http___www.kontejner.org_projekti_galerija-mocvara_izlozbe-u-galeriji-mocvara_db-indos-kuca-ekstremnog-muzickog-kazalista-hr-radiona-opruzne-sahtofonije-var-19-u-izvedbi-saht-arkestra__1.xml
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Spring schachtophonie workshop "VAR19" performed by Schacht Arkestra, a collaboration project based on the concept of performing schachtophonic musical scores by DB Indoš. The project culminates with the first performance of the Schacht Arkestra – a group of performers playing schachtophones. Schacht Arkestra is made from the point of view of the machine, not the listener; in theory and concept, it expresses the idea that by playing music one has to start to think like a machine. Schachtophones – used to perform schachtophonies – are a new form of musical instruments formed from a specific need that is conditioned by the feeling of historical uselessness of the old concepts and instruments. Schacht Arkestra also represents the idea that our entire body is a brain, with arms and legs having their own local intelligence, and all these local intelligences contributing to the central one. The rhythm that comes from this body configuration loses its stabilising function and time-space dimension, just as the futurists desired. By performing silent and loud schacht-cuts and vocal and spring vibrations, an existence of order is being rehearsed through noise, and the gesture of listening is being established – demonstrating that the noise as well can become a recognizable message. For its first performance, Schacht Arkestra will play the schachtophonie "VAR19" structured with consciousness of a damaged brain – an experience of the perceptive mechanism coded by memories, emotions and behaviour, and brought to consciousness through a network of conditions in which something such as brain damage is possible. Damir Bartol Indoš (Zagreb, 1957), performer and theatre artist, he creates experimental music instruments, sound sculptures called Schachtophones and graphic partitures. He took a degree in comparative literature and philosophy at the Faculty of Philosophy in Zagreb. During his university days he took part in the work of the neo-avant-garde student theatre group Kugla Glumište and as initiator of the Kugla Group during the 1980s did a number of performances (Gigan Affair, Unmuffled Vibrations, Sixth Allelomorph and so on). As DB Indoš House of Extreme Music Theater, from the 1990s, he created a series of projects and world tours with a variety of foreign and domestic artists and musicians. Since 2005, in coproduction with the SC Culture of Change, the &TD Theatre and in creative collaboration with Tanja Vrvilo he has produced performances with actors, performance artists, musicians and dancers (Chinese Roulette, The Enchantment, Green Green, Book of the Dead (joint direction with Zlatko Burić), Anti-Oedipus and others. He has taken part in various international festivals at home and abroad such as Fringe Festival (Edinburgh), Klangarten Festival (Linz), Franklin Furnace (New York), Roskilde festival, Translacije (Piotrkow), Eurokaz (Zagreb), Extravagant Bodies: Extravagant Minds festival (Zagreb), CAMP – International Festival of Visual Music (Zagreb), etc. He is a permanent collaborator of the &TD Theatre, a member of the Croatian Freelance Artists' Association and the Association of Fine Art Artists ULUPUH. He won the City of Zagreb Medal for promotion of alternative culture in 2009, and was winner of the first prize in the T-HT@MSU competition in 2012 for the sound sculpture Schachtophone. Together with Tanja Vrvilo he won the group award of the Croatian selection at the Prague Quadrennial in 2015. Tanja Vrvilo, a filmologist, film curator, performer and co-author of experimental theatre productions. She is the author of numerous essays and publications and works regularly as lecturer in the fields of cinema, visual and performing arts. As a performer she participated in many theatre productions and has been co-authoring and performing with alternative performance groups and authors, and continuously with a neo-avant-garde performer Damir Bartol Indoš. Helge Hinteregger (AT) Helge Hinteregger, Austrian artist concentrated on electronic, sampling, improvisation, making music for theater, video, sound installations. In 2009 he started the project Throatmusic where he uses his larynx to create different sounds. A microphone made by himself is fixed outside of his larynx and amplifies the sounds. The created signal is transformed afterwards through digital effect toys. The throat is used as additional resonance body. Adriana Josipović, an author, performer, mentor and assistant in numerous performances and theatre shows in Croatia and abroad. She is a member of International Theater Observatory collective (Sergei Kovalevich, RU/FR) and laboratory DREAMLAB (Mala Kline, SLO/BEL), performs in theatre productions by DB Indoš and T. Vrvilo – House of Extreme Music Theatre (HR), Irena Tomažin – Emanat (SLO), Jorge Parentom – La Guillotine (FR) and is a participant in performances by Triko Cirkus Theatre (HR). She is one of the founders of an art organization called Tvorba Otvorenih Konstrukata - TOK and an associate of the Belgian dance company Cie Felicette Chazerand. Nikolina Majdak (HR) Nikolina Majdak, a performer in numerous theatre productions and street shows. She works independently and in collaboration with artistic organisations in the field of independent culture, mostly in the circus-theatre scene. She moderated movement workshops and workshops of circus skills for children and adults. She is a member of the Croatian Association of Drama Artists and the Croatian Freelance Artists' Association. Kate Marušić (HR) Kate Marušić, a dancer who after 13 years of ballet turned to contemporary dance and physical theatre. She performed in numerous shows and plays. When she is not working in theatre, she sails and navigates the seas. And vice versa. Miro Manojlović (HR) Miro Manojlović, graduated filmmaking at the Academy of Dramatic Art in Zagreb, under the mentorship of professor Hrvoje Turković. He is active in the field of music, film and theatre. As a performer and musician, he collaborated on theatre projects by DB Indoš, tanja Vrvilo, Zlatko Burić, Senka Bulić, Dario harjaček, Rona Žulj, Ivica Buljan, Aruša Theatre, Villa trans Theatre. As a musician he collaborates with numerous musicians active on local and international impro-musical scene.
