  The expression of human art, and supposedly sentient art in general, is
modulated by the available rendition, receiving and communication techniques.
The components or instruments of these techniques ultimately exhibit a
physical, in particular, quantum layer, which in turn translates into physical
and technological capacities to comprehend and utilize what is possible in our
universe. In this sense, we can apply a sort of Church-Turing thesis to art, or
at least to its rendition.
