Input: [Image] GUNS [Days of Heaven] Both Bill and the Farmer hunt birds with guns. The Farmer goes after Bill with a pistol when he mistakenly thinks that Bill and Abby are still having an affair. [The Thin Red Line] Both American and Japanese soldiers carry rifles. Doll steals a pistol while in the transport to the island. Doll later uses that pistol to fire at the Japanese in their bunker. The Japanese at the top of Hill 210 have a machine gun trained down below. [Badlands]

Output: Kit carries a pistol in his belt when he enters Holly's house to take her away (this is also the first time we see him with a gun). He runs with a rifle in his hand at the camp site. He sleeps with a pistol in the tree house (interestingly, it is aimed at Holly). He shoots a pistol into the river, presumably at fish. He holds a rifle propped behind his head, with his arms akimbo slung up around it, while looking at the horizon. He holds a rifle while he throws a tantrum after killing Cato and stashing the body in a shed.


Input: [Direct Speech] today [Reported Speech]

Output: that day


Input: [Direct Speech] now [Reported Speech]

Output: then


Input: [Direct Speech] yesterday [Reported Speech]

Output: the day before


Input: [Direct Speech] … days ago [Reported Speech]

Output: … days before


Input: [Direct Speech] last week [Reported Speech]

Output: the week before


Input: [Direct Speech] next year [Reported Speech]

Output: the following year


Input: [Direct Speech] tomorrow [Reported Speech]

Output: the next day / the following day


Input: [Direct Speech] here [Reported Speech]

Output: there


Input: [Direct Speech] this [Reported Speech]

Output: that


Input: [Direct Speech] these [Reported Speech]

Output: those


Input: Many assume that when First Edition is stated it is the "First Edition"

Output: Wrong - it may only indicate the First Edition for that publisher in possibly that format

Is my book a First Edition? | The Official Raymond E. Feist Website

Wrong - some publishers use number lines


Input: Some books use number lines to indicate the edition

Output: Wrong - it usually indicates the Printing revision for that publisher, though often when it indicates its a 1st printing it is also a First Edition Thus

Is my book a First Edition? | The Official Raymond E. Feist Website

Wrong - some publishers use number lines


Input: Number lines vary in design

Output: True - though usually the lowest number is the printing

Is my book a First Edition? | The Official Raymond E. Feist Website

Wrong - some publishers use number lines


Input: Isn't a 'First Edition Thus' a 'First Edition'

Output: Wrong - do some research

Is my book a First Edition? | The Official Raymond E. Feist Website

Wrong - some publishers use number lines


Input: Many assume Book Club editions are generally worthless

Output: Wrong - do some research

Is my book a First Edition? | The Official Raymond E. Feist Website

Wrong - some publishers use number lines


Input: There is only one True First Edition

Output: True - That is the First printing of the book. Proofs are normally ignored in this aspect, as is when a book is available, as often times a book may appear for sale before the official release date.

Is my book a First Edition? | The Official Raymond E. Feist Website

Wrong - some publishers use number lines


Input: Many suggest ask "John"

Output: Wrong - Why would a collector give away all the secrets to the best books? Especially when the knowledge has been gained from over 10 years of research. This is why, its better to pay a good bookstore for their expertise, if you don't have it, rather than making a $1000 mistake.

Is my book a First Edition? | The Official Raymond E. Feist Website

Wrong - some publishers use number lines


Input: [Who] thatguitarguy [Date] 03.28.2013 [Why]

Output: "It's only potentially a bad thing if you allow it to be that way."


Input: [Who] MoshZilla1016 [Date] 06.05.2011 [Why]

Output: Possibly the most level headed,kindest guy on the forum. Has a great desire to learn all he can. ALWAYS has a kind word. I can't believe I have not done this months ago. Keep up the pursute for jazz and all the other styles will seem easy. \m/


Input: [Who] harleyofdoom [Date] 06.01.2011 [Why]

Output: For sage wisdom and musicality in the face of adversity I award thee one mystical Karma point.


Input: [Who] gshredder2112 [Date] 05.06.2011 [Why]

Output: For always giving me something to do and think about,and he's a pretty cool guy,glad to have ya around bro.


Input: [Who] Guitarslinger124 [Date] 04.08.2011 [Why]

Output: Shoulda done this a while ago. Great guy and he loves hockey like I do.


Input: [Who] tinyskateboard [Date] 04.08.2011 [Why]

Output: Hockey Fan


Input: [Who] neomass1 [Date] 03.19.2011 [Why]

Output: "people are not trying to make you feel weird or bad for asking a question and are only trying to help you. I believe that sincerely. Thanks." your alright man, it means a lot to someone like me who is has to deal with peopel who are not alw


Input: [Who] Admiral [Date] 03.04.2011 [Why]

Output: I respect you very much for 2 reasons: 1. you dedication for learning music theory. 2. Your dedication for your family. It's good to have such people like you on the forum! Best Regards


Input: [Who] macandkanga [Date] 12.22.2010 [Why]

Output: Right back at ya BTIMM! Here's a little bit-o Karma for Christmas for ya!


Input: [Who] ChicagoMedic [Date] 10.13.2010 [Why]

Output: fellow pumpkins fan, thumbs up sir!


Input: [Who] case211 [Date] 09.05.2010 [Why]

Output: Really nice guy and always has an honest opinion which I value very much ;) Keep playing man, you will be surprised when you can rip one morning without thinking about it haha


Input: [Who] nullnaught [Date] 09.01.2010 [Why]

Output: You help others out.


Input: [Who] JazzMaverick [Date] 08.29.2010 [Why]

Output: You are indeed a nice guy, and I have a lot of respect for you. Your passion for music will take you places! Keep that attitude alive! =D


Input: [Who] Mistaluke [Date] 05.21.2010 [Why]

Output: from what i can tell he seems like a nice guy!


Input: [Who] Phip [Date] 04.11.2010 [Why]

Output: the "new guy" plays because he has a "need" to and that's cool


Input: [Who] Empirism [Date] 02.13.2010 [Why]

Output: Active dude who is keen on learning and all-around nice guy, Cheers! Nice to have you here


Input: [Largely] Á [university University of] Á [description] A with dĺžeň [small] á [university University of_4] á [description_5]

Output: A also dĺžeň


Input: [Largely] A [university University of] Ä [description] A umlaut [small] A [university University of_4] ä [description_5]

Output: A umlaut


Input: [Largely] Č [university University of] Č [description] C with mäkčeň [small] č [university University of_4] č [description_5]

Output: C with mäkčeň


Input: [Largely] Ď [university University of] Ď [description] D with mäkčeň [small] ď [university University of_4] ď [description_5]

Output: D with mäkčeň


Input: [Largely] É [university University of] É [description] E with dĺžeň [small] é [university University of_4] é [description_5]

Output: e with dĺžeň


Input: [Largely] Í [university University of] Í [description] I with dĺžeň [small] í [university University of_4] í [description_5]

Output: i with dĺžeň


Input: [Largely] Ľ [university University of] Ľ [description] L with mäkčeň [small] ľ [university University of_4] ľ [description_5]

Output: l with mäkčeň


Input: [Largely] Ĺ [university University of] Ĺ [description] L with dĺžeň [small] ĺ [university University of_4] ĺ [description_5]

Output: l with dĺžeň


Input: [Largely] Ň [university University of] Ň [description] N with mäkčeň [small] ň [university University of_4] ň [description_5]

Output: n with mäkčeň


Input: [Largely] Ó [university University of] Ó [description] O with dĺžeň [small] ó [university University of_4] ó [description_5]

Output: o with dĺžeň


Input: [Largely] Ô [university University of] Ô [description] O circumflex [small] ô [university University of_4] ô [description_5]

Output: o circumflex


Input: [Largely] Ŕ [university University of] Ŕ [description] R with dĺžeň [small] ŕ [university University of_4] ŕ [description_5]

Output: r with dĺžeň


Input: [Largely] Š [university University of] Š [description] S with mäkčeň [small] š [university University of_4] š [description_5]

Output: s with mäkčeň


Input: [Largely] Ť [university University of] Ť [description] T with mäkčeň [small] ť [university University of_4] ť [description_5]

Output: t with mäkčeň


Input: [Largely] Ú [university University of] Ú [description] U with dĺžeň [small] ú [university University of_4] ú [description_5]

Output: u with dĺžeň


Input: [Largely] Ý [university University of] Ý [description] Y with dĺžeň [small] ý [university University of_4] ý [description_5]

Output: y with dĺžeň


Input: [Largely] Ž [university University of] Ž [description] Z with mäkčeň [small] ž [university University of_4] ž [description_5]

Output: z with mäkčeň


Input: [Opinion] "It's so ugly I can't look at this" [Translation] "The picture doesn't meet my standards of beauty" [Subject] The viewer's beauty standards [What Can I Do About It?]

Output: Nothing!

Don't Take It Personally: How to Make Critique Work for You - Tuts+ Design & Illustration Article


Input: [Opinion] "The colors are so chaotic" [Translation] "The colors on this picture don't make sense to me—I don't understand them" [Subject] The uncertain meaning of color scheme [What Can I Do About It?]

Output: If this effect wasn't intentional, learn more about colors

Don't Take It Personally: How to Make Critique Work for You - Tuts+ Design & Illustration Article


Input: [Opinion] "You call it a dragon?" [Translation] "The creature on your work isn't compatible with my definition of dragon" [Subject] The viewer's definition of dragon [What Can I Do About It?]

Output: Nothing!

Don't Take It Personally: How to Make Critique Work for You - Tuts+ Design & Illustration Article


Input: [Opinion] "I can't look at these childish ponies anymore" [Translation] "I've seen so many drawing of ponies that they look boring to me. I think only children should draw ponies. I don't want people to post ponies" [Subject] The viewer's beliefs [What Can I Do About It?]

Output: Nothing!

Don't Take It Personally: How to Make Critique Work for You - Tuts+ Design & Illustration Article


Input: [Opinion] "The wings look somehow unnatural" [Translation] "I don't think the wings of this drawn creature look like real wings" [Subject] The anatomy of wings [What Can I Do About It?]

Output: Make sure you understand how wings work

Don't Take It Personally: How to Make Critique Work for You - Tuts+ Design & Illustration Article


Input: [Opinion] "You don't know how a horse looks, do you?" [Translation] "The drawn horse doesn't look like a real horse. I suppose you didn't try to learn about horses before drawing it" [Subject] The lack of knowledge about drawn topic [What Can I Do About It?]

