Are Same-Sex or Heterosexual Relationships More Stable?

Brand brand New research has a fresh glance at same-sex versus different-sex relationships.

This web site ended up being co-authored by Perrin Robinson, M.S.

Are same-sex relationships that are romantic or less stable than different-sex relationships? And so are alterations in legislation and social attitudes towards same-sex relationships impacting their security? Today, sexual minorities are starting to savor a few of the exact exact same privileges as right partners, such as for example appropriate wedding and security against work and housing discrimination in a lot of states. In light among these changes, a brand new glance at same-sex relationships and their long-lasting security is sensible.

American attitudes towards same-sex relationships today are far more supportive than they’ve ever been. Approval of same-sex relationships was steadily increasing since 2009 (Pew Research Center, 2017), additionally the 2015 Supreme Court choice endorsing marriage that is same-sex a victory for several lesbian, homosexual, and bisexual (LGB) mail order bride russian people. With one of these social and appropriate advances, brand new focus on the security of same-sex relationships is warranted.

What does same-sex relationship security appear to be today?

Researchers at Bowling Green State University (BGSU) analyzed data gathered through the nationwide Longitudinal research of Adolescent to Adult Health (Joyner, Manning, & Bogle, 2017). Their sample of greater than 14,000 people included three distinct kinds of couples—different-sex couples, feminine same-sex couples, and male couples that are same-sex. Conceptualizing security when it comes to dissolution prices and period of a relationship, the scientists asked: exactly exactly just How stable will be the relationships for various few kinds? And, further, is security impacted by co-residency versus residing individually?

Revisiting past trends

Past research has shown that cohabiting same-sex couples that are romantic their relationships at greater prices than different-sex cohabiting or married people. These variations in security are thought to arise from variations in relationship benefits, options, or barriers (Lau, 2012). One barrier that is such captured when you look at the label “minority stress,” which refers to stressors unique up to a minority team, such as LGB individuals (Meyer, 2003). Micro-aggressions, physical violence, discrimination, harassment, and not enough approval from relatives and buddies are all kinds of minority anxiety that may affect relationship stability adversely.

So which relationships are the least/most stable?

The gaps within the stability of same-sex and different-sex relationships are diminishing. Nevertheless, in the event that you thought all relationships would show the exact same stability today, offered the present appropriate and social weather, that’s not the truth: general, same-sex couples reported faster relationship lengths than different-sex partners (Joyner et al., 2017). And male same-sex couples skilled notably greater prices of dissolution than female partners or couples that are different-sex. This is certainly in line with past findings: Gay and men that are bisexual confronted with minority stressors that will de-stabilize relationships (Meyer, 2003; Lau, 2012). Where these males vary from ladies in feminine partners is with in their engagement with protective facets: a lot of men usually do not stress psychological closeness and minimization of boundaries to your degree that ladies do (Umberson, Thomeer, Kroeger, Lodge, & Xu, 2015).

Does residing together assistance?

Whenever lovers move around in together, or co-reside, their dissolution prices change (Joyner et al., 2017). Male and female couples that are same-sex end their relationships more regularly than different-sex couples. But, both male and couples that are different-sex their relationships at reduced prices while co-residing than when they’re dating, although not residing together. When it comes to residing together, males, in specific, may choose lovers with stabilizing faculties. It really is uncertain why dissolution prices never decrease for females in same-sex relationships whom choose to co-reside.

Think about legal marriage?

Marriage contributes to relationship security through enforceable trust and investments that are relationship-specificCherlin, 2004). Use of legal wedding, which includes just been offered to same-sex partners into the U.S. in modern times, will probably influence relationship stability that is same-sex. Indeed, regardless of the minority anxiety skilled by LGB people, Joyner and peers (2017) found that same-sex married people are in least as stable as, or even more stable than, different-sex married people.

Other facets of great interest

Joyner and peers (2017) additionally uncovered a few demographic correlates of relationship security. These generally include race—African-American participants report less security in relationships than white respondents—and heterogamy (differences in age and race between lovers are related to higher degrees of dissolution). Furthermore, greater status that is socioeconomic a greater wide range of previous sexual lovers are both related to a greater risk of dissolution. Some of those correlates might be explained by intersectionality, the idea that inhabiting multiple minority identities ( e.g., lesbian, feminine, and black colored) may result in an original group of drawbacks and stressors (Crenshaw, 1991).

What’s next?

Despite persisting variations in security connected to minority anxiety, Joyner and peers (2017) observe that same-sex relationship security is less not the same as heterosexual relationships compared to years previous. This could mirror the greater amount of favorable attitudes that are cultural same-sex partners. Since the U.S. continues to advance in legislation that protects all partners irrespective of intimate orientation, these differences would be expected by us to decrease even more. The conclusion goal isn’t that all relationships run the in an identical way, but instead that habits of security reflect distinctions that aren’t tied to prejudice and discrimination.


PhD Mathias Heltberg and Professor Mogens Høgh JensenCredit: Niels Bohr InstituteChaos in bodily regulation can optimize our immune system, according to a recent discovery made by researchers at the University of Copenhagen's Niels Bohr Institute. The discovery may prove to be of great significance for avoiding serious diseases such as cancer and diabetes.

Wide gaps exist in our understanding of how the immune system works and how we might avoid diseases such as cancer and diabetes. Now, two researchers at the University of Copenhagen's Niels Bohr Institute have made a discovery that could prove to be an important piece of the puzzle. PhD Mathias Heltberg and professor Mogens Høgh Jensen have found an entirely new mechanism in the way that bodily cells regulate themselves—through chaos.

The researchers investigated how a particular protein produced within cells, NF-kB, stimulates genes. Among other things, this particular protein is vital for maintaining the body's immune defense system and thereby, the body's ability to combat disease. The concentration of NF-kB fluctuates over time, and these swings impact the genes and subsequently, the condition of cells.

The researchers demonstrated that chaotic swings in the concentration of the protein—what in mathematics is known as chaotic dynamics—can increase the activation of a number of genes that are otherwise not activated. In other words, when in a chaotic state, the NF-kB protein is most effective at activating genes and optimally "tuning" the immune system.

