  The theme of the influence of Bourbaki's ideas and methodologies on
disciplines that transcend the mathematical field has been frequently addressed
and, in particular, the reflection on the relationship between Bourbaki and
Oulipo has animated a passionate debate within literary criticism. The purpose
of this contribution is to investigate the relations between Le Lionnais,
Queneau and Roubaud - and more generally Oulipo - and Bourbaki. Through a
comparative examination between the two groups, the existence of an undeniable
charisma of the "polycephalic mathematician" on the artistic-literary movement
was highlighted.