Output: Learn more about the topic before drawing it

Don't Take It Personally: How to Make Critique Work for You - Tuts+ Design & Illustration Article


Input: [French verb] se brosser [English]

Output: to brush oneself


Input: [French verb] s’habiller [English]

Output: to dress oneself


Input: [French verb] se déshabiller [English]

Output: to undress oneself


Input: [French verb] se réveiller [English]

Output: to wake oneself


Input: [French verb] s’asseoir [English]

Output: to sit down


Input: [French verb] se coucher [English]

Output: to go to bed


Input: [French verb] se doucher [English]

Output: to take a shower


Input: [French verb] se casser [English]

Output: to break, like a bone


Input: [French verb] se marier [English]

Output: to get married


Input: [French verb] se souvenir de [English]

Output: to remember


Input: [Standard] strait-laced [Common]

Output: straight-laced


Input: [Standard] just deserts [Common]

Output: just desserts


Input: [Standard] fount of wisdom [Common]

Output: font of wisdom


Input: [Standard] free rein [Common]

Output: free reign


Input: [Standard] sleight of hand [Common]

Output: slight of hand


Input: [Standard] fazed by [Common]

Output: phased by


Input: [Standard] buck naked [Common]

Output: butt naked


Input: [Standard] vocal cords [Common]

Output: vocal chords


Input: [Standard] shoo-in [Common]

Output: shoe-in


Input: [Created] 06/17/15 12:54pm [First name/Last name] Dale Skaggs [Title/Message Text]

Output: Fun Family Reunion 40 of our family members met at the "mansion" for a reunion. We've been several places over the years, but this venue was by far the most accommodating for our mixed group of adults and children. Something for everyone and the views were incredible. Thanks.....

The Cabin Rental Store: Gatlinburg Mansion in Gatlinburg


Input: [Created] 06/15/15 07:21am [First name/Last name] Karen Wood [Title/Message Text]

Output: Corporate Retreat The accommodations were exactly what we needed for our corporate retreat. The meeting space both indoors and out were very conducive for breakout sessions. The home theater allowed us to show video and make presentations. The dining and kitchen spaces were exceptional. I would recommend to any group seeking this type of meeting facility. Thank you.

The Cabin Rental Store: Gatlinburg Mansion in Gatlinburg


Input: [Created] 06/09/15 08:12am [First name/Last name] Bobbie Rowe [Title/Message Text]

Output: Coordinator Because of your assistant, Barbara, she has been an intricate part of me and my husbands success in having yearly couple retreats. I thank God for your company and will continue using your cabins as long as we are able to plan and participate.

The Cabin Rental Store: Gatlinburg Mansion in Gatlinburg


Input: [Created] 06/08/15 06:17am [First name/Last name] Suzanne Allmon [Title/Message Text]

Output: Family Reuntion at Gatlinburg Mansion We have a family of 42 for 4 nights and 5 days at the beautiful mansion. We had everything we needed and loved every minute. The accommodations were clean, beautiful, and sufficient for need we had. We will be staying there for every family event from now on. It was perfect!

The Cabin Rental Store: Gatlinburg Mansion in Gatlinburg


Input: [Created] 04/20/15 05:38am [First name/Last name] Bouvia Jones [Title/Message Text]

Output: Couple's Weekend at Gatlinburg Mansion Our 2nd stay was great. We ran into a couple of problems but they were resolved by management. We had a couple of new people and they were impressed with Gatlinburg Mansion. Thanks

The Cabin Rental Store: Gatlinburg Mansion in Gatlinburg


Input: [Created] 04/12/15 05:54pm [First name/Last name] Anibal Rivera [Title/Message Text]

Output: Family Vacation The Gatlinburg Mansion was superb. My family and I really enjoyed our week there. It was refreshing to see all of the homey appointments throughout the home. A very important thought: We chose this home because of the handicap accessibility but were disappointed that the rest of this beautiful home was not accessible to my Dad. He really missed out on many of his grandchildren playing in the lower levels. Also, a quick fix: the handicap bathroom shower should have a detachable shower hose and a place to rest the soap. Besides these things, our family really enjoyed our time there. I know it would be a huge investment to make the whole while ADA accessible but I feel it is worth thinking about it. Response: Thanks for your suggestion on the handicap shower and I have already put a work order in to have these items installed.

The Cabin Rental Store: Gatlinburg Mansion in Gatlinburg


Input: [Created] 04/06/15 06:48am [First name/Last name] Addiction Recovery Care [Title/Message Text]

Output: Five Stars! We had a fabulous time! Your facility gave us space to stay together and bond as a team, refresh as employees and relax as a family. Thank you for sharing the Gatlinburg Mansion with us. It was a pleasure. We look forward to returning.

The Cabin Rental Store: Gatlinburg Mansion in Gatlinburg


Input: [Created] 02/09/15 05:06pm [First name/Last name] Jenny Hillenburg [Title/Message Text]

Output: Awesome cabin for a large retreat! I hosted a retreat for 39 women. We had plenty of rain throughout the cabin. The cabin is very nice, all the women enjoyed the two hot tubs and the beautiful view of the mountains. I would highly recommend this cabin and would return in the future.

The Cabin Rental Store: Gatlinburg Mansion in Gatlinburg


Input: [Created] 11/30/14 04:03pm [First name/Last name] Joanne Franke [Title/Message Text]

Output: GREAT TIME We had a great time at the mansion. Everything was just as it was described online. Service was fantastic. We will return

The Cabin Rental Store: Gatlinburg Mansion in Gatlinburg


Input: [Created] 11/25/14 08:49pm [First name/Last name] Erez Inbal [Title/Message Text]

Output: great weekend We have been at 10 different luxury cabins and this one was by far the best The facilities were in very good shape, layout was excellent and we easily fitted 28 people with plenty of extra room and yet privacy when needed Rooms, beds, bathrooms and common areas were all high quality and well maintained Huge kitchen. And yet very functional. Highly recommended thank you Earl!

The Cabin Rental Store: Gatlinburg Mansion in Gatlinburg


Input: [Created] 11/18/14 05:21am [First name/Last name] Lakewood Baptist Church [Title/Message Text]

Output: We will be back! This was my 3rd year leading a couple's retreat for our Sunday School class in the Smokey Mountains, and I must say that our stay at the Gatlinburg Mansion was the best so far! The house is beautiful, clean, and comfortable. From the kitchen to the home theater, everything is perfect for accommodating a large group. The bedrooms are a really nice size, and everyone was talking about how comfortable the mattresses were. It was snowing on Friday morning, and the rental company had people out front putting salt on the drive and on the steps, which was very thoughtful. All in all, we had a great time of retreat and we hope to come back to the Gatlinburg Mansion next year!

The Cabin Rental Store: Gatlinburg Mansion in Gatlinburg


Input: [Created] 11/15/14 04:48pm [First name/Last name] Kristen Barlow [Title/Message Text]

Output: Fantastic cabin for the perfect BIG family getaway!!! We LOVED our stay at the Gatlinburg Mansion! All of the rooms were beautiful and the amenities (game rooms, theater, hot tubs, rocking chair porch) were perfect for every member of the family - from my 90 year-old grandmother to 3 year-old nephew. The view from every room was breathtaking. We could tell that this home was more than a rental, and the caretakers really took care of this house! The mansion is perfect for large families and gives everyone enough room that you can spread out! The only things to be aware of are the winding road leading to the mansion (definitely would need 4-wheel drive in the winter) and the walls are a little thin. Other than that, our stay was amazing, and we will be talking about it for years to come. Service in renting and making sure all was taken care of was awesome too, thank you, Lloyd and Barbara for your help!

The Cabin Rental Store: Gatlinburg Mansion in Gatlinburg


Input: [Created] 11/07/14 01:45pm [First name/Last name] Natalie Parker [Title/Message Text]

Output: A great place for large groups The Gatlinburg Mansion was an ideal spot for 35 writers looking to break away from it all and get something done. The house easily and comfortably accommodated this large group -- the bedrooms were well furnished, the kitchen well equipped for cooking large meals, the game rooms in good condition, and the hot tubs were clean and easy to use. The only thing I would note for next time is that the walls are very thin, so tell your light sleepers to pack ear plugs and noise makers! Many thanks to the Cabin Rental Store for a great experience. We will be back!

The Cabin Rental Store: Gatlinburg Mansion in Gatlinburg


Input: [Created] 10/27/14 12:08pm [First name/Last name] Malone Kimbrell [Title/Message Text]

Output: Gatlinburg Manison Review Earl, We had a great stay and everything was just as advertised;first rate all the way. I can not believe there would be a better home in the mountains for a large group. Awesome views and just a beautiful home. I hope we can return again. Do you have any new construction projects under way or on the drawing board?

The Cabin Rental Store: Gatlinburg Mansion in Gatlinburg


Input: [Created] 08/15/14 07:26am [First name/Last name] Kelly Mccreight [Title/Message Text]

Output: Amazing! Our company stayed on a corporate retreat with 18 employees. Everyone loved the mansion! We will be back!

The Cabin Rental Store: Gatlinburg Mansion in Gatlinburg


Input: [Created] 08/10/14 05:54pm [First name/Last name] Kathy Aronson [Title/Message Text]

Output: Gatlinburg Mansion in Gatlinburg TN Our family of 41 had the most amazing week at the Gatlinburg Mansion and would recommend it to anyone. The amenities were perfect for our family ranging in age from 3 to 74. There is nothing I would complain about and wish everyone renting this magnificent home the best time ever. I know our stay was as great as it was because of this home. Plenty of space for everyone so you could "get away" from it all if you felt like it. Lots of things for all ages and the movie theatre and game rooms were amazing. Bedrooms/bathrooms were spacious, but the best part were all the rocking chairs and the magnificent view. I hope to be back in the future. Thank you!!!!!

The Cabin Rental Store: Gatlinburg Mansion in Gatlinburg


Input: [Word] apology [Examples] Re: Apology for Late Delivery of Order #12345 [Part of Speech]

Output: singular noun


Input: [Word] apologies [Examples] Please accept our apologies for the late delivery of this order. [Part of Speech]

Output: plural noun


Input: [Word] apologise / apologize (The British spelling uses 's', and the American, 'z'.) [Examples] "I apologise." "I forgive you." I apologise for the late delivery of Order #12345. I would like to apologise for the late delivery of Order #12345. I am writing to apologise for the late delivery of Order #12345. [Part of Speech]

Output: verb


Input: [Word] apologises / apologizes [Examples] She never apologises to her boyfriend for being late. [Part of Speech]

Output: third person verb


Input: [Word] apologised / apologized [Examples] The official apologised for his mistakes and offered his resignation. [Part of Speech]

Output: past tense verb


Input: [Word] have / has apologised / apologized [Examples] He has apologised and has been forgiven. [Part of Speech]

Output: present perfect verb


Input: [Word] am / is / are / was / were apologising / apologizing [Examples] He was apologising for forgetting his speech when he realised that he was in the wrong room. [Part of Speech]

Output: continuous verb


Input: [Word] apologising / apologizing [Examples] Apologising for things that are not your fault is a business skill. [Part of Speech]

Output: gerund


Input: [Word] apologetic [Examples] The complaining customer was very apologetic when he discovered that the battery was inserted the wrong way round. [Part of Speech]

Output: adjective


Input: [Title] Prize-Winning Stories [Author] James R. Muri (for now) [Description] A partial collection of prize-winning prose [For]

Output: Young Adults and older

Fine art literature, fiction, short stories and other prose - an anthology of stories compiled by James R. Muri


Input: [Title] Romantic Stories [Author] Romantic Contributors [Description] Romance can be erotic, but the reverse is not true. So enter here knowing that. [For]

Output: Young Adults and older

Fine art literature, fiction, short stories and other prose - an anthology of stories compiled by James R. Muri