"The results can have a tremendous impact on our understanding of how the immune system functions and how the incidence of some of the most serious illnesses, including diabetes, cancer, and Alzheimer's, might be avoided. For example, we know that cancer is related to a failure of signaling within the body. So, to avoid cancer, it is imperative to have the right dynamic at work in cells," says Mogens Høgh Jensen, a professor in biocomplexity at the University of Copenhagen's Niels Bohr Institute.

Improved knowledge can improve cancer treatment

The researchers point out that this new knowledge can be deployed in future therapies.

"These could come in the form of new medications that ensure proper protein function. Therapies could also involve the withdrawal and testing of cells from a body to gauge whether cells are in the right condition to have the correct swings. If they aren't, it may be possible to predict and discover illnesses before they occur," explains Mathias Heltberg, a PhD student in Biocomplexity.

The  are among the first to prove that chaos can be an important aspect of the mechanisms that steer the enormous complexity characteristic of all living things. Even the researchers were surprised by their discovery, as chaotic dynamics is often seen as something that living organisms seek to avoid. The new knowledge opens up an entirely new understanding of how genes can be regulated through varied swings in the proteins that control them.

"Chaos is a mathematically well-defined dynamic, one that, for example, has previously been used to explain great changes in weather systems. With the enormous complexity that characterizes higher order living things, it is evident that chaotic dynamics will occur in different types of systems. But how chaos plays a decisive role in living cells is entirely new," concludes Mogens Høgh Jensen.

Based upon a range of experimental results, the researchers arrived at their conclusions through mathematical calculations and theoretical arguments.

The results have just been published in the scientific journal Nature Communications.


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Most popular day for marriages sees local lawyer campaign to raise awareness of the common-law marriage myth

Saturday 18 August has been reported as the most common day in 2018 to tie the knot in the UK. However, since the early 1970s, the number of people actually getting married has steadily decreased, dropping a further 3.4% last year. There have been many theories about why marriage rates are falling, but regardless the fact remains that fewer people are formalising their relationship.

The issue is widespread, with nearly 98% of professionals from family justice group Resolution reported having worked with a cohabiting couple who they were unable to help. A further 90% said the couples are often surprised to find out about their lack of rights.

To help raise awareness of this issue Chris Nicholl and Natalie Cutting at QualitySolicitors Charlesworth Nicholl in Crediton are campaigning to raise awareness and encourage cohabiting couples to take steps protect themselves and their families.

“In the absence of action from government, these couples need to know that they are not given rights through common law marriage, so they can take appropriate actions to protect themselves. For example, signing a cohabitation agreement is an easy and cost effective way to get financial peace of mind without getting married or forming a civil partnership.”

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Fractured Bones Can Cause Long-Term Disability

If you sustain a broken bone in any kind of accident, it is very common to write it off as a minor injury, given that so many breaks heal with just immobilization. However, some fractures can cause serious long-term injuries, especially if they are not handled appropriately. If you have sustained broken bones because of someone else’s negligence, you may have a claim for your medical bills, lost wages, and other harm you might have suffered.

Causes & Types

There are two types of broken bones. The majority of them are closed or simple fractures (though there are subcategories of closed fractures), meaning that the bone does not penetrate the skin. These tend to be the most straightforward cases, though this is not always the case, especially when the fracture has splintered – this is called a comminuted break, and in these cases surgery is very often required in order to repair the issue. A smaller percentage of fractures are open or compound, and these are the breaks when the bone has penetrated the skin, leaving an open wound. These are prone to infection and are generally harder to reconstruct.

The majority of broken bones are caused by sudden trauma to the area, though overuse is also a common culprit. In elderly people, osteoporosis also accounts for a percentage of fracture injuries, but in younger people this is obviously far less common. Across all age groups, trauma is far and away the primary cause, whether in an auto accident, on a sports field, or even in the home, and if you experience that trauma as a result of someone else’s negligence or recklessness, it is often just for you to be made monetarily whole by the court.

Whose Negligence?

If you do decide to bring suit against the person who caused your fracture, it is important to keep in mind that you may still recover even if a jury deems you partially responsible for your own injuries. Florida law holds that the plaintiff can recover, but the amount will decrease proportionately to their own percentage of fault. For example, if the plaintiff is held to be 60 percent at fault for their own injuries, they still may be able to recover 40 percent of their expenses.

With fractures, it is also important that you make certain to sue the right defendant or defendants. It may sound silly, but because fractures can occur in so many different ways, the issue of what type of case to bring can sometimes be confusing. For instance, if you have broken bones due to slipping on someone’s floor, your attorney may want to bring a case under a theory of premises liability, while if you break a bone being struck by a car, your case may be brought most effectively under a theory of ordinary negligence. Having an experienced attorney can ensure that your case is brought correctly.

Contact A Tampa Fracture Injury Lawyer Today

Broken bones can be much more serious than one might think. If you have sustained a significant fracture due to someone else’s negligent conduct, you may be able to hold them accountable. The Tampa fractures attorneys at the Rinaldo Law Group will work hard for you and safeguard your interests. Contact us today for a free consultation.

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In the first week of the second decade of the third millennium, it was 68 and sunny southeast of Baghdad. At an outpost known as Contingency Operating Station Hammer, intelligence analysts for the U.S. Army sat at workstations in “secure classified information facilities” and combed through “classified significant activity reports.” Beneath the jargon was a clearer snapshot of the dawn of the 2010s: bored and exhausted young Americans, sequestered in sun-blasted warehouses on a patchwork battlefield, scanning terse bulletins about the execution of civilian informants, about shrapnel in the Green Zone, about the cooking pots and jagged wires that were used to make “improvised explosive devices,” which itself was a euphemism for “bombs.”

