During the 1990s the French archaeologist Jean-Yves Empereur has conducted a series of remarkable excavations in the ancient city of Alexandria. His discoveries—both under water and on dry land—have considerably increased our knowledge of a city whose splendors and vast population amazed ancient travelers to the eastern Mediterranean. Founded in 331 bc by Alexander the Great, after whom it is named, Alexandria equaled Athens in its sphere of influence and rivaled Rome politically. A major center of Hellenistic, Jewish, and Christian culture, it was famed for its Library, its Mouseion and its magnificent palaces (home to Cleopatra and her ancestors), of which, sadly, no traces remain. However, Jean-Yves Empereur’s underwater excavations have recovered several thousand blocks from the famous lighthouse, which watched over the port from the third century bc until the fourteenth century and was known as one of the Seven Wonders of the Ancient World. Meanwhile, the excavations of six further sites on land, including the catacombs at Kom el-Shuqafa and the necropolis at Gabbari, have provided much new information on the architecture, living conditions, religious practices, and artistic life of the city of Alexander and Cleopatra. In this book Empereur describes the methods he used to unearth these exciting and spectacular finds—often under very difficult conditions—and assesses the information they reveal about the life of the ancient city. The book is richly illustrated with dramatic photographs, most of them by Stéphane Compoint.
They say that Arabic takes seven years to learn and a lifetime to master. O’Neill had put in her time. Steeped in grammar tomes and outdated textbooks, she faced an increasing certainty that she was not only failing to master Arabic, but also driving herself crazy. She took a decade-long hiatus, but couldn’t shake her fascination with the language or the cultures it had opened up to her. So she decided to jump back in—this time with a new approach.
Join O’Neill for a grand tour through the Middle East. You will laugh with her in Egypt, delight in the stories she passes on from the United Arab Emirates, and find yourself transformed by her experiences in Lebanon and Morocco. She’s packed her dictionaries, her unsinkable sense of humor, and her talent for making fast friends of strangers. From quiet, bougainvillea-lined streets to the lively buzz of crowded medinas, from families’ homes to local hotspots, she brings a part of the world that is thousands of miles away right to your door.
A natural storyteller with an eye for the deeply absurd and the deeply human, Zora O’Neill explores the indelible links between culture and communication. A powerful testament to the dynamism of language, All Strangers Are Kin reminds us that learning another tongue leaves you rich with so much more than words.
As much as we spend our time reading online and looking at our telephones and devices, we also seem to be returning to a love of pen and paper to record our thoughts and experiences.
This beautifully designed and exciting new notebook is the perfect such book for anyone visiting or living in Egypt.
As wealthy tourists descended upon Egypt in the early twentieth century, a well-heeled jet set emerged in Cairo and Alexandria. Period photographs celebrate the glamor: a Bugatti at the foot of the pyramids, a local sailboat transformed into a sumptuous yacht, a few tourists in white suits and Panama hats . . . these are the images of a voyage in Egypt under the last kings, Fuad and Farouk, between 1917 and 1952. Writers such as Rudyard Kipling and André Gide testify to the fascination of Egypt’s “golden years” where, in a country turned toward Europe and “protected” by the British army, a very individual social set blossomed in Cairo and Alexandria.
Fascinating accounts of this universe have been left by both Egyptian writers and visitors to the country. They offer us a rare glimpse of Egypt before the era of mass tourism. Extraordinary period photographs also survive; unearthed in Cairo or Beirut, in museums or private homes, and published here for the first time, they reconstitute the fragile yet effervescent glamour of Egypt under the last kings.
Cairo is a city of splendor and spectacle, long celebrated as much for its warmth and bustling street life as for the legacy of its tumultuous past. Yet for the countless visitors who fall under its spell, the prolonged din of its crowds and traffic can seem overwhelming at times, tempting them out of the city’s open spaces into its shadow light, the cooler, quieter interiors of restaurants, homes, hotels, and terraces. Cairo Inside Out evokes the light and moods of this great metropolis with stunning photographs shot from the city’s indoor havens. We observe it through and from nostalgic haunts, such as Café Riche and the Windsor Hotel, and look out onto its great sights—the Nile, the Red Pyramid at Dahshur, Ibn Tulun mosque—from the most intimate urban interiors, homes, and watersides. For those who may have lived in Cairo, this is a reminder of a city that moves and yet remains wonderfully unchanged. For visitors and residents, this evocative collection, an unabashed homage to Cairo’s persistent color and allure, will inspire them to visit those places once more.