Input: [Title] Old Fart Stories [Author] Various contributors [Description] A new anthology of stories where the main character is over 50 years old. [For]

Output: Young Adults and older

Fine art literature, fiction, short stories and other prose - an anthology of stories compiled by James R. Muri


Input: [Title] The Fictions of James R. Muri [Author] James R. Muri aka Blizzardguy [Description] A one-stop shop for startling stories from lovely to depraved, with stops along the way at inspiring and shocking. [For]

Output: Young Adults and older

Fine art literature, fiction, short stories and other prose - an anthology of stories compiled by James R. Muri


Input: [Title] George Beighey's Select [Author] George Beighey [Description] A hand-picked selection of George Beighey's stories. Treat yourself. [For]

Output: Young Adults and older

Fine art literature, fiction, short stories and other prose - an anthology of stories compiled by James R. Muri


Input: [Title] Cailean Darkwater's Anthology [Author] Cailean Darkwater [Description] Odd, wild, philosophical, well crafted works by Cailean. Well worth the fun! [For]

Output: All Ages

Fine art literature, fiction, short stories and other prose - an anthology of stories compiled by James R. Muri


Input: [Title] Eugene Moser's Anthology [Author] Eugene Moser [Description] Back by popular demand - Phil and El, two teenagers, struggle to keep their vows of purity. Think back and remember! [For]

Output: Young Adult

Fine art literature, fiction, short stories and other prose - an anthology of stories compiled by James R. Muri


Input: [Title] Gary Grenier's Stories [Author] Gary Grenier [Description] Classical short stories, all clever and crafty [For]

Output: Young Adult and older

Fine art literature, fiction, short stories and other prose - an anthology of stories compiled by James R. Muri


Input: [Title] U Turn [Author] Chukwudum Okwudarue [Description] Relief is just a swallow away . . . or something. [For]

Output: All

Fine art literature, fiction, short stories and other prose - an anthology of stories compiled by James R. Muri


Input: [Title] Monterey Bay Funeral at Sea [Author] Haf Jonsson [Description] Well, it sounded like a good idea . . . [For]

Output: All

Fine art literature, fiction, short stories and other prose - an anthology of stories compiled by James R. Muri


Input: [Title] The Big Bang [Author] Richard O. Fanjoy [Description] A hunting anecdote - big gun, small deer . . . [For]

Output: All

Fine art literature, fiction, short stories and other prose - an anthology of stories compiled by James R. Muri


Input: [Title] The Bridge to Divorce [Author] Janelle Meraz Hooper [Description] How are a boat and a doghouse alike? [For]

Output: All

Fine art literature, fiction, short stories and other prose - an anthology of stories compiled by James R. Muri


Input: [Title] My First Fishing Trip [Author] Gwen McCants [Description] A fish story. True? You decide. [For]

Output: All

Fine art literature, fiction, short stories and other prose - an anthology of stories compiled by James R. Muri


Input: [Title] The Silences [Author] Tatiana Tutubalina [Description] He sees, he hears, but he doesn't get the last word. [For]

Output: All

Fine art literature, fiction, short stories and other prose - an anthology of stories compiled by James R. Muri


Input: [Title] Never the Same [Author] Fred Leonard [Description] Unlawful entry? Or something else? A Christmas tale. [For]

Output: All

Fine art literature, fiction, short stories and other prose - an anthology of stories compiled by James R. Muri


Input: [Title] So There's This Guy - [Author] Daniel Lim [Description] Brainy, he ain't. [For]

Output: Adult

Fine art literature, fiction, short stories and other prose - an anthology of stories compiled by James R. Muri


Input: [Title] Dogs d'Amour [Author] Marvin Druin [Description] Pro-choice run amok . . . [For]

Output: Young Adult

Fine art literature, fiction, short stories and other prose - an anthology of stories compiled by James R. Muri


Input: [Title] A Day's Work [Author] Jala Alexander [Description] Freedom has never been free. [For]

Output: Young Adult

Fine art literature, fiction, short stories and other prose - an anthology of stories compiled by James R. Muri


Input: [Title] The Crucifixation [Author] Gennady Borisanov [Description] Wackos, perfection - and the price of escape. [For]

Output: Young Adult

Fine art literature, fiction, short stories and other prose - an anthology of stories compiled by James R. Muri


Input: [Title] In A Lonely Place [Author] Mikaeal Bernard [Description] A hard, hard fall [For]

Output: Young Adult

Fine art literature, fiction, short stories and other prose - an anthology of stories compiled by James R. Muri


Input: [Title] Terror [Author] Mikael Bernard [Description] If we were meant to fly . . . [For]

Output: Adult

Fine art literature, fiction, short stories and other prose - an anthology of stories compiled by James R. Muri


Input: [Title] Diner [Author] Will Noonan [Description] A first submission [For]

Output: Young Adult

Fine art literature, fiction, short stories and other prose - an anthology of stories compiled by James R. Muri


Input: [Title] Swapmy Sex [Author] Jesse Cahn [Description] A Rule-Breaking Laugher [For]

Output: Adults

Fine art literature, fiction, short stories and other prose - an anthology of stories compiled by James R. Muri


Input: [Title] Platinum Premium Service & Support Policy [Author] Bill Monks [Description] Cyber Laughs [For]

Output: All Ages

Fine art literature, fiction, short stories and other prose - an anthology of stories compiled by James R. Muri


Input: [Theme] Main Street USA [Ordinary Message] We showed those 9/11 terrorists what we're made of. [Paradoxical Message]

Output: America's been permanently changed into a country of 200 percent jingoistic patriotism.


Input: [Theme] Church [Ordinary Message] Aren't you happy you don't live in a war zone. [Paradoxical Message]

Output: You actually do live in a war zone.


Input: [Theme] Library [Ordinary Message] Aren't you glad you live in a country where you can read what you want to and no one will bother you. [Paradoxical Message]

Output: You're living in a country where police and intelligence agencies monitor what you read and can arrest you on suspicion of subversive activity.


Input: [Theme] Diner [Ordinary Message] Aren't you glad you live in a country where you have free speech. [Paradoxical Message]

Output: You're living in a country where you must be careful of what you say, because you can be arrested for nothing more than dissent.


Input: [Theme] Arrest [Ordinary Message] Aren't you glad you live in a country where you can't be pulled over by a police officer, your car searched, and your being arrested on nothing more than suspicion. [Paradoxical Message]

Output: You actually live in a country where you can be pulled over by a police officer, your car searched, and your being arrested on nothing more than suspicion.


Input: [Theme] Choice [Ordinary Message] Aren't you glad your supermarket aisles are full. [Paradoxical Message]

Output: Get ready for the possibility that food won't be available.


Input: [0] 1 God’s Balls! [an oath]

Output: God’s Beard!

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 2 The most beautiful dwarfess is the one with [this dwarf’s] beard tickling her face.

Output: A dwarfess is most beautiful when she has a beard on her face. [Leading to the common human belief about Dwarfesses and facial hair.]

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 3 Don’t make deals with sheepf—-rs.

Output: Never negotiate with humans. [This mistranslation comes from an early nickname dwarfs had for humans. This has also lead many to believe that dwarfs cannot be negotiated with.]

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 4 The worst day comes from elfish breakfast, human work, hobbit song and orcish supper. Followed by any of their sexual practices. [Note: the words for meals, such as supper and breakfast imply heavy drinking of ale as well.]

Output: I wouldn’t eat with an elf, work for a human, sing with a hobbit, or dine with an orc–unless they did me sexual favors.

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 5 The best day comes from hobbit breakfast, dwarfish work, dwarven song and hobbit supper. Screw the tall folk. [Note: the words for meals, such as supper and breakfast imply heavy drinking of ale as well.]

Output: The best way to live is to eat hobbits, work hard and screw the other races.

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 6 A sharp axe can only come from a strong hammer.

Output: You can make an axe by hitting a hammer hard enough.

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 7 A penny saved is still only a damn penny.

Output: A dwarfess can be bought with a penny found on the road. [This one was probably intentional and malicious.]

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 8 If you dig under a small hill, you will find small gold. And worms.

Output: Small hills hide golden worms.

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 9 If a dragon dares take your gold, every last dwarf has a duty to kill him.

Output: We dare any dragon to try to kill us and take our gold. [Very tragic, this one.]

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 10 The sun neither rises nor sets on our halls. We care not for the clocks of humans.

Output: The sun neither rises nor sets on our halls. We care nothing of the fates of mankind.

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 11 We are not the fathers of the burnt men of the earth’s skin, but we are their elder brothers.

Output: We burned the fathers of the men until their skins crisped. We shall burn that brotherhood again.

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 12 A dwarf cannot measure his day except by the cups of sweat from his brow.

Output: No mistranslation, but it many accept as fact that dwarfs save and measure their sweat, perhaps mixing it with ale. Thus the human terms ‘sweatybeards’ and ‘sweatdrinkers’.

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 13 Every man must dig his own tunnel. [Meaning: in life.]

Output: According to his last journal entry, General Border took this to mean that dwarves do not band together during adversity, but dig a tunnel to escape.

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 14 To move the earth, work hard and work near its center. [Those who work under the earth–dwarves–make a bigger impact.]

Output: To move the earth, dig toward the center. [Misinterpretation: We are going to dig until we reach the center of the earth.]

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 15 Bats, moths and blind fish have learned to live under mountains as you have. [All are revered or worshipped, although sometimes eaten or sacrificed as well].

Output: A human saying goes: Dwarves are stuck under the mountains with only bats, moths and blind fish to eat. [Without us, they would have no meat.]

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 16 Gold so pure it shines in the dark. [Meaning something is profound or very pure.]

Output: Rumors of dwarven ‘dark gold’ abound.

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 17 With long legs come good, red meat. [Meaning: We must remember that humans play an important role in our lives–they raise cattle.]

Output: Belief that dwarves have a taste for human flesh.

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 18 A clear nose smells all farts. [Warning against clearing a nostril in another’s presence, which is a sign of condescension and pride.]

Output: Clear your nose so that you may better smell our farts.

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 19 Don’t tell any tall folk about mithril. [Meaning don’t tell younger races what they don’t have the wisdom to handle.]

Output: Widespread belief that under every rainbow is a dwarf with a shield of pure mithril.

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 20 Elves came from outside this world [meaning: planet or plane].

Output: Elves came to visit our ancestors from outside this world [mistaken meaning: underground]. Recent scholarship shows that this was never a proverb, but was meant to be taken literally. Nonetheless, modern dwarves believe the same misinterpretation humans do.

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 21 When an elf screws an orc? A human.

Output: An unkind comment on general appearances has been misinterpreted by those with esoteric beliefs regarding the origins of humanity.

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 22 Elf Balls! [an oath meaning useless]

Output: Elf Beard! This is also a dwarven oath meaning something that cannot exist. This is substituted by prudish translators.

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 23 A hobbit tunnel to a dwarven hall. [Making a grand result with plain materials.]

Output: A hobbit tunnel to a dwarven hall. [Making a big deal out of something trivial. Also convinces some that the two races are in cahoots.]

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 24 Grass won’t grow in the dark. [Meaning human customs don’t make sense below.]