Back home, on Jan. 5, 2010, President Barack Obama was fuming about security lapses that allowed an al-Qaeda terrorist to board a flight from Amsterdam to Detroit with a bomb sewn into his underwear. And at COS Hammer, an analyst from dirt-road Oklahoma was starting to download classified reports onto wiped CDs, one of which was labeled “Lady Gaga.” The pop phenom’s single “Bad Romance” was playing everywhere in the United States. The song was about one lover’s desire to know the darkest parts of another. Chelsea Manning, then a private first class, was using Gaga as a decoy.

Among Manning’s downloads were grainy aerial videos showing the slaughter of civilians, plus cables and reports that breezed away the fog of war. Manning would sort, compress, encrypt and upload the purloined files to WikiLeaks, which would then publish “The Iraq War Logs,” comprising 391,832 such reports. It would be the largest leak of national-security material in American history. The logs would detail and dramatize a disastrous war that many Americans had lost sight of. Over the following decade Manning would be convicted of espionage and watch from prison as people labeled her a hero, a criminal, a martyr. But on Jan. 5, 2010, Manning was just an unknown 22-year-old, serving in a forever war, believing that her private transgression was in the public interest.

“I want your everything as long as it’s free,” Gaga was singing.

Information belongs to the public, Manning would later type, in an anxious message to a friend. “I just . . . couldn’t let these things stay inside of the system . . . and inside of my head.”

Two months after Manning sent that message, a software engineer named Mike Krieger uploaded one of the first photos to a new social media platform that would soon be called Instagram. It depicted a blurry, tilted view of a marina through a windowpane, and it was very uninteresting. But it was the start of something, and would acquire meaning in retrospect. Before the decade was out, Instagram would be sold to Facebook for $1 billion. By 2018 it would have over 1 billion active monthly users: influencers and voyeurs, joined in algorithm, in a system, snooping through artificial versions of themselves, scrolling and touching-up and liking and yearning to be liked. Cults developed — not of personality, but of image and lifestyle. Software learned what we desired, then fed us more of it.

At first you could filter a photo, soften the edges, make life seem a little less ugly in the pursuit of validation. Then you could tune your actual face, make it smoother, younger, plumper. This year a 20-something Brit named Levi Jed Murphy got a lip lift, brow lift and canthoplasty to reshape his eyes so that he became a living filter.

“Getting surgery so i spend less time facetuning my pics which means less time on my phone which results in my battery lasting longer,” Murphy wrote below a photo of his bandaged nose and bruised eyes.

At the end of the decade, users are still finding and commenting on that early crude photo posted by Krieger, as if they were visiting a World Heritage site, or scrawling on the Parthenon. “Where it all started,” one user wrote recently, and the “like” button became “more important than air and water.”

What, then, of this decade in the United States? It’s not far gone enough to be understood or encapsulated. It’s essenceless. We don’t even have a name for it. The 10s? 21st Century: The Teen Years? Where and when did it really begin — nearly a year early, on the steps of the Capitol, with the jubilant inauguration of Obama? Or on Jan. 21, 2010, when the Supreme Court unleashed an ocean of money into the political process? Do we mark the decade by its parade of 21 movies in the “Marvel Cinematic Universe”?

Maybe the only person who can tell us when the decade started is Beyoncé, who owned it start to finish, from Sasha Fierce to “Homecoming,” through debt-ceiling crises and Taylor Swift and Hurricanes Sandy and Maria and Harvey.

“Who run the world?” Beyoncé asked 27 times in that anthem.

“Girls” was the answer each time.

At the start of this decade, women became the majority of the U.S. workforce (they still earned 74 cents for every dollar men made). This decade, for the first time, a woman was nominated for president by a major political party — and won a clear plurality of votes in the ensuing election (she lost anyway to a man accused of sexual assault by more than 20 people).

Way back in 2006, an activist from the Bronx named Tarana Burke started using “Me Too” on her MySpace page, as a refrain for survivors of sexual assault. We weren’t ready to listen to her. The phrase needed this decade for ignition. It needed hashtags and Twitter’s “trending topics,” which was introduced in 2010 to divine, distill and advertise widespread outrage and appreciation. It needed an accused predator in the White House, an online culture of virality and solidarity, and women who were fed up with being ignored by institutions, with keeping their hurt inside their heads. They exposed the system that all of us are living in, via the platforms that those systems had built.

“Indelible in the hippocampus is the laughter,” said a woman named Christine Blasey Ford, under oath, to the Senate Judiciary Committee in September 2018. Her trauma — decades old, buried, personal — now belonged to the public.

Being alive in the 2010s meant seeing what America wants to be, and feeling what it actually is. It meant feeling a bit of uplift while on a downward slide. Our self-diagnosis was “late-stage capitalism.” It explained our wanton ennui. It explained why Dr Pepper dangled $100,000 tuition checks during halftime competitions at college football games. It explained why families in Congo are suing five American tech companies for injuries endured by children mining for materials that end up in our phone batteries. It explained why Amazon stationed ambulances at one of its stifling warehouses as its employees worked themselves into unconsciousness.

Amazon “is running a continual performance improvement algorithm on its staff,” a former Kindle marketer told the New York Times. (Amazon CEO Jeff Bezos, the richest person on Earth, bought The Washington Post this decade.)

We stream. We swipe. We can watch anything, hear anything, order anything. Instantly. It’s not enough. For all the early talk of hope, Americans are becoming unhappier, according to a recent United Nations report.

The current U.S. birthrate is the lowest in 32 years. In 2015 life expectancy began to decline for the first time in 60 years. Over this decade, addicts turned from prescription opioids to heroin to fentanyl; since 1999 the risk of death from drug overdoses spiked 909 percent for people ages 55 to 64. The largest relative increase in contemporary suicide rates occurred among children ages 5 to 14, according to a report in the Journal of the American Medical Association. This decade started in the wake of a Great Recession — followed by mass demonstrations against Wall Street and the 1 percent — and will end with the 400 wealthiest Americans paying a lower tax rate than anyone else. This decade, for the first time in human history, the concentration of carbon dioxide in the atmosphere exceeded 415 parts per million — exactly as Exxon predicted 40 years ago, before it began to promote climate denialism that remains alive and well.

What is going on here, America?

