  The pervasiveness of Artificial Intelligence (AI) is unquestionable in our
society. Even in the arts, AI is present. A notorious case is the song "Hey
Ya!" of the OutKast group, successful in the 2000s. At this time, the music
industry began to make decisions based on data to strategize based on
predictions of listeners' habits. This case is just one of the countless
examples of AI applications in the arts. The advent of deep learning made it
possible to build systems capable of accurately recognizing artistic style in
paintings. Content generation is also possible; for example, Deepart customizes
images from two \textit{inputs}: 1) an image to be customized; 2) a style of
painting. The generation of songs according to specific styles from AI-based
systems is also possible. Such possibilities raise questions about the
intellectual property of such works. On this occasion, who owns the copyright
of a work produced from a system based on Artificial Intelligence? To the
creator of the AI? The company/corporation that subsidized the development of
this system? Or AI itself as a creator? This essay aims to contribute with a
technicist view on the discussion of copyright applicability from works
produced by AI.
