b'\n_START_ARTICLE_\nTokyo Mew Mew\n_START_SECTION_\nKarugtong\n_START_PARAGRAPH_\nIn the two-volume sequel, Tokyo Mew Mew a La Mode, Ichigo and Masaya move to England to study endangered species. The remaining Mew Mews continue to eliminate the chimera animals left behind by the aliens. They also face a new threat, the Saint Rose Crusaders: humans with special powers who desire to conquer the world and create a utopia. Berry Shirayuki becomes the sixth Mew Mew and temporarily takes Ichigo\'s place as the leader. Berry is the first Mew Mew to be infused with the DNA of two endangered species, the Andean Mountain Cat and the Amami Rabbit. As one of the strongest Mew Mews, Berry is targeted by two of the Crusaders, who attack her at school. Ichigo returns to provide assistance during this battle. For their final attack, two Crusaders hypnotize the citizens of Tokyo and set them against the Mew Mews. Berry and her childhood friend Tasuku Meguro use their new-found feelings of love to reverse the hypnosis and cause a change of heart in the Crusaders.\n_START_SECTION_\nProduksiyon\n_START_PARAGRAPH_\nMia Ikumi spent a year designing the Tokyo Mew Mew manga before the release of the first volume in Pebrero 2001. The story she originally presented to her editors, Tokyo Black Cat Girl, featured a heroine named Princess Azumi. An intergalactic police officer named Masha gave her the ability to transform into a cat-girl and asked her to aid him in defeating alien invaders called the Baku. After the production team decided to focus on five female superheroes, Ikumi was asked to reconstruct the lead character. She had reservations about the changes, as the character was originally designed for a more dramatic series._NEWLINE_As Tokyo Mew Mew became a viable project, Kodansha hired Reiko Yoshida to be the series\' scenario writer and story supervisor. Yoshida and two other editors determined each volume\'s plot, created a scenario by adding stage directions and dialogue, and presented it to Ikumi. Ikumi added her own ideas and changes, creating the manuscript\'s first draft, which was taken to the publishers for final review and approval. This differs from most manga series, in which the manga writer also creates the scenarios and stories before submitting to their editor for approval._NEWLINE_After the first volume\'s release, a two-day Tokyo Mew Mew festival was held during the Golden Week holiday\xe2\x80\x94a week long span in late April and early May during which four public holidays occur\xe2\x80\x94to promote the series. Events included a Tokyo Mew Mew art gallery and the release of new merchandise. Ikumi, the series\' artist, created a special poster for the event, featuring all twelve characters. She also cosplayed as characters from the series, as Mint Aizawa on one day and Lettuce Midorikawa on the other.\n_START_SECTION_\nManga\n_START_PARAGRAPH_\nWritten by Reiko Yoshida and illustrated by Mia Ikumi, Tokyo Mew Mew was first serialized in Nakayoshi magazine between Setyembre 2000 and Pebrero 2003. The twenty-nine chapters were then compiled into seven tank\xc5\x8dbon volumes by Kodansha. The first volume was released on 1 Pebrero 2001, with the final volume released 4 Abril 2003. In Abril 2003, a sequel called Tokyo Mew Mew a la Mode premiered in Nakayoshi. Running until Pebrero 2004 and written solely by Mia Ikumi, the sequel was published as two volumes._NEWLINE_Tokyo Mew Mew and Tokyo Mew Mew a la Mode are licensed for an English-language release in North America by Tokyopop. The first volume of the main series was released on 8 Abril 2003, with volumes released every other month until the seventh volume was published on 11 Mayo 2004. The two volumes of Tokyo Mew Mew a la Mode were published the following year, with the first volume released on 7 Hunyo 2005, and the second on 8 Disyembre 2006. Unlike the Japanese releases, each Tokyopop chapter is named. The main series is licensed for an English language release in Singapore by Chuang Yi. Carlsen Comics has licensed the series, through its regional divisions, and released the series in German, Danish and Swedish. The series is also licensed for regional language releases in French by Pika \xc3\x89dition, in Polish by Japonica Polonica Fantastica, and in Finnish by Sangatsu Manga. Tokyo Mew Mew was one of the first manga series released in Spanish in North America by Public Square Books.