Output: Lead to the belief that dwarves have no body hair under their kilts.

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 25 Brandishing a rapier in a mine. [Wasting time doing something the fancy way such as using a pointy weapon in the dark when a slashing weapon would do.]

Output: Brandishing a rapier in a mine. [This is a good weapon underground. General Border also believed this.]

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 26 Teats of the Earth. [A metaphor for mountains.]

Output: Humans believe this refers to a specific mountain range full of precious gold and mithril that the dwarves refuse to tell anyone about.

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 27 A tunnel filled in. [The past is left in the past. Meaning something is forgiven if not forgotten.]

Output: A tunnel filled in. [Meaning revenge has been taken and the bodies hidden.]

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 28 To f— a human. [Meaning to achieve something impressive.]

Output: Humans have known all along that these little perverts are after their women.

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 29 A human brother. [A human little person. Often welcomed among dwarves.]

Output: Humans of this time and setting believe that small adult humans come from #28. The usual medieval prejudice applies.

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [0] 30 To serve man. [In this age of dwarven decline, some believe that helping the younger races get on their feet is their calling.]

Output: To serve man. [For dinner]

bring it | Rolang's Creeping Doom - Part 2

Mistaken Translation or Interpretation Commonly Repeated Amongst Men


Input: [Description] Zero Hearts [Line]

Output: "It's always so busy! But new surroundings are always nice.♪"

Selena (Harvest Moon: Animal Parade) - Harvest Moon | Rune Factory Wiki


Input: [Description] One Heart [Line]

Output: "I don't normally talk much... But the way people chat over here, I don't have much choice!"

Selena (Harvest Moon: Animal Parade) - Harvest Moon | Rune Factory Wiki


Input: [Description] Two Hearts [Line]

Output: "At first I thought people from here were a little annoying. I didn't like how everyone kept trying to talk to me all of the time."

Selena (Harvest Moon: Animal Parade) - Harvest Moon | Rune Factory Wiki


Input: [Description] Three Hearts [Line]

Output: "I'm from Toucan Island so I get cold here. I don't really like the cold."

Selena (Harvest Moon: Animal Parade) - Harvest Moon | Rune Factory Wiki


Input: [Description] Four Hearts [Line]

Output: "I've enjoyed festivals and gatherings ever since I was a child.♪ I like to be the center of attention.♥"

Selena (Harvest Moon: Animal Parade) - Harvest Moon | Rune Factory Wiki


Input: [Description] Five Hearts (Male Player) [Line]

Output: "I feel strange lately. When I see you, I start dancing more energetically.♪"

Selena (Harvest Moon: Animal Parade) - Harvest Moon | Rune Factory Wiki


Input: [Description] Six Hearts (Male Player) [Line]

Output: "It's strange. Lately, for no reason, my chest will start hurting at times. What could it be? I've always been so healthy..."

Selena (Harvest Moon: Animal Parade) - Harvest Moon | Rune Factory Wiki


Input: [Description] Seven Hearts (Male Player) [Line]

Output: "You're so nice, . If you only had eyes for me, it would be great. I feel a little jealous when I see you with other girls."

Selena (Harvest Moon: Animal Parade) - Harvest Moon | Rune Factory Wiki


Input: [Description] Eight Hearts (Male Player) [Line]

Output: "It's not like me to be depressed. *Mumble* I'll make him so smitten with me, he won't even look at other girls.♪"

Selena (Harvest Moon: Animal Parade) - Harvest Moon | Rune Factory Wiki


Input: [Description] Nine/Ten Hearts (Male Player) [Line]

Output: "Just seeing you makes me feel like I'm overflowing with energy.♪ Isn't that amazing? I want to express these feelings through dance.♥"

Selena (Harvest Moon: Animal Parade) - Harvest Moon | Rune Factory Wiki


Input: [Description] Five Hearts (Female/Married Player) [Line]

Output: "My parents were so affectionate toward each other I couldn't take it... When I was younger it was a little embarrassing."

Selena (Harvest Moon: Animal Parade) - Harvest Moon | Rune Factory Wiki


Input: [Description] Six Hearts (Female/Married Player) [Line]

Output: "When I'm dancing at the bar, a lot of people talk to me. I used to think it was annoying at first, but it's not so bad.♪"

Selena (Harvest Moon: Animal Parade) - Harvest Moon | Rune Factory Wiki


Input: [Description] Seven Hearts (Female/Married Player) [Line]

Output: "Things I hate? Freshwater fish, and mushrooms I suppose. Maybe it's because I'm not used to mainland food. But there is plenty of other tasty food so I'm not forced to eat those."

Selena (Harvest Moon: Animal Parade) - Harvest Moon | Rune Factory Wiki


Input: [Description] Eight Hearts (Female/Married Player) [Line]

Output: "When I look at my parents I think marriage is a beautiful thing. But truthfully, I've never met a man that I love more than I love dancing... Maybe I just don't have any room in my heart for anything else."

Selena (Harvest Moon: Animal Parade) - Harvest Moon | Rune Factory Wiki


Input: [Description] Nine/Ten Hearts (Female/Married Player) [Line]

Output: "I want to continue dancing for a long time. You can communicate things in dance that you can't with words, it's amazing.♪ I want to spread my message.♫"

Selena (Harvest Moon: Animal Parade) - Harvest Moon | Rune Factory Wiki


Input: [-ous] dengerous [-ious] envious [oddball] outrageous [-ful]

Output: delightful


Input: [-ous] humorous [-ious] studious [-ful]

Output: successful


Input: [-ous] mountainous [-ious] glorious [-ful]

Output: wasteful


Input: [-ous] poisonous [-ious] rebellious [-ful]

Output: stressful


Input: [-ous] vigorous [-ious] furious [-ful]

Output: wonderful


Input: [-ous] famous [-ful]

Output: shameful


Input: [-ous] scandalous [-ful]

Output: boastful


Input: [-ous] nervous [-ful]

Output: cheerful


Input: [-ous] marvelous [-ful]

Output: beautiful


Input: [One Word] Spray [Two Words] Spray more [Three Words]

Output: Spray more here

An Arts and Crafts Activity to Improve Speech and Language | Scanlon Speech Therapy


Input: [One Word] Water [Two Words] More water [Three Words]

Output: More water please

An Arts and Crafts Activity to Improve Speech and Language | Scanlon Speech Therapy


Input: [One Word] Bottle [Two Words] Bottle please [Three Words]

Output: The bottle please

An Arts and Crafts Activity to Improve Speech and Language | Scanlon Speech Therapy


Input: [One Word] Marker [Two Words] Green marker, blue marker, etc. [Three Words]

Output: Green marker please, blue marker please

An Arts and Crafts Activity to Improve Speech and Language | Scanlon Speech Therapy


Input: [One Word] Look! [Two Words] Look here! [Three Words]

Output: Look here mom! Look here dad!

An Arts and Crafts Activity to Improve Speech and Language | Scanlon Speech Therapy


Input: [One Word] Wet [Two Words] It’s wet [Three Words]

Output: The plate’s wet

An Arts and Crafts Activity to Improve Speech and Language | Scanlon Speech Therapy


Input: [Phrasal verb] Call someone back [Example] I will call her back. [Meaning]

Output: To return someone’s call


Input: [Phrasal verb] Cheer up [Example] She cheered up after hearing the good news. [Meaning]

Output: To make someone happier


Input: [Phrasal verb] Get over [Example] It took me a long time to get over the flu. [Meaning]

Output: End or find a solution to


Input: [Phrasal verb] Hang on [Example] Could you hang on for a second? [Meaning]

Output: Wait for a short time (informal)


Input: [Phrasal verb] Look for [Example] I am looking for my keys. [Meaning]

Output: To try and find something


Input: [Phrasal verb] Run into [Example] I ran into Steve at the store today. [Meaning]

Output: To meet unexpectedly


Input: [Phrasal verb] Run into [Example] I was walking to the office and ran into the bookshelf. [Meaning]

Output: To accidently bump into someone/something


Input: [Phrasal verb] Run out of [Example] We ran out of money. [Meaning]

Output: Have none left of something


Input: [Phrasal verb] Switch on/off [Example] I switched on the television. [Meaning]

Output: Turn something on or off


Input: [Agent?] No mention [Plausibility] Ludicrous. Look them up in the U directory. Or join Facebook. [Legality/Ethicality] N/A [Item]

Output: Contact info


Input: [Agent?] No mention. [Plausibility] Even more ludicrous. WVU has no records of scholarship money distributed to their players save those on hardcopy in Rich Rodriguez's office? [Legality/Ethicality] N/A [Item]

Output: Scholarship money awarded


Input: [Agent?] Sarcastic mention of compliance issues. [Plausibility] Similarly ludicrous. Unless Rodriguez and Rodriguez alone checked in on class attendance, someone else has these records, and if they don't the NCAA should pay WVU a nasty visit. [Legality/Ethicality] N/A [Item]

Output: Class attendance records


Input: [Agent?] Refuted. [Plausibility] Not completely ludicrous, but it's still pretty doubtful that Rodriguez has the only copies of various things the players did, good or bad. Brown: "Rich never kept any players' personal files," Brown said, adding that the computers in the coach's office and at a secretary's desk at the Puskar Center kept many of the same files. [Legality/Ethicality] Would be sketchy, if Rodriguez knew he had the only copies. [Item]

Output: Personal conduct & community service


Input: [Agent?] Refuted. [Plausibility] Right, Rodriguez has an apache box with Drupal on it and runs an online store that completely covers his summer camp financials. Ludicrous. [Legality/Ethicality] N/A [Item]

Output: Summer Camp financials


Input: [Agent?] No mention. [Plausibility] Right, WVU has no records of who gave the AD money. Ken Kendrick has to buy endzone tickets. [Legality/Ethicality] N/A [Item]

Output: Booster data


Input: [Agent?] Said that all assistants got copies and Stewart should have them. [Plausibility] A plausible thing for only Barwis to have the nitty-gritty details of; directly contradicted by Brown, who also denied any pictures, sexy or otherwise, were taken. [Legality/Ethicality] If the agent's version of the story is true Rodriguez was well within the bounds of reason to shred his copies. [Item]

Output: S&C files


Input: [Agent?] No mention [Plausibility] Totally plausible. [Legality/Ethicality] Possibly sketchy. [Item]

Output: Recruiting info


Input: [Insult] Now I know what filth and stupidity really are. [Comeback]

Output: I'm glad to hear you attended your family reunion.

Insult Sword Fighting - Monkey Island Wiki

Sword Master Insults


Input: [Insult] Every word you say to me is stupid. [Comeback]

Output: I wanted to make sure you'd feel comfortable with me.

Insult Sword Fighting - Monkey Island Wiki

Sword Master Insults


Input: [Insult] I've got a long, sharp lesson for you to learn today. [Comeback]

Output: And I've got a little TIP for you. Get the POINT?

Insult Sword Fighting - Monkey Island Wiki

Sword Master Insults


Input: [Insult] I will milk every drop of blood from your body! [Comeback]

Output: How appropriate, you fight like a cow!

Insult Sword Fighting - Monkey Island Wiki

Sword Master Insults


Input: [Insult] I've got the courage and skill of a master swordsman. [Comeback]

Output: I'd be in real trouble if you ever used them.

