Paestum is the classical Roman name of a major Graeco-Roman city in the Campania region of Italy. It is located in the north of Cilento, near the coast about 85 km SE of Naples in the province of Salerno, and belongs to the commune of Capaccio.
During the invasion of Italy by Hannibal the city remained faithful to Rome and afterwards was granted special favours such as the minting of its coinage. The city continued to prosper during the Roman imperial period, but started to go into decline between the 4th and 7th centuries. It was abandoned during the Middle Ages and its ruins only came to notice again in the 18th century, following the rediscovery of the Roman cities of Pompeii and Herculaneum. The decline and desertion were probably due to changes in local land drainage patterns, leading to swampy malarial conditions (this is difficult to picture, with the present aridity; the site is now left to lizards and a few tourists).
On September 9, 1943, Paestum was the location of the landing beaches of the U.S. 36th Infantry Division during the Allied invasion of Italy. German forces resisted the landings from the outset, causing heavy fighting within and around the town. Combat persisted around the town for nine days before the Germans withdrew to the north.
The city of Paestum covers an area of approximately 120 hectares. It is only the 25 hectares that contain the three main temples that have excavated. The other 95 hectares remain on private land and have not been excavated. The city is surrounded by defensive walls that still stand. The walls are approximately 4750 m long, 5 - 7 m thick and 15 m high. Positioned along the wall are 24 square and round towers. There may have been up to 28 but some of them were destroyed during the construction of highway in 18th century that effectively cuts the site in two.
The modern town of Paestum, directly to the north of the archaeological site, is a popular seaside resort. In the region of Paestum there are long, sandy beaches.
Just south of the city walls, at a site still called Santa Venera, a series of small terracotta offertory molded statuettes of a standing female nude wearing the polos headdress of Anatolian and Syrian goddesses, which were dated to the first half of the sixth century BC, were found in the sanctuary; other similar ones have been excavated at other Paestum sanctuaries during excavations in the 1980s, but the figure is highly unusual in the Western Mediterranean. The open-air temenos was established at the start of Greek occupation: a temple on the site was not built until the early fifth century. A nude goddess is a figure alien to Greek culture before Praxiteles' famous Cnidian Aphrodite in the fourth century: iconographic analogies must be sought in Phoenician Astarte and the Cypriote Aphrodite. "In places where the Greeks and Phoenicians came in contact with one another, there is often an overlapping in the persona of the two deities," Rebecca Miller Ammerman has explained (Ammerman 1991), in identifying the cult at the site as that of Phoenician Astarte or Cypriot Aphrodite. In Roman times, inscriptions make clear, the cult was reserved to Venus.
The nearby temple, the second temple of Hera, was built in about 450 BC. It has been in the past variously thought of as a temple dedicated to Poseidon. There are visible on the east side the remains of two altars, one large and one smaller. The smaller one is a Roman addition, built when they cut through the larger one to build a road to the forum. It is also possible that the temple was originally dedicated to both Hera and Zeus; some offertory statues found around the larger altar are thought to demonstrate this identification.
In the central part of the complex is the Roman Forum, thought to have been built on the site of the preceding Greek agora. On the north side of the forum is a small Roman temple, dated to around 200 BC. It was dedicated to the Capitoline Triad, Jupiter, Juno and Minerva.
To the north-west of the forum is the amphitheater. This is of normal Roman pattern, though much smaller than later examples. Only the southern half is visible; in 1930 AD, a road was built across the site, burying the northern half. It is said by local inhabitants that the civil engineer responsible was tried, convicted and received a prison sentence for what was described as wanton destruction of a historic site.
On the highest point of the town, some way from the other temples, is the temple of Athena. It was built in about 500 BC, and was for some time incorrectly thought to have been dedicated to Ceres. The architecture is transitional, being partly in the Ionic mode and partly early Doric. Three mediaeval Christian tombs in the floor show that the temple was at one time used as a Christian church.
All three temples have undergone some renovation and repair in recent years. Close access is allowed, but entry by visitors into the buildings is no longer permitted.
Paestum is also renowned for its painted tombs, mainly belonging to the period of the Lucanian rule, while only one of them dates to the Greek period. It was found, on 3th June 1968, in a small necropolis some 1,5 km south of the ancient walls. The burial monument was named Tomb of the Diver (Italian: Tomba del tuffatore) after the enigmatic scene, depicted on the covering slab, of a lonely young man diving into a stream of water. It was dated to the first half of the fifth century BC (about 470 BC), the Golden Age of the Greek town. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Among the thousands of Greek tombs known from this time (roughly 700–400 BC), this is the only one to have been decorated with frescoes of human subjects." The remaining four walls of the tombs are occupied by symposium related scenes, an iconography far more familiar from the Greek pottery, than the diving scene.
All the five frescoes are visible in the local National Museum, together with the cycle of Lucanian painted tombs.