004.), Biennale Teatro (Venecija, 2005.), Centralna akademija likovnih umjetnosti (Peking, 2006.), Martin Segal Center (New York, 2008.), Fondazione Sandretto Re Rebaudengo (Torino, 2010.), Muzej austrijskog filma (Beč, 2011.), MACRO (Rim, 2018.). Štoviše, bliska suradnja s Romeom Castelluccijem i Socìetas Raffaello Sanziom dovela je njihov rad u niz značajnih avangardnih kazališnih prostora diljem svijeta. Fotografija: Esso. Ljubaznošću umjetnika.