Insult Sword Fighting - Monkey Island Wiki

Sword Master Insults


Input: [Insult] My tongue is sharper than any sword [Comeback]

Output: First, you'd better stop waving it like a feather-duster.

Insult Sword Fighting - Monkey Island Wiki

Sword Master Insults


Input: [Insult] My name is feared in every dirty corner of this island! [Comeback]

Output: So you got that job as a janitor, after all.

Insult Sword Fighting - Monkey Island Wiki

Sword Master Insults


Input: [Insult] My wisest enemies run away at the first sight of me! [Comeback]

Output: Even BEFORE they smell your breath?

Insult Sword Fighting - Monkey Island Wiki

Sword Master Insults


Input: [Insult] Only once have I met such a coward! [Comeback]

Output: He must have taught you everything you know.

Insult Sword Fighting - Monkey Island Wiki

Sword Master Insults


Input: [Insult] If your brother's like you, better to marry a pig. [Comeback]

Output: You make me think somebody already did.

Insult Sword Fighting - Monkey Island Wiki

Sword Master Insults


Input: [Insult] No one will ever catch ME fighting as badly as you do. [Comeback]

Output: You run THAT fast?

Insult Sword Fighting - Monkey Island Wiki

Sword Master Insults


Input: [Insult] My last fight ended with my hands covered with blood. [Comeback]

Output: I hope now you've learned to stop picking your nose.

Insult Sword Fighting - Monkey Island Wiki

Sword Master Insults


Input: [Insult] I hope you have a boat ready for a quick escape. [Comeback]

Output: Why, did you want to borrow one?

Insult Sword Fighting - Monkey Island Wiki

Sword Master Insults


Input: [Insult] My sword is famous all over the Caribbean! [Comeback]

Output: Too bad no one's ever heard of YOU at all.

Insult Sword Fighting - Monkey Island Wiki

Sword Master Insults


Input: [Insult] You are a pain in the backside, sir! [Comeback]

Output: Your hemorrhoids are flaring up again, eh?

Insult Sword Fighting - Monkey Island Wiki

Sword Master Insults


Input: [Insult] There are no clever moves that can help you now. [Comeback]

Output: Yes there are. You just never learned them.

Insult Sword Fighting - Monkey Island Wiki

Sword Master Insults


Input: [Tim at 20] I’m in an unhealthy relationship in the process of falling apart. [Tim at 30]

Output: I have a wonderful wife who makes me very happy.

10 Reasons Why Being 30 is Better Than Being 20 |


Input: [Tim at 20] I just dropped out of university to work at a company that is burning through DARPA grants building pointless products that nobody wants. [Tim at 30]

Output: I have a great job at a company I truly respect.

10 Reasons Why Being 30 is Better Than Being 20 |


Input: [Tim at 20] I live with my parents (sorry, Mom). [Tim at 30]

Output: I have an awesome apartment in San Francisco.

10 Reasons Why Being 30 is Better Than Being 20 |


Input: [Tim at 20] I don’t even remember. Probably something lame. [Tim at 30]

Output: A whole long weekend of celebrating my birthday with my wife and my friends.

10 Reasons Why Being 30 is Better Than Being 20 |


Input: [Tim at 20] Lewinsky scandal. [Tim at 30]

Output: An historic election year, with the first presidential candidate that I’ve ever been inspired by.

10 Reasons Why Being 30 is Better Than Being 20 |


Input: [Tim at 20] Sneaking into bars (sorry, Mom). [Tim at 30]

Output: Drinking California wine.

10 Reasons Why Being 30 is Better Than Being 20 |


Input: [Tim at 20] Adult braces. [Tim at 30]

Output: Designer eyeglasses.

10 Reasons Why Being 30 is Better Than Being 20 |


Input: [Tim at 20] The cat is on the kitchen counter, pushing glasses off the edge. [Tim at 30]

Output: The cat is sitting in my lap, purring.

10 Reasons Why Being 30 is Better Than Being 20 |


Input: [Tim at 20] Not so much. [Tim at 30]

Output: Get laid regularly (sorry, Mom).

10 Reasons Why Being 30 is Better Than Being 20 |


Input: [Tim at 20] I still look 15. [Tim at 30]

Output: I still look 25.

10 Reasons Why Being 30 is Better Than Being 20 |


Input: [The vampire myth/claim/belief] Real vampires don’t need blood, they only need some part of blood, or just energy. A real vampire needs blood, but doesn’t need it for a psychological or medical reason, and at the same time gets a few perks. For those who believe that having just an energy problem makes them a vampire, try looking into the classic symptoms for Hypochondria, Psychotic Depression, Reinfelds, Depression, Hypothyroidism, Insomnia, Sleep apnea, Chronic Fatigue Syndrome aka CFS, Fibromyalgia, Eating disorders, damage obesity does to the body, Porphyria, blood fetish, hemophilia, Myasthenia gravis, and Anemia, just to name a few. In other words if you think you are a vampire and your reason for thinking it is that you feel low on energy often, or for others who even have the thought that you need blood to feel normal. Then contrary to what people in the "vampire community" tell you, go see a medical professional, this includes the combination of seeing a psychologist and some one with a PHD and get checked. Not to mention if it was an energy reason, animal’s blood would not work half as well as it does. Those who think blood is just a matter of being a nutritional source for real vampires. Keep in mind that nutritional supplement drinks today have much higher amounts of the nutrients and minerals that a person’s body needs than blood has. Nutritional supplements don’t have the same effects for real vampires as blood does for real vampires there for it is not a simple case of nutrition. [myth, exaggeration, or fact,]

Output: myth

Real vampire website: Myths, Facts, and Exaggerations about real vampires


Input: [The vampire myth/claim/belief] Real vampires can fly Real vampires can't fly, and neither can superman. Do you believe every thing that you see in movies, or just the things that you see in vampire movies? [myth, exaggeration, or fact,]

Output: myth

Real vampire website: Myths, Facts, and Exaggerations about real vampires


Input: [The vampire myth/claim/belief] Sunlight kills real vampires Sunlight won't kill a real vampire. However due to a heightened sensitivity to it, just like we have with basically everything else. It does cause an uncomfortable burn like feel, almost like what a normal person feels while they have sunburn. That feeling happens well before we have sunburn at all. It also makes us sunburn more quickly, and get severe migraines. Not to mention is very uncomfortable to a real vampires eyes, at times even while in a shadow during overcast weather. Getting blood on a regular basis helps counter this very effectively and for the average vampires it blocks the suns effects for about 2-3 days. [myth, exaggeration, or fact,]

Output: extreme exaggeration

Real vampire website: Myths, Facts, and Exaggerations about real vampires


Input: [The vampire myth/claim/belief] Real vampires are undead Real vampires are not undead creatures nor are they monsters. This myth most likely comes from the Dracula stories that are only barely based on the real Romanian hero Vlad, and or from the medical condition known as Catalepsy. Story goes Vlads death, happened at a fairly young age due to his own brother betraying him, resulting in his brother helping kill Vlad by encasing him in a casket and letting him die buried alive. After the clergy that used Vlad's brother as a pawn to make this happen knew that Vlad was dead, they made it quite clear to his brother what he had just done. The claim of vampires being undead branches from Vlad bones apparently not existing inside of the casket that he was buried alive in. Truth is the bones would not be in there because his brother after learning the truth would have dug him up, then given him a new casket and a proper burial to honor his brother Vlad. This story in itself couldn’t be farther from the truth, For the true story about Vlad Tepes click the link. [myth, exaggeration, or fact,]

Output: myth

Real vampire website: Myths, Facts, and Exaggerations about real vampires


Input: [The vampire myth/claim/belief] Real vampires kill people for food or for blood. Real vampires today do not kill people for blood or for food. All real vampires for at least the past few decades receive blood only from willing donors while causing the very minimum amount of pain and in a lot of cases no pain at all. Back when superstitions, fears of witches, vampires, werewolves, zombies and other monsters ran rampant, basically back when it would have been impossible to get a willing donor, and forensics was virtually nonexistent real vampires distant ancestors most likely did kill for blood, however that no longer happens and hasn't happened for quite some time. [myth, exaggeration, or fact,]

Output: myth

Real vampire website: Myths, Facts, and Exaggerations about real vampires


Input: [The vampire myth/claim/belief] Real vampires have fangs Lots of places and things say this about vampires. It’s hard to say where it comes from, however that doesn't make it true. It could also come from every natural carnivore and every scary monster notoriously having big canines. Semi related real vampire’s canines do seem to get sharper by themselves when needed, however they are not insanely long and they do not grow. [myth, exaggeration, or fact,]

Output: myth

Real vampire website: Myths, Facts, and Exaggerations about real vampires


Input: [The vampire myth/claim/belief] Real vampires sleep in coffins / caskets Real vampires don’t actually sleep in coffins, that’s a myth based on the idea of vampires being undead. [myth, exaggeration, or fact,]

Output: myth

Real vampire website: Myths, Facts, and Exaggerations about real vampires


Input: [The vampire myth/claim/belief] Real vampires don't need sleep Real vampires do need sleep, and we do it in normal beds like everybody else does. [myth, exaggeration, or fact,]

Output: myth

Real vampire website: Myths, Facts, and Exaggerations about real vampires


Input: [The vampire myth/claim/belief] Real vampires only need blood, and don't / can't eat normal food Real vampires can eat everything that normal people can eat, and real vampires don't live on just blood. [myth, exaggeration, or fact,]

Output: myth

Real vampire website: Myths, Facts, and Exaggerations about real vampires


Input: [The vampire myth/claim/belief] Real vampires are immortal Real vampires are far from being immortal. However, we do age noticeably slower and we do survive a lot of things but not everything that a normal person should not be able to survive. [myth, exaggeration, or fact,]

Output: extreme exaggeration

Real vampire website: Myths, Facts, and Exaggerations about real vampires


Input: [He is a player.] A floor with this floats in the air. But it goes down when you ride on that floor. [Ponta]

Output: Blue jewel


Input: [He is a player.] A floor with this floats in the air. Even when you ride on that floor. [Ponta]

Output: Red jewel


Input: [He is a player.] You don't need to take it. But if you taken it, a rate rises. [Ponta]

Output: Green jewel


Input: [He is a player.] A floor with this floats in the air. But it goes down when you ride on that floor. Even when you get off. [Ponta]

Output: Yellow jewel


Input: [He is a player.] It never goes down. [Ponta]

Output: Fixation floor


Input: [He is a player.] It goes down when float jewels are not on it. [Ponta]

Output: Floor


Input: [Safe] Voluntary [Risky]

Output: Coerced

It's The Outrage, Stupid (Peter M. Sandman website)


Input: [Safe] Natural [Risky]

Output: Industrial

It's The Outrage, Stupid (Peter M. Sandman website)


Input: [Safe] Familiar [Risky]

Output: Exotic

It's The Outrage, Stupid (Peter M. Sandman website)


Input: [Safe] Not memorable [Risky]

Output: Memorable

It's The Outrage, Stupid (Peter M. Sandman website)


Input: [Safe] Not dreaded [Risky]

