  Humans have been using symbolic representation (i.e. art) as a creative
cultural form indisputably for at least 80,000 years. A description of the
processes central to the evolution of art from sculpted earthen forms early in
human existence to paintings in museums of the modern world is absent in
scholarly literature. The present manuscript offers a memetic theory of art
evolution demonstrating typological transitions of art in the period post the
3-dimensional to 2-dimensional transition occurring in the early Aurignacian
period. The process of art evolution in the 2-dimensional form central to the
typological transitions post this period was propelled by material and/or
structure chosen to display the artistic message. Symbolic representational
tinkering whether collectively or individually creates artistic typologies of
display deemed aesthetic and non-aesthetic by the current cultural milieu.
Contemporary forms of graffiti underscore the aesthetic/nonaesthetic dichotomy.
