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Miriam Makeba, a South African singer whose voice stirred hopes of freedom among millions in her own country though her music was formally banned by the apartheid authorities she struggled against, died overnight after performing at a concert in Italy on November 9th. She was 76.
Widely known as “Mama Africa,” Miriam Makeba had been a prominent exiled opponent of apartheid since the South African authorities revoked her passport in 1960 and refused to allow her to return after she traveled abroad.
In South Africa, she stood as an enduring emblem of the travails of black people under the apartheid system of racial segregation that ended with the release from prison of Nelson Mandela in 1990 and the country’s first fully democratic elections in 1994.
For 31 years, Ms. Makeba lived in exile, variously in the United States, France, Guinea and Belgium. South Africa’s state broadcasters banned her music after she spoke out against apartheid at the United Nations. “I never understood why I couldn’t come home,” Ms. Makeba said upon her return at an emotional homecoming in Johannesburg in 1990 as the apartheid system began to crumble, according to The Associated Press. “I never committed any crime.”
Music was a central part of the struggle against apartheid. The South African authorities of the era exercised strict censorship of many forms of expression, while many foreign entertainers discouraged performances in South Africa in an attempt to isolate the white authorities and show their opposition to apartheid.
From exile she acted as a constant reminder of the events in her homeland as the white authorities struggled to contain or pre-empt unrest among the black majority.
Ms. Makeba wrote in 1987: “I kept my culture. I kept the music of my roots. Through my music I became this voice and image of Africa, and the people, without even realizing.”
She was married several times and her husbands included the American black activist Stokely Carmichael, with whom she lived in Guinea, and the jazz trumpeter Hugh Masekela, who also spent many years in exile.
In the United States she became a star, touring with Harry Belafonte in the 1960s and winning a Grammy award with him in 1965. Such was her following and fame that she sang in 1962 at the birthday party of President John F. Kennedy. She also performed with Paul Simon on his Graceland concert in Zimbabwe in 1987.
But she fell afoul of the U.S. music industry because of her marriage to Mr. Carmichael and her decision to live in Guinea.
Ms. Makeba was born in Johannesburg on March 4, 1932, the daughter of a Swazi mother and a father from the Xhosa people who live mainly in the eastern Cape region of South Africa. She became known to South Africans in the Sophiatown district of Johannesburg in the 1950s.
She was particularly renowned for her performances of songs such as what was known as the Click Song — named for a clicking sound in her native tongue — or “Qongoqothwane,” and Pata Pata, meaning Touch Touch in Xhosa. Her style of singing was widely interpreted as a blend of black township rhythms, jazz and folk music.
In her interview in 2008, Ms. Makeba said: “I’m not a political singer. I don’t know what the word means. People think I consciously decided to tell the world what was happening in South Africa. No! I was singing about my life, and in South Africa we always sang about what was happening to us — especially the things that hurt us.”
-- Alan Cowell, Nov. 11, 2008
Highlights From the Archives
Ms. Makeba was a South African singer whose voice stirred hopes of freedom in her own country even though her music was formally banned by the apartheid authorities she struggled against.November 11, 2008 worldObituary (Obit)
Triumphant and worried, wry and angry, naive and knowing, forthright yet occasionally sketchy, the singer Miriam Makeba details a remarkable life in ''Makeba: My Story.''March 8, 1988 artsReview
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