Tag: Timothy Ratajczak
Samson [2018] (Movie Review)
Samson was chosen to be a judge of Israel by Yahweh, but he did not always do as he was supposed to do. He was anointed by God with superhuman strength when the Spirit of the Lord came upon him, but when he disobeyed, there were serious consequences. God used Samson to deliver His people from the oppressive Philistines, and He used an imperfect man to accomplish His will in the most extraordinary ways.
PureFlix has clearly come a long way since the abysmal production days of The Book of Esther and the half-hearted production of movies like Apostle Peter and the Last Supper. This newer rendition of Samson boasts a surprisingly high production quality, which is manifested in gritty and realistic elements that are not afraid to make the characters get dirty. Action scenes are filmed very well with good camera work. Video quality is crisp, and sets, locations, and props are very well-constructed and culturally authentic. The editing is also good, but this production is held back from being all that it could be by weird cuts and dramatic zooms that are reminiscent of Revelation Road and by very obvious CGI architectural shots. However, on the whole, Samson is a huge step forward for PureFlix Bible productions.
Right off the bat, the plot of Samson is hamstrung by immediate and unwanted narration. Accompanying this story crutch is a typically PureFlix 'creative license' that they give themselves to do whatever they want with historical narrative. As this film was shamelessly pushed as a 'Christian superhero' flick, it is full of mostly mindless action scenes and is actually quite violent for a Bible film–even rivaling The Bible miniseries for gory content. With so many battle scenes and bodies flying around, there is no room for character development as dialogue is instead used to fill time, dump information, and force the story along in the direction the writers wanted it to go in. In molding the story however they wanted, the PureFlix collective whitewashed the obvious mistakes of Samson the historical figure and made this movie into some kind of romance-revenge plot. However, in some ways, they made some interesting connections between the true events of Samson's life, which keeps this section from being zero, but they took too much 'creative license' with historical fact to be acceptable. Regardless, we have no idea who Samson is as a character due to massive time jumps, and the recurring villain character is beyond cheesy. In the end, plot was basically tossed by the wayside in the making of this pandering film.
Somewhere out there, there is a Christian movie consultant who constantly advises film makers to cast BRITISH people as Middle Eastern characters. Sure, Middle Eastern cast members can be somewhat difficult to find, but what is the idea behind casting people with such obviously culturally inauthentic accents? I'm sure with this budget PureFlix could have found some authentic cast members. This consistent problem aside, the acting of this film is mostly fine except for the overly dramatic moments and forced emotions that are apparent here. Also, it goes without saying that PureFlix consulted with Timothy Chey on how to give PhilistIne characters the worst possible makeup jobs. On the whole, this section is average.
What to do with another Bible film? Samson fulfills the gritty category, and the production is fine, but the other categories are greatly lacking in what is needed. With a budget this big, better cast members could have been employed and better screenwriters could have been retained. Then again, it's doubtful that PureFlix actually cares about making a truly quality film. Samson was just another attempt at a cash grab–PureFlix adapts with the times as needed to do the bare minimum to get enough audiences to pay for a ticket. Now most people have forgotten this film even happened. Oh well.
May 7, 2018 January 1, 2019 by Box Office Revolutionary Categories: Action Adventure, Biblical, Drama, Historical, International, Movie Reviews, RomanceTags: 2018, 4 points, Action Adventure, Alysoun Wolfe, Bible, Biblical, Billy Zane, Boomtown Films, Brent Ryan Green, Brittany Yost, Bruce Macdonald, Caitlin Leahy, Craig Jones, Daryl Lefever, David A. R. White, Dylan Williams, Elizabeth Hatcher-Travis, Frances Sholto-Douglas, Gabriel Sabloff, Galen Gilbert, Greg Kriek, Historical, Ian Campbell, International, Jackson Rathbone, James Ryan, Jason Baumgardner, Jim Ameduri, Lindsay Wagner, Matthew Dylan Roberts, Michael Scott, PureFlix, Rehane Abrahams, Rutger Hauer, Sven Ruygrok, Taylor James, Timothy Ratajczak, Vance Null, Vlokkie Gordon, Will Musser, Zach Smith 1 Comment
Open My Eyes [2014] (Movie Review)
Paul Sanders was a successful and arrogant model photographer before a car accident took his sight away from him. After this, he locks himself in his house and refuses to have anyone over except his personal assistant and whichever restaurant employee brings his daily meals. But when a new employee comes, little does he know the secrets she holds and to what extent he actually knows her. She treats him differently than anyone else, even though he is still rude to her, which begins an unexpected change in Paul's life.
