The Letter R
By Allan Haley
The letter R is a more exceptional character than it first appears. It’s not a P with a tail or a B with a broken bowl; when drawn correctly, the R is rich with subtle details and delicate proportions. It can be the most challenging letter for type designers to create, and the most – dare we say – rewarding.
There is an Egyptian hieroglyphic on the Rosetta Stone that represents the consonant sound of R. The symbol is called “ro” and was drawn in the shape of a mouth. In hieratic writing, the symbol was elongated into more of a capsule shape.
The Phoenician sign for the ‘r’ sound was called “resh,” their word for head. Resh bore no resemblance to the Egyptian ro; it was depicted in the Phoenician alphabet by what we assume to be a simple rendering of a left-facing human profile.
By 900 B.C. the Greeks had adapted the Phoenician letter and called it “rho.” The Greeks reversed the orientation of the head’s left-facing profile, which you might consider a step in the right direction toward creating the R. But they also converted the curve of the face into an angular form. The curve was eventually restored, and the letter ended up looking much like
The Romans borrowed the alphabet from the Greeks via the Etruscans, adding a short, obliqued appendage under the bowl. Seeing the advantage in having a differentiation between the R and P, the Romans further lengthened the stunted stroke into a graceful and delicately curved tail, which remains the trademark feature of our modern R.
- Allan Haley is Director of Words & Letters at Monotype Imaging. Here he is responsible for strategic planning and creative implementation of just about everything related to typeface designs. He is also responsible for editorial content for the company’s type libraries and Web sites.
- Prior to working for Monotype, Mr. Haley was Principal of Resolution, a consulting firm with expertise in fonts, font technology, type and typographic communication. He was also executive vice president of International Typeface Corporation.
- Mr. Haley is ex officio Chairman of the Board of the Society of Typographic Aficionados, and past President of the New York Type Directors Club. He is highly regarded as an educator and is a frequently requested speaker at national computer and design conferences.
- Mr. Haley is also a prolific writer, with five books on type and graphic communication and hundreds of articles for graphic design publications to his credit.