Children 243
Clothing and dress 121
Jazz (Music) 113
Black power 104
United States--History--1969-2001 104
Women 100
Instrumentalists (Musicians) 89
International affairs 87
Singers (Musicians) 85
Social life and customs 82
American West 71
American South 67
Urban life 65
Portraits 706
Fliers (printed matter) 56
Buttons (information artifacts) 48
Pamphlets 47
Magazines (periodicals) 44
Phonograph records 30
Theater programs 26
Dresses (garments) 24
Correspondence 18
Motion pictures (visual works) 13
Prints 12
Loudspeakers 11
Costume (mode of fashion) 10
Chairs (furniture forms) 8
Earrings 7
1970s 1611
North and Central America 1241
Greenville 480
Washington County 480
New York City 303
Tulsa 56
Tulsa County 56
Cook County 49
Harlem 27
Anderson, Henry Clay 480
Spitzer, David D. 68
Williams, Milton 66
Herron, Gaylord Oscar 41
Bailey, Jan 35
Barboza, Anthony 28
Black Panther Party 26
Black Fashion Museum 25
Playbill 25
King, Martin Luther 21
Muse, Isaiah 21
Chisholm, Shirley Anita 18
DeVore, Ophelia 18
Baldwin, James 17
King, Angelo T. 16
Ali, Muhammad 15
Davis, Angela 15
Young Lords Party 15
Bowser, Pearl 14
Pan African Students Organization in the Americas 14
Your search found 1,611 result(s).
Williams, Milton, American, born 1940
Bailey, Pearl, American, 1918 - 1990
Olby, George, American
Hyson, Millie, American
Savoy, Michael, American
Ingram, Linda, American
Durrant, John, American
silver and photographic gelatin on photographic paper, mounting board
H x W (Image and Sheet): 7 7/8 x 9 7/8 in. (20 x 25.1 cm)
Washington, District of Columbia, United States, North and Central America
A black-and-white photograph of a group of young adults sitting around a table with Pearl Bailey. Pearl Bailey reaches up to hold Michael Savoy's head as he leans forward over her shoulder and the people around them laugh. The table is set with a flower arrangement and two burning candles. The photograph is attached to a thick mounting board. The board is stamped on the back.
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Milton Williams Archives
© Milton Williams
Postcard of Judy Johnson Baseball Hall of Fame plaque
National Baseball Hall of Fame and Museum, American, founded 1936
Curt Teich & Company, 1898 - 1978
Johnson, William Julius, American, 1899 - 1989
H x W: 5 7/16 x 3 7/16 in. (13.8 x 8.7 cm)
Cooperstown, Otsego County, New York, United States, North and Central America
Postcard featuring a photograph of a brass plaque on a yellow background. Handwritten in blue ink at the top of the card is "Best Wishes Judy Johnson." The plaque has a depiction of Johnson in a baseball uniform. Under the portrait is the text, "WILLIAM JULIUS JOHNSON / "JUDY" / NEGRO LEAGUES 1923 - 1937." The back of the postcard is unused. Preprinted green text at the top reads: [National Baseball Hall of Fame and Museum / Cooperstown, New York / plaque of / William Julius (Judy) Johnson / Elected to National Baseball Hall of Fame 1975 / Baseball Hall of Fame Committee on Negro Baseball Leagues] next to that text at the top is stamp box. Below the stamp box additional green text reads: [Post Card]. The back also publishing information and an inscription of the letter [N]. There are also two pieces of tape on the far right edge of the back of the postcard.
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Paxton and Rachel Baker
2012.172.21.1
Postcard of Satchel Paige Baseball Hall of Fame plaque
Paige, Satchel, American, 1906 - 1982
Cleveland Indians, American, founded 1894
Postcard featuring a photograph of a brass plaque on a yellow background. Handwritten in black ink in the top left corner is the signature "Satchel Paige." The plaque has a depiction of a Paige in a baseball uniform. Under the portrait is the text, "LEROY ROBERT PAIGE / 'SATCHEL'." Beneath that text are, a list of his league and team memberships, as well as a biography. The back of the postcard is unused. Preprinted green text at the top reads: [National Baseball Hall of Fame and Museum / Cooperstown, New York / plaque of / Leroy R. Paige / Elected to National Baseball Hall of Fame 1971 / Baseball Hall of Fame Committee on Negro Baseball Leagues] next to that text at the top is stamp box. Below the stamp box additional green text reads: [Post Card]. There is also one piece of tape on the far right edge of the back of the postcard.