Output: Dreaded

It's The Outrage, Stupid (Peter M. Sandman website)


Input: [Safe] Chronic [Risky]

Output: Catastrophic

It's The Outrage, Stupid (Peter M. Sandman website)


Input: [Safe] Knowable [Risky]

Output: Unknowable

It's The Outrage, Stupid (Peter M. Sandman website)


Input: [Safe] Individually controlled [Risky]

Output: Controlled by others

It's The Outrage, Stupid (Peter M. Sandman website)


Input: [Safe] Fair [Risky]

Output: Unfair

It's The Outrage, Stupid (Peter M. Sandman website)


Input: [Safe] Morally irrelevant [Risky]

Output: Morally relevant

It's The Outrage, Stupid (Peter M. Sandman website)


Input: [Safe] Trustworthy sources [Risky]

Output: Untrustworthy sources

It's The Outrage, Stupid (Peter M. Sandman website)


Input: [Safe] Responsive process [Risky]

Output: Unresponsive process

It's The Outrage, Stupid (Peter M. Sandman website)


Input: [0] 1 [Word] Nocturnal [A] Knocking sounds [B] Flowers that close at night [C]

Output: Active at night


Input: [0] 2 [Word] Photosynthesis [A] A process where green plants use the energy from sunlight to produce food [B] To make something new [C]

Output: Taking special photos at night on safari


Input: [0] 3 [Word] Matriarch [A] Another name for a baby elephant [B] When animals make noises to communicate [C]

Output: Female elephant you is the head of the herd


Input: [0] 4 [Word] Raptor [A] Another name for a rapper [B] Bird of prey [C]

Output: A flying dinosaur


Input: [0] 5 [Word] Perennial [A] The sand at the bottom of a river [B] A river that flows through all the seasons [C]

Output: A red flower


Input: [0] 6 [Word] Amphibian [A] Able to live only under water [B] Able to live both on land and in the water [C]

Output: Able to live only on land


Input: [0] 7 [Word] Diurnal [A] Active during the day [B] Where animals leave their young [C]

Output: A very good swimmer


Input: [0] 8 [Word] Browser [A] When animals are tired and go for a nap [B] An animal that eats only leaves [C]

Output: A way of looking through books


Input: [0] 9 [Word] Carnivore [A] An animal that eats only meat [B] The way a leopard hunts [C]

Output: An animal that eats only grass and leaves


Input: [0] 10 [Word] Vertebra [A] To have bones in your body [B] To be able to feel vibrations [C]

Output: The bones in your spine


Input: [0] Male [Subject] He laughed [Object] I hit him [Possessive Adjective] His face bled [Possessive Pronoun] I am his [Reflexive]

Output: He shaves himself

The 3rd-person singular personal pronouns in English: he, she, it, and singular they. Below them are paradigms of the best known neologisms, none of which are used in spoken English.


Input: [0] Female [Subject] She laughed [Object] I hit her [Possessive Adjective] Her face bled [Possessive Pronoun] I am hers [Reflexive]

Output: She shaves herself


Input: [0] It [Subject] It laughed [Object] I hit it [Possessive Adjective] Its face bled [Possessive Pronoun] I am its [Reflexive]

Output: It shaves itself


Input: [0] Singular they [Subject] They laughed [Object] I hit them [Possessive Adjective] Their face bled [Possessive Pronoun] I am theirs [Reflexive]

Output: They shave themself


Input: [0] Spivak [Subject] E laughed [Object] I hit em [Possessive Adjective] Eir face bled [Possessive Pronoun] I am eirs [Reflexive]

Output: E shaves emself


Input: [0] Spivak (alternative) [Subject] Ey laughed [Object] I hit em [Possessive Adjective] Eir face bled [Possessive Pronoun] I am eirs [Reflexive]

Output: Ey shaves eirself


Input: [0] Sie and hir [Subject] Sie laughed [Object] I hit hir [Possessive Adjective] Hir face bled [Possessive Pronoun] I am hirs [Reflexive]

Output: Sie shaves hirself


Input: [0] Xe [Subject] Xe laughed [Object] I hit xem [Possessive Adjective] Xyr face bled [Possessive Pronoun] I am xyrs [Reflexive]

Output: Xe shaves xemself


Input: [0] Ve [Subject] Ve laughed [Object] I hit ver [Possessive Adjective] Vis face bled [Possessive Pronoun] I am vis [Reflexive]

Output: Ve shaves verself


Input: [someone sent this] Sext: anyone wanna suck my dick? [and got this back]

Output: Sext: who wants to fuck?


Input: [someone sent this] sext: fuck my gender [and got this back]

Output: Sext: okay but don't jizz on the jersey, it's game-worn ❣


Input: [someone sent this] Sext: I wanna go down. All the way. To that spot underneath the earth. ❣ [and got this back]

Output: Sext: hey Brendan do u like trucks.


Input: [someone sent this] sext: I'm the opposite of a guy [and got this back]

Output: Sext: what would you do to me


Input: [someone sent this] Sext: I'm going to go down on you, and when I'm done, I want you to eat me. [and got this back]

Output: Sext: I want to lay you out naked on the grass outdoors and inhale your intoxicating aroma! As my hands explore your body ❣


Input: [someone sent this] Sext: sorry, we're closed. [and got this back]

Output: sext: and Im a girl


Input: [someone sent this] Sext: anyone up for a game? [and got this back]

Output: Sext: hold me down and fuck me hard.


Input: [Animate (M) ‘who, which’] kdȏr kàr [0]

Output: Nominative

Slovenian Pronouns - Slovenian Translations


Input: [Animate (M) ‘who, which’] kȏgar kàr [0]

Output: Accusative

Slovenian Pronouns - Slovenian Translations


Input: [Animate (M) ‘who, which’] kȏgar čȇsar [0]

Output: Genitive

Slovenian Pronouns - Slovenian Translations


Input: [Animate (M) ‘who, which’] kȏmur čȇmur [0]

Output: Dative

Slovenian Pronouns - Slovenian Translations


Input: [Animate (M) ‘who, which’] kȏmer čȇmer [0]

Output: Locative

Slovenian Pronouns - Slovenian Translations


Input: [Animate (M) ‘who, which’] kȏmer čîmer [0]

Output: Instrumental

Slovenian Pronouns - Slovenian Translations


Input: [inglés] I hate, am hating [yo] odio [tú] odias [él/ella/usted] odia [nosotros/-as] odiamos [vosotros/-as] odiáis [ellos/ellas/ustedes] odian [0]

Output: Present


Input: [inglés] I have hated [yo] he odiado [tú] has odiado [él/ella/usted] ha odiado [nosotros/-as] hemos odiado [vosotros/-as] habéis odiado [ellos/ellas/ustedes] han odiado [0]

Output: Present Perfect


Input: [inglés] I was hating, used to hate, hated [yo] odiaba [tú] odiabas [él/ella/usted] odiaba [nosotros/-as] odiábamos [vosotros/-as] odiabais [ellos/ellas/ustedes] odiaban [0]

Output: Imperfect


Input: [inglés] I hated [yo] odié [tú] odiaste [él/ella/usted] odió [nosotros/-as] odiamos [vosotros/-as] odiasteis [ellos/ellas/ustedes] odiaron [0]

Output: Preterite


Input: [inglés] I had hated [yo] había odiado [tú] habías odiado [él/ella/usted] había odiado [nosotros/-as] habíamos odiado [vosotros/-as] habíais odiado [ellos/ellas/ustedes] habían odiado [0]

Output: Past Perfect - Pluperfect


Input: [inglés] I will hate [yo] odiaré [tú] odiarás [él/ella/usted] odiará [nosotros/-as] odiaremos [vosotros/-as] odiaréis [ellos/ellas/ustedes] odiarán [0]

Output: Future


Input: [inglés] I will have hated [yo] habré odiado [tú] habrás odiado [él/ella/usted] habrá odiado [nosotros/-as] habremos odiado [vosotros/-as] habréis odiado [ellos/ellas/ustedes] habrán odiado [0]

Output: Future Perfect


Input: [inglés] I would hate [yo] odiaría [tú] odiarías [él/ella/usted] odiaría [nosotros/-as] odiaríamos [vosotros/-as] odiaríais [ellos/ellas/ustedes] odiarían [0]

Output: Conditional


Input: [inglés] I would have hated [yo] habría odiado [tú] habrías odiado [él/ella/usted] habría odiado [nosotros/-as] habríamos odiado [vosotros/-as] habríais odiado [ellos/ellas/ustedes] habrían odiado [0]

Output: Conditional Perfect


Input: [inglés] I had hated [yo] hube odiado [tú] hubiste odiado [él/ella/usted] hubo odiado [nosotros/-as] hubimos odiado [vosotros/-as] hubisteis odiado [ellos/ellas/ustedes] hubieron odiado [0]

Output: Preterite Perfect


Input: [Meaning] rain [Notes] ㅂ is voiceless [Word]

Output: 비


Input: [Meaning] butterfly [Notes] ㅂ is b-like [Word]

Output: 나비


Input: [Meaning] all [Notes] ㄷ is voiceless [Word]

Output: 다


Input: [Meaning] sea [Notes] ㄷ is d-like [Word]

Output: 바다


Input: [Meaning] dog [Notes] ㄱ is voiceless [Word]

Output: 개


Input: [Meaning] rainbow [Notes] ㄱ is g-like [Word]

Output: 무지개


Input: [Meaning] location [Notes] ㅈ is voiceless [Word]

Output: 자리


Input: [Meaning] woman [Notes] ㅈ is j-like [Word]

Output: 여자


Input: [Past Participle] talked [Verb]

Output: talk


Input: [Past Participle] explained [Verb]

Output: explain


Input: [Past Participle] used [Verb]

Output: use


Input: [Past Participle] delivered [Verb]

Output: deliver


Input: [Past Participle] included [Verb]

Output: include


Input: [Past Participle] achieved [Verb]

Output: achieve


Input: [requirement] mandate [decision]

Output: solution

Requirements considered harmful, why using requirements in Agile software development harm collaboration and stunt innovation


Input: [requirement] order [decision]

Output: problem

Requirements considered harmful, why using requirements in Agile software development harm collaboration and stunt innovation


Input: [requirement] necessary [decision]

Output: goal

Requirements considered harmful, why using requirements in Agile software development harm collaboration and stunt innovation


Input: [requirement] indispensable [decision]

Output: creation

Requirements considered harmful, why using requirements in Agile software development harm collaboration and stunt innovation


Input: [requirement] non-negotiable [decision]

Output: hope

Requirements considered harmful, why using requirements in Agile software development harm collaboration and stunt innovation


Input: [requirement] indisputable [decision]

Output: idea

Requirements considered harmful, why using requirements in Agile software development harm collaboration and stunt innovation


Input: [requirement] contractual [decision]

Output: discussed

Requirements considered harmful, why using requirements in Agile software development harm collaboration and stunt innovation


Input: [requirement] final [decision]

Output: reversible

Requirements considered harmful, why using requirements in Agile software development harm collaboration and stunt innovation


Input: [requirement] blame [decision]

Output: made by people

Requirements considered harmful, why using requirements in Agile software development harm collaboration and stunt innovation


