After Bloody Mary had enacted the copyright censorship monopoly in 1557, neither the profitable industry guild nor the censoring Crown had any desire to abolish it. It would stand for 138 years uninterrupted.
As we have seen, the copyright monopoly was instituted as a censorship mechanism by Mary I in 1557 to prevent people from discussing or disseminating Protestant material. Her successor, Elizabeth I, was just as happy to keep the monopoly after Mary’s death in 1558 to prevent people from discussing or disseminating Catholic material.
During the 1600s, Parliament gradually tried to wrestle control of the censorship from the Crown. In 1641, Parliament abolished the court where copyright cases had been tried, the infamous Star Chamber. In effect, this turned violation of the monopoly into a sentenceless crime, much like jaywalking in Sweden today: while it was still technically a crime, and techically illegal, you could not be tried for it and there was no punishment. As a result, creativity in Britain soared into the stratosphere.
Unfortunately, this wasn’t what Parliament had had in mind at all.
In 1643, the copyright censorship monopoly was reinstituted with a vengeance. It included demands for pre-registrations of author, printer and publisher with the London Company of Stationers, a requirement for publication license before publishing anything, the right for the Stationers to impound, burn and destroy unlicensed equipment and books, and arrests and harsh punishments for anybody violating the copyright censorship.
Fast forwarding a bit, there was something called the Glorious Revolution in 1688, and Parliament’s composition changed radically to mostly people who had previously been at the business end of censorship and weren’t all too keen for that to continue. Therefore, the Stationers’ monopoly was made to expire in 1695.
So from 1695 onward, there was no copyright. None. Creativity soared — again — and historians claim that many of the documents that eventually led to the founding of the United States of America were written in this time.
Unfortunately, the London Company of Stationers were not happy at all with the new order where they had lost their lucrative monopoly. They gathered their families on the stairs of Parliament and begged for the monopoly to be reinstated.
It is noteworthy that authors did not ask for the copyright monopoly: the printers and distributors did. There was never an argument along the lines that nothing would be written without copyright; the argument was that nothing would be printed without copyright. This is something else entirely.
Parliament, having just abolished censorship, was keen on not reinstituting a central point of control with a possible abuse potential. The Stationers’ responded by suggesting that writers should “own” their works. In doing so, they killed three birds with one stone. One, Parliament would be assured that there was no central point of control which could be used to censor. Two, the publishers would retain a monopoly for all intents and purposes, as the writers would have nobody to sell their works to but the publishing industry. Three, and perhaps most importantly, the monopoly would be legally classified as Anglo-Saxon Common Law rather than the weaker Case Law, and therefore given much stronger legal protection.
They publishing lobby got as they wanted, and the new copyright monopoly was re-enacted in 1709, taking effect on April 10, 1710. This was the copyright lobby’s first major victory.
What we see at this point in history is copyright in its unspun form: a monopoly with heritage from censorship where artists and authors were not even considered, but where it was always for the publishers’ profit.
Also, the Stationers would continue to impound, destroy and burn others’ printing presses for a long time, despite not having the right any longer. Abuse of power came immediately, and would last until the pivotal Entick vs. Carrington case in 1765, when yet another of these raids for “unlicensed” (read unwanted) authors had taken place. In the verdict of this court case in 1765, it was firmly established that no right may be denied to any citizen if not expressly forbidden by law, and that no authority may take itself any right not explicitly given by law.
Thus, the very first foundations of modern democracy and civil liberties were won in the battle against the copyright monopoly. There is nothing new under the sun.
Previous: A Vengeful Daughter Creates Censorship.
Sources: Question Copyright and the Wikipedia articles linked.