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The Importance of Being Really, Really Earnest: An Interview with Paula Poundstone
Catherine Sheehy
Theater (1 November 1992) 23 (3): 6–20.
DOI: https://doi.org/10.1215/01610775-23-3-6
...Catherine Sheehy Copyright © THEATER 1992 1992 THE IMPORTANCE OF BEING REALLY, REALLY EARNEST= IAN INTERVIEW WITH PAULA POUNDSTONE...
Elfriede Jelinek: How to Get the Nobel Prize without Really Trying
Gitta Honegger
Theater (1 May 2006) 36 (2): 4–19.
...Gitta Honegger Yale School of Drama/Yale Repertory Theatre 2006 Ein Sportstück, directed by Einar Schleef, 1998. Photo: Andreas Pohlmann Gitta Honegger Elfriede Jelinek How to Get the Nobel Prize without Really Trying In summer 2005, as I prepared to visit Elfriede...
Brecht/"brecht": A Symposium
Theater (1 May 1994) 25 (2): 24–41.
DOI: https://doi.org/10.1215/01610775-25-2-24
... make any difference in how a director staged a play, or a critic judged a production? Would it change the interpretation of Brecht's theories or his politics? Was any of this new information about the way his plays were created more than biographically and historically interesting? Was it really new...
Joseph Heller's WE BOMBED IN NEW Haven: A Collection of Thoughts
Bret Lyon
Theater (1 February 1968) 1 (1): 106–111.
DOI: https://doi.org/10.1215/00440167-1-1-106
...Bret Lyon Copyright 1968 by yale/theatre 1968 Joseph Heller's WE BOMBED IN NEW HAVEN A Collection of Thoughts There is a feeling that you're not doing the destruction of flesh and blood what you're really doing. When I used (Starkey's Son...
Romantic Pragmatist
Theater (1 November 2007) 37 (3): 117–127.
... — — And this still stays with you? Yes! I saw it! At the Vivian Beaumont. It was Well, yes, because I was really upset by it. seminal! I was of course very much aware of Rus- sia and of Stalin and totalitarianism; I was I...
Comedy Under the New Moon: The Rise and Fall of Cabaret at Theatre de La Jeune Lune
Julie Siege
Theater (1 November 1992) 23 (3): 30–38.
... cabarets stock characters - Arlechino, Pantalone, Isabella, etc. A are first and foremost funny. Audiences never go away really exciting time was the end of the first year, and the pondering the existential dilemmas of their lives, rather end of the second year he gave each individual a problem to...
Erika Munk
Theater (1 May 2002) 32 (2): 1.
... pointed as Hitler had pointed. . . . After we had dominated the world a bunch of GIs just gay and happy. It really was played around till it was late off we went, down the hills and that day the first time I saw our boys really gay and careless, really forgetting was over, it was a wonderful day...
Careful of Fireworks
Helen Cole, Bertie Ferdman
... family or something they'd come across in at one of the top contemporary art galleries the street. So they were really talking more in the uk and moving into an independent about being audience members than they...
Curation as Choreography
Judy Hussie-Taylor, Ralph Lemon
Theater (1 May 2014) 44 (2): 99–113.
... that could be con- and of bursting it out of one solo geography. I saw sidered parallel to or really different from my Danspace Project Platforms as exhibitions that choreographic work, and I think for I Get Lost, unfold over time and as being predicated on the I made it quite parallel. It was...
With My Blood on Fire and My History in Ruins
Peter Sellars, Faustin Linyekula
Theater (1 February 2014) 44 (1): 25–35.
... with people. And I really like saying, creating a It was developed between Kisangani and a vil- space to dream with people. Because these lage south of Kisangani; then it was first per- are not fantasies. I mean, they are dreams, but formed outside Paris. This is really strange. dreams in which...
Distant and Right
Robert Woodruff
... majority of the population still must have towards knowledge." For the Greeks I think it was it to bow down to—still must hold onto the probably both a trip toward personal, individual national story. And without it, what's really knowledge and a trip toward civic, national holding us together? We...
RewritingThe Lady from the Sea
... Wilson. Courtesy of archetypal personages: a wild pagan woman, who is really an alien creature-Ibsen's the Byrd Hoffmar, original title was The Mermaid- and a rebel male doomed (like the protagonist of his Foundation, Inc. SONTAG early poetic drama, Peer Gynt) to wander without rest. The...
Finding Our Way
Milena Bogavac, Miloš Lolić
... Lolić Interviewed by Tom Sellar In September 2008, I spoke with two of Serbia's of young Serbian playwrights. Somehow my leading young theater artists: playwright Milena generation really appeared as a generation — a Bogavac and director Miloš Lolic´ , both in their group of...
The Sonic Life of a Giant Tortoise: Youth Is Not the Only Thing That's Sonic
Toshiki Okada
Theater (1 February 2013) 43 (1): 109–125.
.... about to say inside my head. I'm going to tell actor 1 But to be honest, I have been feeling, you what kind of secret it is. especially these days, that perhaps what I said actor 1 I really hope...
Trying to Find a Culture: An Interview with Connie Congdon
Lisa Wilde
... plays what you have is action and watching a play that you've written Mercy (co-winnerof the Actors Z'heater finding a way to make inner life, or as with other people is just really nice. I of Louisville's 1985 Great Plays Paul Klee says, "to make the invisible had played the guitar...
It's the Art in Concert With Nick Slie
Helen Jaksch
... orange, circular signs were placed co-­artistic director at the time, that I felt like around the neighborhood. Participants can call listening to stories was a really important a number, punch in a certain code...
DOI: https://doi.org/10.1215/01610775-31-3-109
...." But I and collected many stories and did a really large hook into the history of black people as sur- piece . . . vivors—and also into something that's become such a dirty word now: as victims. I was bill rauch Where were the places...
Santa Claus in the Video Store: An Interview with Bill Rauch
Karen Lordi
...? company? I acted a lot through high school. As an undergraduate at I think we definitely had a vision of succeeding in one of Harvard, I started directing. I realized that was my thing. I the avenues that already existed. That's what really drove worked with all the founding members of...
The Last Discussion
Theater (1 February 1969) 2 (1): 45–52.
DOI: https://doi.org/10.1215/00440167-2-1-45
... not sure of themselves, more times than not. I love them for their Mysteries. Not being interested in their theatre, I've been interested in them. Only. And terribly attracted to them. There's an excitement, a promise that they generate. And in Mysteries they really live up to that. A few of...
Spectacular Rhizomes
Sodja Lotker, Tom Sellar
.... Some designers are The Quadrennial is about twelve thou- really opposed to that. I was at a discussion sand square meters of exhibition space, and it's where Finnish and Irish designers went ber- divided by country. Like the Venice...
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