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Radiona opružne šahtofonije ‘’VAR19’’ u izvedbi Šaht Arkestra, suradnički umjetnički projekt zasnovan na konceptu izvođenja šahtofonskih partitura Damira Bartola Indoša. Projekt kulminira prvim perfomansom Šaht Arkestra – skupine izvođača šahtofonija na instrumentima šahtofonima. Šaht Arkestar je napravljen s gledišta strojeva, a ne s gledišta slušatelja; teorijski i konceptualno on izražava ideju da stvarati glazbu znači razmišljati strojno. Šahtofoni – instrumenti na kojima se izvode partiture šahtofonija – predstavljaju novi muzički instrumentarij koji odgovara na potrebu stvorenu osjećajem beskorisnosti starih koncepata i instrumenata za povijest. Šaht Arkestar također predstavlja ideju da je čitavo naše tijelo mozak, da ruke i noge imaju vlastitu lokalnu inteligenciju i da sve te lokalne inteligencije zajedno pridonose centralnoj inteligenciji. Ritam koji proizlazi iz takve konfiguracije tijela gubi svoju stabilizirajuću funkciju, dokida vrijeme i prostor, kao što su to željeli futuristi. Izvođenjem tihih i glasnih šaht-rezova te glasovnih i opružnih vibracija uvježbava se postojanje reda pomoću buke i uspostavlja gesta slušanja, pokazujući kako i buka sama može postati prepoznatljiva poruka. Za svoj prvi nastup Šaht Arkestar izvodi šahtofoniju "VAR19" strukturiranu sviješću o oštećenom mozgu kao iskustvo opažajnog mehanizma kodiranog sjećanjima, emocijama i ponašanjima, i osviještenog postojanjem unutar mreže stanja u kojem je tako nešto kao što je oštećenje mozga uopće moguće. Damir Bartol, Tanja Vrvilo – šahtofoni, glas Helge Hinteregger – grlena glazba Adriana Josipović, Nikolina Majdak, Kate Marušić – šahtofoni, glas Miro Manojlović – vibrafon, šahtofon DB Indoš (HR) Damir Bartol Indoš (Zagreb, 1957.), performer i kazališni umjetnik, stvara eksperimentalne muzičke instrumente, zvučne skulpture Šahtofone i grafičke partiture. Diplomirao je komparativnu književnost i filozofiju na Filozofskom fakultetu u Zagrebu. Tijekom studija sudjeluje u radu neoavangardne studentske kazališne grupe Kugla Glumište te je kao inicijator Grupe Kugla tijekom 1980-ih ostvario niz predstava-performansa (Afera Gigan, Neprigušeni titraji, Šesti allelomorf, itd.). Od 1990-ih, pod imenom DB Indoš – Kuća ekstremnog muzičkog kazališta ostvaruje niz projekata i gostovanja u zemlji i svijetu s brojnim domaćim i stranim umjetnicima. Od 2005., u koprodukciji s Kulturom promjene SC, Teatrom &TD i autorskom suradnjom s Tanjom Vrvilo realizira predstave s glumcima, performerima, glazbenicima i plesačima (Kineski rulet, Vilovanje, Zeleno zeleno, Knjiga mrtvih (korežija sa Zlatkom Burićem), Anti Edip, i dr.). Sudjelovao je na raznim međunarodnim festivalima u zemlji i svijetu poput: Fringe Festival (Edinburgh), Klangarten Festival (Linz), Franklin Furnace (New York), Roskilde festival, Translacije (Piotrkow), Eurokaz (Zagreb), Festival Ekstravagantna tijela: Ekstravagantni umovi (Zagreb), CAMP – Međunarodni festival za vizualnu glazbu (Zagreb) i dr. Stalni je suradnik Teatra &TD, kao kazališni redatelj član je