Though this is a lesser-known production with somewhat limited funding, it still has a lot of professional elements in it. The only real issue to point out is the unexplainable shaky camera work throughout, even there are really no other issues with it. Video quality and audio quality are great, and the soundtrack is very creative and interesting. Sets, locations, and props are relatively well-constructed and realistic. Editing is also surprisingly good, which is a plus for this type of film. Overall, this is a very impressive effort that shows great promise for the future.
Sean Paul Murphy and Timothy Ratajczak were likely held back in their PureFlix days, so it's probably better that they were able to write this film out from under the iron fist of Byron Jones and company. Open My Eyes demonstrates an interesting non-typical storyline that's not afraid to deal with 'worldly' characters, even if they still need a little more refinement. Sometimes the 'bad' characters are too bad and the 'good' characters are too good. When a character switches between these two options, their arc is often too steep. However, the situations and circumstances they experience are realistic and can be related to. Dialogue is pretty good most of the time, but there are some lapses here nonetheless. The plot progression is somewhat typical and expected, and there are one too many quick fixes at the end, but it's clear that this writing team meant well with this story. It's just a shame that it couldn't have been better, because it certainly had a lot of potential.
Though this cast is not as well-known as other casts, they are still mostly professional in their performances. The biggest issue to point out here is some overdone emotions and forceful line delivery on the part of certain cast members some of the time. Yet in the end, this is a commendable effort that demonstrates potential for the future.
Open My Eyes is another one of those films that just misses the mark of greatness due to a few key errors that hold it back. However, it's definitely worth a watch and would certainly be worth remaking one day. Sean Paul Murphy and Timothy Ratajczak certainly have a lot of untapped talent and definitely have experience. Hopefully they will continue to be able to progress in their work unhindered by the controlling hands of PureFlix.
September 7, 2017 January 6, 2019 by Box Office Revolutionary Categories: Inspirational, Movie ReviewsTags: 2014, 5.5 points, Annette Figueroa, Barrett Wiita, Dominick LaBanca, Efraim Vicente, Felix Andarsio, Gabriel Alfonzo, Heloisa Alves, Inspirational, Jeannie Garcia, Luis Schomaker, Marco Valdez, Mike Boland, New City Films, Primecinema, Sean Paul Murphy, Sharon Oliphant, Shesley Torres, Timothy Ratajczak, Vincent Sodano Leave a comment
The Encounter, Season 1 [2016] (Series Review)
With this creepy look, who doesn't want an encounter?
When someone is going about their everyday activities, they never know what is about to happen or who they are about to meet. They all have struggles and secrets that they don't want anyone to know, but they would be free if they just knew someone they could trust them with. But people never know when they are about to meet Someone Who will change their life forever. They never know until they have their own Encounter with Jesus.
The Encounter series follows a typical production formula that PureFlix has been using for years. They check the boxes for making the production look good on the surface, including video quality, audio quality, sets, props, and locations. The soundtrack is sometimes engaging but mostly standard. Sometimes there is too much shaky camera work, especially in the poorly shot actions scenes. The biggest issue here is that large amount of wasted time throughout the series. Most episodes are 25-28 minutes long, but the plots are usually so thin that this is too much time. The exception to this is of episodes one and four, which will be discussed later. But in the end, this series demonstrates an overall typical and average production effort.
For eight episodes, The Encounter rehashes the same types of ideas, concepts, and conversations over and over again, just with different characters. Outside of episodes one and four, there is no creativity here, as the opening sequence tells you what's going to happen in each episode. Besides being predictable, these stories are also very quick and punctuated, like they've been made in a quick plot factory. While there are some good issues raised in the series, there are too many quick fixes and easy solutions based on creepy and plastic Jesus dialogue. Thus, the messaging is quite shallow. However, there is some potential here, as the first episode is very interesting and should have been the focus of the whole series so we could have gotten to know these characters better. Also, the fourth episode would have made an interesting movie, if done properly. But overall, this series just hops from high point to high point and discards substance and realism along the way. It's a good idea done very poorly.
