<p>If you take it to a frame shop, they'll basically do what Catija has posted.  However, there are two things I would like to add.  The first being that it's not a good idea to just tack it to the board, those could become loose, another option is 'sewing' the piece.  You don't actually sew it to the board, but rather pin it around the board and then sew the edges to themselves around the board.  The other tutorial touches this, but if you're interested in seeing it, steps 6 and 7 of <a href="http://www.instructables.com/id/How-to-Frame-a-Cross-Stitch/?ALLSTEPS" rel="nofollow">this tutorial</a> will show you.</p>

<p>The other point I'd like to add is that if you use a mat, make sure it's acid free, paper mats can damage fabric just as they can prints.  If you want glass but don't want a mat, you can also use spacers instead which are invisible in the finished product, but will leave enough breathing room between the glass and the artwork so as to prevent damage.</p>

CC BY-SA 3.0
2016-06-08T06:36:41.337Z
2016-06-08T06:36:41.337Z
DawnPatrol
<p>I don't recommend leaving your cross stitched projects sandwiched between glass. This compresses/flattens the stitches which can make them look odd.</p>

<p>Taking the piece to a reputable framing shop is probably the best idea unless you make a lot of projects and want to learn how to do it yourself or if the project is relatively small. A good shop should know how to properly block the cloth to keep it square but check with them to be certain they have experience with this.</p>

<p>The steps for framing yourself are generally laid out in an article <a href="http://www.needlework-tips-and-techniques.com/framing-cross-stitch.html" rel="nofollow">here</a> and a similar one <a href="http://www.artecy.com/framing-cross-stitch.html" rel="nofollow">here</a>. The basic process is:</p>

<ul>
<li>Prepare the piece

<ul>
<li>Wash the piece to remove oils - be careful of running colors, particularly if you didn't prewash the thread.</li>
<li>Iron to remove wrinkles - from the back, on soft cloth to prevent flattening stitches.</li>
</ul></li>
<li>Mount the piece. 

<ul>
<li>Block it onto an acid-free foam core board using straight pins, keeping some tension as you go around to keep the piece flat - use the lines of the fabric to help keep things straight.</li>
<li>Fold the edges around the back of the foam and secure with pins or stitching.</li>
</ul></li>
</ul>

<p>At this point, they simply recommend putting it in a frame either with or without glass... but I strongly encourage you to go a couple of steps further.</p>

<p>I highly recommend glass as it will prevent incidental dust and oils from getting on the piece. You just spent hours making it - protect it! The glass (if you get UV glass), can prevent the piece from fading, which is very important as the dyes used may not all fade at the same rates. Reds are well known to fade more quickly than other colors.</p>

<p>I also recommend adding at least one matting layer to put some space between the work and the glass, again, to prevent the stitches from being flattened.</p>

CC BY-SA 3.0
2016-06-07T13:58:45.470Z
2016-06-07T13:58:45.470Z
Catija
<p>I recently finished a cross-stitch for a gift, and would like to frame it in a way that will preserve it reasonably well. I was under time constraints to present it to the recipient and there was only one frame the right size, so it's currently sandwiched between two panes of glass. However, I have a cross stitch from my grandmother in a matted frame with no glass which seems to have held up well.</p>

<p>Is glass or no glass preferred for framing cross-stitches? What else should I consider for preservation?</p>

<framing><cross-stitch>
How to frame a cross-stitch?
user812786
# How to frame a cross-stitch?

(Asked by: username_0 on 2016-06-07)

I recently finished a cross-stitch for a gift, and would like to frame it in a way that will preserve it reasonably well. I was under time constraints to present it to the recipient and there was only one frame the right size, so it's currently sandwiched between two panes of glass. However, I have a cross stitch from my grandmother in a matted frame with no glass which seems to have held up well.

Is glass or no glass preferred for framing cross-stitches? What else should I consider for preservation?

**Tags:** framing, cross-stitch


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## 2 answers

### Answer by username_2 on 2016-06-07. Score: 4 | Accepted answer

I don't recommend leaving your cross stitched projects sandwiched between glass. This compresses/flattens the stitches which can make them look odd.

Taking the piece to a reputable framing shop is probably the best idea unless you make a lot of projects and want to learn how to do it yourself or if the project is relatively small. A good shop should know how to properly block the cloth to keep it square but check with them to be certain they have experience with this.

The steps for framing yourself are generally laid out in an article [here](http://www.needlework-tips-and-techniques.com/framing-cross-stitch.html) and a similar one [here](http://www.artecy.com/framing-cross-stitch.html). The basic process is:

* Prepare the piece
  + Wash the piece to remove oils - be careful of running colors, particularly if you didn't prewash the thread.
  + Iron to remove wrinkles - from the back, on soft cloth to prevent flattening stitches.
* Mount the piece.
  + Block it onto an acid-free foam core board using straight pins, keeping some tension as you go around to keep the piece flat - use the lines of the fabric to help keep things straight.
  + Fold the edges around the back of the foam and secure with pins or stitching.

At this point, they simply recommend putting it in a frame either with or without glass... but I strongly encourage you to go a couple of steps further.

I highly recommend glass as it will prevent incidental dust and oils from getting on the piece. You just spent hours making it - protect it! The glass (if you get UV glass), can prevent the piece from fading, which is very important as the dyes used may not all fade at the same rates. Reds are well known to fade more quickly than other colors.

I also recommend adding at least one matting layer to put some space between the work and the glass, again, to prevent the stitches from being flattened.


---

### Answer by username_1 on 2016-06-08. Score: 1

If you take it to a frame shop, they'll basically do what username_2 has posted. However, there are two things I would like to add. The first being that it's not a good idea to just tack it to the board, those could become loose, another option is 'sewing' the piece. You don't actually sew it to the board, but rather pin it around the board and then sew the edges to themselves around the board. The other tutorial touches this, but if you're interested in seeing it, steps 6 and 7 of [this tutorial](http://www.instructables.com/id/How-to-Frame-a-Cross-Stitch/?ALLSTEPS) will show you.

The other point I'd like to add is that if you use a mat, make sure it's acid free, paper mats can damage fabric just as they can prints. If you want glass but don't want a mat, you can also use spacers instead which are invisible in the finished product, but will leave enough breathing room between the glass and the artwork so as to prevent damage.


---

