In this painting by the Hudson River School painter Jasper Cropsey, the trees at the margins of the composition act as a framing device to send back the mountains and the setting sun.
Frederick Lord Leighton painted this processional scene, which has a strong sense of motion from the right to the left.
The figure leaning on the wall at the far right gives the feeling of an actor standing at the proscenium of a stage. He pushes back the plane of the other figures and anchors the right side of the composition.
According to Odile Chilton, visiting professor of French at Bard College, “repoussoir” also conveys the sense of “strong or vigorous color or tone to make the clear and luminous parts of a painting more visible.”
This painting of the Grand Canyon by Thomas Moran uses strong tonal contrasts in the foreground rocky ledge, which helps launch the viewer into the colorful spaces in the distance.
Thanks, Chris, ARC, and Dr. Chilton
Tomorrow: Art By Committee