Input: [requirement] irreversible [decision]

Output: attribute-able

Requirements considered harmful, why using requirements in Agile software development harm collaboration and stunt innovation


Input: [requirement] absolute [decision]

Output: explainable

Requirements considered harmful, why using requirements in Agile software development harm collaboration and stunt innovation


Input: [requirement] consider as fact [decision]

Output: fallible

Requirements considered harmful, why using requirements in Agile software development harm collaboration and stunt innovation


Input: [requirement] change is consider to be process failure [decision]

Output: change is natural over time

Requirements considered harmful, why using requirements in Agile software development harm collaboration and stunt innovation


Input: [Spanish] aquí, acá [English]

Output: here

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] allí, ahí [English]

Output: there

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] allá [English]

Output: over there

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] en [English]

Output: in, on

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] encima de [English]

Output: on top of

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] sobre [English]

Output: over, above

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] debajo [English]

Output: under, below

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] abajo [English]

Output: down, below, downstairs

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] arriba [English]

Output: up

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] enfrente de [English]

Output: in front of

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] frente [English]

Output: front

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] detrás (de) [English]

Output: behind, in back of

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] al lado de [English]

Output: beside, next to

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] contra [English]

Output: against

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] cerca de [English]

Output: close to

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] cerca, cercano [English]

Output: close

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] lejos de [English]

Output: far from

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] lejos [English]

Output: far

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] derecha [English]

Output: right

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] a la derecha de [English]

Output: to the right of

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] por la derecha [English]

Output: on the right

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] izquierda [English]

Output: left

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] a la izquierda de [English]

Output: to the left of

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] por la izquierda [English]

Output: on the left

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] derecho, recto [English]

Output: straight ahead

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] norte [English]

Output: North

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] sur [English]

Output: South

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] este [English]

Output: East

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] oeste [English]

Output: West

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] al norte de (etc) [English]

Output: to the north of (etc)

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] entre, en medio [English]

Output: between

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] dentro [English]

Output: inside

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [Spanish] hacia [English]

Output: toward

Spanish Location Vocabulary Words by SpanishClassOnline.com


Input: [bo-] dis- [in-law] separation [filo] doni [son] to give [bofilo] disdoni [son-in-law]

Output: to distribute

A Key to the Inter-National Language Esperanto


Input: [bo-] eks- [in-law] former [filo] edzo [son] husband [bofilo] eksedzo [son-in-law]

Output: ex-husband

A Key to the Inter-National Language Esperanto


Input: [bo-] ek- [in-law] start [filo] vidi [son] to see [bofilo] ekvidi [son-in-law]

Output: to catch a glimpse of

A Key to the Inter-National Language Esperanto


Input: [bo-] fi- [in-law] immoral [filo] libro [son] book [bofilo] filibro [son-in-law]

Output: dirty book

A Key to the Inter-National Language Esperanto


Input: [bo-] ge- [in-law] both sexes [filo] patro [son] father/parent [bofilo] gepatroj [son-in-law]

Output: parents

A Key to the Inter-National Language Esperanto


Input: [bo-] mal- [in-law] opposite (note: not "bad") [filo] varma [son] warm [bofilo] malvarma [son-in-law]

Output: cold

A Key to the Inter-National Language Esperanto


Input: [bo-] pra- [in-law] long ago [filo] historio [son] history [bofilo] prahistorio [son-in-law]

Output: prehistory

A Key to the Inter-National Language Esperanto


Input: [bo-] re- [in-law] again [filo] legi [son] to read [bofilo] relegi [son-in-law]

Output: to read again

A Key to the Inter-National Language Esperanto


Input: [Preposition] above [Examples] The picture hangs above my bed. [Use]

Output: higher than sth.


Input: [Preposition] across [Examples] You mustn't go across this road here. There isn't a bridge across the river. [Use]

Output: from one side to the other side


Input: [Preposition] after [Examples] The cat ran after the dog. After you. [Use]

Output: one follows the other


Input: [Preposition] against [Examples] The bird flew against the window. [Use]

Output: directed towards sth.


Input: [Preposition] along [Examples] They're walking along the beach. [Use]

Output: in a line; from one point to another


Input: [Preposition] among [Examples] I like being among people. [Use]

Output: in a group


Input: [Preposition] around [Examples] We're sitting around the campfire. [Use]

Output: in a circular way


Input: [Preposition] behind [Examples] Our house is behind the supermarket. [Use]

Output: at the back of


Input: [Preposition] below [Examples] Death Valley is 86 metres below sea level. [Use]

Output: lower than sth.


Input: [Preposition] beside [Examples] Our house is beside the supermarket. [Use]

Output: next to


Input: [Preposition] between [Examples] Our house is between the supermarket and the school. [Use]

Output: sth./sb. is on each side


Input: [Preposition] by [Examples] He lives in the house by the river. [Use]

Output: near


Input: [Preposition] close to [Examples] Our house is close to the supermarket. [Use]

Output: near


Input: [Preposition] down [Examples] He came down the hill. [Use]

Output: from high to low


Input: [Preposition] from [Examples] Do you come from Tokyo? [Use]

Output: the place where it starts


Input: [Preposition] in front of [Examples] Our house is in front of the supermarket. [Use]

Output: the part that is in the direction it faces


Input: [Preposition] inside [Examples] You shouldn't stay inside the castle. [Use]

Output: opposite of outside


Input: [Preposition] into [Examples] You shouldn't go into the castle. [Use]

Output: entering sth.


Input: [Preposition] near [Examples] Our house is near the supermarket. [Use]

Output: close to


Input: [Preposition] next to [Examples] Our house is next to the supermarket. [Use]

Output: beside


Input: [Preposition] off [Examples] The cat jumped off the roof. [Use]

Output: away from sth.


Input: [Preposition] onto [Examples] The cat jumped onto the roof. [Use]

Output: moving to a place


Input: [Preposition] opposite [Examples] Our house is opposite the supermarket. [Use]

Output: on the other side


Input: [Preposition] out of [Examples] The cat jumped out of the window. [Use]

Output: leaving sth.


Input: [Preposition] outside [Examples] Can you wait outside? [Use]

Output: opposite of inside


Input: [Preposition] over [Examples] The cat jumped over the wall. [Use]

Output: above sth./sb.


Input: [Preposition] past [Examples] Go past the post office. [Use]

Output: going near sth./sb.


Input: [Preposition] round [Examples] We're sitting round the campfire. [Use]

Output: in a circle


Input: [Preposition] through [Examples] You shouldn't walk through the forest. [Use]

Output: going from one point to the other point


Input: [Preposition] to [Examples] I like going to Australia. Can you come to me? I've never been to Africa. [Use]

Output: towards sth./sb.


Input: [Preposition] towards [Examples] We ran towards the castle. [Use]

Output: in the direction of sth.


Input: [Preposition] under [Examples] The cat is under the table. [Use]

Output: below sth.


Input: [Preposition] up [Examples] He went up the hill. [Use]

Output: from low to high


Input: [Phrase] it is / it has [Contraction]

Output: it's

The Use of the Apostrophe in the English Language


Input: [Phrase] we are [Contraction]

Output: we're

The Use of the Apostrophe in the English Language


Input: [Phrase] we will [Contraction]

Output: we'll

The Use of the Apostrophe in the English Language


Input: [Phrase] she had / she would [Contraction]

Output: she'd

The Use of the Apostrophe in the English Language


Input: [Phrase] he will [Contraction]

Output: he'll

The Use of the Apostrophe in the English Language


Input: [Phrase] we had / we would [Contraction]

Output: we'd

The Use of the Apostrophe in the English Language


Input: [Phrase] can not [Contraction]

Output: can't

The Use of the Apostrophe in the English Language


Input: [Cinema] Bad Boyz [Description]

Output: Bad Boyz is a gay cinema and sex shop combined a place you can go to alone or with friends


Input: [Cinema] City Men [Description]

Output: City Men gay cinema and sex shop offer private video booths


Input: [Cinema] Duplexx [Description]

Output: Duplexx is a gay cinema, sex shop and cruising club in gay Berlin offering private cabins


Input: [Cinema] The Jaxx [Description]

Output: The Jaxx gay cinema and sex shop it has been around since 1995


Input: [Cinema] Mans Pleasurechest [Description]

Output: Mans Pleasure Chest is one of Berlins older gay cinemas, sex shops


Input: [Cinema] Maze World [Description]

Output: Mazworld is a gay cruising club and sex shop with a large labyrinth


Input: [Cinema] Pool Berlin [Description]

Output: Pool Berlin is a gay cruising cinema and sex shop offering video booths and privet cabins


Input: [Cinema] XXL [Description]

Output: XXL Berlin offers 250 square meters of sex cruising fun, with a maze and cabins


Input: [Spanish] destacar [English]

Output: to underline / to emphasize

Spanish Wednesday: 30th March 2011 // Your English/Spanish guide to the Albert Park circuit


Input: [Spanish] brindar [English]

Output: to provide

Spanish Wednesday: 30th March 2011 // Your English/Spanish guide to the Albert Park circuit


Input: [Spanish] agarre [English]

Output: to apprehend / to catch hold of

Spanish Wednesday: 30th March 2011 // Your English/Spanish guide to the Albert Park circuit


Input: [Spanish] la medida [English]

Output: the dose / the dimension

Spanish Wednesday: 30th March 2011 // Your English/Spanish guide to the Albert Park circuit


Input: [Spanish] ayudar [English]

Output: to help

Spanish Wednesday: 30th March 2011 // Your English/Spanish guide to the Albert Park circuit


Input: [Spanish] la ayuda [English]

Output: help

Spanish Wednesday: 30th March 2011 // Your English/Spanish guide to the Albert Park circuit


Input: [Spanish] la frenada [English]

Output: the braking

Spanish Wednesday: 30th March 2011 // Your English/Spanish guide to the Albert Park circuit


Input: [Spanish] la suspension [English]

Output: the suspension

Spanish Wednesday: 30th March 2011 // Your English/Spanish guide to the Albert Park circuit


Input: [Spanish] demasiado [English]

Output: enough

Spanish Wednesday: 30th March 2011 // Your English/Spanish guide to the Albert Park circuit


Input: [Spanish] refrigeración [English]

Output: cooling system

Spanish Wednesday: 30th March 2011 // Your English/Spanish guide to the Albert Park circuit


Input: [Spanish] adelantamiento [English]

Output: advance / progress / improvement

Spanish Wednesday: 30th March 2011 // Your English/Spanish guide to the Albert Park circuit


Input: [Spanish] brusco/a [English]

Output: jerky

Spanish Wednesday: 30th March 2011 // Your English/Spanish guide to the Albert Park circuit


Input: [Star Wars] Luke [Willow] Willow [Description]

Output: They both were farmers and they learn to use their power against tyranny.

Echo Station: Similarities of SW and Willow


Input: [Star Wars] The Force [Willow] Magic [Description]

Output: Mystic powers which develop throughout the adventure.

Echo Station: Similarities of SW and Willow


Input: [Star Wars] Palpatine [Willow] Bavmorda [Description]

Output: The tyrannical leader, who plans to dominate the universe. Masters of the mystic power.