Postcard of James "Cool Papa" Bell Baseball Hall of Fame plaque
James "Cool Papa" Bell, American, 1903 - 1991
Postcard featuring a photograph of a brass plaque on a yellow background. Handwritten in black ink at the top of the card is "James 'Cool Papa' Bell." The plaque has a depiction of Bell in a baseball uniform. Under the portrait is the text, "JAMES THOMAS BELL / "COOL PAPA" / NEGRO LEAGUES 1922 - 1950." The back of the postcard is unused. Preprinted green text at the top reads: [National Baseball Hall of Fame and Museum / Cooperstown, New York / plaque of / James T. (Cool Papa) Bell / Elected to National Baseball Hall of Fame 1974 / Baseball Hall of Fame Committee on Negro Baseball Leagues] next to that text at the top is stamp box. Below the stamp box additional green text reads: [Post Card]. There are also two pieces of tape on the far right edge of the back of the postcard.
Postcard of Buck Leonard Baseball Hall of Fame plaque
Leonard, Walter Fenner "Buck", American, 1907 - 1997
Homestead Grays, American, 1912 - 1950
Postcard featuring a photograph of a brass plaque on a yellow background. Handwritten in faded black ink at the top of the card is "Walter F. Buck Leonard." The plaque has a depiction of Leonard in a baseball uniform. Under the portrait is the text, "WALTER FENNER LEONARD / "BUCK" / NEGRO LEAGUES 1933 - 1950." The back of the postcard is unused. Preprinted green text at the top reads: [National Baseball Hall of Fame and Museum / Cooperstown, New York / plaque of / Walter F. (Buck) Leonard / Elected to National Baseball Hall of Fame 1974 / Baseball Hall of Fame Committee on Negro Baseball Leagues] next to that text at the top is stamp box. Below the stamp box additional green text reads: [Post Card]. The back also publishing information and an inscription of the letter [N]. There are also two pieces of tape on the far right edge of the back of the postcard.
Jet Vol. XLIV No. 4
Johnson Publishing Company, American, founded 1942
Mays, Willie Howard Jr., American, born 1931
Aaron, Hank, American, born 1934
Allen, Richard Anthony, American, born 1942
Gibson, Robert, American, born 1935
Williams, Billy Leo, American, born 1938
Chicago White Sox, American, founded 1901
St. Louis Cardinals, American, founded 1881
Atlanta Braves, American, founded 1871
New York Mets, American, founded 1962
Chicago Cubs, American, founded 1876
paper, ink, metal
H x W: 7 7/16 × 5 1/8 × 1/8 in. (18.9 × 13 × 0.3 cm)
magazines (periodicals)
820 S. Michigan Avenue, Chicago, Cook County, Illinois, United States, North and Central America
Two copies of Jet Magazine, Volume XLIV, Number 4. The front covers are bright green with the title in the upper left corner. The title is slightly obscured by a circle-shaped photographic portrait of Dick Allen which overlaps the bottoms of the "e" and the "t" of [JET]. Above the title in much smaller black text is the date of publication, cost and publishing information: [April 19, 1973/35¢ A Johnson Publication]. To the immediate right of the magazine's title are two lines of bolded, capitalized white text: [BASEBALL UNDERWAY FOR/RECORD-BREAKING SEASON]. Five circle cutouts of photographic portraits dominate the bottom 75% of the cover; Hank Aaron's portrait is foregrounded in the center and covering small portions of the two portraits above (Dick Allen, Willie Mays) and below (Bob Gibson, Billy Williams) Aaron's. The men's respective names appear in small black text as captions at the bottom (Dick Allen, Willie Mays), top (Bob Gibson, Billy Williams), and right (Hank Aaron) of their portraits.
2013.108.4.1 has an inscription on the front cover of the date [4/16/73]. There is also an inscription on the interior table of contents with the same date.
2013.108.4.2 has an address label on the front cover.
2013.108.4.1-2
© 1973 Johnson Publishing Company, Inc. Permission required for use.