While there are bright spots in this large scale cast, there are also plenty of issues. For one, it seems like Bruce Marchiano, who has done well portraying Jesus in the past, has lost his touch. Other cast members are typical PureFlix standbys and rejects who seem to be lazy and phoning in their performances. But as it is, it just comes out as average.
When the same ideas repeat over and over again in each episode and new characters are constantly being introduced, there is no chance or hope for continuity in this season. There are no story arcs or character arcs. We need to see what happens to these characters after their initial encounters, which is why it would have been great to have the characters from the first episode be the main focus of this series. Yet the way it has been done is shallow and lazy, thus warranting no points here.
There's nothing wrong with having Jesus intervene in everyday situations, but spitting out a whole bunch of episodes that are all basically the same doesn't accomplish anything. It's easy to create a bunch of surface characters and then leave them; it takes true skill to craft meaningful characters that we can connect with. It's also a great idea to create a Christian series, but we need something better than this. We need sustainable ideas that make people want to follow a set of characters across an arc. PureFlix has the resources to do this, but will they?
March 4, 2017 January 19, 2019 by Box Office Revolutionary Categories: Drama, Inspirational, Series ReviewsTags: 2016, Andrea Logan White, Anna Zielinski, Antonio Sabato Jr., Aria Walters, Billy DaMota, Boti Bliss, Brad Heller, Brian Bosworth, Bruce Klefstad, Bruce Marchiano, Carey Scott, Carlos PenaVega, Chloe Wick, Christine Scholle, Dane E. Connor, David A. R. White, David Aaron Stone, Delaney, Gabriel Sabloff, Gibson Bobby Sjobeck, Hutch Dano, Inspirational, James Williams, Jen Lilley, Jessica Bridgeman, Joth Riggs, Kass Connors, Keith Ray Putman, Kenton Duty, Kevin Downes, Lesley Armour, Linda Bisesti, Mark Christopher Lawrence, Michael Ironside, Morgan Fairchild, Morgan Leslie, Pamela Fields, PureFlix, Shane Hawks, Stepfanie Kramer, Timothy Ratajczak, Tommy Blaze 4 Comments
Sarah's Choice (Movie Review)
Sarah wants a big executive break like her boyfriend has, that's why she sees an opportunity when she gets interviewed for a temporary job. The only catch is that in order to get hired, she has to prove that she's not pregnant. But after she takes a test, she finds that she is pregnant and is faced with a serious decision: pursue a career and abort her child or give up her career and have her child. Sarah will have to decide how real her faith is and what direction she wants her life to go in.
The one thing PureFlix usually has going for them is that they can put together a respectable-looking production. Sarah's Choice is not an exception. Notwithstanding an odd opening sequence, the camera work is at least above average. The video quality is good, as is the audio quality. The soundtrack could use some improvement, but the sets are respectable. Also, the editing is mostly average, though there are a handful of unnecessary scenes that put a damper on this production. But overall, despite their obvious flaws, PureFlix can usually put together a semi-professional production.
Leave it to PureFlix to take an important social issue and mutilate it with over the top messaging. As a plot filled with typical White-style extremist characters, Sarah's Choice sports a ridiculously unrealistic premise that is designed to force the issue of abortion on the audience. As usual, pro-abortionists and other people who disagree with the PureFlix worldview are portrayed in offensive ways. The dialogue is very obvious and forces the plot along, even though there is plenty of time wasted on bizarre asides. There is also a silly shoehorning of the Christmas story into this plot, along with some odd 'magical' Christmas elements. While the psychological parts are intriguing, they are not enough to offset the onslaught of nonsense in the remainder of the storyline. As can be expected, the end is neat and tidy with no real justification for it ending up that way. Basically, every horror story regarding the combination of PureFlix and the issue of abortion comes true in Sarah's Choice.
While some cast members, including Rebecca St. James, post moderately respectable performances, this is probably Andrea Logan White's most obnoxious role to date as she attempts to caricature a vain (well this mostly true) pro-abortion feminist. There are some bright spots here that keep this category from being terrible, but there are still too many unrealistic emotions and drama moments. Line delivery is fairly average throughout. Overall, this is just average, despite Andrea Logan White.