Hrvatske zajednice samostalnih umjetnika te je i član ULUPUHA-a u sekciji kazališne scenografije. Dobitnik je medalje Grada Zagreba za promicanje alternativne kulture za 2009., dobitnik prve nagrade T-HT@MSU natječaja za 2012., za rad Šahtofon, a u suradnji s Tanjom Vrvilo dobitnik je grupne nagrade hrvatske selekcije na Praškom kvadrijenalu, 2015. godine. Tanja Vrvilo, filmologinja, kustosica u području filmske umjetnosti, perfomerica i su-autorica eksperimentalnih kazališnih produkcija. Autorica je brojnih eseja i publikacija i redovito predaje u području kinematografije, vizualnih i izvedbenih umjetnosti. Kao performerica sudjelovala je u brojnim kazališnim produkcijama te surađuje i izvodi performanse s alternativnim izvedbenim skupinama i autorima, a u kontinuitetu s neo-avangardnim performerom Damirom Bartolom Indošem. Helge Hinteregger (AT) Helge Hinteregger, austrijski umjetnik fokusiran na elektroniku, sempliranje i improvizaciju te stvaranje glazbe za kazalište, video, zvučne instalacije. Tijekom 2009. započeo je projekt Grlena glazba u kojem tijekom izvedbi koristi vlasititi grkljan za stvaranje raznih zvukova. Mikrofon kojeg je sam napravio fiksiran je izvan grkljanja i pojačava zvuk. Nastali signal se kasnije transformira korz digitalne efekte igračaka. Grlo se koristi kao dodatno rezonantno tijelo. Adriana Josipović, autorica, izvođačica, mentor i asistent brojnih predstava i performansa u Hrvatskoj i inozemstvu. Članica kolektiva International Theater Observatory (Sergei Kovalevich, RU/FR) i laboratorija DREAMLAB (Mala Kline, SLO/BEL). Izvođačica u predstavama DB Indoša i T. Vrvilo – Kuća esktremnog muzičkog kazališta (HR), Irene Tomažin – Emanat (SLO), Jorgea Parentoma - La Guillotine (FR) i sudionica u predstavama Triko Cirkus Teatra (HR). Jedna je od osnivača umjetničke organizacije Tvorba Otvorenih Konstrukata – TOK te vanjski suradnik plesne belgijske kompanije Cie Felicette Chazerand. Nikolina Majdak (HR) Nikolina Majdak, izvođačica koja sudjeluje u mnogim kazališnim produkcijama te brojnim uličnim predstavama. Samostalno i kroz suradnju s umjetničkim organizacijama i udrugama djeluje na području nezavisne kulture, najvećim dijelom na području cirkusko-kazališne scene. Vodi radionice pokreta, te cirkuskih vještina za djecu i odrasle. Članica je Hrvatskog društva dramskih umjetnika i Hrvatske zajednice samostalnih umjetnika. Kate Marušić (HR) Kate Marušić, plesačica koja se nakon 13 godina baleta usmjerila na suvremeni ples i fizički teatar. Sudjelovala je u mnogobrojnim predstavama. Kada ne radi u kazališti, jedri i plovi morima. I obrnuto. Miro Manojlović (HR) Miro Manojlović, diplomirao na Akademiji dramske umjetnosti, smjer filmska i TV montaža, pod mentorstvom profesora Hrvoja Turkovića. Bavi se glazbom, filmom i kazalištem. U kazalištu je kao performer i glazbenik surađivao na projektima DB Indoša, Tanje Vrvilo, Zlatka Burića, Senke Bulić, Daria Harjačeka, Rone Žulj, Ivice Buljana, Kazališta Aruša, Villa Trans Teatra. Kao glazbenik surađuje s brojnim glazbenicima na nacionalnoj i internacionalnoj improvizatorskoj sceni.