\n_START_SECTION_\nAnime\n_START_PARAGRAPH_\nStudio Pierrot adapted Tokyo Mew Mew into a fifty-two episode anime series, directed by Noriyuki Abe. Broadcast on both TV Aichi and TV Tokyo, the series premiered on 6 Abril 2002, and aired weekly until its conclusion on 29 Marso 2003. Most of the music for the series was produced by Shin Yoshimura and composed by Takayuki Negishi. Two pieces of theme music were also used for the anime series. "My Sweet Heart", performed by Rika Komatsu, was the series opening theme. The ending theme "Koi wa A La Mode" is performed by the five voice actors who play the Mew Mews. In Japan, the series was released across nine Region 2 DVD volumes. The ninth volume included a bonus DVD containing extra content._NEWLINE_Tokyo Mew Mew was later licensed for an English-language dubbed release by 4Kids Entertainment. In its announcement about the series, 4Kids noted that the show would be renamed to Hollywood Mew Mew and that they would be heavily editing and localizing episodes so that viewers would not recognize its Japanese origins. Subsequent 4Kids press releases about the series referred to the new series as The Mew Mews and its original name Tokyo Mew Mew. When the series premiered on Fox Kids on 19 Pebrero 2005, it aired under the name Mew Mew Power. Characters and episodes were renamed, scenes were cut and story lines were modified. The music was replaced with a new score and the opening theme was replaced with the song "Team Up", performed by Bree Sharp. Twenty-three episodes of Mew Mew Power aired on 4Kids Entertainment in the United States; because 4Kids was unable to acquire the remainder of the series, however, the show was canceled. The 4Kids episodes aired on YTV in Canada and on the Pop Girl satellite television channel in the United Kingdom; these included three dubbed episodes never broadcast in the United States._NEWLINE_Although Mew Mew Power has not been released to home video in North America, ten of the 4Kids episodes have been released to Region 4 DVD in Australia and New Zealand by Magna Pacific and all twenty-six 4Kids episodes were released to Region 2 DVD in South Africa. Mew Mew Power was licensed for regional airing in French by Ar\xc3\xa8s Films, which released nine dubbed 4Kids episodes to DVD in Pebrero 2006 as a single volume through Warner Home Vid\xc3\xa9o France. The company also licensed the remaining twenty-six episodes of the series that 4Kids had not obtained, releasing them in two DVD box sets through AK Vid\xc3\xa9o.\n_START_SECTION_\nLarong bidyo\n_START_PARAGRAPH_\nTwo video games based on the Tokyo Mew Mew series were launched in 2002 by Takara. The first, Hamepane T\xc5\x8dky\xc5\x8d My\xc5\xab My\xc5\xab (\xe3\x81\xaf\xe3\x82\x81\xe3\x83\x91\xe3\x83\x8d \xe6\x9d\xb1\xe4\xba\xac\xe3\x83\x9f\xe3\x83\xa5\xe3\x82\xa6\xe3\x83\x9f\xe3\x83\xa5\xe3\x82\xa6), a puzzle adventure game for the Game Boy Advance, was released in Japan on 11 Hulyo 2002._NEWLINE_The second title, T\xc5\x8dky\xc5\x8d My\xc5\xab My\xc5\xab \xe2\x80\x93 T\xc5\x8dj\xc5\x8d Shin My\xc5\xab My\xc5\xab! \xe2\x80\x93 Minna Issho ni Goh\xc5\x8dshi Suru Nyan (\xe6\x9d\xb1\xe4\xba\xac\xe3\x83\x9f\xe3\x83\xa5\xe3\x82\xa6\xe3\x83\x9f\xe3\x83\xa5\xe3\x82\xa6 \xe7\x99\xbb\xe5\xa0\xb4 \xe6\x96\xb0\xe3\x83\x9f\xe3\x83\xa5\xe3\x82\xa6\xe3\x83\x9f\xe3\x83\xa5\xe3\x82\xa6! \xe3\x81\xbf\xe3\x82\x93\xe3\x81\xaa\xe3\x81\x84\xe3\x81\xa3\xe3\x81\x97\xe3\x82\x87\xe3\x81\xab\xe3\x81\x94\xe5\xa5\x89\xe4\xbb\x95\xe3\x81\x99\xe3\x82\x8b\xe3\x81\xab\xe3\x82\x83\xe3\x82\x93), was released in Japan on 5 Disyembre 2002. It is a PlayStation turn-based role-playing game in which the player controls a new Mew Mew, Ringo Akai (\xe8\xb5\xa4\xe4\xba\x95 \xe3\x82\x8a\xe3\x82\x93\xe3\x81\x94 Akai Ringo), as well as the original five heroines. They must defend Ringo\'s island from Kish, the chimera animas and a new alien named Gat\xc5\x8d dyu Rowa (\xe3\x82\xac\xe3\x83\x88\xe3\x83\xbc\xc2\xb7\xe3\x83\x87\xe3\x83\xa5\xc2\xb7\xe3\x83\xad\xe3\x83\xaf). Both Ringo Akai and Gat\xc5\x8d were created by the manga\'s artist, Mia Ikumi, following design specifications from Takara. The game uses voice actors from the anime series, with the two new characters voiced by Taeko Kawata and Ryoutaro Okiayu, respectively. Ikumi was pleased with how both characters turned out and expressed a desire to use Ringo as a regular character in a future manga series. Ringo later joined the other Mew Mews in the Petite Mew Mew bonus story in the second volume of Tokyo Mew Mew a la Mode.\n_START_SECTION_\nMga CD\n_START_PARAGRAPH_\nMultiple music and character CDs have been released for the Tokyo Mew Mew series by King Records. The first, a CD single, contained the full and karaoke versions of "Koi wa A La Mode", performed by the five voice actors who played the Mew Mews, and a second song performed by Saki Nakajima, who voices Ichigo._NEWLINE_On 24 Hulyo 2002, a five-disc limited edition collector\'s box set was released containing character songs for each of the Mew Mews, performed by their respective voice actors and a remix of "Koi wa A La Mode." The individual character song discs were released as standalone CDs on 4 Setyembre 2002. An additional character CD set, containing remixed versions of two songs from each individual album, followed on 25 Disyembre 2002. A second character CD for Ichigo, containing five new tracks performed by Nakajima, was released on 26 Pebrero 2003._NEWLINE_The first full anime soundtrack, Tokyo Mew Mew Original Soundtrack was released on 25 Setyembre 2002, by NEC. The CD included the series opening and ending themes and twenty-seven pieces of series background music. NEC released a second soundtrack on 22 Enero 2003; it contains the opening and closing themes, along with an additional twenty-nine tracks of background music. On 26 Marso 2003, two "best of" CDs were released for the anime series: Tokyo Mew Mew Super Best Hit \xe2\x80\x93 Cafe Mew Mew side and Tokyo Mew Mew Super Best Hit \xe2\x80\x93 Tokyo Mew Mew side. Each CD includes ten of the series\' "most popular" musical pieces.\n_START_SECTION_\nResepsiyon\n_START_PARAGRAPH_\nThe Tokyo Mew Mew manga series was well received by English-speaking audiences. In March and Abril 2003, the first volume sold an estimated 1,597 and 1,746 copies respectively. This put the volume at the low end of the top 50 sales for each month. By 2004, with most of the series released, it became a mild success for licensor Tokyopop. It was ranked number 16 on the list of Manga Top 50 for the first quarter of 2004 in the ICv2 Retailers Guide to Anime/Manga, based on sales from both mainstream bookstores and comic book shops. Sales of the sixth and seventh volumes dropped slightly; however, both were among the top 100 best-selling graphic novels in March and Mayo 2004. The first volume of Tokyo Mew Mew a la Mode debuted 63rd on the list of top 100 best-selling graphic novels of Mayo 2005, with nearly double the sales figures of the last volume of the main series. On the Nielsen Bookscan charts, the volume debuted at rank 39 before quickly climbing to the 14th spot. The second volume of a la Mode saw similar success, debuting in the 69th slot before advancing to the 12th position, a result of the Mew Mew