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There’s no retirement for an artist, it’s your way of living so there’s no end to it. – Henry Moore
Painting and Advanced Painting: CANVAS Building
- 5.1Ac: Evaluate, select, and apply methods or processes appropriate to display artwork in a specific place.
- Knowing you have the options of REALISM in colors or going out on your own in choices of colors… what do you see as advantages of the direction you are NOT planning on going?
- SELF PORTRAITS from PREVIOUS Classes – HERE
Reflection / Evaluation: How do you see the plans you are developing as being successful? What ELEMENT are you focusing on? Line, Color, Texture, Value?
Studio Art 360: CLAY! Finally!
- 1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
- What challenges did you have in getting started last week on Friday with the clay? REQUIREMENTS FOR THIS ARTWORK: Subtractive, Additive, and Manipulation to the clay. These techniques are REQUIRED in the FINAL Sculpture.:
Reflection / Evaluation: What was the largest success you have in today’s work? Take a look at the rest of the classes work BEFORE we clean up. PAUSE 10 minutes before the end of class.
AP Studio Art: Critique!
Have you looked at the AP Studio Art Portfolio for Inspiration? Here are the AP Studio Art Portfolio Example Pages.
- 4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
- We are listening to Erica Meier’s Gallery Talk today – As an AP Studio Artist who is DEVELOPING their OWN Body of work… What is a solid question you have that you can ask a contemporary artist about the development / process / working habits?
Reflection / Evaluation: Good Gallery Talk!
Drawing: Google Slideshow
- G: 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
- Take a look at your previous week’s works – where did you struggle the most with the idea of the portrait? Where did you succeed the most? How do you use the ideas of chiaroscuro and color to better define the ideas of form (in the face especially)?
Reflection / Evaluation: What is the LARGER message that you are hoping to get across with your work? It is MORE than just creating a portrait… we could use a camera and do that.