  In the paper, the authors elaborate some recently published research
concerning the originality of artworks in terms of self-organization in the
complex systems physics. It has been demonstrated that the originality issue
such conceived leads to the criterion of a substantial aesthetics whose
applicability is not restricted to the fine arts domain only covering also
physics, biology, cosmology and other fields construed in the complex systems
terms. Moreover, it is about a truth criterion related to the traditional
personality conception revealing the ontological context transcendent to the
gnoseological dualism of subjective and objective reality that is
characteristic of modern science and humanities. Thus, it is considered to be
an aesthetical criterion substantiating art and science as well as the other
developments of the postmodern era. Its impact to psychology, education,
ecology, culture and other humanities is briefly indicated.
