Aboru Aboye Aboshishe,
In the last installment of this discourse we began to look at the deeper meaning of the Opon Ifa and the markings which are made upon it as the Awo Ifa interprets the Ifa Oracle. We began by looking at the verse Otura-rera (Otura Ogunda) where Ifa says:
Igbo teere kan ko
Odan teere kan do
Ona were-were-were kan ibi a n re
Dia fun Alaiku
Omo ayelohun kere
Oruko ti aa pe Opon-Ifa
Won ni ko rubo si laiku araa re
o gbe'bo, o rubo
Ko pe ko jinna
E wa ba ni laiku kangiri
Aiku kangiri laa ba ni lese Ope
The slender forest reached the farmland
The slender savannah reached the brook
The small footpaths reached our destination
These were the declaration of Ifa to Alaiku (that which will not die)
Offspring of he who possesses a strong clear voice
The name given to Opon Ifa
He was advised to offer sacrifice for longevity
Before long, not too far
join us where we enjoy everlasting life
Ever lasting life is enjoyed at the foot of Ope, the holy palm tree
The first three lines of this stanza reveal several important ideas, first that we are on a journey, but most importantly that that journey involves a change, in this case metaphorically speaking, a change in our path (as referenced in the early article on symbology with the marking of the crossroads on the Opon Ifa). The Opon Ifa represents the acknowledgment of the ever-changing forces of nature and the change in Odu from one reading to the next. This is beautifully expressed in the third line where Ifa says, "the small footpaths reached our destination", which is meant to be a visual metaphor of the markings of the Odu in the Iyerosun. Like small footprints in dirt or sand, we mark the Odu on the Opon Ifa, and with the final push of our finger in the Iyerosun, we reach our final destination, the Odu, which marks the energy/scenery that is present in our lives.
The stanza goes further in referencing the Opon Ifa as Alaiku (that which will not die), telling us that, no matter our own destiny to rejoin our ancestors in Orun, Opon Ifa, and by extension, Ifa, will not die, it is here before us, it will remain after. Or, as the stanza indicates "where we enjoy ever lasting life" a clear reference to Orun. And as finale, the stanza references the holy palm tree, where Ikin are gathered for use in communicating with Ifa, the medium of communication.
The question then moves to how and why do we make those markings in the Iyerosun upon our Opon Ifa? An Awo Ifa in his studies of the process of divining with the holy Ikin is taught to hold the 16 Ikin in his left hand and attempt to grab as many as possible into his right. If there are no Ikin in his left hand, he makes no mark. If there is one Ikin in his left hand, he makes two marks. If there are two Ikin in his left hand, he makes one mark. If there are anymore then two, he makes no mark. So what is the significance of this process?
First and foremost, this is the process for divining the word of Ifa, in which Odu is birthed. This is a critical concept to understand, because though we know all Odu exist all the time, as they are the accumulation of the knowledge of the world, and represent all possibility, they are not all applicable to a person at a given time. We know that the process of Ifa divination is done in order to determine which Odu is pertinent to a person’s Ori. Further, because the amount of information in a given Odu can be vast, it is the job of the diviner to navigate their knowledge of Odu in order to determine what messages in particular are important for that person’s Ori.
This is all to say that the energy of a given Odu is born during the process of divination, and like people, that energy has a limited lifespan and will pass. Which is why we don’t keep getting the same Odu over and over again each time we Da’fa (divine Ifa) for someone.
So why then are there only two events which cause a diviner to mark the iyerosun on the Opon Ifa? Since we know that the process is about birth (also as evidenced by the interplay with Odu, Orunmila’s wife, who is by no coincidence of the same name) then we know that there are only two numbers that are of importance and I'll explain clearly why they are important.
One person seeks another in order to become a pair, so that they may procreate.
The pair procreates so that they produce another being.
In those two sentences of sublime simplicity, we see why Ifa chooses only 1 Ikin and 2 Ikin as significant. Further, it shows us why one is marked as two, and two is marked as one.
The odu Odi Meji tells us:
Ojo nla ta’di shasha
A difa fun won ni’di’kunrin
A bu fun won ni’di’binrin
Nijo ti won nmekun oju she’rahun t’omo
Idi ni a apa asha
Igba idi di meji
Nn la a bi’mo
Success depends on perseverance
See how rain drops wear out granite
Thus declared Ifa to the husband
The same was declared to the wife when they sorrowed daily for lack of children
Commence your efforts from bottom upwards
For when two ends meet
A child is born
The most important revelation in this verse is that in the beginning it treats the husband and the wife as separate. It cryptically talks about commencing efforts from bottom upwards, which I believe means to look at themselves fully bottom to top, to see where their problems lie, and when they both can meet as a couple, in understanding of each other, they might be able to truly unite and create one. The key take away is the progression, single person, through understanding joins harmoniously as a pair, and when the pair are in harmony, they produce one.
Further, we see another connection to the "1 to 2 to 1" in the workings of Ifa in Irosun Meji where ifa says:
Eni poroporo laa godo
Eji poroporo laa gosun
Dia fun Baba boo-lejo-o-ba-Ipin-re-wi
Oro o kan Eegun o
Eledaa eni loro o kan
One person pounds the mortar
In twos do we pound camwood
These were the declarations of Ifa to Baba who is advised “if you have any problems, consult your destiny”
The matter is not that of Eegun (ancestors)
Nor that of the Orisa
It is with destiny, fully and completely
The first line of this ese is a reference to the lone person making their destiny (the pounding of the mortar is done in order to do make food). The second is a reference to the person having gone to the Awo Ifa for divination. We know this because; camwood is the true wood used for Iyerosun, pounding is a reference to the Awo’s fingers pushing into the iyerosun on the Opon Ifa to make the mark of the Odu, it takes two people for there to be a consultation and lastly, the next sentence pronounces that the person must consult their destiny. The last three sentences are a reminder that no matter what the ancestors or Orisa may tell us, it is our own destiny (and thus ourselves alone) that can take the steps towards resolutions. One with problems, needing the second to consult Ifa. Two in consultation, which can only be resolved by the one person. One to two, two to one.
So Ifa creates balance by creating a closed circle. That Odu Ifa marked upon the Opon Ifa, creates a mirror in which we are able to see our problems clearly in hopes that we can find a resolution. Ifa will show us the truth in ourselves.
Aboru aboye aboshishe
Marcos Ifalola Sanchez – http://ifalola.blogspot.com