(dramatic music)
- [Roy] Many bombers employed
by the commanders during
World War II became famous,
but very few became legendary.
A great aircraft needed
a quality which cannot
be installed on the drawing
board or in the factory.
A truly great aircraft must
have that touch of genius
which transcends the good and above all
it must have a great deal of luck.
Luck to be in the right
place at the right time.
It must have flying qualities
well above the average,
reliability, ruggedness,
and fighting ability.
And in the final analysis
it needs the skittle touch
of its air crews to which
it has endeared itself.
All these things in more,
the Avro Lancaster had
in good measure.
Despite its power operated turrets,
those abominations which
plagued the war time
bomber designers, striving
for cleanliness of line,
the Lancaster embodied a measure of grace
which actually made it
pleasing on the eye.
Its sleek aerodynamic shape
contributed materially
to its excellent all around performance.
But like so many good airplanes,
the essence of its design
was its simplicity.
Its robust structure being ideally suited
for mass production.
And this was undoubtedly
one of the main features
for its success.
It was also remarkably adaptable
and the superlative bomber
on every count.
(dramatic music)
At first, using 4,000 pound
bombs and smaller weapons,
the Lancaster carried the
warning to the heart of Germany.
It wasn't long, however, before it became
the major offensive weapon of the RAF.
By April, 1942, it was
carrying the 8,000 pound bomb
and by 1943 it progressed
to the 12,000 pounder.
In the early days, navigation
was largely by dead
reckoning and bomb aiming
was entirely visual.
Gradually radar navigational
aides such as Rebekah,
Gee, and Oboe became available
and the H2S radar bombing
equipment with its distinctive
semi-opaque blister
beneath the rear fuseal arch
became a standard fitting.
The most remarkable
offensive weapon to be used
by the Lancaster was
perhaps the bouncing bomb
which was to be used on
one of the Lancaster's most
spectacular and daring raids.
It was dropped by the
immortal 617 squadron
on the strategically important
Mona, Aida, and Sorpay
damns in Larue.
Wartime commander Bomica
Bon, Sir Arthur Harris
heralded the Lancaster as
the finest bomber of the war
and added, its efficiency
was almost incredible,
both in performance and in
the way it could be saddled
with every increasing bomb
loads without breaking
the camels back.
The Lancaster far
surpassed all other types
of heavy bomber.
Not only could it take heavier loads,
it was also easier to handle
and far more important
to the crews, the casualty
rate was also consistently
lower than the others.
Of all those great airplanes
which fought out the war,
there are many people
who would insist that
the Avro Lancaster was the greatest.
In contrast to the
Lancaster the angularly ugly
Armstrong Whitley or the Flying Barn Door
as it was known, was a
familiar sight to people
living on Britain's east
coast during the early years
of the war.
The Whitley was the mainstay
of the RAF bomber force
for the first two years in which the seeds
of strategic night
bombing were being sewn.
Although one of the least
appealing bombers of the war,
the Whitley did represent
an important landmark
in the history of the
RAF's offensive capability.
Few, if any bombers of
the second World War,
enjoyed a longer or more
distinguished operational
career than the Vicker's Wellington.
Bloodied in combat at the
very outset of hostilities,
it carried the lion's share
of RAF bomber commands,
night bombing offensive
until the operational debut
of the four engine heavies
and it was still in
the front line when the war ended.
(dramatic music)
Indeed, such was the
brilliant battle record
of the Wellington that any tribute can be
but a pale reflection of the distinctions
that this remarkable war
plane won for itself.
The Wellington's docility
combined with a lively
performance and the ability
to absorb an outstanding
amount of battle damage,
rapidly endeared it
to its crews and its
portly well fed appearance
engendered the nickname
Wimpy, after the strip
cartoon character.
(dramatic music)
More than any other bomber,
the Wellington proved
a power operated gun
carry to be a formidable
defensive weapon, but it
disproved the widely held
belief that large bombers could undertake
daylight bombing rates against
heavily defended targets
without fighter escort.
(dramatic music)
Like most successful combat aircraft,
the Wellington was a result of teamwork,
but it undoubtedly owed its success
to the revolutionary geodetic
or basket weave system
of construction.
This was an ingenious idea by Boms Wallace
and even more remarkable because of its
essential simplicity.
Before the end of 1939, the
Wellington was to achieve
one doubtful distinction.
It was to teach the RAF the hard lesson
that the operation of such
large aircraft by daylight
without fighter escort was impractical.