Being alive in the 2010s meant waiting to be slain with a gun, or waiting to hear that someone you knew had been slain. In an accident, or a drive-by. In an encounter with a police officer in suburban Minnesota, or with a neighborhood watch volunteer in a gated community in Central Florida, or on the streets of Ferguson, Mo. During a mass shooting: in a church, in a dance club, in an office park, at a country-music festival, a congressional meet-and-greet, a congressional baseball game practice.

“All my friends are dead,” said a 6-year-old girl after a shooting massacre at her elementary school in Newtown, Conn., in 2012.

“All my friends are dead,” said a 98-year-old man after a shooting massacre at his Pittsburgh synagogue in 2018.

“Push me to the edge,” sang young rapper Lil Uzi Vert in his debut album. “All my friends are dead.”

It has become very easy to revel in bad news, and very easy to block it all out. In this decade we finally awoke to the direness of climate change, and this has inspired both sweeping activism and contagious nihilism. There are now infinite ways to numb anxiety, to thwart boredom, to ratify your own beliefs and prejudices in defiance of reality. A planetary threat becomes a hoax. A constitutional investigation becomes a witch hunt. A coalition becomes a conspiracy. Change becomes loss, or a sense of loss.

As of 2014, Latinos outnumbered whites in California.

As of 2019, a majority of domestic-terrorism cases investigated by the FBI were related to white supremacy.

Millennials became the most populous generation this decade, but owned a seventh of the wealth that the baby boomers had at their age.

“It feels natural,” Chelsea Manning, her prison sentence commuted by Obama, told Vogue about her gender transition. “It feels like it’s how it’s supposed to be, instead of this anxiety, this uncertainty.”

“Ungrateful TRAITOR,” Trump tweeted about Manning, six months before announcing a sudden ban on transgender people serving in the military.

Donald J. Trump. How can a decade be intact when it was bisected by his campaign and election?

Trump started the decade as a waning TV personality, a donor to the Clinton Foundation, a bankrupt casino owner looking for validation.

Trump ended the decade as the 45th president of the United States, all-powerful but resentful, impeached but uncowed, calling the free press “the enemy of the people,” claiming that the Constitution gives him “the right to do whatever I want,” joking that he might serve more than eight years, making more than 15,000 false statements during his term, mortgaging an entire political party to pay for ego and revenge.

Maybe the decade didn’t start until he did — on Aug. 6, 2015, on a mild summer evening in Cleveland, when Trump was asked his first-ever direct question as a presidential candidate in a debate.

“You’ve called women you don’t like ‘fat pigs,’ ‘dogs,’ ‘slobs,’ and ‘disgusting animals,’ ” said moderator Megyn Kelly, as a giggling horror rippled through the crowd. Trump interjected, with a finger in the air and an entertainer’s timing.

“Only Rosie O’Donnell.”

The lusty hollering that followed — it’s worth another listen. It’s the sound of something coming apart, or cracking open. The laughter: indelible. The ugly: exposed. The system: shook.

“No, it wasn’t,” Kelly rejoined, but the train had left the station.

“Thank you,” Trump said, speaking instead to his new followers, who were throwing their heads back, lifting their hands in a strident ovation, caught in a bad romance.

Four years later, with nine days left in the decade, Trump spoke to hundreds of young Americans in West Palm Beach, Fla. The artifice was long gone.

“The Democrat Party is trying to shred our Constitution, tear down our history, erase the nation’s borders,” he told the summit of conservative college students, dressed in suits and red hats, another snapshot of the era.

“Build the wall!” the young Americans chanted. “Build the wall! Build the wall!”

A decade is a construction; maybe Trump is building the one we’re living in. He chose a plot where the bedrock of cruelty and prejudice was deep and sturdy, but where demographics were reshaping the beachfront. He promised lux amenities — a higher and higher stock market, a larger and larger military, a big and beautiful wall — that had hidden costs. He said “I alone can fix it,” and then he took up his sledgehammer.

He declared his candidacy in 2015; he might leave office in 2025.

Maybe the decade is not over at all.

Maybe it is only halfway through.


Main / Reel / How far do olympic long jumpers jump

How far do olympic long jumpers jump

The long jump is a track and field event in which athletes combine speed, strength and agility in an attempt to leap as far as possible from a take off point. Along with the triple jump, the two events that measure jumping for distance . It was commonly believed that the jumper would throw the weights behind him in midair to  Standing long jump - Bob Beamon - Women's long jump world - Triple jump. Access official results for the Athletics event long jump men at the Rio Summer Games Olympics, plus view video highlights of top performances. Access official Olympic photos, video clips, records and results for the top Athletics medalists in the event long jump men.

Similarly, American Bob Beamon held the long jump record of metres ( feet) from until , when it was broken by American Mike Powell, who leapt metres ( feet). Beginning in , the women's long jump has been an Olympic event. The running long jump, or commonly known as just the long jump, is a popular track and field event. Bob Beamon world record long jump at the Olympics ( meters/29 feet, inches), achieved at the altitude of Mexico City, was one of the great performances in Olympic history. What they don't do is jump longer. The performance of both male Why aren't long jumpers leaping as far as they used to? The most obvious.

Learn about the rules in place for the Olympic long jump. The sole of a long jumper's shoe can have a maximum thickness of 13 millimeters. the runway, accelerates to the take-off board, then jumps as far as he or she can. The long jump has been part of modern Olympic competition since the inception Lewis will go down as one of the best long jumpers and overall track . But, it is said that taking strides can lower the distance you jump, and it. 7 Oct - 2 min - Uploaded by sickoicko metres jump. Frieking crazy compared to my sissy jump. hahaha. Who started watching. Competitors sprint along a runway and jump as far as possible into a sandpit from The origins of the long jump can be traced to the Olympics in Ancient Greece, The men's event has seen some long-standing world records by US jumpers. The four longest jumpers in history are the same now as they were in , Lewis, a four-time Olympic long jump champion, doesn't totally buy this . say well, this is just not breakable and we can't go that far,” says Lewis.

