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prologue, a preface or introduction to a literary work. In a dramatic work, the term describes a speech, often in verse, addressed to the audience by one or more of the actors at the opening of a play.
The ancient Greek prologos was of wider significance than the modern prologue, effectually taking the place of an explanatory first act. A character, often a deity, appeared on the empty stage to explain events prior to the action of the drama, which consisted mainly of a catastrophe. On the Latin stage, the prologue was generally more elaborately written, as in the case of Plautus’s Rudens.
In England, medieval mystery plays and miracle plays began with a homily. In the 16th century, Thomas Sackville used a dumb show (pantomime) as a prologue to the first English tragedy, Gorboduc; William Shakespeare began Henry IV, Part 2 with the character of Rumour to set the scene, and Henry V began with a chorus. The Plautine prologue was revived by Molière in France during the 17th century.
While the use of prologues (along with epilogues) waned in the English theatre after the Restoration period, they persisted in various forms across the world’s theatres and were used effectively in such 20th-century plays as Tennessee Williams’s The Glass Menagerie and Jean Anouilh’s Antigone.
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