The 2017 winner of the UK’s most prestigious architecture award, the Stirling Prize, will be announced on October 31. Leading up to the main event, The Royal Institute of British Architects (RIBA) has released its list of the six shortlisted buildings, a collection that has left many critics scratching their heads. What the list left out seems to be as noteworthy as what was included, and while critics’ opinions on individual buildings differ, they seem mostly united in finding the overall list uninspiring and underwhelming. Read on to find out what they had to say.
British architect and Pritzker Laureate Sir James Stirling (22 April 1926 – 25 June 1992) grew up in Liverpool, one of the two industrial powerhouses of the British North West, and began his career subverting the compositional and theoretical ideas behind the Modern Movement. Citing a wide-range of influences—from Colin Rowe, a forefather of Contextualism, to Le Corbusier, and from architects of the Italian Renaissance to the Russian Constructivist movement—Stirling forged a unique set of architectural beliefs that manifest themselves in his works. Indeed his architecture, commonly described as "nonconformist," consistently caused annoyance in conventional circles.
Caruso St John Architects has won the top prize in British architecture, the RIBA Stirling Prize for their Newport Street Gallery in Vauxhall, London, beating out competition from Herzog & de Meuron, Michael Laird Architects + Reiach and Hall Architects, Loyn & Co Architects, dRMM Architects and WilkinsonEyre.
Designed as a free public gallery to house artist Damien Hirst’s private art collection, Caruso St John’s scheme sandwiches three restored Victorian-era industrial buildings between two new structures, one of which features a distinct saw-tooth roof.
"This highly accomplished and expertly detailed art gallery is a bold and confident contribution to the best of UK architecture. Caruso St John’s approach to conservation is irreverent yet sensitive and achieves a clever solution that expresses a poetic juxtaposition of old and new," said the jury in their citation.
As the winner of the 2016 RIBA Stirling Prize is set to be announced later today, Architects’ Journal has released a documentary looking at the award’s 21-year history and its impact on the buildings and architects that have been named to the prestigious list.
The video, commissioned by AJ’s Laura Mark and filmed by Jim Stephenson, features exclusive interviews with Richard Rogers and Sheila O’Donnell & John Tuomey, and profiles past winners and each of the 6 buildings shortlisted for this year’s prize. The film also reveals AJ’s pick for this year’s winner.
The Royal Institute of British Architects (RIBA) has announced six projects that will compete for the 2016 Stirling Prize, the award for the building that has made the greatest contribution to British architecture in the first year. Selected from the pool of regional winners around the country, the shortlisted buildings range from a small house in the south of England to a new college campus in Glasgow, Scotland. However, in a first for the Stirling Prize, the shortlist features two buildings coming from one client, Oxford University.
"Every one of the six buildings shortlisted today illustrates the huge benefit that well-designed buildings can bring to people’s lives," said RIBA President Jane Duncan. "With the dominance of university and further education buildings on the shortlist, it is clear that quality architecture’s main patrons this year are from the education sector. I commend these enlightened clients and supporters who have bestowed such remarkable education buildings."
Rogers Stirk Harbour + Partners, having previously won the prize in 2006 for the Barajas Airport in Madrid and in 2009 for the Maggie’s Centre at Charing Cross Hospital, has been nominated four times before. They are joined by Allford Hall Monaghan Morris (AHMM), Niall McLaughlin Architects, and Heneghan Peng Architects, who have each made the shortlist before. This is the first year that McInnes Usher McKnight Architects (MUMA) and Reiach and Hall Architects have been shortlisted. The winning project will be announced on the 15th October 2015 at a ceremony in London.
See this year's full shortlist and read extracts from the judges' citations after the break.
This year's RIBA Stirling Prize shortlist was seen by many as the strongest in years. The practice who emerged victorious, beating off competition from internationally recognised practices including Zaha Hadid Architects, Renzo Piano Building Workshop, Mecanoo, O’Donnell + Tuomey and Feilden Clegg Bradley, was Haworth Tompkins: but who exactly are they? Ellis Woodman pinned his hopes on the successful Everyman Theatre before the award was announced, uncovering the practice's rich history in designing performance spaces through a discussion with founding partner, Steve Tompkins. For Woodman, their theatre work "has left a legacy of spaces that count among the most beautiful and provocative created in Britain over the past twenty years."