I'm sure most of you would be familiar with the sport 'long jump'. The long jump has been a part of the Olympics since the ancient Greek times, and was sufficient velocity, jumps, landing in a sand pit, which is fitted with distance markers. Typically, in International track and field events, a long jumper has three attempts. The Superman technique is a jumping method in which the jumper dives more aerodynamic in this position, thus it could be a way to gain distance. While this form can be used in long jump, it is among the worst choices of. Results for the Rio Olympics Athletics Womens Long Jump. Group A. Rank, Country, Athlete, Distance, Qualified 12, CAN, Christabel Nettey, And the greatest long jumper who ever lived — and the foot jump that never happened — is at the . But he did win two more Olympic gold medals in the pursuit. . (And his immediate reaction was: Did I jump too far?).

Hundreds of long jumpers over the course of nearly five decades have Bob Beamon's Olympic long-jump record still stands nearly 50 years later .. That gap of meters is nearly as large as the distance Beamon himself added to . Theisen Eaton (CAN) competes in the women's heptathlon long jump. Lewis would win four straight Olympic long jump gold medals from Stones, then a high jumper, said long jumper Jason Grimes approached him “I remembering saying, I'm going to show Bob Beamon how far I can jump,” Powell said. Long jump also involves projectile motion and mathematics can be used to see of the long jumper, which isn't far from their belly button, starts approximately 1. The long jump is an event performed very much like the name implies: Competitors leap as far as they can in one long jump. The long jump national record for the United States is measured at the Junior Olympics track and field event.

(с) 2019 zijigidinyho.tk


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Think Principles Not Procedures

If we are training with the purpose of raising a Godly child who is marriageable and employable it is easy to get overwhelmed with all the things for which we need to prepare our child. Especially a toddler whose entire purpose it seems is to test the realities of the boundaries placed before him.
However, if in the early years we can “lump” those rules in to principles we want to teach it will be easier both to communicate and to remember. For example, the simple principle of listen and obey, covers a multitude of rules. Another principle such as being kind to others helps blanket another set of rules, like not hitting, etc. If we can come up with consequences and rewards for our set of “principles” then the task suddenly doesn’t seem so insurmountable. Process through the Godly principles you want to instill in your child. These toddler years are a great place to begin this training!

Listen to today’s podcast for more on the topic of toddlers.


Tenancy: Keeping Track of Rent and Bond

There are so many bits of paper involved in renting a house. Some of these can end up being worth thousands of dollars to you, so it’s definitely worthwhile knowing about what to keep and what to throw. If you might lose these pieces of paper, you could scan and email them to yourself.

Contracts and Leases
You should get a lease or contract outlining the conditions of the home you want to rent. This lease/contract should be written in English and signed by the landlord. It is also important that you know your landlord or agent’s full name, and where you (or the Sheriff) can contact them. Please read your lease / contract BEFORE you sign it. Regardless of whether you do not understand or agree to a clause in the lease/contract, if you have signed it, you are bound by its conditions. You should definitely keep a copy of your contract/lease.

You should get a receipt for any cash or bank cheques that you give to the landlord. Your receipt should have the amount that you paid, why you paid it (eg, bond, rent for February etc), and what the address of the home is. The landlord should also sign it. Again, it must be in English. If you have paid by a bank transfer you should still ask for a receipt. There are some situations where the landlord is not required to give you a receipt, but there is no harm in asking. You should definitely keep all of your receipts. It is not necessary to keep the bills themselves, after you have paid them and received a receipt.

Condition Report
The Condition Report is what you agree, with the landlord, as being the condition of the property at the time that you moved in. If there is damage to the property, beyond reasonable wear and tear, you will be liable to pay for its repair, unless it is noted in the Condition Report. In addition to the Condition Report it is a good idea to take photos of the property (eg, each wall, the floors, the oven, the windows, etc), showing any broken or dirty items, and email them to your landlord. This will “timestamp” those photos and will allow you to refer to them at a later date to show that whatever damage you are being blamed for, was already there when you moved in. You should definitely keep a copy of the Condition Report and the photos.

General Communication
It is a good idea to email your communications to the landlord. This will give you a record of the time and date that you spoke, plus what was said. If you have a telephone conversation with the landlord it is a good idea to send a follow up email that might reiterate the outcome of your phone conversation. It’s a good idea to keep these on your email account.

The first thing is to find the receipt that you received when you paid your bond. If you did not get a receipt, it will be difficult to prove that you did pay the money. After all, why would you hand a large sum of money to someone you do not know or trust, without getting a receipt. If you transferred the money or paid by cheque or money order there might be a paper trail. If you paid by cash in front of someone else, you might be able to ask them to be a witness for you. All of these options are not as good as a receipt.

The SRC has caseworkers trained in many different aspects of accommodation laws. You can email your questions to help@src.usyd.edu.au, or if you prefer a face-to-face appointment call 9660 5222 to book a suitable time.


Theory and Criticism
This thread has been discontinued by site administrators. No new additions will be accepted at this time.

XXIII UIA World Congress Torino 2008
The overall theme
The overall theme In 2002 at the UIA Berlin Congress, Torino was the first Italian city nominated to organize the 23rd UIA Congress based on the overall theme of "Transmitting Architecture". Architecture which communicates and is communicated, in all manners and in all locations, involving every aspect of a profession which deals, on a daily basis, with the quality of life, the landscape and the environment.
It is along these lines that the 21 members of the Scientific Committee are guiding all the activities of both the Congress itself and additional events.

It is the nature of Architecture to transmit history and culture.
It is the ethical responsibility of architecture and architects to conserve and valorize architectural and landscape heritage.
Defending an heritage is also transmitting to people, above all to the new generations.

Architecture is for everyone

Architecture often bears and architect's signature yet is always the result of a process of "several hands", a compromise.
The concept of urban democracy lies in this: in the modes, the bahaviors, strategies and politics that enable this compromise to be the best one possible and to sui the need even of the less heeded categories.