Echo Station: Similarities of SW and Willow


Input: [Star Wars] Obi-Wan [Willow] Aldwin [Description]

Output: Both are the first Mentors of the respective heroes, and in both cases they're not the ones to finish the training, leaving it to Yoda / Fin Raziel

Echo Station: Similarities of SW and Willow


Input: [Star Wars] Han Solo [Willow] Madmartigan [Description]

Output: The mercenary. They start as criminals, but they finally join the cause. They're skeptical about the mystic powers.

Echo Station: Similarities of SW and Willow


Input: [Star Wars] Vader [Willow] General Kael [Description]

Output: Tyrant's right hand. Both of them wear a a mask which produces fear.

Echo Station: Similarities of SW and Willow


Input: [Star Wars] Yoda [Willow] Fin Raziel [Description]

Output: Masters of the hero, the ones who make his powers develop. They have an appearance of weakness, which hides their inner power.

Echo Station: Similarities of SW and Willow


Input: [Star Wars] C-3PO and R2-D2 [Willow] The Brownies [Description]

Output: The hero's companions, who get him out of some danger. They give the humor touch.

Echo Station: Similarities of SW and Willow


Input: [Star Wars] Lando [Willow] Airk [Description]

Output: The mercenary's old friend. He starts betraying him, but joins later.

Echo Station: Similarities of SW and Willow


Input: [Star Wars] Alderaan [Willow] Tir Asleen [Description]

Output: The initial destination, where believe they will be safe. When they arrive there, they find it destroyed.

Echo Station: Similarities of SW and Willow


Input: [Star Wars] Leia [Willow] Shorsha [Description]

Output: Daughters of the "bad one", the one they fight against. They fall in love with the mercenary.

Echo Station: Similarities of SW and Willow


Input: [Catch Phrase] Beauty is in the eye of the beholder [An Example (from us)] Find out what is already happening locally before starting any project [Principle]

Output: Observe and interact

Permaculture Principles and Characteristics of Resiliant Systems - Transition California


Input: [Catch Phrase] Make hay while the sun shines [An Example (from us)] Use the energy that is inspired by transition model – create lots of ways for people ways to join and give support [Principle]

Output: Catch and store energy

Permaculture Principles and Characteristics of Resiliant Systems - Transition California


Input: [Catch Phrase] You can’t work on an empty stomach [An Example (from us)] Harvest ideas at events with post-its or flip charts [Principle]

Output: Obtain a yield

Permaculture Principles and Characteristics of Resiliant Systems - Transition California


Input: [Catch Phrase] The sins of the fathers are visited on the children unto the seventh generation [An Example (from us)] Create spaces where your community can let you know what they think; include evaluation and evolution in your plans [Principle]

Output: Apply self regulation and accept feedback

Permaculture Principles and Characteristics of Resiliant Systems - Transition California


Input: [Catch Phrase] Let nature take its course [An Example (from us)] Work with existing currents, trends and projects where possible. [Principle]

Output: Use and value renewable resources and services

Permaculture Principles and Characteristics of Resiliant Systems - Transition California


Input: [Catch Phrase] A stitch in time saves nine.. Waste not, want not [An Example (from us)] Use psychological awareness to avoid conflict where possible [Principle]

Output: Produce no waste

Permaculture Principles and Characteristics of Resiliant Systems - Transition California


Input: [Catch Phrase] Can’t see the wood for the trees [An Example (from us)] Energy descent planning – strategic as well as micro [Principle]

Output: Design from patterns to details

Permaculture Principles and Characteristics of Resiliant Systems - Transition California


Input: [Catch Phrase] Many hands make light work [An Example (from us)] Partnership partnership partnership! [Principle]

Output: Integrate rather than segregate

Permaculture Principles and Characteristics of Resiliant Systems - Transition California


Input: [Catch Phrase] The bigger they are the harder they fall. Slow and steady wins the race [An Example (from us)] Allow groups time to form and grow before expecting action [Principle]

Output: Use small and slow solutions

Permaculture Principles and Characteristics of Resiliant Systems - Transition California


Input: [Catch Phrase] Don’t put all your eggs in one basket [An Example (from us)] “Both.. and” rather than “either/or” - let’s do it your way and my way [Principle]

Output: Use and value diversity

Permaculture Principles and Characteristics of Resiliant Systems - Transition California


Input: [Catch Phrase] Don’t think you are on the right track just because it is a well beaten path [An Example (from us)] The boundaries between systems are interesting places – between existing and new movements, council and business, young and old. [Principle]

Output: Use edges and value the marginal

Permaculture Principles and Characteristics of Resiliant Systems - Transition California


Input: [Catch Phrase] Vision is not seeing things as they are but as they will be [An Example (from us)] Keep the vision open, active and creative – don’t tie it down or stop it evolving. [Principle]

Output: Creative use and respond to change

Permaculture Principles and Characteristics of Resiliant Systems - Transition California


Input: [Subject] I [Object]

Output: me


Input: [Subject] you [Object]

Output: you


Input: [Subject] he [Object]

Output: him


Input: [Subject] she [Object]

Output: her


Input: [Subject] it [Object]

Output: it


Input: [Subject] we [Object]

Output: us


Input: [Subject] they [Object]

Output: them


Input: [relative pronoun] who [example] I told you about the woman who lives next door. [use]

Output: subject or object pronoun for people

Ask About English: AAE Q155: relative adverb/pronoun


Input: [relative pronoun] which [example] Do you see the cat which is lying on the roof? [use]

Output: subject or object pronoun for animals and things

Ask About English: AAE Q155: relative adverb/pronoun


Input: [relative pronoun] which [example] He couldn’t read which surprised me. [use]

Output: referring to a whole sentence

Ask About English: AAE Q155: relative adverb/pronoun


Input: [relative pronoun] whose [example] Do you know the boy whose mother is a nurse? [use]

Output: possession for people animals and things

Ask About English: AAE Q155: relative adverb/pronoun


Input: [relative pronoun] whom [example] I was invited by the professor whom I met at the conference. [use]

Output: object pronoun for people, especially in non-defining relative clauses (in defining relative clauses we colloquially prefer who)

Ask About English: AAE Q155: relative adverb/pronoun


Input: [relative pronoun] that [example] I don’t like the table that stands in the kitchen. [use]

Output: subject or object pronoun for people, animals and things in defining relative clauses (who or which are also possible)

Ask About English: AAE Q155: relative adverb/pronoun


Input: [Characteristic] Architecture: Starting and ending. [renku] A renku has a clear beginning and a closure, akin to a butterfly's seemingly random flight from one blossom to another. The poets are mindful of the overall structure of the poem, by making each link a definite wing beat (to continue the simile) along the way to the alighting place that is not yet know. The last link is recognized as being connected to the opening link (the hokku). [rengay]

Output: The rengay, being short and theme-based, has links like the ribs of a parasol with the theme of the rengay at the hub. There is typically no overall progression.


Input: [Characteristic] Prescribed links. [renku] To guide renku poets, recipes have been developed, such as inviting an honored guest to contribute the opening stanza (the hokku), whom the hokku writer recognizes in the stanza, while also referencing the season when the poem is written. Other links are required to reference the moon or flowers, or one of the seasons. [rengay]

Output: The rengay uses no recipe for what types of links (such as compliments to the host, or special topics like the moon or love) appear anywhere.


Input: [Characteristic] Reference. [renku] The renku traditionally references the season when the poem is written, the current location, and the circumstances of composition. [rengay]

Output: The rengay does not necessarily refer to the current season, location, or circumstances of writing.


Input: [Characteristic] Length. [renku] The renku is longer, with 36 links being popular. Historic renga of 1000 verses and more are recorded. [rengay]

Output: The rengay is brief (6 verses). [Werner Reichhold in his essay A Few More Words About Symbiotic Poetry bridles against Garry Gay's creation of such a short form: "The dynamics between collaborating partners don't have enough time to develop." Ariadne's Web, however, believes poets that enjoy the rengay appear to have enough time.]


Input: [Characteristic] Theme. [renku] The renku either has no explicit theme or wanders further from the theme in its shifting. [rengay]

Output: The rengay is thematic; it develops a theme.


Input: [Characteristic] Control. [renku] Acceptability of renku links is controlled by the "renku master". [rengay]

Output: Acceptability of rengay links is controlled by participant poets.


Input: [Back of the DVD] When Dr Drew Carter tragically lost his ten-year old son in a car accident, he didn’t expect to lose his whole family as well. Since the accident, his wife, Julia, blames the accident on herself while their daugther feels increasingly more rejected by her own mother. When Dr Miller refers Johny, a foster child with leukemia, to Drew, the wheels start to turn. Is there a chance to heal Drew’s family? Does Johny have a special mission to fulfil? [Title]

Output: Johny

New DVD Arrivals - Stanborough Secondary SchoolStanborough Secondary School


Input: [Back of the DVD] After serving a ten-year prison sentence, Lee Ferguson returns to the small town where he was raised. There he meets Katie but their relationship is threatened by a scheming coworker and a violent past which will not stay buried. When a mysterious stranger knocks on his door, Lee is suddenly confronted with the choices he made long ago. He must now decide how far he is willing to go to seek redemption. The Path of the Wind is a compelling story of love, vengeance, and forgiveness, and the powers we choose to let guide us [Title]

Output: The path of the wind

New DVD Arrivals - Stanborough Secondary SchoolStanborough Secondary School


Input: [Back of the DVD] Ray, a news cameraman is assigned to capture Haiti in the aftermath of the 2010 earthquake that left over 300,000 dead. In the midst of the catastrophic damage Ray is forced to choose between doing his job and stepping out from behind the lens to help the victims. When he sets down his camera to rescue Marie, a Haitian mother who is trapped beneath the heavy debris of her former home, Ray opens his eyes to his own humanity [True story] yes [Title]

Output: Eyes to see

New DVD Arrivals - Stanborough Secondary SchoolStanborough Secondary School


Input: [Back of the DVD] If college student Caleb argues what he truly believes about abortion, he stands to lose the most important competition of his life-and the support of his mother. If he softens his stance, he might win the coveted title…but lose the heart of his teammate Rachel in the process. Come what may is a vivid reminder that choosing what’s right is never easy…but it’s always worth the cost. [Title]

Output: Come what may

New DVD Arrivals - Stanborough Secondary SchoolStanborough Secondary School


Input: [Back of the DVD] Beautiful Rivka is a twelve-year-old Jewish girl who believes in Jesus. But when her father suddenly dies, Rivka’s life changes forever. She ends up moving in with her traditional Jewish relatives. From her stormy relationship with her uncle, to a meeting with the synagogue’s senior rabbi, to the attention of the cutest boy in the synagogue, Rivka is caught in the crossfire of strong feelings between two faith communities. Her story is told with humor, compassion and grace [Title]

Output: The sound of the spirit

New DVD Arrivals - Stanborough Secondary SchoolStanborough Secondary School


Input: [Back of the DVD] The city -and all of its influences-is all these kids have ever known…and they think it’s all there is…But is it? [True story] yes [Title]

Output: Set apart

New DVD Arrivals - Stanborough Secondary SchoolStanborough Secondary School