Nobody Like Jesus / I Know Who Holds Tomorrow
Jewel Records, American, founded 1963
Walker, Albertina, American, 1929 - 2010
Caravans, The, American, 1947 - 2010
vinyl, adhesive, paper
Diameter (record): 6 7/8 × 1/16 in. (17.5 × 0.2 cm)
78 rpm records
Shreveport, Louisiana, United States, North and Central America
A black vinyl 78 rpm record has a blue Jewel J-203 label at its center. The blue label is printed with black and blue text. The record label logo features above the vinyl record's center; it reads [Jewel . . . . . . RECORDS] just under the image of a cut jewel surrounded by white light rays. One side lists [NOBODY LIKE JESUS / ALBERTINA WALKER / & THE CARAVANS] below the record's center, the other side lists [I KNOW WHO / HOLDS TOMORROW / ALBERTINA WALKER / & THE CARAVANS]. Following the curve of the blue label edge beneath the song title and included recording artists is dark blue text which reads [PRODUCED BY JEWEL RECORDS - 728 TEXAS ST. SHREVEPORT, LA.].
Gospel (Music)
Singers (Musicians)
Media Arts-Audio Recordings
Zygote Magazine
ink on paper with metal
H x W x D: 17 13/16 × 11 13/16 in. (45.2 × 30 cm)
Zygote newspaper from January 8, 1971. In the top half of the cover is a stylized stained glass, arched window with dark and light blue, dark purple, light orange, yellow and red. At the top of the window in red, stylized text is the publication title: [Zygote]. In the upper left corner, outside the arch, is the date in black type: [PDC/Jan. 8, 1971]. In the upper right corner, outside the arch, is the price, listed in black type inside a yellow circle outlined in orange [50¢]. The window is depicted with a floral motif on either side. In the center of the arch is an oval with black type that reads: [Poco / Elton John / Jesse Winchester / Young Lords]. Below the window, on a light blue background are several paragraphs and columns of text listing the publisher information; the policy on accepting reader-written work; the staff, including artists, photographers, and contributors; and table of contents. The interior consists of fifty-five pages.
© 1970 Climatic Sound, Inc. Permission required for use.
Ramparts, Volume 9, Number 4
Keating, Edward M., American, 1925 - 2003
Ramparts, American, 1962 - 1975
Luciano, Felipe, American, born 1948
H x W x D: 10 15/16 × 8 7/16 × 1/8 in. (27.8 × 21.4 × 0.3 cm)
Puerto Rico, United States, Caribbean, Latin America, North and Central America
A copy of Ramparts magazine, volume 9, number 4 from October 1970. The front cover of the magazine features a full page, color image of Felipe Luciano. He is featured looking to the left, wearing a beret with a button promoting the Young Lords Party. In the upper right corner of the image there is white text that reads: ["The Young Lords, / once a street gang, / have become the most / potent revolutionary / organization of / Puerto Rico youth / in the U.S."] Above the image is the mast head of the publication with text in blue, black, and red that reads: [October 1970 / How Harvard, Berkeley et al Set Up the Indonesian Massacre / Civil War in Ireland?; Middle Earth Art; $4 Woodstock.75¢ / Ramparts]. The interior of the magazine has black type on white paper and contains sixty-four pages.
© 1970 Ramparts Magazine, Inc. Permission required for use.
Alice Coltrane Black Journal segment
16mm motion picture film of Alice Coltrane [Black Journal segment]
Coltrane, Alice, American, 1937 - 2007
Coltrane, John, American, 1926 - 1967
Dix Hills, Huntington, Long Island, New York, United States, North and Central America
This 16mm film is a documentary segment focusing on the life of Alice Coltrane and her children in the wake of the death of her husband, famed jazz magician John Coltrane.
The 16mm color film print is a short documentary made for a segment of National Education Television's Black Journal television program. The segment focuses on the life of Alice Coltrane and her children in the wake of the death of her husband, famed jazz magician John Coltrane. This film was shot sometime during 1970; three years after the death of John Coltrane.
2012.79.1.16.1a: 16mm film. This film opens with a collage of photos of jazz musician John Coltrane with a voice-over of a male narrator communicating the musical genius and personal demeanor of the renowned music artist. The voice-over ends with an open-ended statement on John Coltrane's family; leading into an interview with his wife, Alice Coltrane. Alice Coltrane discusses the influence her late husband has had on her life, both musically and spiritually. She speaks of him being a spiritual person, although not tied to one organized religion, his vegetarian diet, and the how he carved time out of his days to meditate. There is footage of their children playing in the yard and walking with their mother. Alice plays the harp and talks about how her music is a manifestation of her spirituality. She discusses her musical career and how she balances that with being a mother and paying tribute to her late husband, but also not wanting to be defined as an extension of John Coltrane's music. Instead, when she finds herself playing some of the music he wrote, she sees herself as sharing in what he produced throughout his career. Footage of her playing the piano at a small jazz concert with a few other musicians plays for two minutes. In the final minutes of the segment, Alice Coltrane explains her relationship with a higher power and the personal enlightenment she has felt and gained through meditation. The film ends with a dolly-out/zoom-out long shot of Alice Coltrane and her children waving from their home.
