<p>I can offer no argument against knowing a subject's anatomy, this is especially true with hairless or shorthaired life forms, where sub-derma structure of bone and mass are visible at the surface. </p>

<p>That said, birds offer the artist, relatively smooth uninterrupted visual forms.  The feathers provide an envelope covering musculature and simplify the surface into balls and triangles for an initial sketch. This is where the challenge begins.  Proportion and detail, the former being the more important quality from my perspective, must be addressed.  How accurate do you want to be?</p>

<p>Study your chosen subject and place the anatomical features, like eyes, beak, and, feather placement in their correct location and proportion and you should produce a satisfying image. </p>

<p>I personally have two architectural scales and one engineering to help accurately position features onto the surface.  You could also consider projecting the image.  Measure, sketch or, project, you choose but, from experience, I've found accurate anatomical placement will go far toward giving you a realistic drawing and is more important than detail.  </p>

<p>I try to think like an impressionist when I'm burdened by the desire to add detail.</p>

CC BY-SA 3.0
2017-07-18T19:18:04.723Z
2017-07-19T13:24:20.450Z
2017-07-19T13:24:20.450Z
Ace
<p>Knowing the anatomy of your subject will make you a better artist. Here's why...</p>

<p>I can think of four reasons why an artist studies the anatomy of what they intend render into a work of art:</p>

<p><strong>1) Structure</strong>
The human eye is very sensitive at identifying shapes and proportions. Get the structure wrong and the eye "will" see it. Knowing how something is put together will make it easier for you to reproduce it during the drawing process. You will also be able to critique your own work and know if the image is working or not.</p>

<p><strong>2) Invention</strong>
The artist may not have access to a reference photo of the exact pose they are looking to draw. In this case the artist will need to invent the pose by some means. Look up the stick figures of Terryl Whitlatch, or the maquettes of James Gurney. The stick figure and maquette are both tools available to the artist to help them draw better and be more inventive with the pose of their subject. It takes a solid understanding of anatomy to create a useable tools such as these artists use.</p>

<p><strong>3)Further Learning</strong>
When you know the anatomy of the subject it will be easier for you to communicate with others when discussing the subject. Being able to discuss the subject with others will make things clearer in your own mind. As new information comes up you will be better able to catalogue and integrate it with what you already know. Look up Richard Feynman's technique of how to learn anything. Feynman's approach to learning technique works for all subjects, even those subjects important to the artist. </p>

<p><strong>4) Spiritual Empathy</strong>
<em>... this gets into some artsy spiritual stuff ...</em>
Learning the anatomy of your subject brings you one step closer in developing your connection to what it is you want to draw. Artists look to put their energy into their works and combine it with the energy of their subject. To be able to detect that energy you need to develop a close relationship with your subject. It through this empathetic connection of understanding that you will be able to connect on a soulful level with the energy and spirit of your subject. Better understanding of your subject (anatomy, physiology, philosophy, behaviour, spirit) will make you a better artist of the subject.  </p>

CC BY-SA 3.0
2017-07-14T12:39:06.203Z
2017-07-15T14:20:43.320Z
2017-07-15T14:20:43.320Z
John Vukelic
<p>I wish to learn how to draw realistic birds.</p>

<p>I have seen many drawing books talking about muscles in humans, bone structure etc.
I wish to know that to draw realistic birds do I actually have to learn how many muscles they have and where they are placed?</p>

<p>Is that the way to draw realistic birds? or there is some other way?</p>

CC BY-SA 3.0
2017-07-16T02:47:27.707Z
Really there are some very good books out there on this. It covers anatomy, but also how various species posture themselves, etc. One that I would start with is Laws Guide on Birds. https://www.barnesandnoble.com/w/the-laws-guide-to-drawing-birds-john-muir-laws/1109686391?ean=9781597141956
threetimes
<drawing>
Do I have to know about muscles and their placements while learning to draw realistic birds?
Aquarius_Girl
# Do I have to know about muscles and their placements while learning to draw realistic birds?

(Asked by: username_0 on 2017-07-14)

I wish to learn how to draw realistic birds.

I have seen many drawing books talking about muscles in humans, bone structure etc.
I wish to know that to draw realistic birds do I actually have to learn how many muscles they have and where they are placed?

Is that the way to draw realistic birds? or there is some other way?

**Tags:** drawing

> **Comments:**
> **username_1**: Really there are some very good books out there on this. It covers anatomy, but also how various species posture themselves, etc. One that I would start with is Laws Guide on Birds. https://www.barnesandnoble.com/w/the-laws-guide-to-drawing-birds-john-muir-laws/1109686391?ean=9781597141956  

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## 2 answers

### Answer by username_3 on 2017-07-14. Score: 6 | Accepted answer

Knowing the anatomy of your subject will make you a better artist. Here's why...

I can think of four reasons why an artist studies the anatomy of what they intend render into a work of art:

**1) Structure**
The human eye is very sensitive at identifying shapes and proportions. Get the structure wrong and the eye "will" see it. Knowing how something is put together will make it easier for you to reproduce it during the drawing process. You will also be able to critique your own work and know if the image is working or not.

**2) Invention**
The artist may not have access to a reference photo of the exact pose they are looking to draw. In this case the artist will need to invent the pose by some means. Look up the stick figures of Terryl Whitlatch, or the maquettes of James Gurney. The stick figure and maquette are both tools available to the artist to help them draw better and be more inventive with the pose of their subject. It takes a solid understanding of anatomy to create a useable tools such as these artists use.

**3)Further Learning**
When you know the anatomy of the subject it will be easier for you to communicate with others when discussing the subject. Being able to discuss the subject with others will make things clearer in your own mind. As new information comes up you will be better able to catalogue and integrate it with what you already know. Look up Richard Feynman's technique of how to learn anything. Feynman's approach to learning technique works for all subjects, even those subjects important to the artist.

**4) Spiritual Empathy**
*... this gets into some artsy spiritual stuff ...*
Learning the anatomy of your subject brings you one step closer in developing your connection to what it is you want to draw. Artists look to put their energy into their works and combine it with the energy of their subject. To be able to detect that energy you need to develop a close relationship with your subject. It through this empathetic connection of understanding that you will be able to connect on a soulful level with the energy and spirit of your subject. Better understanding of your subject (anatomy, physiology, philosophy, behaviour, spirit) will make you a better artist of the subject.


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### Answer by username_2 on 2017-07-18. Score: 2

I can offer no argument against knowing a subject's anatomy, this is especially true with hairless or shorthaired life forms, where sub-derma structure of bone and mass are visible at the surface.

That said, birds offer the artist, relatively smooth uninterrupted visual forms. The feathers provide an envelope covering musculature and simplify the surface into balls and triangles for an initial sketch. This is where the challenge begins. Proportion and detail, the former being the more important quality from my perspective, must be addressed. How accurate do you want to be?

Study your chosen subject and place the anatomical features, like eyes, beak, and, feather placement in their correct location and proportion and you should produce a satisfying image.

I personally have two architectural scales and one engineering to help accurately position features onto the surface. You could also consider projecting the image. Measure, sketch or, project, you choose but, from experience, I've found accurate anatomical placement will go far toward giving you a realistic drawing and is more important than detail.

I try to think like an impressionist when I'm burdened by the desire to add detail.


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