This lesson was driven home
when 10 Wellingtons were lost
and three badly damaged
out of a formation of 24.
Making an armed reconnaissance
rate on Wilhelm's
initially grows.
The Wellington was from
then on never again used
by daylight unescorted
except in coastland transport
commands.
(dramatic music)
With its transfer to a
nighttime bombing run,
the Wellington operated
with conspicuous success,
spearheading the RAF's night offensive
against Germany.
(dramatic music)
The Wellington was an airplane worthy of
the Royal Air Force.
All with the distinction the
name of Great British soldier.
Other bombers came forward
as the war progressed
but none enjoyed a finer reputation.
When in the summer of 1936
the Bristol Blenin made
its debut it was immediately
hailed as a major
step forward in combat
aircraft design which placed
the British aircraft
industry in the forefront
of fast day bomber development.
It was the first modern, all
metal Cantaleva Mona plane
of stress in construction,
to be placed in production
for the Royal Air Force
and as such, it noted
the beginning of a new
era in the equipment
of that era.
For several years acute
uneasiness had existed
concerning the obsolescence
of the RAF's operational
equipment.
Uneasiness accentuated
by developments abroad.
The emergence of the
Blenin, representing such
a tremendous technical
advance over the air craft
which it superseded, did
much to still this disquiet.
More than any other airplane,
it sounded the death smell
of the fighting bi-plane.
It set a pattern in
the light bomber design
which other nations
were not slow to follow,
yet the Blenin was fated never to fulfill
the very high hopes
that were placed in it.
One of the key types
selected by the air industry
for the re-equipment of
the rapidly expanding RAF
of the late 30s, the Blenin,
at the time of its service
introduction was
possessed of a performance
which enabled it to
outplace most contemporary
service fighters.
He at such was the pace of
combat aircraft evolution
during those last two
years of peace in Europe,
that when the RAF went
to war in September 1939,
it soon discovered that the
Blenin was not the weapon
that it had supposed.
Its shortcomings soon
manifested themselves
in the hard school of aerial combat.
It was to prove woefully
vulnerable to fighter attack.
It was to be found deficient
in both defensive armament
and armor.
Nevertheless it was to bear the brunt
of much of the fighting
on every front to which
the RAF was committed
for the first three years
of the second World War.
Despite its limitations it
was to serve valorously.
(dramatic music)
A parallel might be
drawn between the Blenin
and the Curtis P40.
Like the American fighter
it was praised and abused,
lauded and vilified,
but it was all that was
available and however divergent were views
of the effectiveness of
the Blenin as a weapon,
it was one of the truly
historic aircraft at the war.
The short Sterling was
not merely the first
of the Royal Air Force
true heavies of the second
World War it was the only
British four engine bomber
designed from the outset
to take four power plants,
to see operational service
during the conflict.
The Lancaster and Halifax
having both stemmed from
twin engine designs.
(drum music)
Carrying bomb loads far
greater than any previously
contemplated, the Sterling
proved one of the most
important landmarks in
the history of the RAF.
Yet the official history
of the RAF and the second
World War was to refer to the
Sterling as a disappointment.
(drum music)
In consequence, its career as a first line
heavy bomber was relatively brief.
Nevertheless, as the
RAFs four engine heavy
of the second Word War,
the Sterling occupied
a particularly important
place in the history
of that air arm.
The Avro Manchester, the
predecessor of the Lancaster
was not a successful bomber.
It proved to be unreliable
and underpowered.
Only 209 were built and
production of the type
lasted barely a year.
The handedly page Halifax
after some initial
teething problems did develop
into an outstanding aircraft.
Remaining in service
until the end of the war,
the Halifax maintained its position
of one of the two principle
RAF heavy bombers.
The Hampden was one of
the world's most advanced
war planes at the time of its debut
and it came off a distinguished line.
It was a forgiving airplane
from the pilot's viewpoint
and its ease of control
rendered it an extremely
pleasant airplane to fly.
With it small enough to
be highly maneuverable,
its cockpit offered an
excellent fighter like
field of vision and it possessed
a remarkable speed range.
Named after William
Mitchell the far sighted
crusading American cornel
of the 20s who was court
marshaled for his outspoken
views on air power
and posthumously raised
to the rank of General,
the North American B25
was possibly the best
all around light medium
bomber of the second
World War.
