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2 1/2 stars (out of 4) Kevin Costner's "Open Range" tries to open up the Old West once more as prime movie territory. This portrayal of an 1882 Montana range war is an epic film with big stars and spacious landscapes, and since I love Westerns and would like to see the genre thrive again, I only wish it were better. It's the first major movie Western in many years and maybe the first one with a real chance for commercial success since Clint Eastwood's 1992 classic "Unforgiven." But it's also a blend of the classical and the trite, the beautiful and tawdry, the genuinely moving and the cornball. Oddly, producer-director-star Costner often can't seem to tell the difference. How could the same director who made both "Dances With Wolves" and the fine early section of "Range" - a tough but lyrical look at the hard life of a group of cowboys who operate as free-grazers, moving their herd along the open range, coping with sudden thunderstorms, vindictive ranchers and mud-stuck wagons - also approve the string of strained, phony, by-the-numbers anti-climaxes that wreck the thrill of the movie's end? How could the filmmaker who gives us the sagacity of the cowpuncher patriarch Boss Spearman (Robert Duvall) and the stunning malevolence of Boss's nemesis, rancher Denton Baxter (Michael Gambon), also try to float the "aw-shucks" love scenes between Costner's Charley Waite and Annette Bening's Sue Barlow? "Dances With Wolves" startled and pleased 1990 audiences with its post-Vietnam take on the Indian wars and also with the way director Costner blended the old-fashioned lyricism of Western landscapes with the improvements of the new technology and photography. It was a wonderful-looking film, spacious and grand - and so, in a different, grittier way, is "Open Range." "Range" is done in a deliberately classic, slowed-down style. And if it's not really up to many of the great films it emulates, like "Red River," "My Darling Clementine" or "Lonesome Dove," it at least belongs to the same heritage. Screenwriter Craig Storper based the film on a novel called "The Open Range" by Lauren Paine, and it's really the same sort of story you've seen innumerable times, especially if you like Westerns. Once again, a group of cowboys (or lawmen) battle an evil outlaw (or rancher) and help a tyrannized town gain its self-respect. The heroes - grizzled Boss Spearman; his eagle-eyed second-in-command, Charley; and hired hands Mose (Abraham Benrubi) and Button (Diego Luna) - get a spectacular introduction in a set of sweeping vistas meant to set the story against the undulating expanse of the Montana grassland (though they were filmed in Alberta, Canada). They're on the outskirts of the town, Harmonville, that will host their Armageddon. Corrupt Harmonville is run by the rich, murderous Baxter and his bought lawman, Sheriff Poole (James Russo). Baxter, a thorny Irish immigrant, despises free-grazers. So the war starts when big, affable Mose disappears after going to Harmonville for supplies, and Boss and Charley find their scrappy helper beaten, arrested and jailed. While arranging his release, they're threatened by Poole and the tyrannical Baxter. At this point, with the introduction of Gambon as the raging Baxter, I thought I might be watching a great Western. But it's the midsection of "Open Range" (and its very last scenes) that falter. Soon, under gloomy skies that seem to forever pour down or threaten rain, increasingly deadly battles commence. Both the pleasing verisimilitude and sense of conflict from Gambon are diminished. Baxter seldom appears again until the end - a big mistake. And after "accidents" befall both Mose and Button, and Boss and Charley hit town, we aren't really told what happens to Boss's herd. Does Baxter have them? Are they in escrow? Or are all those cattle simply wandering around Montana, waiting for the humans to settle scores? More killers keep getting thrown at Boss and Charley, who gain supporters in town, notably the salty livery stable operator Percy (played with Walter Brennanish gusto by the late Michael Jeter), humanitarian Doc Barlow (Dean McDermott) and the doctor's dauntless sister Sue (Bening). The battles escalate until the climactic showdown between Baxter's mob and Boss and Charley. Along the way, Costner fills in the details of the lives these taciturn men have kept from each other during