Photo by Amy LV
The constant need for insights has shaped the creative process. In fact, these radical breakthrough are so valuable that we've invented traditions and rituals that increase the probability of an epiphany, making us more likely to hear those remote associations coming from the right hemisphere. Just look at poets, who often rely on literary forms with strict requirements, such as haikus and sonnets. At first glance, this writing method makes little sense, since the creative act then becomes much ore difficult. Instead of composing freely, poets frustrate themselves with structural constraints.
But that's precisely the point. Unless poets are stumped by the form, unless they are forced to look beyond the obvious associations, they'll never invent an original line. They'll be stuck with clichés and conventions, with predictable adjectives and boring verbs. And this is why poetic forms are so important. When poet needs to find a rhyming word with exactly three syllables or an adjective that fits the iambic scheme, he ends uncovering all sorts of unexpected connections...
In case you are new here, this month, I am walking, letter-by-letter, through the dictionary, (closed-eyed) pointing to a letter each day, and writing from it. You can read poems A-E by checking the sidebar, and you can read Lisa's accompanying haiku at her blog, Lisa's Poem of the Week.
And if you did not visit yesterday's post...do! Laura Purdie Salas shares a behind-the-scenes look at one of her poems from BOOKSPEAK! You can learn a new poem form and enter in a giveaway for this fantastic book on that post through Monday night.
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