Ancient Graffiti in Context by Jennifer Baird, Claire Taylor
By Jennifer Baird, Claire Taylor
Graffiti are ubiquitous in the historical global, yet stay underexploited as a sort of archaeological or ancient proof. They contain a superb number of texts and pictures written or drawn in and out structures, in private and non-private locations, on monuments within the urban, on gadgets utilized in everyday life, and on mountains within the geographical region. In each one case they are often obvious as actively enticing with their surroundings in various methods. Ancient Graffiti in Context interrogates this cultural phenomenon and via doing so, brings it into the mainstream of historic background and archaeology. targeting diversified techniques to and interpretations of graffiti from quite a few websites and chronological contexts, Baird and Taylor pose a sequence of questions no longer formerly requested of this proof, comparable to: What are graffiti, and the way will we interpret them? In what methods, and with whom, do graffiti converse? To what quantity do graffiti characterize or subvert the cultural values of the society within which they take place? by means of evaluating subject matters throughout time and area, and viewing graffiti in context, this booklet offers a chain of interpretative techniques for students and scholars of the traditional international. As such it is going to be crucial interpreting for Classical archaeologists and historians alike.
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Extra resources for Ancient Graffiti in Context
For graffiti in Delos see Severyns 1927; Basch 1973; Introduction 6. 7. 8. 9. 17 Moretti 1998; Ephesos: Taeuber 2005; Abydos: Perdrizet and Lefebvre 1919; Rutherford 2003; Aliki (Thasos): Servais 1980. For the (late Enlightenment) origins of vandalisme see Merrills 2009. ‘Topoi inscriptions’ are also found at Priene and Aphrodisias among other places: IPriene 313; Roueché 1989: nos. 187–232 but perhaps have different functions at both of these sites. However, Osborne and Pappas (2007: 150) consider a pre-fi ring mark a ‘graffito’.
They therefore expose a fault line in the ancient concept of literate culture as a political medium and offer some interesting perspectives on the negotiation of political debate through the textual surface. The physical surface, and the materiality of writing, is the focus of Volioti’s chapter in which she examines the human experience of a graffito on a black-figured lekythos from a burial context in Thessaly. The graffito carved onto the underside of this vessel allows exploration of the ways in which an object such as this—and by extension the writing upon it—was socialised by its user and reveals both the possibilities and ambiguities of such investigations.
A. 2 Plan of Pompeii, showing parts of the site discussed by Benefiel, Huntley and Keegan. 17, 11)* Rebecca R. Benefiel We might be tempted to imagine an unbroken connection between ancient wall-inscriptions and contemporary graffiti. The electoral programmata of Pompeii recall our own political campaign posters, and we can accept graffiti left by travellers on the wall of an inn or tavern easily enough. But what about the significant numbers of ancient graffiti that are found even within private homes?