their 10 years together on the trail - their histories, tastes, even their names. Much of the richness of the cinematic Western genre lies in our familiarity with the landscapes, people and basic situations. "Open Range" starts out like a range-war Western soaked in history and filled with detail. But Costner and company don't follow through, and the movie becomes a stylized, town-taming Western. That makes for an uneasy mix; we do worry about where the cows are, how well these cowboys are doing their jobs. "Open Range" has more surface detail and very nice character touches, but it needs even more - because the world of the cowboys is its story. This is Costner's best directorial work since "Dances With Wolves." (Actually, only "The Postman" came in between.) He's cast the film well - Duvall and Gambon are superb, Bening tough, and Jeter a stitch - and he seems to love the opportunity to get his camera out of doors, restage these archetypal situations and fill in the little touches that make it come alive: the stolid, workmanlike way the free-grazers cope with the mudbound wagon, or the Switzerland chocolate and Havana cigars Boss and Charley indulge in before the last shootout. He's trying to do a classic Western, with more psychology than you'd see in the days of "Red River," "Shane" and "The Big Country" - all better movies. He wants to make the love interest more plausible, the background detail more historically rigorous, the macho duels grittier and less stylized. He wants to do for the range-war Western what his "Dances With Wolves" (1990) did for the "Indian wars" genre. And he comes tantalizingly close. But "Open Range" is such a strange mix of the grand and the hackneyed that it never really gets its bearings - even though, at its best, it reminds us how grand, impure and potentially alive the Western genre can be. "Open Range" Directed by Kevin Costner; written by Craig Storper, based on Lauren Paine's novel "The Open Range"; photographed by James Muro; edited by Michael J. Duthie, Miklos Wright; production designed by Gae Buckley; music by Michael Kamen; produced by David Valdes, Costner, Jake Eberts. A Touchstone Pictures release; opens Friday, Aug. 15. Running time: 2:18. MPAA rating: R (violence). Boss Spearman - Robert Duvall Charley Waite - Kevin Costner Sue Barlow - Annette Bening Denton Baxter - Michael Gambon Percy - Michael Jeter Button - Diego Luna Sheriff Poole - James Russo Mose - Abraham Benrubi
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Uzak Ülke izle, Uzak Ülke online izle, Uzak Ülke canlı izle Etiketler: Uzak Ülke canlı izle , Uzak Ülke izle , Uzak Ülke online izle , 0 yorum UZAK ÜLKE (OPEN RANGE) Sinema dünyasının Oscar heykelciğiyle ödüllendirdiği ‘Kurtlarla Dans’tan sonra yaşadığı şanssız dönemi yine bir westernle aşmak isteyen Kevin Costner’ın yönettiği ve başrollerini Robert Duvall, Annette Benning gibi güçlü isimlerle paylaştığı, kendi çapında ciddi bir kült haline gelmiş sıkı bir western. Serbest çalışan bir sığır üreticisi olan Boss Spearman (Robert Duvall), hala Amerikan İç Savaşı’nda yaşadığı ölümlerin vicdan muhasebesini yapmakta olan Charley Waite (Kevin Costner), genç ahçıları Mose (Abraham Benrubi) ve acıyıp yanlarına aldıkları 16 yaşındaki Buttons, büyük bir sığır sürüsünü vahşi Batı’nın sert topraklarında otlatırlar. Şiddetli bir yağmurdan sonra, yiyecekleri tükenince Mose’u, biraz erzak alması için yakındaki kasabaya yollarlar. Mose’un bir türlü dönmemesi üzerine Boss ve Charley, kasabaya gider ve Mose’un kavgaya karıştığı gerekçesiyle, şehri haraca kesen Denton Baxter adında bir zalim toprak sahibinin (Michael Gambon) adamları tarafından fena halde dövüldüğünü ve şerif tarafından hapse atıldığını öğrenirler. Mose’u çıkartıp, kasabanın doktoruna götürürler. Burada Charley, doktorun kızkardeşi Sue Barlow’la (Annette Benning) tanışır ve bu çirkin öykünün tam ortasında güzel bir aşk yeşermeye başlar. Fakat, kasabanın hakimi pozisyonundaki Baxter’ın bu iki yabancıyı rahat bırakmaya hiç niyeti yoktur ve adamlarını kurtarmaya çalışan Boss ve Charley, kendilerini müthiş bir çatışmanın içinde bulurlar. Baxter’dan yaka silken kasabalılardan bazılarının yardımıyla mücadele kazanılır fakat her iki tarafın da kayıpları telafi edilemeyecek kadar ağır olur. Orijinal Adı : Open Range Yönetmen : Kevin Costner Oyuncular : Robert Duvall, Kevin Costner, Annette Benning, Abraham Benrubi, Diego Luna Yapım : Western 2003 ABD