<p>It should be read in the original <code>lau4</code> (陽平) tone, but not only because it's "classical", but primarily because the poem follows the tone pattern of a five-syllable <a href="http://en.wikipedia.org/wiki/Regulated_verse">regulated verse</a> (五絕).</p>

<p>Tones in Middle Chinese were classified into 平 (level), 上 (rising), 去 (departing), and 入 (entering), the latter three of which were classified as 仄 (oblique) for the purposes of tone classification in a regulated verse.  平 tones correspond to modern Cantonese tones 1 and 4 in the 9-tone system where entering tones are numbered separately, and 仄 correspond to the rest.</p>

<p>A typical four-line five-syllable regulated verse that starts with a 仄 tone syllable (of which 《登鸛雀樓》 is one) has the following tone pattern:</p>

<blockquote>
  <p><strong>仄</strong> 仄 平 平 仄</p>
  
  <p>平 平 <strong>仄</strong> 仄 平</p>
  
  <p><strong>平</strong> 平 平 仄 仄</p>
  
  <p><strong>仄</strong> 仄 仄 平 平</p>
  
  <p>Notes:</p>
  
  <ul>
  <li>The syllables marked in <strong>bold</strong> are those that can be substituted with their "opposite" tone (i.e., 仄 instead of 平 or vice versa).</li>
  <li>The first line may also be <strong>仄</strong> 仄 仄 平 平.</li>
  <li>All 平 syllables at the end of each line must rhyme.</li>
  </ul>
</blockquote>

<p>The line that you cite, 更上一層樓, is the last line in the poem. The Cantonese tones of the first four characters in this line is 3-5-7-4; you can see that the tone of the last character must also be 4 in order for it to match the tone pattern 仄 仄 仄 平 平.</p>

<p>EDIT: I found a YouTube video as well where you can clearly hear it pronounced as <code>lau4</code>: <a href="http://www.youtube.com/watch?v=6YakQ1ACaf0">http://www.youtube.com/watch?v=6YakQ1ACaf0</a></p>

CC BY-SA 3.0
2013-03-30T07:32:47.290Z
I guessed that the tone constraints would settle this, but I wasn't sure if they applied to this style of poetry. Thanks for the details.
jogloran
CC BY-SA 3.0
2013-03-31T17:10:01.887Z
+1, really interesting, thanks!
Toerndev
CC BY-SA 3.0
2013-03-30T05:37:25.727Z
2013-03-30T06:46:27.560Z
2013-03-30T06:46:27.560Z
Claw
<p>The poem 《登鸛雀樓》 (Climbing Stork Tower) has the final line 更上一層樓.</p>

<p>If I were to read this in Cantonese, would I pronounce the final character as <code>lau4</code> (without 變音), or <code>lau2</code> (with 變音)?</p>

<p>My guess would be without, because of the classical context.</p>

<cantonese><classical-chinese><poetry>
Using 變音 when reading Classical Chinese poetry in Cantonese
# Using 變音 when reading Classical Chinese poetry in Cantonese

(Asked by: username_0 on 2013-03-29)

The poem 《登鸛雀樓》 (Climbing Stork Tower) has the final line 更上一層樓.

If I were to read this in Cantonese, would I pronounce the final character as `lau4` (without 變音), or `lau2` (with 變音)?

My guess would be without, because of the classical context.

**Tags:** cantonese, classical-chinese, poetry


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## 1 answers

### Answer by username_1 on 2013-03-30. Score: 6 | Accepted answer

It should be read in the original `lau4` (陽平) tone, but not only because it's "classical", but primarily because the poem follows the tone pattern of a five-syllable [regulated verse](http://en.wikipedia.org/wiki/Regulated_verse) (五絕).

Tones in Middle Chinese were classified into 平 (level), 上 (rising), 去 (departing), and 入 (entering), the latter three of which were classified as 仄 (oblique) for the purposes of tone classification in a regulated verse. 平 tones correspond to modern Cantonese tones 1 and 4 in the 9-tone system where entering tones are numbered separately, and 仄 correspond to the rest.

A typical four-line five-syllable regulated verse that starts with a 仄 tone syllable (of which 《登鸛雀樓》 is one) has the following tone pattern:

> **仄** 仄 平 平 仄
>
> 平 平 **仄** 仄 平
>
> **平** 平 平 仄 仄
>
> **仄** 仄 仄 平 平
>
> Notes:
>
> * The syllables marked in **bold** are those that can be substituted with their "opposite" tone (i.e., 仄 instead of 平 or vice versa).
> * The first line may also be **仄** 仄 仄 平 平.
> * All 平 syllables at the end of each line must rhyme.

The line that you cite, 更上一層樓, is the last line in the poem. The Cantonese tones of the first four characters in this line is 3-5-7-4; you can see that the tone of the last character must also be 4 in order for it to match the tone pattern 仄 仄 仄 平 平.

EDIT: I found a YouTube video as well where you can clearly hear it pronounced as `lau4`: <http://www.youtube.com/watch?v=6YakQ1ACaf0>

> **Comments:**
> **username_0**: I guessed that the tone constraints would settle this, but I wasn't sure if they applied to this style of poetry. Thanks for the details.  
> **username_2**: +1, really interesting, thanks!  

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