  In support of art investigation, we propose a new source separation method
that unmixes a single X-ray scan acquired from double-sided paintings. In this
problem, the X-ray signals to be separated have similar morphological
characteristics, which brings previous source separation methods to their
limits. Our solution is to use photographs taken from the front and back-side
of the panel to drive the separation process. The crux of our approach relies
on the coupling of the two imaging modalities (photographs and X-rays) using a
novel coupled dictionary learning framework able to capture both common and
disparate features across the modalities using parsimonious representations;
the common component models features shared by the multi-modal images, whereas
the innovation component captures modality-specific information. As such, our
model enables the formulation of appropriately regularized convex optimization
procedures that lead to the accurate separation of the X-rays. Our dictionary
learning framework can be tailored both to a single- and a multi-scale
framework, with the latter leading to a significant performance improvement.
Moreover, to improve further on the visual quality of the separated images, we
propose to train coupled dictionaries that ignore certain parts of the painting
corresponding to craquelure. Experimentation on synthetic and real data - taken
from digital acquisition of the Ghent Altarpiece (1432) - confirms the
superiority of our method against the state-of-the-art morphological component
analysis technique that uses either fixed or trained dictionaries to perform
image separation.
