The The Chateau at Klášterec nad Ohří is a prominent landmark in the town's recently restored historic urban conservation area. The chateau is set in an extensive landscape park, with 220 tree species, some rare from around the world. The park features a Baroque style sala terrena pavilion, with a gloriette mezzanine decorated with architectural sculptures by Jan Brokoff (1680s).
The park's northern section has an installation of the Stations of the Cross (1690s) and the Church of the Holy Trinity with the Crypt of the Thun Noble Family.
The Chateau at Klášterec nad Ohří exhibits an extensive porcelain collection from the Museum of Decorative Arts in Prague. Occupying 21 rooms on the chateau’s first floor, the collection of Bohemian and Czech porcelain documents the more than 200-year-old history of porcelain manufacturing in Bohemia. The historical showcases and interiors feature the output of porcelain factories in Slavkov, Klášterec nad Ohří, Březová, Kisibl, Chodov, Stará Role, Dalovice, Prague, Loket, Budov and Ždanov.
The display presents a selection of early porcelain produced in China and Japan, as well as Meissen, Vienna and Nymphenburg between the 17th and 19th centuries.References:
The Externsteine (Extern stones) is a distinctive sandstone rock formation located in the Teutoburg Forest, near the town of Horn-Bad Meinberg. The formation is a tor consisting of several tall, narrow columns of rock which rise abruptly from the surrounding wooded hills. Archaeological excavations have yielded some Upper Paleolithic stone tools dating to about 10,700 BC from 9,600 BC.
In a popular tradition going back to an idea proposed to Hermann Hamelmann in 1564, the Externsteine are identified as a sacred site of the pagan Saxons, and the location of the Irminsul (sacral pillar-like object in German paganism) idol reportedly destroyed by Charlemagne; there is however no archaeological evidence that would confirm the site's use during the relevant period.
The stones were used as the site of a hermitage in the Middle Ages, and by at least the high medieval period were the site of a Christian chapel. The Externsteine relief is a medieval depiction of the Descent from the Cross. It remains controversial whether the site was already used for Christian worship in the 8th to early 10th centuries.
The Externsteine gained prominence when Völkisch and nationalistic scholars took an interest in the late 19th and early 20th centuries. This interest peaked under the Nazi regime, when the Externsteine became a focus of nazi propaganda. Today, they remain a popular tourist destination and also continue to attract Neo-Pagans and Neo-Nazis.