Moreover, there's also something that 
happens when taking a photo.
In general, the photo is on its own or it's part of 
an exhibition where there are many...
but that are not necessarily all the same, 
but that have their integrity.
Meaning that when we look at them,
every photo can be looked at for as long as we like.
We can spend several minutes looking at it.
When we are in a cinema, I mean, 
every photo has a before and an after,
we cannot control how long
it stays on the screen.
So that means that the photo 
has to have a certain quality,
so that it can be determined straight away 
why it has been done in that way.
Meaning that if, for example, it's the morning, 
the light must be horizontal, for example,
or since there isn't much surrounding light, 
all the shadows are very dark, etc.,
you need to convey that spirit, without it taking up 
too much space in the way we are going to create it.
Because in addition, the cinematography, 
as opposed to photography –
photography expresses itself on its own – 
the cinematography is in competition
with the actors, the text, the music
and with the short time it stays on the screen. 
It really needs to be a support.