Architecture is for everyone

There is a need to transmit the values of environmental protection that architecture possesses when it builds good projects.
We want to transmit to future generation a world still habitable, possibly even fitter for habitation: ideating and creating eco-compatible designs is a specific responsibility of architects all over the world.

Architecture is for everyone
...first i have to read,
...will write about it...
Serdar Anlagan
XXIII UIA World Congress Torino 2008
The overall theme...
The overall theme...

Difficult to find catch or achieve, out away from the play.
A social theory favouring of action for individuals over collective or state control!
Self-centered feeling or conduct;

Never ending; incapable of being used up;

The moral principles governing or influencing conduct, spoken falteringly and with may mistakes as by a foreigner,
A chord in which the notes are played successively,
Something given or occurring in generous amounts:

The quality of a sound governed by the rate of vibrations producing it,
The degree of highness or lowness of a tone,
A section of a climb,
A form of words used to persuade or influence;
A swaying or oscillation of a ship, aircraft or vehicle around a horizontal axis perpendicular to the direction of motion with free rhythm and expression as much as desired,
An opponent!

A small dark falcon that hunts small birds,
Serving as a sign of indication,
To point out,
Denoting something in early stage of development!

Lower in rank, status or quality, a feeling of general inadequacy caused by actual or supposed inferiority, marked by aggressive behaviour or withdrawal, a heavy iron block on which metal can be hammered and shaped.

Not composed of matter, having no material existence. Take in or include as part of a whole, not able to be denied or disputed.

A small anvil-shaped bone in the middle ear, transmitting vibrations between malleus and stapes!

The speed of something in a given direction, any of the tubes forming part of the circulation system by which blood is conveyed from all parts of the body towards the heart.

A roof in the form of an arch or a series of arches, a secure room in a bank in which valuables are stored.

To roll, the increase in the volume of fuel on combustion in the cylinder of an engine or the piston stroke in which this occurs, make or become larger or extensive, strikingly colourful and unusual.

Conspicuously display on, celebrate or extol publicly,
A symbol or symbolic representation of;
Give a tangible part or visible form to,
Include or contain a constituent part,
Fix or become fixed firmly and deeply in the surrounding mass.

An unborn or unhatched off spring in the process of development,
Make known to humans by divine or supernatural means.

Rise up in rebellion!

A person who has returned especially supposedly from the dead,
An ascetic who was achieved enlightenment.

A position of the left or right of an object place or central point, either of the two halves of something regarded as divided by imaginary central line ;the time between consecutive meridianal transits of the first point of Aries, almost four minutes shorter than the solar day.

A star,

Surround with armed forces in order to capture it or force to surrender,
Surround and attack from all sides!

In addition to,
Apart from,
A groove holding the crystal of a watch or the stone of a gem in its setting!

A small radio device which beeps or vibrates to inform the wearer that someone wishes to contact them or that it has received a short message:
Bilaterally symmetrical,
Feathered, winged!

A dense layer of vascular connective tissue enveloping the bones except at the surfaces of the joints!

The nervous system outside the brain and spinal cord,
Occurring or performed at or around the time of an operation,
Allowing or characterized by freedom of behaviour.

A salt containing the anion MnO4�, deep purplish-red and with strong oxidizing properties, a way especially one of several possible variations in which a set of number of things can be ordered or arranged; change completely.

A person of a specified kind or having a specified role; a keeper!
Chooser of the slain!
A change in the magnitude of a property observed in passing from one point or moment to another!

Positioned in or relating to the sky or outer space,
Come or bring to end,
The stress at which a specific amount of plastic deformation is produced!

A rhombus or diamond shape, a charge in the shape of a solid diamond,
A large water lily now or formerly regarded as sacred,
A legendary plant whose fruit induces a dreamy forgetfulness and an unwillingness to leave,
A person given to indulgence in pleasure and luxury,
A warning sensation experienced before an attack of epilepsy or migraine.
Serdar Anlagan
XXIII UIA World Congress Torino 2008
CULTURE: ...THE PAST conserve and valorize architectural and landscape heritage.

The ratio of the magnetization produces in material to the magnetizing force,
Strengthen or support physically or mentally,
Keep going over time continuously,

The period between the creating and the end of the world,
Reckoned as 4320 million human years,
And considered as the day of Brahma!

A square building in Mecca,
The site most holly to Muslims,
Containing a sacred black stone,
Cover with a coping.

A Muslim student of sacred law and theology,
A former title for the ruler of Persia associated with Safavid dynasty,
Pure of religion,
The highest singing voice,
Extremely; severely!
Standing on its hind legs with the forepaws raised, as if leaping.

Sodium chloride, a white crystalline substance which gives seawater its characteristic taste and is used for seasoning or preserving food;
something which adds freshness or piquancy.

A varying unit of weight or liquid measure!

The smallest unit of weight in the troy and avoirdupois systems, equal to 1/5760 of a pound avoirdupois, approximately 0,0648 grams ;
A system of millions or billions of stars,
Together with gas and dust,
Held together by,
Gravitational attraction!

A break or hole in an object or between two objects,
A space interval,
Not subject to any limitation of power,
Shorten without losing the sense,
The beginning and the end!

Clean by brushing away dirt or litter.

Search or survey;
Cause to be made or done,
Have or hold within,
The principle of reason and judgement!

The word of God or principle of divine reason and creative order, identified with the second person of the trinity incarnate in Jesus Christ.

The life instinct,
Something hoped for but,
The death instinct,
Illusory or impossible to achieve!

An integument or membrane enclosing or lining an organ or part,
Any of the concentric layers of a plant bulb,
A covered passage with arches along one or both sides,
Encircle or secure with, a belt or band, having a level surface;
Without raised areas or indentations.

Let it be done!

A person of a specified spelling ability,
Strike, kill,
People claiming to possess special enlightenment or knowledge,
A means of lighting or source of light!

A token of something:
A red or violet dye obtain from lichen, used as a source of litmus,
A person subject to mystical experiences;
A member of a college;
The combination of qualities expected of an ideal knight,
Especially courage, honour, courtesy, justice,
And a readiness to help the weak;
The medieval forerunner of chemistry, concerned particularly with attempts to convert base metals into gold,
Or to find universal elixir;
Each of the centres of spiritual power in the human body usually considered to be seven in number!