In a PureFlix Christmas movie about abortion, what could go wrong? Well, a lot, actually. The Whites and company continue their addiction to portraying non-Christians as heartless ogres and construct an unrealistic framework designed to shove a social issue down your throat. Do they even have any regard for reality or are they just trying to sell movies? Movies like Sarah's Choice are exactly why people tire of legalistic Christianity. Unfortunately, while this blog is unashamedly pro-life, this is not the type of film we can support.
December 12, 2016 January 13, 2019 by Box Office Revolutionary Categories: Christmas, Drama, Inspirational, Movie ReviewsTags: 2009, 3.5 points, Andrea Logan White, Brad Stine, Byron Jones, Carey Scott, Chad Kapper, Christmas, David A. R. White, Dick Van Patten, Elizabeth Hatcher-Travis, Ethan Cooper Roy, Inspirational, Julian Bailey, Libby Smallbone, Like a Botox treatment, Linda Bisesti, Marc Davies, Matthew Bacis, Michael Scott, Pro-Life, PureFlix, Rebecca St. James, Robert Miano, Russell Wolfe, Sean McGowan, Sean Paul Murphy, Staci Keanan, Timothy Ratajczak, Yvette Tucker 1 Comment
Apostle Peter and the Last Supper (Movie Review)
Captured by the Romans, the Apostle Peter is held for questioning and possible execution. As he awaits his earthly fate, his mind wanders back to the early days, when he followed Jesus on earth. As he is interrogated by a young and inquisitive soldier, Peter recounts his experiences with Jesus, including the painful moment when he disowned his Lord. Tormented by evil spirits, Peter wrestles with his past as he tries to convert the man in front of him. In the end, each man has his own battle to fight and they must decide which side they will choose.
If you endeavor to create a Bible film, please, please, please invest in good sets and props. Apostle Peter and the Last Supper suffers from the affliction of having only three or four sets, so it fills in everything else with very obviously cheap CGI. They're not even good sets at that. The one good thing here is that at least the video quality is clear and the audio quality is find most of the time. The camera work is commendable, but the soundtrack is not. There are too many bizarre special effects that seem out of place and isolate the viewer. Finally, the editing is blasé and seems to only focus on the sensational parts, as will be discussed next. In all, Bible productions seem to always fall into a poor category all to themselves, and this one is no exception.
While it is commendable to include spiritual themes in a Biblical film, the ones included in this one are only sensational and sometimes downright creepy. The smallest things are overly dramatized—as usual with anything David A. R. White touches, nothing can be subtle, all must be obvious. Dialogue is very pedestrian and theologically scripted; it doesn't feel like real people are talking. When dealing with the Biblical narrative, it is obviously out of order for some reason, probably for convenience. Jesus is portrayed in a very odd way, like He's constantly obsessed with reading everybody's minds. The plot being split between the past and the present does not allow for good character development in any form. Basically, the only positive aspect of this plot is the interesting idea of incorporating the spiritual battle, even though it is pulled off very poorly. Essentially, this plot is The Encounter with Peter—some slight potential but too much sensationalism and mediocrity.
Time and again, we have seen Biblical movie casts with an inordinate number of British actors and actresses and Apostle Peter is no exception. What is it about Bible films that cause creators to believe that Biblical characters are very white and British? Accents aside, the acting is mostly dramatic and sensational, like the rest of the film. Bruce Marchiano, in his typical role, seems creepier than usual. Line delivery is very theatrical rather than conversational. Emotions are not believable. However, the acting is not bad enough to warrant zero points. Overall, everything about this film is just a mess.
Oh, what we would pay somebody for a worthwhile Bible film. Stories from Scripture need to be properly and accurately portrayed and presented on the big screen. Such films should have a historical bent rather than an otherworldly feel. Spiritual elements are great to include, but do them correctly, not in a way that turns people off. Unfortunately, the majority of Biblical films on the market misconstrues the historical truths and spiritual realities of the Word of God, thus contributing only negative content to the field. Who will stand up and turn the tide?
