This is the response form for Nicolas Collins, "Live electronic music" (Chapter 3 of The Cambridge Companion to Electronic Music, 2011).
Keep in mind that this is a book chapter offering a historical overview and not an article about original research, so your response can be whatever you'd like. Don't know where to start? You might offer a critique of the author's choice of scope, comment on relationships between the content of the chapter and other compositions or non-musical uses of technology, outline what you see as key unexplored applications of technology to live performance, propose interesting research questions about the past and present of electronic music performance that might be answered by further study of people/compositions/artifacts, … ?