Equivalent to the sum of
Three and four;
One more than six,
Or three less than ten:

An interval spanning seven consecutive notes in a diatonic scale,
The note which is higher by this interval than the tonic of a diatonic scale or root of a chord,
A chord in which the seventh note of the scale forms an important component,
Relating to or involving a conjunction,
A whole formed by combining several disparate elements.

Lamb of God!

A person highly educated or has an aptitude for study,
Having or showing sharp powers of judgement; astute,
To curse:
Evil in nature or character,
An immortal act considered to be transgression against divine law.

The placenta and fetal membranes discharged from the womb after a birth,
A remarkable thing making sudden appearance,
A container in which incense is burnt,
Done or acting at random or without careful judgment,
A favour or request!
Serdar Anlagan


Bad Idea
Lisboa 2nd January 2015

The bond between these artists serves as powerful force, driving them to challenge, critique, inspire and encourage each other. Diverse individual practices, running the gamut from painting, sculpture, photography and video to web-based, immersive, and participatory endeavours, fuel the group’s ability to tackle a wide range of artistic issues, both in content and form, with an electric energy. Their every pursuit is marked by the ineffable, beautifully sincere, and definitively riotous artists who are Static State.


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Dom, amor e dinheiro no futebol de espetáculo
Damo, Arlei Sander;
Revista Brasileira de Ciências Sociais , 2008, DOI: 10.1590/S0102-69092008000100009
Abstract: this paper aims at analyzing the tensions around love and money in the context of the spectacle soccer. initially, the different meanings of the gift are expressed as synonyms of talent and endowment in the context of the formation of the players. i shall also question the tensions coming from the fact that supporters, engaged in the spectacle from the belonging to a club, committing love and money in the system, while the athletes, in return feature their talents. a paradigmatic tension case on such relation is described and analyzed in the last part of the article.
Futebol e estética
S？o Paulo em Perspectiva , 2001, DOI: 10.1590/S0102-88392001000300011
Abstract: este ensaio pretende dar uma contribui？？o ao entendimento do esporte e, particularmente, do futebol no brasil a partir de uma perspectiva estética. desta forma s？o apresentadas e discutidas três categorias analíticas: o ritual disjuntivo, o "pertencimento" clubístico e a no？？o de jogo absorvente.
O desejo, o direito e o dever - A trama que trouxe a Copa ao Brasil
Arlei Sander Damo
Movimento , 2012,
Abstract: Este trabajo tiene como objetivo discutir los principales eventos, así como el papel de los agentes y de las instituiciones, que han hecho del Brasil el país anfitrión del Mundial de 2014. El objetivo es desvirtuar esta elección mostrando que el país no se ha establecido como sede simplemente porque la Federación Internacional de Fútbol Asociado (FIFA) tiene un sistema de rotación, o porque hubo una conspiración entre Blatter y Lula. Destaco el papel de la FIFA en ese proceso, tratándola como una agencia privada, lo que implica considerar sus demandas legítimas para beneficiarse con la Copa. Trato de mostrar como el gobierno brasile o fue seducido por las autoridades deportivas y por la opinión pública para respaldar la candidatura, pagando por ella un valor económico muy alto y contestado, además de arriesgarse de salir con su status malo por no ser la Copa un éxito.
Monopólio estético e diversidade configuracional no futebol brasileiro
Arlei Sander Damo
Movimento , 2003,
Abstract: El artículo tiene por objetivo criticar el monopolio temático ejercido por el fútbol profesional. Para hacer más clara esta argumentación serán presentados cuatro modelos de configuración donde la diversidad futbolística puede ser mejor visualizada y comprendida: el fútbol profesional (de espectáculo o de alto rendimiento), el fútbol de bricolaje (fútbol de improvisación, informal, etc.), el fútbol comunitario (fútbol amador, de barrio, de fábrica, etc.) y el fútbol escolar (institucional, disciplinar, etc.). La parte final del texto está dirigida al fútbol comunitario, con la finalidad de dar visibilidad académica para uno de los segmentos que la narrativa hegemónica ha encubierto, pero que es de gran interés para las Ciencias Sociales y para la Educación Física.
Produ o e consumo de megaeventos esportivos – apontamentos em perspectiva antropológica
Arlei Sander Damo
Comunica？？o, Mídia e Consumo , 2011,
Abstract: Este texto tem por objetivo mostrar que os espetáculos esportivos podem ser pensados como bens simbólicos convertidos em mercadorias. Para tanto, sugiro que se observe o aparato simbólico do clubismo e do nacionalismo, os dois principais circuitos de disputas no futebol. é no espectro desses circuitos que se produzem as identidades e alteridades que d o sentido aos jogos, para além da beleza ou torpeza das técnicas corporais. Procuro mostrar como a FIFA controla o circuito nacionalista, cuja Copa do Mundo é a mercadoria mais valiosa.
Cultura e Agência – o engajamento no Or amento Participativo
Arlei Sander Damo
Campos - Revista de Antropologia Social , 2008,
Abstract: This article is the result of an ethnographic research on the Participatory Budget of Porto Alegre, Brazil. It is based on the trajectories of the counselors of one of the 17 regions that compose the city, in attempt to understand the reasons that led them to engage in such a political activity and the order of their experiences along it. The broader objective is related to understanding the meaning of political participation; that is the reason why the viewpoints of the counselors, local leaders with a well-known political engagement in the Participatory Budget, are taken into account. Thus, this article stands for an attempt to cast light on the conditions of the acquisition of ‘agency’, as a modality of action in which the subject tries to carry out a personal project by assessing the strategies he/she avails. Therefore, the main question I pose is, precisely, about the objective and subjective processes that have to do with the agency and reputation of the Participatory Budget counselors.
Influence of Vernalization and Photoperiod on the Duration of Stem Elongation and Spikelet Fertility in Wheat  [PDF]
Osmar Rodrigues, Mauro César Celaro Teixeira, Edson Roberto Costenaro, Leandro Vargas, Rafael Damo
Agricultural Sciences (AS) , 2014, DOI: 10.4236/as.2014.514166
