The lights are on. Michael goes on stage, and starts to "teach"…What is he doing? He shows his own sign-language to the audience, so that they can be also the part of the "game".
We don't have sheets, because the music is inside of us, but we have two important compasses: a writer, Ferdinand Schmatz, who reads his stories from his new book "Das gehörte Feuer: Orphische Skizzen" (in German), and a conductor, Michael Fischer, who reacts through us – musicians – to these short – and long sentences…Together (with around 22 musicians), we create ad hoc compositions, mediated by a vocabulary of hand-sign conducting, which is a specific form of experimental composition and complex improvised music.
Pure mindfulness with constantly changing dinamics, noises and deep music.