Jazz (Music)
Faux pearl and rhinestone earrings worn by Ophelia DeVore
DeVore, Ophelia, American, 1922 - 2014
plastic beads, rhinestones, and metal
H x W (each): 3 1/4 × 3/4 in. (8.3 × 1.9 cm)
Brooklyn, New York City, New York, United States, North and Central America
Pair of faux pearl and rhinestone earrings worn by Ophelia DeVore. The main setting has one large faux pearl teardrop shaped bead oriented with the point down. It is surrounded by two (2) rows of small clear rhinestones set in silver toned metal. Dangling from this setting are three short rhinestone chains, each terminating in a smaller teardrop faux pearl. The back of the upper portion of each earring has a metal pressure clip attached to it.
Beauty culture
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Ophelia DeVore
2011.25.3.4ab
Navy and white crepe evening dress worn by Ophelia DeVore
Parnis, Mollie, American, 1905 - 1992
silk crepe, silk, elastic, and metal fasteners
H x W: 58 x 32 in. (147.3 x 81.3 cm)
Navy and white silk crepe evening dress worn by Ophelia DeVore. The dress has a V-neck front with a high back neckline, full-length sleeves, and a full floor-length skirt gathered at the natural waistline. It is made from navy silk crepe with white silk crepe trimming the neckline and forming the waistband. The sleeves are fitted around the cuff with elastic, creating a blousy balloon-like silhouette. There is a knee-high slit at the center front skirt. The dress closes at the center back with a zipper and one (1) metal hook-and-eye.
The dress is lined in navy blue silk except the sleeves, which are not lined. A silver fabric label with black embroidered text is sewn at the interior proper left back neck that reads "Mollie Parnis Boutique / NEW YORK".
Clothing-Fashion
White and black feather boa worn by Ophelia DeVore
H x W: 108 x 9 in. (274.3 x 22.9 cm)
A white and black feather boa worn by Ophelia DeVore. The boa is long and full. It is made from white feathers with black tips.
Silver purse worn by Ophelia DeVore
Peck & Peck, American, founded 1888
plastic, synthetic fiber, reflective glass, and metal
H x W x D: 10 1/2 x 7 1/8 x 3 in. (26.7 x 18.1 x 7.6 cm)
purses (bags)
Metallic silver faux leather purse worn by Ophelia DeVore. The purse is rectangular with a rounded bottom to the body, which has rigid sides. It closes with a rounded flap on the top that fastens with a metal snap. A length of silver faux leather is doubled and run through two (2) metal loops at each side of the top to make a short handle.
The interior of the purse is lined in ivory synthetic satin. A rectangular mirror is adhered to the interior of the flap. There are no interior pockets. A cream fabric label with blue and red embroidered text is adhered to the interior back top side that reads "PECK & PECK / FIFTH AVENUE / NEW YORK" with a shield shaped crest embroidered at the left side.
Letter to Mr. Cohen from Eubie Blake regarding an autographed picture
Blake, Eubie, American, 1887 - 1983
H x W: 8 1/2 x 11 in. (21.6 x 27.9 cm)
letters (correspondence)
Harrisburg, Dauphin County, Pennsylvania, United States, North and Central America
A "Eubie Blake Music" letterhead stationary with printed list of "Shows" and "Songs". There is a handwritten address in the upper left corner and the symbol of the American Society of Composers, Authors, and Publishers in the upper right corner. A handwritten note signed "Sincerely yours, Eubie Blake" is in the center.
Composers (Musicians)
Musical Crossroads
NMAAHC (1400 Constitution Ave NW), National Mall Location, Culture/Fourth Floor, 4 053
Statues Hardly Ever Smile
16mm motion picture film of Statues Hardly Ever Smile
Lathan, Stan, American, born 1945
Collins, Kathleen, American, 1942 - 1988
Garrett, Kent, American, born 1941
Brooklyn Museum, American, founded 1895
16mm color film directed by Stan Lathan and produced by Chamba Productions for the Brooklyn Museum about a program to bring children from the local community into the museum to create performance art. Includes footage of children interacting with objects in the museum and creating performances based upon their reaction.
