When students begin a new class or start new lessons, one of the questions they usually ask is about colored pencil papers. Which brands are best? What are the differences? Which papers do I use most often?
Some of those questions have been answered elsewhere on this blog. For example, if you’re interested in knowing a few paper basics, check out Drawing Paper Basics: Surface Texture. I’ll link to other paper articles at the end of this article.
The purpose of this post is to answer four questions that are more specific in nature. If you have a question that is unanswered here, I invite you to ask it. Chances are good that you’re not the only one with the same question.
Frequently Asked Questions about Colored Pencil Papers
1. Are there any specific brands of paper that work well with colored pencils?
Papers are even more numerous than pencils!
Look for artist quality, archival papers. These are papers that are manufactured to be as permanent as possible.
Beyond that, there are different types of surfaces from very rough (sanded pastel paper) to very smooth (hot pressed papers and boards).
The smoother the paper, the easier it is to draw a lot of detail. However, you usually can’t put a lot of layers onto the paper.
The rougher the paper, the more layers of color you can add, but it can be very difficult to draw detail.
My preferred papers are Stonehenge, Bristol (vellum surface), Strathmore ArtAgain paper, and archival mat board. I’ve also drawn on sanded pastel paper and wood.
2. Do You Ever Use Colored or Toned Papers?
Yes, I do, but not as often as I used to.
Drawing on colored papers is a great way to reduce drawing time. It’s especially helpful if you need to finish something quickly.
But drawing on colored paper requires some adjustment in method, especially if you’re drawing on darker papers. Colors tend to “fade” into darker paper and the darker the paper, the more difficult it is to get bright, vibrant color.
However, you can get lovely, subtle values by working on darker paper, as you can see in this drawing.
3. What Papers Do You Use?
My two favorite papers are Stonehenge and Strathmore Artagain.
With Stonehenge, I usually use white. It does come in light colors (tan, light blue, etc.) and I do sometimes use those for special projects. I’ve also occasionally used black. See it at Dick Blick.
Artagain papers do not come in white, but I still use the lightest colors available. Flannel White (which is the lightest color, but not true white) and Beachsand Ivory. It is available in more colors than Stonehenge, so if I’m looking for something Stonehenge doesn’t offer, my preference is Artagain. It’s also more widely available than Stonehenge. See it at Dick Blick.
On My Wish List
I’m going to be trying Canson Mi Tientes. That’s a paper made for pastel use so the front of it is quite rough, but the back is smooth and is reported to be very good for colored pencil. There’s a wider range of colors with this paper, including quite a few light colors. You can see Canson Mi Tientes at Dick Blick here.
All three types of paper are available in flat sheets and in pads. If you’re thinking about trying any of them (or any other paper, for that matter), I recommend buying drawing pads first. You can usually get pads of assorted colors, so you get a variety of colors at a good value.
4. Do You Ever Draw On Anything Except Colored Pencil Paper?
Some of my favorite drawing surfaces are not paper, strictly speaking. Mat board, for example. I use archival quality mat board frequently, though not as often as I used to.
Sanded pastel papers are also good for colored pencil drawing, though they tend to gobble up pencil.
I’ve even drawn on wood a time or two and found it an excellent support.
If you’re interesting in drawing on something other than paper, give it a try. You just won’t know whether it’s suitable for colored pencil—or your drawing style—until you do. Start small and play with color. See what happens. Let us know how it turns out!
If you’re interested in reading more about drawing papers, check out these articles.