August 16, 2016 January 15, 2019 by Box Office Revolutionary Categories: Biblical, Movie Reviews, PsychologicalTags: 2 points, 2012, Adamo Palladino, Anna Zielinski, Bible, Biblical, Bill Oberst Jr., British Romans, Bruce Marchiano, David A. R. White, David Kallaway, Dominic Bogart, Emilio Doorgasingh, Gabriel Sabloff, Historical, Kevin Hoffmann, Knox Collier, Laurence Fuller, Leon Melas, Leticia Robles, Matthew Bacis, Michael Daley, Michael Scott, Psychological, PureFlix, Robert Loggia, Russell Wolfe, Ryan Alosio, Sarah Prikryl, Shawn Savage, Thomas Colby, Timothy Ratajczak, Tom Konkle 3 Comments
Brother White (Movie Review)
Stuck in a long line of pastoral succession at a megachurch headed by the popular Johnny Kingman, James White is desperate to make his mark and to stand out from the crowd. But doing so only gets him into further trouble. After nearly ruining a children's Sunday school class and an expensive painting and disrupting a church service, Kingman send James on a probation to pastor a struggling church in Atlanta. So James, his wife Lily, and their two children make a cross-country move to the Peach State and find themselves thrust into a multicultural world they have never before experienced. Not only must James find a way to save the struggling church, but he must come to grips with the fact that he is not invincible and must rely on God and his family for help.
Compared to other PureFlix productions, Brother White is not horrible. It actually has a lot of potential. The camera work is pretty good, as is the video quality. However, the sound quality is inconsistent and some outside scenes are covered up with musical montages. The editing is decent, but the sets and locations are obviously cheap. There are some slight excuses for this, but it still could have been better. Probably the worst production element is pretending like certain characters are singing when they are obviously not. In short, the production of Brother White is just average—neither horrible nor dynamic. There was a lot of potential here that was not brought to the surface.
Unlike many PureFlix plots, Brother White is slightly interesting. Exploring racial relations by inserting an affluent white (White?) family into a predominantly African-American church has a lot of potential, if stereotypes are avoided. For the most part, they are. There is plenty of satire in Brother White that is actually funny, such as tongue-in-cheek swipes at prosperity gospel churches. But there are also elements that are just trying too hard. Too much comedy falls flat and some lines leave you scratching your head. There are plot holes that are glossed over and some humor is way too obvious, such as the name 'Lily White'. The plot boils down to a simplistic save the farm storyline and seems to lose its original purpose in the end. James' character arc is commendable, but the whole movie just leaves you wanting more substance. In short, Brother White is not so awful that it's unwatchable, but it's also frustrating to watch because there was obviously a lot of creativity left untapped.
Though this is probably David A. R. White's best lead role, it still leaves much to be desired. The presence of more professional actors in this cast keeps it from sinking to the depths of most PureFlix casts. However, there is still a lack of acting coaching. Were all the actors up to par, this movie would have improved.
This is probably the closest the Whites and Tommy Blaze will ever get to true comedy. But were this plot in different hands, we can't help but feel it could have been Hall of Fame worthy. It contains a unique plot on a good topic and as it is, has some humorous elements. In the end, Brother White is the highest rated White comedy and unfortunately, it is hard to believe that it will get any better than this.
February 16, 2016 January 18, 2019 by Box Office Revolutionary Categories: Comedy, Inspirational, Movie ReviewsTags: 2012, 4 points, Andrea Logan White, Anna Margaret Collins, Anna Zielinski, Bebe Winans, Brad Heller, Brian Herzlinger, Bruce Davison, Comedy, David A. R. White, Elizabeth Hatcher-Travis, Freezerator, Gibson Bobby Sjobeck, Inspirational, Jackée Harry, Justin Mitchell, Ken Sagoes, Madison Gibney, Matt Richards, Michael Scott, Nina Sophia Mojares, NRaca, PureFlix, Ray Wise, Reginald VelJohnson, Russell Wolfe, Sean Paul Murphy, Senyo Amoaku, Timothy Ratajczak, Tiny Ron, Tommy Blaze, Victoria Jackson, Will Musser 2 Comments
Hidden Secrets [2006] (Movie Review)
Following the death of a common friend, Gary, Jeremy, Michael, Harold, and Sherry all gather at his house for a long weekend of repairs and catching up on the good old days. However, all is not well among them. Jeremy discovers that he still love Sherry, his former girlfriend, even though his current girlfriend is staying with them. Michael is guarding a dark secret from his past. Gary and Harold's wife constantly clash over his Jewish background and his atheist beliefs. In the end, they will have to come to grips their hidden secrets in order to face the future.
