Resemblance did not come naturally to photography. Soon after it became a public medium in 1839, photography’s ability to produce resemblant images—and therefore portraits—was widely challenged. Proponents of photography quickly responded to those challenges by developing more complex concepts of the new medium. Jan Von Brevern, in his “Resemblance After Photography” (Number 123, Summer 2013), argues that photography played an important part in evolving debates on resemblance.
Charles Nègre, self-portrait in a miroir de sorcière, c. 1845-50 (details). Copyright Sammlung Herzog, Basel, Switzerland.