Marsyas Tied to a Tree
Follower of Baccio Bandinelli
Italian, 1493-1560
Pen and brown ink on ivory laid paper, laid down on ivory wove paper, tipped onto gray card
The Leonora Hall Gurley Memorial Collection
Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), pp. 13-14, no. 13 (ill.).
Smith College Museum of Art, Northapmton, "Antiquity in the Renaissance," April 6-June 6, 1978.
The Art Institute of Chicago, "Drawings Rediscovered: Italian Drawings before 1600 in The Art Institute of Chicago," April 10-July 22, 1997.
Dr. William Ogle (1827-1905), London; sold Sotheby's, London, Feb. 3, 1916, lot 175, to William F. E. Gurley (1854–1943), Chicago [stamp (Lugt 5308), recto, lower right, in black]; given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230b), verso, lower left of mount and center of secondary mount, in black].
McCullagh & Giles 13
Study for Cosimo I Reorganizing the Tuscan Troops, 1589
Ludovico Buti
Drunkenness of Noah, n.d.
Study for the Pentecost, c. 1580
Simone Peterzano
Adoration of the Christ Child, 1580/1600
Filippo Bellini
Resurrected Christ, c. 1559
Luca Cambiaso
The Mocking of Elisha, c. 1500
Jean Poyet
Young Bull, c. 1496, erroneously inscribed in another hand 1508
Moses Striking Water from the Rock, n.d.
Crispin van den Broeck
Village Among the Trees, c. 1560
Master of the Small Landscapes
Ceiling Design with Mars Driving His Chariot, 1565/69
Lattanzio Gambara
The Triumph of Time (recto); Sketch of a Stag (verso), c. 1517
Style of Dirk Vellert
Heads of Horses and Unicorns, 1530/40
Follower of Leonardo da Vinci