There is literally nothing good to say about this film's production quality. The video is grainy and the sound quality is all over the place. The camera work is unprofessional. Everything about the production has a very cheap identity. The sets are severely limited, mostly taking place inside one house or on its roof (yes, seriously). The editing is terrible, but it's not like there was much to work with. Roof repair scenes, standing around and talking scenes, and thrift store dress-up scenes litter the landscape. But nothing can beat David A. R. White mouthing a Building 429 song and pretending like he's singing it. As previously mentioned, there is nothing positive here.
There is only one positive element to discuss from this entire film, and that is its slightly interesting exploration of the various types of secret sins many Christians harbor. Otherwise, the remainder of this film is utter nonsense. The dialogue is almost written purposely ridiculous. One character is an over-the-top, obnoxious, legalistic Christian who is the only one, in her mind, who can interpret the Bible properly. It would be funny if it wasn't so unwatchable. The atheist character is equally annoying. Other dialogue is absurd and overly obvious, shoving issues down viewers' throats. There is also no clear plotline to this movie except for repairing a roof, hanging around talking and arguing on various controversial topics, reminiscing about the good old days, playing dress-up in a thrift store, and pretending to sing in a cheap restaurant. Any good intentions there were in making this movie are buried beneath a mound of insanity.
No acting coaching is employed in Hidden Secrets. Actors and actresses are allowed to basically run wild with the material with no quality control. Line delivery is forceful—several actors and actresses are clearly trying to draw attention to themselves. Emotions are also extreme and unbelievable. Once again, there is nothing good to say here.
There is a base idea in Hidden Secrets that should have been given to another film. Unfortunately, Carey Scott, Sean Paul Murphy, and Timothy Ratajczak have not demonstrated that they are good stewards of movie ideas. To make this sort of movie shows one of three things—they either do not care about making quality movies, they do not fully know how to make quality movies, or they are purposely making low quality movies. What type of audience is supposed to derive meaning from this sort of movie? For many reasons, this movie receives a very low score.
February 15, 2016 January 18, 2019 by Box Office Revolutionary Categories: Comedy, Inspirational, Movie ReviewsTags: 1/2 point, 2006, Albert Chang, Andrea Logan White, Autumn Paul, Brad Heller, Building 429, Carey Scott, Comedy, Corin Nemec, David A. R. White, Gregg Binkley, Inspirational, Interrupting Church Services, Jason Borck, Jason Roy, John Schneider, Michael Scott, Mouthing Songs, Obnoxious Christians, Playing Dress-up, PureFlix, Rachel Lampa, Reginald VelJohnson, Russell Wolfe, Sean Paul Murphy, Sean Sedgwick, Staci Keanan, Timothy Ratajczak, Tracy Melchior, Working on a Roof 3 Comments
The Book of Esther (Movie Review)
Following the banishment of Queen Vashti from the royalty of Medo-Persia, King Xerses, lonely and confused, takes the advice of his closest advisors and decrees that all the young women be brought to him, given beauty treatments, and then displayed before him so that he can choose a new queen from among them. Among them is a Jewish girl, Hadassah, who had been admonished by her cousin Mordecai to hide her cultural identity from those in the palace. Against all odds, she is chosen to succeed Queen Vashti, just as the wicked advisor Haman is plotting to destroy the Jewish people from the face of the earth. Queen Esther must decide that she must live up to the calling God has put in front of her in order to save an entire race from extinction.
The Book of Esther commits every Biblical movie error in every category, beginning with production. The sets and costuming are very cheap, like this is a children's church play. It would be one thing if PureFlix did not have the funding to put on a better production, but this is not the case. The camera work and video quality are passable, but the sound quality is very inconsistent. There is really nothing to comment on regarding the editing, either good or bad. In short, the first rule of Bible movies is to create a realistic and high quality setting, including backgrounds, sets, props, and costumes. The Book of Esther does none of this.
The story of Esther is overused in movies, probably because it is easy to replicate and the plot suits most audiences. But this film is not even a good adaptation—it misrepresents Biblical and historical events and includes unnecessary parts. It seems like the viewer is being insulted and being treated like a child in a bad Sunday school class. The film contains ridiculous over the top characters, more so than usual for a Bible film. The dialogue is overly dramatic, like most Scripture screenplays. There are also creepy undertones and insinuations regarding Haman and his eunuch. A lot of content takes place off screen and this plot generally has no real potential and is even offensive is some ways, thus warranting negative points.