16mm color film directed by Stan Lathan and produced by Chamba Productions about a program to bring children from the local community into the Brooklyn Museum to create performance art.
Consists of: 16mm Print (a).
2012.79.1.63.4a: 16mm Print. The film begins with the camera panning around a room with many cases in the Brooklyn Museum. Children are heard in the voiceover narration describing the statues. The footage also includes close-ups of some of the statues. The next scene shows children and young adults following spoken directions to pretend they are holding various objects in their hands. The narrator describes how the children spent time in the rotunda of the museum for six weeks, and there is footage of the children participating in dance exercises in the rotunda. The narrator describes the idea for the project to bring children together with an object and create a performance around that. The next scene shows an object and children touching the face of another object. Some other children are shown in front of a different museum object and holding the same pose as that object. Children in the voiceover narration describe thinking about the objects and questioning what the people depicted in the objects are doing. As the narrator describes, the children participated in improvisation based on the space and the objects around them. The footage includes a group of students discussing how to put on an improvisation based on an object. The next scene shows the students performing the improvisation in the rotunda that they created. One of the boys reflects on how he did the improvisation. In the next scene, the students perform a dance while a man plays a drum. The next scene shows a man playing the piano and singing and the children sing along with him. The music accompanies a montage of the students doing various activities shown in the film. The final scene shows the students leaving the museum, a bus traveling a city street, one of the students exiting the bus and greeting some friends as the credits appear. The film ends with children playing in a circle on a playground.
Instrumentalists (Musicians)
Clubman mixer used as part of a DJ setup
Meteor Light & Sound Company, Inc.
metal on wood , rubber on wire
H x W x D (Overall (with cord coiled)): 7 × 10 5/16 × 21 1/4 in. (17.8 × 26.2 × 54 cm)
H x W x D (Overall (with cord uncoiled)): 7 × 10 5/16 × 82 7/8 in. (17.8 × 26.2 × 210.5 cm)
H x W x D (Just box (excluding cord)): 7 × 10 5/16 × 13 1/2 in. (17.8 × 26.2 × 34.3 cm)
H x W x D (Just cord (outstretched)): 1/2 × 70 × 3/4 in. (1.3 × 177.8 × 1.9 cm)
audiovisual equipment
Place purchased
Long Island, Syosset, Nassau County, New York, United States, North and Central America
A Meteor Light & Sound brand Clubman one-one mixer. The body has wooden sides, slanting down towards the front, medium brown in color, with screws holding it to the body of the machine. There is one screw in each corner, on each side. The front and back sides of the mixer are metal, black in color. The front side is shorter (approx. 2 3/4 in. in height) and the back side is taller (approx. 7 in. in height), so the top face of the machine is slanted down towards the front. The top facade contains the main switchboard which is black metal with silver type and outlines. The title at the top of the main switchboard reads: [CLUBMAN one-one] on the left and [meteor LIGHt &SOUnD] on the right. There are three columns on the top defined by a silver boarder. The boarder has rectangular rounded edges. The top left column has a small circular red light, labeled [POWER] below. Underneath the top left column, the bottom left contains a vertical sliding level, labeled [PHONES/LEVEL]. The middle column contains a switch, labeled [TALKOVER], with [IN] above and [OUT] below. Underneath, there is another vertical sliding level, labeled [MIC LEVEL]. At the bottom on the left, there are two circular inputs, labeled [PHONES] in the left column, and [MIC] in the middle column. The right column is twice as big as the two columns to the left. At the top there is a switch labeled, [LO-FILTER], with [IN] on the top and [OUT] on the bottom. Underneath, there are two vertical sliding levels below, labeled [TURNTABLES]. The label is centered between the two levels, with a number [2] to the left, and arrows pointing away from [TURNTABLES]. Underneath, there is a horizontal sliding level labeled: [CROSSFADER]. The label is centered with a number [2] on the left, and arrows pointing away from word [CROSSFADER]. At the bottom, there are two switches, both have [CUE] labeled above and [OUT] labeled below. The front facade has nothing on it. The back facade has white type at the center top, which reads: [CAUTION! / TO PREVENT ELECTRIC SHOCK DO NOT REMOVE BOTTOM / OR SIDE PANELS. THERE ARE NO USER-SERVICABLE / PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.]. Underneath the type, there are four sets of bullet plug inputs for RCA connector type cords. The two on the left are labeled above as: [INPUTS] with the far left labeled: [PHONO-1] and the right labeled: [PHONO-2]. The two on the right are labeled above as [OUTPUTS] with the left labeled: [A (1.5V)] and the far right labeled: [B (150MV)]. To the left of the plugs, another label reads: [L/R] and lines up with all four plugs, labeling top as [L] and bottom as [R]. Each plug has two large ports (one of top of each other) in the center, with four smaller ports in each corner surrounding the main two. To the right of the plugs, in white type, reads: [MODEL 111A / 105-125 VAC / 50-60 HZ / 3 WATTS MAX.]. At the bottom, in white type, aligned to the right, reads [METEOR LIGHT & SOUND CO. / SYOSSET. N.Y., USA]. Above that type is a black plastic knob. A brown cord is connected in the bottom right corner, above the type. The brown cord has a two-prong metal plug at the end. There is an inscription in the top right corner, etched by hand. The bottom is a silver metal square with four black plastic feet, at each corner.
