http___www.theatrefestival-rijeka.org_predstave-2020_kazalisni-plakat__1.xml
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Paralell program Predrag Spasojević: Theatrical poster “Spasojevic achieves one of the most memorable and complete collections of rijeka’s theatrical posters, more convincingly than with the number of printed posters. And the majority of his works were created in only two theatrical seasons ( Croatian National Theatre Ivan pl. Zajce in Rijeka)…” Spasojevic is able to use various “dangerous” decorative elements, borders and lace, graceful female characters, sleek draperies, unusually minucitive details and kitsch elements. It can be left to extreme sentimentality, as well as extreme grotesque. In his works there is always a certain artistic layering and graphic expression that was not found in Rijeka’s theatrical posters before Spasojevic. In fact, in its solutions he knows the distinctly “seamless” to merge and melt into the artistic unity of completely different elements, surface and voluminous parts, collage with drawing and technical, printing effects, which he achieves with superior knowledge of the graphic possibilities of sith and offset.” Ervin Dubrović (from the monograph “Rijeka Theatre Poster 1833-1996″)”
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Prateći program Predrag Spasojević: Kazališni plakat “Spasojević ostvaruje jednu od najupečatljivijih i najcjelovitijih zbirki riječkog kazališnog plakata, i to više uvjerljivošću negoli brojem tiskanih plakata. A glavnina je njegovih radova nastala u samo dvije kazališne sezone (Hrvatskog narodnog kazališta Ivana pl. Zajca u Rijeci)…” Spasojević je u svojim radovima u stanju koristiti različite “opasne” dekorativne elemente, obrube i čipke, graciozne ženske likove, uglađene draperije, neubičajno minuciozne detalje i elemente kiča. Kadar se prepustiti krajnjoj sentimentalnosti, kao i izrazitoj groteski. U njegovim je radovima uvijek očita izvjesna likovna slojevitost i grafički osjećaj kakvog nije bilo u riječkim kazališnim plakatima prije Spasojevićeva. Naime, on u svojim rješenjima zna izrazito “bešavno” spojiti i pretopiti u likovno jedinstvo posve raznorodne elemente, plošne i voluminozne dijelove, kolažiranje s crtanjem i tehničkim, tiskarskim efektima što ih postiže vrhunskim poznavanjem grafičkih mogućnosti sitotiska i offseta.” Ervin Dubrović (iz monografije “Riječki kazališni plakat 1833.-1996.”)