In the great tradition of the RIBA Stirling Prize, the announcement of Haworth Tompkins' Everyman Theatre as the winner of the 2014 RIBA Stirling Prize took many by surprise. The Everyman surpassed the public's favourite, Mecanoo's Library of Birmingham, and the bookies' (and many critics') favourite, O'Donnell + Tuomey's LSE Saw Swee Hock Student Centre - as well as two household names in Zaha Hadid's Aquatics Centre and Renzo Piano's Shard.
In what was seen by many as the strongest shortlist in years, the underdog Everyman has emerged victorious. But was it a worthy winner? Read on after the break to find out what the critics made of this unexpected result.
Haworth Tompkins' Everyman Theatre has won the RIBA Stirling Prize for 2014, beating competition from Zaha Hadid, Renzo Piano, Mecanoo, O'Donnell + Tuomey and Feilden Clegg Bradley. The result was announced last night by RIBA President Stephen Hodder at an event held at the RIBA's Headquarter's in London, with Hodder saying that "Haworth Tompkins have struck the perfect balance between continuity and change" and calling the scheme "a ground-breaking example of how to build a daring, bold and highly sustainable large public building in a historic city centre."
As part of the 2014 London Festival of Architecture, teams of architects from the four of the most recent Stirling Prize winning British practices were challenged with creating the most imaginative piece of a city - out of LEGO. Each team began with a carefully laid out square on the floor of the largest gallery of the Royal Academy Summer Exhibition, at which point they were given just one hour and 45 minutes to create an urban masterpiece out of blocks. Each group of architects worked alongside students from the Royal Academy’s attRAct programme, which offers A-level art students the chance to engage with art and architecture. An esteemed panel of judges ultimately selected the team from Zaha Hadid Architects as victorious, who "considered London on a huge scale and used curving buildings of different typologies which echoed the shape of the Thames."
The RIBA has announced the six projects that will compete for the 2014 Stirling Prize, the award for the building that has made the greatest contribution to British architecture in the past year. The six nominees will now be judged head to head for British architecture's highest honour, based on "their design excellence and their significance in the evolution of architecture and the built environment," with a winner announced on October 16th. See the full shortlist after the break.
The annual RIBA Stirling Prize is set to regain its £20,000 cash prize following a year of no prize money in which Witherford Watson Mann scooped the accolade for Astley Castle. Considered to be the UK’s most prestigious architecture award, the Stirling Prize is presented annually to the “building that has made the greatest contribution to the evolution of architecture in the past year”. Brockton Capital have agreed to support the prize for the next three years starting from 2015, after which the prize will be known as the RIBA Brockton Stirling Prize. The lack of prize money in 2013 raised questions about the significance of the award.
How does design change the nature and distribution of risk? In this, the first of four installments examining the Gherkin, the London office tower and urban icon designed by Foster + Partners, author Jonathan Massey introduces the concept of “risk design.” The series, originally published on Aggregate's website, explains how the Gherkin leveraged perceptions of risk to generate profits, promote economic growth, and raise the currency of design expertise.
Back the Bid. Leap for London. Make Britain Proud. Emblazoned across photomontages of oversized athletes jumping over, diving off, and shooting for architectural landmarks old and new, these slogans appeared in 2004 on posters encouraging Londoners to support the city’s bid to host the 2012 Olympic Games. Featured twice in the series of six posters—along with Buckingham Palace, Nelson’s Column, the Tower Bridge, the London Eye, and the Thames Barrier—was 30 St Mary Axe, the office tower known colloquially as the Gherkin for its resemblance to a pickle, or as the Swiss Re building, after the Zurich-based reinsurance company that commissioned the building and remains its major tenant.
A few weeks ago the RIBA doled out the 18th Stirling Prize to London-based architects Witherford Watson Mann. The decision was a good one. It was good for WWM and good for the profession – a youngish practice being recognized for a small but beautiful piece of work.
The scheme’s application of brickwork and joinery removes the work from the expediencies of modern construction technology and building products, which almost exclusively characterize the contemporary built environment. It genuinely feels like a project made at a different point in history, the result of the quite particular interests of three minds, Stephen Witherford, Chris Watson and William Mann. It is direct and personal. It reminds me of Stirling’s work..
And not just for its powerful draftsmanship, plan and restricted palette of materials, but for its intimacy. An intimacy that is apparent in much of Stirling’s oeuvre. I do not refer to the production of intimate spaces per se but the formulation of an architecture that is authored not by a factory but a few minds.
The latest Stirling prompted me to look back, and reconsider the work of Stirling himself.