Disco (Music)
Hip hop (Music)
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Frank Hiliuk
Tools and Equipment-Audiovisual
RCA connector cord used as part of DJ setup
wire with rubber , plastic and metal
H x W x D (2014.126.2.1 (coiled)): 1/2 × 5 × 5 in. (1.3 × 12.7 × 12.7 cm)
H x W x D (2014.126.2.1 (uncoiled)): 1/2 × 37 × 1 in. (1.3 × 94 × 2.5 cm)
H x W x D (2014.126.2.3 (coiled)): 1 1/2 × 6 1/2 × 6 5/8 in. (3.8 × 16.5 × 16.8 cm)
H x W x D (2014.126.2.3 (uncoiled)): 1/2 × 121 3/4 × 1 in. (1.3 × 309.2 × 2.5 cm)
Three RCA Connector Cords.
2014.126.2.1: A RCA connector cord/cable. The cord has a gray rubber covering that splits into two separate cords towards each end, each covered in rubber covering individually. The cord has two "bullet plug" style plugs (hollow center conductor and the single pin point for the return signal) on each side of the plug, one with a yellow plastic coating, the other with a red.
2014.126.2.3: A RCA connector cord/cable. Cord has a gray rubber covering that splits into two separate cords towards each end, each covered in rubber covering individually. The cord appears to have an additional rubber element attached at the place where the cord moves from one single cord to two separate cords, on both sides. The cord has two "bullet plug" style plugs (hollow center conductor and the single pin point for the return signal) on each side of the plug, one with a black plastic coating, the other with a red.
2014.126.2.1-.3
Bumper sticker endorsing Carl Stokes for Mayor of Cleveland
Stokes for Mayor Committee, American, 1965 - 1967
Stokes, Carl, American, 1927 - 1996
ink and adhesive on paper (fiber product)
H x W: 3 x 12 in. (7.6 x 30.5 cm)
3521 Attica Road, Cleveland, Cuyahoga County, Ohio, United States, North and Central America
An orange bumper sticker printed with black text advocating Carl Stokes for Mayor of Cleveland. The sticker reads [STOKES] bold black letters. Information on the Stokes for Mayor Committee is in small print along the bottom of the bumper sticker. In the bottom PR corner is a stamp, mostly illegible, likely a printer's union mark identifying at what shop the sticker was produced. The back of the sticker is covered in a waxy paper over the adhesive, which bears the manufacturer's logo.
Flyer advertising The East Coast Regional Conference of CAR
International Committee Against Racism, American, 1973 - 1996
H x W (Sheet): 11 × 8 1/2 in. (27.9 × 21.6 cm)
This flyer advertises the East Coast Regional Conference on segregation and apartheid. The flyer is white with black text. The flyer features two long paragraphs explaining the struggles in South Africa and the activities of the Committee Against Racism. The title reads [COME TO THE EAST COAST REGIONAL CONFERENCE] and the tagline at the bottom reads [SEGREGATION HERE, APARTHEID THERE / SMASH RACISM EVERYWHERE!]. The back of the flyer is blank except for handwritten text in the bottom right corner that reads [1978].
Memorabilia and Ephemera-Advertisements