Power anime show appearing on 4Kids TV._NEWLINE_Tokyo Mew Mew was generally well received by reviewers, who described it as cute and entertaining. Though AnimeFringe\'s Patrick King notes that it is not a very intellectual series and that it avoids complex plot points, he lauded it as engrossing "brain candy" and an "endearing action-romance" that has no "delusions of grandeur". Critics praised the artwork in both Tokyo Mew Mew and the sequel Tokyo Mew Mew a La Mode. Ikumi\'s "free flowing" style and character designs were seen as a perfect fit for the series. Criticism of Ikumi\'s art focused on images which regularly spilled out of panel borders and speech bubbles with ambiguous speakers. Patrick King of Animefringe stated: "one of the most attractive aspects of Tokyo Mew Mew is easily Mia Ikumi\'s ultra-cute artwork. Big eyes, cat ears, fuzzy tails, and short skirts all come together in a cuteness combo that\'s hard to resist." According to Carlos Santos of Anime News Network, "Mia Ikumi\'s artwork is perfectly suited to the story, and it\'s not even all that wispy and frilly compared to other sh\xc5\x8djo material. Like many budding manga-ka, Ikumi\'s greatest strength is in carefully posed character portraits, and her prolific use of tones creates unique effects while also sidestepping the challenge of backgrounds." Conversely, in writing for Manga: The Complete Guide, Shaenon Garrity criticizes the series, calling it "uninspired", "insipid" and "creative[ly] bankrupt" and feeling it was "clearly designed by its publisher to ride the magical girl tsunami for all it was worth: the creators\' marginal notes are filled with references to big book signings, photo shoots, and models hired to dress as the scantily clad preteen heroines." She also remarks that the series makes poor use of its endangered species theme, while still having a "preachy environmental theme"._NEWLINE_Over all Tokyo Mew Mew a La Mode had more mixed reviews. Critics praised it for being a modern manga that typifies the magical girl formula, highlighting both its strengths and weaknesses. Mike Dungan, of Mania Entertainment, considered the original series to be "quite charming" and felt that a la Mode was a good continuation of the series with the "same fun and excitement" as its predecessor. Others felt Berry was an overly shallow heroine and that the sequel offered nothing new for readers with the Saint Rose Crusaders\' costumes and plans being nothing more than concepts borrowed from Sailor Moon. A la Mode was also criticized for having the character Duke dressed in a white robe similar to those used by the white supremacy group, the Ku Klux Klan. Garrity felt a La Mode was a vehicle for referencing Tokyo Mew Mew fandom and merchandise and that Berry was a "transparent wish-fulfillment protagonist"._NEWLINE_The anime adaptation has been compared to Sailor Moon due to both having female protagonists; five original team members with signature colors and powers, and similar plot lines. Tokyo Mew Mew received high ratings in Japan with extensive merchandizing tie ins and marketing events to promote the series. When 4Kids announced their licensing of the anime, heavily edited and localized, fans of the series were openly dismayed and began multiple campaigns to convince the company to release an uncut version of the series. After previews of the retooled series were released, viewers were less disappointed, but still annoyed by the cultural shifting and still desired an uncut DVD release. Mew Mew Power became a successful broadcast series for 4Kids, becoming the highest rated 4Kids show at the start of the fall 2005 season, but it was never released to DVD in North America. The 4Kids dub, rather than original Japanese version, was subsequently licensed for broadcast in France, Latin America, Australia, New Zealand, Portugal, Greece, South Africa and Israel.'