Už zde se formovaly oba protipóly, z kterých vyrůstá Stanova imaginace – jeho živelná představivost na jedné straně a inspirativní, mnohostranné pohybové a herecké nadaní jeho modelů na straně druhé. I když Stano jako silná individualita sleduje energicky svůj záměr, je přirozeně vnímavý ke schopnostem a talentu těch, kdo jej při práci obklopují.
Although Stano was the only director on the stage, the obvious individuality of the actors in his photographs visibly placed the additional potential of their physical and mental individuality into the action. It was here that the two poles were formed from which Stano’s ideas flow – his unrestrained imagination on the one hand and his models’ diverse, inspirational talent to move and to be actors on the other. Although Stano energetically pursues his aim as a strong individual, he is by nature conscious of the abilities and talents of those who surround him during his work.