Operationally efficient,
this docile adaptable machine
had an excellent all around performance
and with particularly good
handling characteristics,
and it was one of the most
popular of combat aircraft
among all allied air crews.
Had the Mitchel never
attacked another objective,
it would have ranked among
the most truly historic
air craft of the war
for its fantastic attack
against Tokyo in 1942 when it operated
from the flight deck of the USS Hornet.
It was manufactured in larger quantities
than any other American
twin engine bomber.
No less than 9,816
Mitchel's being accepted
by the USAAF, although
many of these were destined
to find their way to the British, Soviet,
and other allied air forces.
The peak number of Mitchels
in the USAAF service
never exceeded 2,656 aircraft,
but this exceptionally
fine bomber made its mark
on every far flung front
of the second World War.
(dramatic music)
While at the select
band of allied aircraft
that could claim to have
been engaged on every major
battlefront of the second World War,
the Mitchel built up an
unbridled tradition of service.
There can be few more dramatic examples
of the consistent development
or the basic design
under the exigencies of
war, then that offered
by this remarkable
aircraft which was destined
to linger on in the service
of many of the worlds
air arms far into the post war era.
- [Man] 317 on a control at three o'clock.
- [Man] Come on you guys.
Get out of that plane, bail out.
There's one he come out of the bomb bank.
- [Man] Yeah I see him.
- [Man] There's a tail gunner coming up.
- [Man] Watch out for firing.
Keep your eye on him Bill.
See any parachutes with them.
- [Man] No, none at nine o'clock.
Eight and nine is still in that B17.
- [Man] Come on the rest of you guys,
get out of there.
- [Man] 12 o'clock.
109 at three o'clock.
- [Roy] Few other aircraft
of the second World War
gained the universal
affection of the air crew
over so long an operational period
as did the Boeing B17 fortress.
This legendary aircraft
formed the spearhead
of the American bombing
offensive in Europe.
From beginning to end as
well as serving in every
other theater of war.
No single aircraft type contributed more
to the defeat of the
Luft Fafa both in the air
and on the ground than the Fortress,
which enabled tangible
expression to be given
to the controversial United States policy
for the strategic
assault of Germany by day
and the face of formidable
political argument
as well as desperate enemy opposition.
A curious feature of
the fortresses history
is that its reputation
is the leading allied
day bombers established
despite its inferiority
in many respects of
performance, compared with its
combat contemporary, the B24 liberator.
The bomb load of USAAF
fortresses over Europe
was usually no more than
carried by the diminutive
Dehavealan Moscito.
Far fewer fortresses then
liberators were built.
12,677 fortresses being
accepted by the USAAF
between July 1940 and August 1945.
These equipped a maximum of
33 overseas combat groups
by August 1944.
The fortress achieved fame
on the strength of several
outstanding attributes.
Of these, perhaps the most important
were an excellent high altitude capability
and the ability to
absorb an amazing amount
of battle damage.
To these attributes were
added in its later variance,
an exceptionally heavy defensive armament.
Though the true combat
potential of the fortress
is achieved only after a
long period of gestation.
(drum music)
The fortress had dropped
over 640,000 tons of bombs
on European targets during the war years.
This compares with 452,508
tons dropped by the B24
liberators and 463,544 tons
dropped by all other aircraft.
(drum music)
According to records compiled
by its manufacturers,
the fortress destroyed 23 enemy
aircraft per thousand sorted
as compared to 11 by B24
liberators, 11 by United States
fighters, and three by
all United States light
and medium bombers.
Although it has been
established that the very high
claims of enemy aircraft
kiddle scored by the fortress
were greatly exaggerated,
there can be no doubt
that the total was formidable.
By its almost unrivaled
period of first line service,
the fortress proved itself
one of the classic bomber
designs of all time.
Its performance proved
a triumphant vindication
of the principles of air
strategy and bomber design
established by a few far
sighted airmen and engineers
in the United States
of America, long before
World War II.
While the Boeing Super
Fortress gained for itself
undying fame as the first aircraft to drop
an atomic weapon, thus bringing about
the sudden termination of
hostilities in the Pacific.
It is also deserving of
a place in the history
of aircraft warfare as one
of the principal allied
weapons in the war against Japan.
The laborious and costly
island hopping campaign
conducted in the Pacific
by the allied forces
was undertaken largely to seize bases
for super fortress operations against
the Japanese homeland.
Once bases had been established,
the super fortresses
of the United States 20th Air Force
systematically and inextricably
raised the industrial
cities of Japan one by one
with a terrible weapon of fire.
