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Louise Lecavalier Louise Lecavalier, OC (born October 3, 1958) is a Canadian dancer, known as one of the icons of Canadian contemporary dance. Lecavalier was born and raised in Montreal, Canada. She began her professional dance career at the age of eighteen when she joined Le Groupe Nouvelle Aire. It was there that she met Édouard Lock. Lecavalier became Lock's main character and inspiration in his company La La La Human Steps. With her mane of platinum dreadlocks, her physical power and her mastery of the full-body barrel jump, which looks like a horizontal pirouette, her image was a signature for the company. She was the perfect embodiment of Lock's frenetic and technically punishing androgynous aesthetic in works such as Human Sex (1985) and Infante, c'est destroy (1991). She joined La La La Human Steps in 1981 for its production of Oranges and went on to perform in each of the company’s productions up until Salt in 1998. In 1985, Louise Lecavalier became the first Canadian to win a Bessie Award in New York for her performance in Businessman in the Process of Becoming an Angel (1983). The London Times critic found Lock's "extravagant" play poor but stated that there were - "...two women who seemed quite skilled at performing various odd dance steps; the fair-haired one [Louise Lecavalier] had a pleasing bravado whenever the production gave her half a chance."[1] She danced in Human Sex (1985), New Demons (1987), Infante, c'est destroy (1991) and finally, 2 (1995) and Salt (1998). Lecavalier also participated in each of La La La’s major collaborations, including David Bowie’s Sound+Vision Tour in 1990 and Fame '90 music video, The Yellow Shark concerts, performed by Frank Zappa and Germany's Ensemble Modern in Frankfurt, Berlin, and Vienna in 1992, and the film Inspirations from director Michael Apted in 1996. In May 1999, Louise Lecavalier received the Jean A. Chalmers National Award, Canada’s most distinguished dance prize. In 2003, she appeared with Tedd Robinson in Lula and the Sailor as part of a concert of duets choreographed by Robinson. In the winter of 2005, she co-produced Cobalt Rouge with the National Arts Centre in Ottawa, the Biennale di Venezia and Théâtre de la Ville in Paris. The work features Lecavalier with dancers Marc Boivin, Masaharu Imazu, and Tedd Robinson, and musician/composer Yannick Rieu. Lecavalier has been a guest teacher at New York University on several occasions and continues to perform as an independent artist. In 2008, she was made an Officer of the Order of Canada.[2] On April 7, 2010 she was awarded the Order of Canada.[3] On December 7, 2012, her piece "So Blue" premiered in Düsseldorf. It was her first dance choreography. In May 2014, Lecavalier received the Governor General's Performing Arts Award for Lifetime Artistic Achievement in dance. The award is Canada's highest honour in the performing arts.[4] Notable Performances[edit] - Oranges (1981) - Businessman in the Process of Becoming an Angel (1983) - Human Sex (1985) - New Demons (1987) - Infante, C'est destroy (1991) - Lula and the Sailor - Cobalt Rouge (2005) - Children (2010) L.L. / Fou Glorieux - So Blue (2012) L.L. / Fou Glorieux Movies & Videos[edit] - The Mondo Beyondo Show (1982) (TV) - Carole Laure's "Danse avant de tomber" (1989) (as a dancer) - David Bowie's "Fame '90" music video (1990) (as a dancer) - The Yellow Shark by Frank Zappa (1992) (TV) - Velasquez's Little Museum (1994) (as a dancer) - Pour tout dire - Module 3 (1995) - Pour tout dire - Module 4 (1995) - Strange Days (1995) (as Cindy 'Vita' Minh) - Inspirations (1997) (as herself) See also[edit] References[edit] - ^ John Percival: La La La Riverside, The Times, 5 November 1983, pg. 7 - ^ "Governor General to Invest 43 Recipients into the Order of Canada". gg.ca. Governor General of Canada. Retrieved 27 September 2010. - ^ "Order of Canada bestowed on 43". cbc.ca. CBC News. Retrieved 27 September 2010. - ^ "Louise Lecavalier". Governor General's Performing Arts Awards. Governor General's Performing Arts Awards Foundation. Retrieved 25 July 2014. External links[edit] - Official website - Louise Lecavalier at the Internet Movie Database - Archival footage of Louise Lecavalier performing A Few Minutes of Lock in 2011 at Jacob's Pillow. - Szporer, Philip. "Lecavalier, Louise". The Canadian Encyclopedia. The Historica Dominion Institute. Retrieved 27 September 2010.
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Le Fou Glorieux 6. i 7. lipnja TSP u Zagreb dovodi legendarnu Louise Lecavalier i njezin trodijelni program triju vodećih kanadskih koreografa. Poznavateljima svjetske plesne scene dovoljno je reći – Louise Lecavalier. Ostalima pak da je dugogodišnja muza i zaštitni znak kultne trupe LaLaLa Human steps, od 1999. posvećena solo karijeri. Program ‘Le Fou Glorieux’ spoj je triju koreografija koje je za nju kreirao trojac vodećih, međunarodno afirmiranih, kanadskih koreografa i u kojima Lecavalier otkriva novo lice sebe kao plesačice i suvremenog plesa uopće, a njime gostuje na 24. TSP. Louise Lecavalier, jedna od ikona kanadskog suvremenog plesa rođena je u Montréalu, a plesom se profesionalno bavi od 1977. godine. 1981. postala je članicom kanadske trupe La La La Human Steps, i muzom njezina voditelja Edouarda Locka. Više od dva desetljeća bila je simbol te plesne kompanije i do 1999. plesala je u svakoj njihovoj produkciji, neprestano ispitujući granice i ograničenja ljudskog tijela. 1985. Louise Lecavalier postala je prva kanadska dobitnica nagrade Bessie u New Yorku, a za svoju izvedbu u ‘Businessman in the Process of Becoming an Angel’ (1983).. Lecavalier je također sudjelovala i u svim većim kolaborativnim projektima trupe La La La, uključujući i ‘Sound and Vision’ turneju Davida Bowiea 1990., ‘The Yellow Shark’ koncerte Franka Zappe i Ensemble Modern 1992., te film ‘Inspirations’ redatelja Michaela Apteda iz 1996. U svibnju 1999, Louise Lecavalier je primila Jean A. Chalmers National Award, najvišu kanadsku plesnu nagradu, tada prvi put dodjeljenu nekom izvođaču. Program ‘Le Fou Glorieux’ spoj je triju koreografija koje je za nju kreirao trojac vodećih, međunarodno afirmiranih, kanadskih koreografa – ‘Lula and the Sailor’ duet, ulomak iz kreacije ‘Cobalt rouge’, nastale u koprodukciji National Arts Centre (0ttawa), Venecijanskog Biennala i Theatre de la Ville (Paris) u koreografiji Tedda Robinson; “I” Is Memory, duet ‘kinetičkih slika’ koje je izvorno za sebe I Louise Lecavalier koreografirao Benoit Lachambre, te konačno ‘Lone Epic’, a 16-minutni solo na kolaž veličanstvene glazbe koju je za film ‘Građanin Kane’ skladao Bernard Herrmann, a koji je koreografirala Crystal Pite, namjerno ga čineći kratkim i low-tech kao kontrast golemom i visoko-budžetnom filmu koji je na njega utjecao.naziv izvornika: Le Fou Glorieux vrsta predstave: plesna predstava