The drama of history and the confluence of geography and climate have made Egypt one of the most sought-after travel destinations in the world. But what is that elusive something that makes it unlike anywhere else on earth? In Egypt Inside Out, Trevor Naylor and Doriana Dimitrova escape the crowds and clamor to take us a on a lyrical exploration of place, bringing us the country in all its captivating regional diversity.
The wistfulness of Alexandria, the serenity of Aswan, the energy of Cairo, the lushness of Fayoum, the magic of Siwa, the haunting purity of river and desert. Photographing villages, towns, and cities from the cool, intimate interiors of hotels and homes, and from on board boats, taxis, and trains, they transport us to Egypt’s hideaways and dappled shadows, its groves and temples, dazzling colors and sublime light, and the vast splendor of its landscapes and monumental architecture. Written by an author who has known Egypt for more than thirty years, and illustrated with beautifully observed photographs, Egypt Inside Out is a unique journey through the ever-present allure of an extraordinary country.
The exceptional beauty of Egypt’s monuments and landscapes has thrilled visitors for centuries.
From the beaches of the Red Sea Coast to the lush palm groves of Egypt’s oases, from the heritage of the Roman and Coptic periods to the architectural riches that followed the arrival of Islam, from the magnificent tombs and temples of ancient Egypt to medieval souks to Cairo’s bustling energy today, there is just so much to feast on in Egypt.
Featuring 165 color photographs and captions explaining the stories behind each image, Egypt is a stunning visual journey through an astonishing country.
From the Neolithic cave paintings in Wadi Sura—created long before it was a desert when the region was savannah grassland—to the Valley of the Kings to the rock-cut temples at Abu Simbel, and from the vast temple complexes at Karnak and Luxor to the funerary mask of Tutankhamun and, of course, to the pyramids and the Sphinx, Ancient Egypt is a hugely colorful guide to the surviving wonders of Egyptian antiquity. Today the exceptional beauty and scale of the antiquities is legendary, drawing millions of visitors to Egypt’s monuments each year.
Arranged by region, the book takes the reader along the ancient settlements that were established on the banks of the River Nile. Through beautiful photographs and expert captions, the reader gains an understanding of how ancient Egypt developed its trade links and became such a powerful and wealthy force across North Africa and the eastern Mediterranean.
Alongside the world-famous places, there are also fascinating, lesser-known entries, such as the Step Pyramid of Djoser, the bent pyramid at Dahshur and the Statue of Khaefre. Featuring monuments and obelisks, hieroglyphics and jewelry, funerary masks, tombs and mausoleums, mummies of cats and statues of falcon-headed gods, Ancient Egypt: Visual Explorer Guide includes 160 outstanding photographs and captions.
Since Antony and Cleopatra honeymooned on the Nile on a gilded barge, visitors to Egypt have taken to the river as the best way to experience the country’s wonders. Early travelers took a dahabiya, an elegant triangular-sailed houseboat, and leisurely meandered from riverside site to site, for three months or more. Then from the late nineteenth century, Thomas Cook of Leicester, England, revolutionized the journey with a fleet of specially built paddle steamers. For the next sixty years these ‘floating palaces,’ with their private cabins, and dining, smoking, and viewing salons, red-uniformed dragoman guides, and organized donkey excursions, carried the aristocratic, moneyed, and adventurous of international society of the time.
Using period photography, and colorful vintage posters and advertising material, this book tells the story of the people, the places, and the boats, from pioneering Nile travelers like Amelia Edwards and Lucie Duff Gordon, through to famed later passengers, such as Rudyard Kipling, Arthur Conan Doyle, and, of course, Agatha Christie, whose staging of a death on the Nile only added to the allure.
From the invention of the camera, photographers, like painters, have sought to portray other people, and early studio photographs, with their highly stylized props, poses, and costumes, offer a beguiling window onto the prevailing fashions, tastes, and attitudes of their time. The portraits in this book, Egyptian studio photos from the mid-nineteenth century to the Second World War, tell such a story, their popularity and art then driven by the burgeoning presence of photo studios across the country. In their rich variety, they offer vivid evidence of the democratization of the image as access to the technology spread from members of Egypt’s royalty to an ever-wider circle of subjects. But, more than that, they freeze time, by capturing human subjects that are no longer there. These portraits, and the studios that created them, evoke haunting fragments of a vanished past and invite us to endless speculation and contemplation. In the age of the selfie, their power to speak to us from the mists of time cannot be overstated. Includes over 200 stunning images, from the work of 81 photographic studios.