As a whole, line delivery is horrible and emotion is absent. The acting is either absurd or too theatrical. The only exception is some small acting potential from Joel Smallbone and Jen Lilley, as their talents seem to be wasted on this nonsense. Otherwise, there is unfortunately nothing positive to say.
Needless to say, The Book of Esther is another ruined Bible movie. The audience will learn nothing worthwhile from it except that they probably don't want to watch anymore films based on Scripture. This movie is the embodiment of why Box Office Revolution feels the need to speak out for quality Christian films and against low quality ones. It feels like PureFlix isn't even trying when they make movies like this, which further warrants a very low score.
February 11, 2016 January 18, 2019 by Box Office Revolutionary Categories: Biblical, Historical, Movie ReviewsTags: 0 points, 2013, Anna Zielinski, Anthony L. Fernandez, Bible, Biblical, Bowl Hats, Cory Oliver, Creepy Eunuchs, David A. R. White, Eliza Roberts, Elizabeth Hatcher-Travis, Hadeel Sittu, Historical, Jen Lilley, Jennifer Lyons, Joel Smallbone, Kass Connors, Kerry Stein, Lauren Wolfe, Liam Matthews, Marco Khan, Mark Irvingsen, Michael Scott, Mission Pictures International, PureFlix, Robert Miano, Russell Wolfe, Thaao Penghlis, Timothy Ratajczak, Tiny Ron, Will Musser, zero points 6 Comments
Marriage Retreat (Movie Review)
Mark and Claire Bowman, James and Donna Harlow, and Bobby and Melody Castle are all close friends, but they are also all struggling in their marriages. Mark has unresolved issues with his father, James is gone all the time, and Bobby has a gambling problem. That's why they decide to take advantage of a marriage retreat sponsored by their church. They go into the experience with the wrong intentions and quickly find out that they are not all they thought they were. They will have to dig deep in order to save their marriages from disaster.
To begin, the camera and sound quality are pretty good, but that is the extent of the positive elements. The sets are very cheap and limited. Unfortunately, it is difficult to pinpoint how this film could have been edited better, since it is hard for us to quantify its actual plot. There is little else that can be said about Marriage Retreat's production since much of the movie appears to be mostly impromptu work. One other thing that should be noted is that some of the wedding photos used in the beginning credits are obviously photo-shopped, but when the rest of the movie is considered, this should not be surprising.
As mentioned, there is little to no plot in this film, not only because it is very limited in scope, but most of the dialogue is very impromptu. A majority of the scenes do not appear to have a clear script, so they meander along a path of horrific attempts at comedy, replete with clownish dialogue. Therefore, the characters greatly resemble the actual actors themselves. This plot's one small redeeming quality is that it has a good message, but it is lost in a sea of cheap and ridiculous attempts at humor. There is plenty of potential here to showcase different marital issues among Christian couples, but it is reduced to a C-grade cable channel movie that will never make any impact in Christian culture.
It is noble and notable to cast married couples together in this sort of movie, but like everything else potentially positive in this film, it is washed away. There is zero acting coaching for this small cast, which seems to indicate a certain amount of overconfidence on the part of the actors. With coaching, some of the comedy could have been actually funny, but alas, it is just another item on the list of lost potential.
True comedy is needed in Christian movies, as are movies that take on the struggles of Christian marriages. However, Marriage Retreat only serves to further make a laughingstock of Christian films. Instead of quickly spinning out more and more movies, PureFlix crews need to stop and think on the implications of quantity over quality. It is not worth it to simply make movies about good topics—we cannot stress this enough—care and attention must be given to production, plot, and acting quality. Otherwise, the valuable message is completely lost.
February 10, 2016 January 18, 2019 by Box Office Revolutionary Categories: Comedy, Movie Reviews, RomanceTags: 1 point, 2011, Andrea Logan White, Anna Zielinski, Brad Stine, Bradley Dorsey, Caroline Choi, Comedy, David A. R. White, David Christiaan, David de Vos, Jeff Fahey, Jocelyn Cruz, Matthew Florida, Michael Maury, Michael Scott, Michele Gomez, My Blueberry, Phil Servati, PureFlix, Reginald VelJohnson, Romance, Sean Paul Murphy, Timothy Ratajczak, Tommy Blaze, Victoria Jackson 4 Comments