The closely packed and
lightly constructed Japanese
buildings were extremely
vulnerable to incendiary attacks.
Now the destruction
wreaked by super forces
in some built up areas
amounted to as much as 99.5%.
In addition to these
devastating blows against
strategic targets, the
super fortresses were
simultaneously employed on
a highly successful campaign
of mine laying in Japanese
home waters, thereby applying
an economic and logistic strangle hold to
the islands of Nipon.
The delivery of the two atomic bombs
against Hiroshima and
Nagasaki was therefore
in the nature of a cous
de gras although essential
to shorten the war.
(peaceful music)
The super fortress was largely responsible
for the final defeat
and surrender of Japan
without invasion and the instrument which
provided the ultimate
vindication of the American
visionaries of strategic air power.
The super fortresses made
an immense contribution
to subsequent bomber design.
It was the second World War's
heaviest production war plane
and the first pressurized aircraft
to obtain large scale production.
It was also the first
to make extensive use
of remotely controlled
armament but perhaps the most
remarkable feature of its history
was the fact that it was
designed, built, tested
and placed in operational
service within four years.
Although each type had
its staunch appearance,
the consolidated liberator
was somewhat overshadowed
in fame if not an achievement.
By the Boeing Fortress
during the second World War,
this was despite the
fact that not only was
the liberator built in
considerable larger numbers
than the fortress, it
was produced in greater
quantities then any
other American aircraft.
Such a unique production
record is all the more
remarkable for such a
large four engine aircraft
and the liberator
operated over more fronts
for a considerably longer period
and was produced in a
greater variety of versions
than any other allied or enemy bomber.
By comparison with the
fortress, the liberator
was indeed an ugly duckling.
Its deep, slab sided
fusalage an immense barn door
like vertical table services,
were features hardly
indicative of speed and agility.
One of the prime virtues of the liberator
and one which invariably
hallmarks a great war plane
was its versatility.
In addition to strategic
bombing, it was used
with equal facility for
maritime reconnaissance
and anti submarine operations,
passenger and freight
transportation, as a flying tanker,
and for photographic
reconnaissance as well
as for many other duties.
It was this quality in fact
which largely accounted
for the extraordinary
total of 18,188 liberators
and liberator variance
constructed by the USAAF
between delivery of the
first production aircraft
in June 1941 and the
closing down of the last
assembly line on the 31st of May 1945.
(dramatic music)
(guns firing)
Apart from its unchallenged
production record,
the liberator earned for
itself a permanent place
in aviation history for
its remarkable record
of achievement.
Whether the material to
be delivered happened
to be bombs, depth
charges, gasoline, freight,
troops, of VIPs, the liberator
established a reputation
second to none for doing
almost any job any way.
In some respects, the combat
career of the Douglas A20
was much less spectacular
than that of other bombers
employed by the combatants.
It was associated with
no outstanding operations
that remained in front line
service throughout the war.
It did not distinguish
itself on any particular
battlefront but flew with
equal distinction over
all of them.
It did as well in Russia
as it did in the Pacific
or the western desert and
with all was one of the most
pleasant of all combat aircraft to fly.
(dramatic drum music)
Designated by the Americans as the Havoc
and by the British as
the Boston, the A20 was
a pilot's airplane and
its virtues were sworn
in a variety of languages
ranging from Africans
to French and from British
to Ukrainian as well as
being operated by the
Americans and Australians.
His cosmopolitan nature was
fundamental in its design
however for it owed its
origins much to the Spanish
Civil War and subsequently
to the urgent need
for re armament by the French.
The dangerous signals of
1936 had not been ignored
in the United States
and prominent aircraft
manufacturers were considering the future
possible requirements for
the United States Army Core,
well in advance of any
military specifications
being issued.
Well suited to the low level bomber role,
the Bostons, or Havocs
were adaptable, reliable,
tractable, and extremely potent.
Possibly overshadowed
throughout much of its career
by the more spectacular
exploits which fell
to the lot of other bombers.
The A20 did rank highly
amongst the most brilliant
combat aircraft designs
evolved by the United States
aircraft industry.
No combat aircraft of the second World War
either from the access or allied powers
was the subject of so much modification
and extemporization as
was the Yonkers JU88.
Operating in various forms
through the entire period
of the European War
and still in production
when the hostilities ceased,
the JU88 was the true
backbone of the Luft Fafa.
