<p>A basic foundation in compositional concepts will apply to all types of art, from scrape-booking to sculpture and architecture. It would seem to be especially valuable when a drawing has so many elements as these do. Without compositional aides, a drawing could become a confusing visual blur or a flat pattern. </p>

<p>Decide what elements you want to focus on - the main idea. There can also be secondary foci, so that your eye moves across a drawing. In the lower drawing, with the birds and butterflies, romanticized flight/wings seem to be the theme here. The top butterfly and bird seem to be <strong>focal point</strong>s along with the bottom butterfly. The groupings <strong>balance</strong> each other, giving weight and focus to both the top and bottom of the drawing, in spite of the fancifully airy nature of the drawing. </p>

<p>Techniques that add dimensional depth are clearly seen here. <strong>Perspective</strong> makes it appear as though the elements are spiraling downwards away from us and disappearing towards the center of the page. Perspective is summoned in several ways: overlapping, line weight, and the paleness of the more "distant" objects. When objects <strong>overlap</strong>, even in a drawing, our brains interpret the partially blocked objects as being behind the others and therefore, farther away. For example, on the outer edge of the drawing, rhododendron-like flowers overlap the vines. This makes the flowers pop towards us while in the center, one bird overlaps another. </p>

<p>The line weights vary across the drawing. Darker lines do two things here - they denote object boundaries in space and denote atmospheric perspective. Where a line marks the <strong>boundary between an object and open space</strong>, it's darker, like in the body outline of the upper right bird. Lines on the bird's body that relate detail, but are not free-standing in space, were given a lighter weight, as in the feathers. When you observe a panoramic landscape, you see that the lines (and colors) that are closer to you have more weight and vibrancy, while as space recedes, the lines and colors become less vibrant, more pale, and more greyed-out. This is called <strong>atmospheric perspective</strong>. Compare the heavy lies of those rhododendron-like flowers that pop out towards us with the soft, thin lines of the terminal tip of the vine at the center of the drawing. That tip fades into the distance, contributing to an impression of depth in the drawing.</p>

<p><strong>Proportion</strong> also aides the impression of depth. Unfortunately, it's less obvious here. Two similar objects (species of bird, flower, or butterfly) should be about the same size unless one is "farther away" to it's twin. The only object that really does that here is the spiraling vine. Along the outer edge of the drawing, the vines are drawn with more line weight showing the boundary between solid and space, that they are closer to us than the terminal tip in the center is, and the diameter of those vines are proportionally thicker at the outer edge than those tender terminals that seem farther away.</p>

<p>This link provides a brief discussion of common compositional concepts: <a href="http://www.dummies.com/how-to/content/the-design-elements-of-composing-a-drawing.html" rel="nofollow">"Drawing for Dummies"</a> </p>

CC BY-SA 4.0
2021-01-29T05:27:05.243Z
quite helpful answer. thank you.
Aquarius_Girl
CC BY-SA 3.0
2016-06-08T11:07:41.910Z
2016-06-08T11:07:41.910Z
Inspector 8
<p>I want to study the composition techniques used in following drawings found from a Google search.  </p>

<p>What should I look for in Google to read about this drawing pattern/technique?</p>

<p><a href="https://i.sstatic.net/0l6FI.png" rel="nofollow noreferrer"><img src="https://i.sstatic.net/0l6FI.png" alt="enter image description here"></a></p>

<p><a href="https://i.sstatic.net/MeQZl.png" rel="nofollow noreferrer"><img src="https://i.sstatic.net/MeQZl.png" alt="enter image description here"></a></p>

<drawing><technique-identification>
What is the name of the drawing having free hand shapes of animals, birds, flowers combined together to form a pattern/story?
Aquarius_Girl
# What is the name of the drawing having free hand shapes of animals, birds, flowers combined together to form a pattern/story?

(Asked by: username_0 on 2016-06-03)

I want to study the composition techniques used in following drawings found from a Google search.

What should I look for in Google to read about this drawing pattern/technique?

[![enter image description here](https://i.sstatic.net/0l6FI.png)](https://i.sstatic.net/0l6FI.png)

[![enter image description here](https://i.sstatic.net/MeQZl.png)](https://i.sstatic.net/MeQZl.png)

**Tags:** drawing, technique-identification


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## 1 answers

### Answer by username_1 on 2016-06-08. Score: 1 | Accepted answer

A basic foundation in compositional concepts will apply to all types of art, from scrape-booking to sculpture and architecture. It would seem to be especially valuable when a drawing has so many elements as these do. Without compositional aides, a drawing could become a confusing visual blur or a flat pattern.

Decide what elements you want to focus on - the main idea. There can also be secondary foci, so that your eye moves across a drawing. In the lower drawing, with the birds and butterflies, romanticized flight/wings seem to be the theme here. The top butterfly and bird seem to be **focal point**s along with the bottom butterfly. The groupings **balance** each other, giving weight and focus to both the top and bottom of the drawing, in spite of the fancifully airy nature of the drawing.

Techniques that add dimensional depth are clearly seen here. **Perspective** makes it appear as though the elements are spiraling downwards away from us and disappearing towards the center of the page. Perspective is summoned in several ways: overlapping, line weight, and the paleness of the more "distant" objects. When objects **overlap**, even in a drawing, our brains interpret the partially blocked objects as being behind the others and therefore, farther away. For example, on the outer edge of the drawing, rhododendron-like flowers overlap the vines. This makes the flowers pop towards us while in the center, one bird overlaps another.

The line weights vary across the drawing. Darker lines do two things here - they denote object boundaries in space and denote atmospheric perspective. Where a line marks the **boundary between an object and open space**, it's darker, like in the body outline of the upper right bird. Lines on the bird's body that relate detail, but are not free-standing in space, were given a lighter weight, as in the feathers. When you observe a panoramic landscape, you see that the lines (and colors) that are closer to you have more weight and vibrancy, while as space recedes, the lines and colors become less vibrant, more pale, and more greyed-out. This is called **atmospheric perspective**. Compare the heavy lies of those rhododendron-like flowers that pop out towards us with the soft, thin lines of the terminal tip of the vine at the center of the drawing. That tip fades into the distance, contributing to an impression of depth in the drawing.

**Proportion** also aides the impression of depth. Unfortunately, it's less obvious here. Two similar objects (species of bird, flower, or butterfly) should be about the same size unless one is "farther away" to it's twin. The only object that really does that here is the spiraling vine. Along the outer edge of the drawing, the vines are drawn with more line weight showing the boundary between solid and space, that they are closer to us than the terminal tip in the center is, and the diameter of those vines are proportionally thicker at the outer edge than those tender terminals that seem farther away.

This link provides a brief discussion of common compositional concepts: ["Drawing for Dummies"](http://www.dummies.com/how-to/content/the-design-elements-of-composing-a-drawing.html)

> **Comments:**
> **username_0**: quite helpful answer. thank you.  

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