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Gudrun Ensslin
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Ahab makes a great impression on his first appearance in Moby Dick... And if either by birth or by circumstance something pathological was at work deep in his nature, this did not detract from his dramatic character. For tragic greatness always derives from a morbid break with health, you can be sure of that.
Stefan Aust, Terrorism in Germany: The Baader-Meinhof Phenomenon
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When we think of the masterpieces that nobody praised and nobody read, back there in the past, we feel an impatient superiority to the readers of the past. If we had been there, we can't help feeling, we'd have known that Moby-Dick was a good book—why, how could anyone help knowing?
But suppose someone says to us, "Well, you're here now: what's our own Moby-Dick? What's the book that, a hundred years from now, everybody will look down on us for not having liked?" What do we say then?
Man, by means of his physical power, his mechanical resources, his mental ingenuity, may set things side by side. A composition, literally so called, will result, but not a great art work, not at all an art work in fact, but merely a more or less refined exhibition of brute force exercised upon helpful materials. It may be as a noise in lessening degrees of offensiveness, it can never become a musical tone. Though it shall have ceased to be vulgar in becoming sophistical, it will remain to the end what it was in the beginning: impotent to inspire — dead, absolutely dead.
It cannot for a moment be doubted that an art work to be alive, to awaken us to its life, to inspire us sooner or later with its purpose, must indeed be animate with a soul, must have been breathed upon by the spirit and must breathe in turn that spirit. It must stand for the actual, vital first-hand experiences of the one who made it, and must represent his deep-down impression not only of physical nature but more especially and necessarily his understanding of the out-working of that Great Spirit which makes nature so intelligible to us that it ceases to be a phantasm and becomes a sweet, a superb, a convincing Reality.
Character means that the person derives his rules of conduct from himself and from the dignity of humanity. Character is the common ruling principle in man in the use of his talents and attributes. Thus it is the nature of his will, and is good or bad. A man who acts without settled principles, with no uniformity, has no character. A man may have a good heart and yet no character, because he is dependent upon impulses and does not act according to maxims. Firmness and unity of principle are essential to character.
Listen. All great literature is about what a bummer it is to be a human being: Moby Dick, Huckleberry Finn, The Red Badge of Courage, the Iliad and the Odyssey, Crime and Punishment, the Bible and The Charge of the Light Brigade.
My friends have come to me unsought. The great God gave them to me. By oldest right, by the divine affinity of virtue with itself, I find them, or rather not I, but the Deity in me and in them derides and cancels the thick walls of individual character, relation, age, sex, circumstance, at which he usually connives, and now makes many one.
Engelke, Anke
English, Thomas Dunn
Engvall, Bill
Enlai, Zhou
Enns, Paul
Eno, Brian
Enriquez, Miguel
Ensign, John
Ensslin, Gudrun
Enver, Ismail
Ephron, Delia
Epps, Mike
Epstein, Jacob
Epstein, Paul Sophus
Epstein, Richard Arnold