This bomber was produced
in greater numbers
than all of the other
German bombers combined.
Some 15,000 being built
between 1939 and 1945.
The JU88 was continuously
adapted to perform roles
other than that for
which it'd been conceived
and performed every task demanded of it
with distinction.
Like all combat aircraft,
it possessed its share
of short comings.
These were largely due
to changes dictated by
the needs of the over
strained, depleted German
defenses during the wars closing stages.
Without doubt, despite its shortcomings,
the JU88 was the finest
German bomber to see
extensive operational service.
This aircraft was conceived
as the result of a meeting
held in 1935 between high ranking officers
of the then fledging Luft
Fafa and chief German
aircraft designers.
They were informed of the
requirement for a Schnell bomber
meaning a medium bomber
with a speed of a fighter.
Yonkers were finally awarded the contract,
the proto type making its
maiden flight in 1936.
From the outset of war,
the JU88 flourished
to serve on every front
and in almost every role
and apart from its use as a medium bomber,
it also served as a night
fighter, reconnaissance,
torpedo bomber, mine layer,
and finally as the lower half
of the missile flying bomb.
Highly regarded by the allies,
the JU88 was considered
to exemplify the German
philosophy of using one good
basic air frame for a multitude of tasks,
rather than involving a variety
of specialized machines.
And thus, complicating production.
It is true to say that had the JU88 proved
less amenable to the process of adaption
and modification to which
it was eventually submitted,
then the Luft Fafa would have found itself
in serious difficulties
in very much earlier stage
in the second World War.
Few were the inhabitants
on England's capital
and southern counties to
whom in the dramatic months
of 1940, the distinctive
and disagreeable mode
of the Hankel HE 111's
engine was unfamiliar.
For this machine, the
first modern medium bomber
to be acquired by the Luft
Fafa bore the major burden
of the German bombing offensive
against the British Isles
during the main phase of
the Battle of Britain.
Despite its short comings
which became more marked
as the war progressed, and
which were in no small part
due to the continual
process of modification
and extemporization to which
the model was subjected,
the HE 111 retained its
place as the standard
Luft Fafa combat aircraft
throughout the war.
(dramatic music)
Produced in large numbers,
this aircraft was twice
taken out of mass production
only to be returned
to the production lines when
the new types with which
it was to be replaced
failed to materialize.
During the opening phases of the war
the Henkle HE 111 was
undoubtedly a formidable
offensive weapon.
An elegant, well built,
well planned aircraft
with good flying characteristics.
It was certainly a
thoroughbred, inheriting its
shapely contours from its
single engine predecessor,
the HE 70 blitz which at
the time of its appearance
had been justifiably acclaimed
as the most aerodynamically
efficient airplane ever to have flown.
Like many German war planes of its era,
the HE 111 had first
been shown to the world
as a civil aircraft.
But its sleek, streamlined
fuse lodge was obviously
designed for maximum
performance at the expense
of passenger comfort.
However, intended from its birth as one of
the Luft Fafa's principle
weapons of the future
Blitzkrieg, the HE 111 had placed Germany
at the forefront of
medium bomber development.
It was however, forced
to soldier on long past
its allotted span, owing to
the inability of the German
aircraft industry to produce
a suitable replacement
and was already approaching
obsolescence when called upon
to carry the major burden
of the Luft Fafa's bombing
offensive against the British Isles.
Despite continual
improvements, it could not
keep pace with the rapidly
changing requirements
of air warfare.
And during the last years
of the war was no longer
the formidable weapon
with which the Luft Fafa
had attacked Poland.
(dramatic music)
One design that did
manage to see production
was the Yonkers JU 188.
A twin engine medium bomber
which first saw action
in 1942.
As early as 1939, Yonkers had been working
on the JU 288 which was
a completely new design
far more advanced than preceding types.
But when it became
apparent that the design
should meet a specification
which called for the type
to be in service by 1942,
was not going to be developed
in time, the Luft Fafa
proposed that instead
the JU 88 should be modified to meet
the new requirement.
Hence, in the interim,
the JU 188 was born.
In principle, Yonkers took
the forward fuse lodge
section of the JU 88 and added a new wing
and a new tail unit.
This new design was designated originally
as the JU 88E but this was later changed
to the JU 188E.
The first aircraft left
the factory in June 1942
for operational use as a dive bomber.
However, with the increased defenses of
the allied forces, it was
not particularly successful.
