Art is a sensual experience created when work is done on or to objects that interact with one or a combination of the senses to promote an emotional and/or intellectual feeling or reaction… It effects a change in our attitudes and bringing about an understanding or re-appraisal of society’s values… It must always have an altruistic element, not done purely for financial gain.
(Gesture and Meaning pp 53-54)
For art photographers it is artistic practice that is important – what they want to express that is important and how they express it – not fantastic technique or equipment. Photography is just the current vehicle of choice, they may move on to other media and back and forth or just do photography.
- Design-led practice: where the aim is to produce imagery for a product eg advertising, fashion photography
- Art-led practice: generally experimental, make discoveries, analyse what they have found and then react through further experimentation and analysis. Intent is all-important, the message. Trying to tell the world through their work how they feel about either themselves or the situation they find themselves in.
Art-based photography can be triggered and communicated in many ways. From dreams and nightmares, illness, depression or loneliness, pleasure or pain. Messages can be expressed clearly, or through metaphor and allegory. Images may be graphic and include text, or text may be the image.
Presentation is important:
- Context and audience
- Surroundings, lighting.
- Frame (is it framed? What type of frame and why? What is the effect of the frame (if used) and how does it endorse the context or message?
- Size, quality of print, materials (paper, fabric or metal?)
The image should stimulate debate.
Photography as art: Liz Wells ‘On and beyond white walls’
Photography as art
Understanding artistic traditions is key.
Who decides on the worth of a photographic image?
- financial worth decided by market forces. Whether the photograph has been created for advertising or for art the price will be dictated by the market or how much any one individual will pay. Prices are higher in the US, even for reproductions.
- quality is mostly dictated by critics and practitioners, educators and curators.
In photography, the viewer is conditioned to believe that they are seeing a moment as it happened, unlike a painting where the viewer assumes that there has been intervention from the artist.
Image manipulation was not a new thing; it had been done in the darkroom for years as photography-based artists tried to break away from photographic conventions. The use of sandwiches of negatives was a dominant methodology and this is reflected in our digital practice through the use of layers.
The mechanical reproduction of images like these Warhol pieces caused a great deal of debate about aesthetic and financial value. Could a photograph be a ‘collector’s piece’ when it had been manipulated?
Clarke ‘the Photograph Manipulated’
Exercise Artistic Styles to do
‘Seizing the decisive/unguarded moment’: artistic voice
When we think about photographers as artists or photography as art we need to take on board the values, reason and motivation displayed by the practitioner. A repeating pattern of values
emerges. ‘Seizing the moment’ is part of the specificity of photography as a medium – but which moment and how is it constructed?
See William Sawalich article “decisive moment in color”.
Whose Portrait is it?
Richard Billingham is mostly concerned with unguarded moments and his own interpretation of his parents’ relationship.
Larry Sultan poses his parents and includes his parents’ views
Tina Barney focus on trust and intimacy
Finding your voice
It’s important to develop your personal voice and provide yourself with a platform to engage with the realm(s) of photography you feel most affinity for – where you feel at home, the area you enjoy and find most stimulating. This may include both design-led (eg to earn an income) and art-led (for one’s own personal development).
Project: Photography and Feminism
Feminist art, photography (draft)
Project: The notion of self
My artist statement
Jose Ramón Ais http://www.30y3.com/eng/?p=433
Zarina Bhimji http://www.zarinabhimji.com
Elina Brotherus http://www.elinabrotherus.com
Calum Colvin http://www.calumcolvin.com
Gregory Crewdson http://www.artnet.com/awc/gregory-crewdson.html
Alexander Gronsky http://www.alexandergronsky.com
David Hockney http://www.hockneypictures.com
Alfredo Jaar http://www.alfredojaar.net
James Nachtwey http://www.jamesnachtwey.com
Edward Olive http://www.edwardolive.info
Lise Sarfati http://www.lisesarfati.com
Jan Saudek http://www.saudek.com/en/jan/uvod.html
Lorna Simpson http://lsimpsonstudio.com