What I want to do today is raise one cheer for falsification, maybe two cheers for falsification. Maybe it’s not philosophical falsificationism I’m calling for, but maybe something more like methodological falsificationism. It has an important role to play in theory development that maybe we have turned our backs on in some areas of this racket we’re in, particularly the part of it that I do—Ev Psych—more than we should have.
MICHAEL MCCULLOUGH is Director, Evolution and Human Behavior Laboratory, Professor of Psychology, Cooper Fellow, University of Miami; Author, Beyond Revenge. Michael McCullough's Edge Bio page
What can we tell from the face? There're mixed data, but some show a pretty strong coherence between what is felt and what’s expressed on the face. Happiness, sadness, disgust, contempt, fear, anger, all have prototypic or characteristic facial expressions. In addition to that, you can tell whether two emotions are blended together. You can tell the difference between surprise and happiness, and surprise and anger, or surprise and sadness. You can also tell the strength of an emotion. There seems to be a relationship between the strength of the emotion and the strength of the contraction of the associated facial muscles.
LAWRENCE IAN REED is a Visiting Assistant Professor of Psychology, Skidmore College. Lawrence Ian Reed's Edge Bio page
The way nature is—the nature of flowers, the nature of birdsong and bird plumages—implies that subjective experiences are fundamentally important in biology. That the world looks the way it does and is the way it is because of their vital importance as sources of selection in organic diversity, and as a result we need to structure evolutionary biology to recognize the aesthetic, recognize the subjective experience.
RICHARD PRUM is an evolutionary ornithologist at Yale University, where he is the Curator of Ornithology and Head Curator of Vertebrate Zoology in the Yale Peabody Museum of Natural History.
The significance of the guy holding out his arm, dipping at the wrist, is that that's a gesture that magicians use to imitate the cassowary. The cassowary is New Guinea's biggest bird. It's flightless. It's like a small ostrich. Weighs up to 100 pounds. And it has razor-sharp legs that can disembowel a man. The sign of the cassowary, if you hold out your arm like this, that's the cassowary rolling its head and dipping its head when it's ready to charge. So magicians will imitate a cassowary in order to show their power. Because the cassowary's big and powerful. Magicians identify with the cassowary. They intimidate people.
JARED DIAMOND is Professor of Geography at the University of California, Los Angeles. His latest book, published today, is The World Until Yesterday: What Can We Learn from Traditional Societies? His other books include Collapse: How Societies Choose to Fail or Succeed, and the Pulitzer Prize-winning author of the widely acclaimed Guns, Germs, and Steel: the Fates of Human Societies, which is the winner of Britain's 1998 Rhone-Poulenc Science Book Prize.
Whatever anybody says, I feel that the hard problem of consciousness is still very hard, and to try and rest your ethical case on proving something that has baffled people for years seems to me to be not good for animals. Much, much better to say let's go for something tangible, something we can measure. Are the animals healthy, do they have what they want? Then if you can show that, then that's a much, much better basis for making your decisions.
MARIAN STAMP DAWKINS is professor of animal behaviour at the University of Oxford, where she heads the Animal Behaviour Research Group. She is the author of Why Animals Matter.
There are many other features in the head that help us become exceptional long-distance walkers and runners. I became obsessed with the idea that humans evolved to run long distances, evolved to walk long distances, basically evolved to use our bodies as athletes. These traces are there in our heads along with those brains.
DANIEL LIEBERMAN is Professor of Human Evolutionary Biology at Harvard University. His research combines experimental biology and paleontology to ask why and how the human body looks and functions the way it does. He is especially interested in the origin of bipedal walking, the biology and evolution of endurance running, and the evolution of the human head. He also loves to run.
"One of the fundamental questions here is, is extinction a good thing? Is it "nature's way?" And if it's nature's way, who in the world says anyone should go about changing nature's way? If something was meant to go extinct, then who are we to screw around with it and bring it back? I don't think it's really nature's way. I think that the extinction that we've seen since man is 99.9 percent caused by man."
"I was asked earlier whether the goal is to dissect what Schrödinger had spoken and written, or to present the new summary, and I always like to be forward-looking, so I won't give you a history lesson except for very briefly. I will present our findings on first on reading the genetic code, and then learning to synthesize and write the genetic code, and as many of you know, we synthesized an entire genome, booted it up to create an entirely new synthetic cell where every protein in the cell was based on the synthetic DNA code."
J. CRAIG VENTER: THE BIOLOGICAL-DIGITAL CONVERTER, OR, BIOLOGY AT THE SPEED OF LIGHT @ THE EDGE DINNER IN TURIN
"We can now send biology at the speed of light, and this is one of the implications of our work, which we recorded two years ago making the first synthetic life form. We completely synthesized the genetic code of a cell starting with a digital code in the computer—it's the ultimate interface between computers and biology. The digital code and the genetic code have a lot in common; something Schrodinger pointed out in 1943, saying it could be something as simple as the Morse code."