Its role was changed to that
of a medium horizontal bomber
and also as a torpedo bomber
for attacking shipping
in the Atlantic.
Further developments took the JU 188 into
the night fighter role for
defending Germany's homeland
against the increasing allied
strategic bombing campaign.
In order to achieve
greater speed and altitude
without the disruption
caused by the introduction
of a completely new design,
the JU 188 was also developed
into a high altitude
bomber with a pressurized
cockpit section.
This type later became
designated as the JU 388.
In 1944 the role of the
JU 188 was changed again
when it was used in the pathfinder role
during the years bombing
campaign against England.
Operating from 1942
until the end of the war,
seeing action in Europe
and on the Mediterranean,
Arctic, and Eastern Front,
the JU 188 and its variety
of roles was among the most
important of the Luft Fafa's
operational aircraft.
Bumping Alf England, so
read the title of a Sterling
marshal song which blared
out of loud speakers
all over Germany and
the occupied territories
during the Autumn months of 1940.
With the accompaniment
of roaring arrow engines
and the beating of drums, it
was an impressive battle hymn.
But whatever its psychological effect
on the German populace may have been,
it was hardly destined
to raise the spirits
of the personnel of the Luft Fafa.
They were fully aware
that their bombers did not
have the range to attack effectively.
More than a small area
of the British Isles.
They knew that the Luft
Fafa's lack of a long range
strategic bomber enabled
the RAF to concentrate
virtually the whole of
its defensive strength
within a limited area.
An area to which the Luft Fafa was forced
to confine its intentions.
They also knew that this would sap
their operational strength.
Prototypes of four engine
heavies had been built
but they were abandoned and never saw
the production lines.
They did however, possess
the Heinkle HE 177 Grief,
a long range twin engine bomber.
An aircraft which was destined to provide
the most dismal chapter
in the war time record
of the German aircraft industry.
Fires in the air, aerodynamic troubles,
and structural failures all contributed
towards the unpopularity
of this big bomber
when it reached operational units.
The faults of this aircraft
were recognized too late
and when they were recognized
insufficient energy
was devoted to eradicating them.
There was nothing wrong
with the basic design
and had effective measures been taken
the Luft Fafa might have
found itself possessing
a heavy bomber comparable
with if not superior to
the best of the allied
machines of the same type.
Aptly named the Grief, this
aircraft's chief claim to fame
was the fact that it was
the only German heavy bomber
to obtain quantity production
during the war years.
It was in fact one of
the very few entirely new
German combat aircraft to
progress from the design boards
to operational service
during the conflict.
But the advantages that
it offered were nullified
by the German aircraft
industries inability
to devote sufficient effort
towards its perfection.
A claim by German
propagandists as the scourge
of Europe, the aircraft
the conquered nations,
the supreme weapon, the
angularly ugly Yonkers JU 87
dive bomber attained greater notoriety
than any other weapon in
the arsenal with which
Germany launched the second World War.
It was one of the most
vulnerable of war planes.
Slow, unwieldy, and the
natural prey of the fighter.
Yet within the first
nine months of the war
it had acquired an almost
legendary reputation.
The German air staff itself
was divided on the subject
of dive bombing and the
employment of the JU 87,
but the Polish campaign
appeared to vindicate
its protagonists.
The JU 87 knocking out strong points,
artillery batteries, and concentrations
whenever the Polish
sought to make a stand.
When the German offensive against France
and the low countries opened in May 1940
the JU 87 repeated its earliest successes.
Blasting the allied armor in defenses,
paralyzing whole armies,
playing havoc with
communications in vital rear areas
and hounding the steams of refugees.
With virtually no aerial opposition
the JU 87 was fully able
to exploit the accuracy
of bomb aiming inherent in the steep dive
as well as the demoralizing
effect on personnel
exposed to this form of attack.
But the use of the JU 87 presumed control
of the air and the issue
was settled in the Battle
of Britain when after
a few abortive sorters
by JU87s during which their formations
were decimated by opposing
hurricanes and spit fires,
the dive bombers were withdrawn
from the Sherbook area
and the JU 87s had ended the eclipse.
The JU 87 was aerodynamically an atrocity.
It was ugly to the point of absurdity
and it was virtually defenseless
against the modern fighter.
Yet its distinctive
shape was the most feared
by Germany's opponents
and this one aircraft type
revolutionized the very
fundamentals of warfare.
(triumphant music)
