“Mozart,” I thought, and with the word conjured up the most beloved and the most exalted picture that my inner life contained.
In May this year, immediately after his three month stay in hospital, Chris began the Tomatis Method, an auditory training method developed by a Frenchman, Dr. Alfred Tomatis (1920-2001), who theorized that voice and behavior problems are hearing problems. According to him, the voice only reproduces what the ear can hear.
The human ear, which resembles in shape a fetus, begins to develop a few days after conception and is fully formed by the fourth month of pregnancy. The ear doesn’t sleep. It is the only one of our sensory organs that is alert twenty-four hours a day. Tomatis theorized that the problems of autism, schizophrenia and other disorders stem from the fetus not fully hearing the mother’s voice. If a child is not integrated properly into the early environment, he or she will begin to listen more to certain frequencies than to others, will lose the desire to communicate and will turn inward by listening to her/himself. If you change the way the ear hears, he reasoned, language and behavior change, too.
Each of us has a unique auditory curve, which responds to certain sound frequencies and not to others. To achieve optimal hearing (and therefore understanding) Tomatis invented the electronic ear, a device that filters out certain sound frequencies using the music of Mozart and Gregorian chants. Why Mozart? According to Tomatis, among other things, the music of Mozart encompasses childhood auditory frequencies of 120 beats per minute. The electronic ear filters the music of Mozart to represent the sound environment before birth.
Hesse, Hermann, Steppenwolf, Bantam Books, 1974, pg. 233