Abstract: A longer stem elongation phase (from the terminal spikelet-TS to the anthesis-ANT phases) increases grain production due to an increase in spikelet fertility. However, the mechanism behind the greater number of fertile flowers that occur when the duration of stem elongation is modified by photoperiod and vernalization is not fully understood. The goal of this study was to investigate the effect of combinations of photoperiod and vernalization on the duration of stem elongation and spikelet fertility in wheat. Thus, a greenhouse experiment was performed by subjecting 13 wheat genotypes to two vernalization regimes (V0—non-vernalized plants and V40—plants with 40 vernalization days) and to two photoperiod regimes (NP—natural and NP + 6—photoperiod extended by six hours), during the stem elongation phase. The natural photoperiod increased the spikelet fertility of eight cultivars without a corresponding increased duration of the TS-ANT phase, suggesting the existence of a direct effect of photoperiod on increased spikelet fertility. Vernalization increased the duration of the TS-ANT phase, without influencing spikelet fertility. There was genetic variability in the responses to photoperiod and vernalization.
Hydrous non-crystalline phosphates: structure, function and a new white pigment
Rosseto, Renato;Santos, ádamo C. M. A. dos;Galembeck, Fernando;
Journal of the Brazilian Chemical Society , 2006, DOI: 10.1590/S0103-50532006000800002
Abstract: hydrated non-crystalline inorganic solids are often neglected due to the limited comprehension of their complex physico-chemical and structural properties. however, these non-crystalline materials exhibit a rich and varied chemistry, interesting for scientific and technological reasons. this work reviews general aspects of formation of hydrated non-crystalline solids, with special emphasis on aluminum (poly)phosphate materials. precursors and concentration variations, temperature, ageing and reaction ph are trivial synthetic variables, but they promote the formation of a myriad of compounds adequate for many functions. amorphous aluminum phosphates are widely employed in different industrial applications, providing good examples of the potential of hydrous amorphous solids.
Influence of Air Temperature on the Performance of Different Water-Reducing Admixtures with Respect to the Properties of Fresh and Hardened Mortar
Wilson Ricardo Leal Silva,Luiz Roberto Prudêncio Jr.,Alexandre Lima Oliveira,Gabriela Damo,Eduardo Tochetto
Advances in Civil Engineering , 2010, DOI: 10.1155/2010/136768
Abstract: The performance of water-reducing admixtures used in concrete is affected by the weather conditions to which the concrete mixture is exposed. The most used WRAs are lignosulfonate, naphthalene, and polycarboxylate. However, they react differently to weather conditions, especially to air temperature. Therefore, it can be useful to evaluate how temperature affects admixture performance. In this study, the performance of three admixtures (naphthalene, lignosulfonate, and polycarboxylate) was evaluated at 15, 25, and 35°C by means of the flow table test, mixture air content, and compressive strength. Moreover, mixture temperature was monitored and time-temperature curves were plotted in order to assess whether the admixtures affected cement hydration reactions at different temperatures. The final results indicate that an increase in temperature leads to an increase in saturation dosage; lignosulfonate had the most pronounced retarding effect, followed by polycarboxylate, and finally, naphthalene, and considering the weather conditions in the area where the study was carried, the final finding would be that the naphthalene-based admixture had the best performance. 1. Introduction Over the past several decades, admixtures have increasingly been used to modify specific properties of concrete mixtures and to reduce costs. Such modifications often lead to an increase in workability, a reduction in water content, better control over setting time, and an increase in strength. Admixture effectiveness, with respect to both fresh and hardened concrete, depends on variables related to the cement, aggregates, and admixtures themselves, and also depends on external factors such as air temperature. Water-reducing admixtures stand out among the most used in concrete. They can be composed of various active ingredients, including lignosulfonate, naphthalene, and polycarboxylate. Such admixtures cause cement grains to disperse—and thus to have a plasticizing effect—through mechanisms of electrostatic repulsion and steric hindrance [1, 2]. Electrostatic repulsion, which explains how naphthalene and lignosulfonates work, is brought about by the adsorption of an (electrostatically negative) sulfonic group onto the surface of the cement grain, giving it a negative electrostatic charge. The predominance of negative charges on the surface of the grains leads to repulsion between particles, thus releasing the water that is held between them. In the case of steric hindrance, the mechanism that describes how polycarboxylates work is that the particles adsorbed onto the cement grain
Prevalência e prognóstico da peritonite bacteriana espontanea: experiência em pacientes internados em um hospital geral de Porto Alegre, RS, Brasil (1991-2000)
Coral, Gabriela;Mattos, Angelo Alves de;Damo, Danielle F.;Viégas, Ana C.;
Arquivos de Gastroenterologia , 2002, DOI: 10.1590/S0004-28032002000300005
Abstract: background: spontaneous bacterial peritonitis is a frequent complication that occurs in patients with cirrhosis and ascites and has a recurrence rate of 70% in 1 year. in addition, this infection determines a poor short and long-term prognosis and a shorter survival rate. aims: evaluate the prevalence of spontaneous bacterial peritonitis in cirrhotic patients with ascites and the effect of its occurrence on the survival. patients/methods: one thousand and thirty admissions of patients with cirrhosis and ascites were reviewed and 114 episodes of spontaneous bacterial peritonitis were documented in 94 patients. the ascitic analysis was accomplished in all patients. the diagnosis of this infection was established when the ascitic fluid polymorphonuclear count was equal or above 250 cells mm3. results: the prevalence of this infection was 11.1% and the mortality rate 21.9%. spontaneous bacterial peritonitis was community acquired in 61.4% and hospital acquired in 37.7%. the mortality rate was 18.6% and 27.9%, respectively. the infection resolved in 91.1% of the episodes by the analysis of ascitic fluid at 48 hours on antibiotics. the use of prophylactic antibiotics was documented in 22.3% of the episodes, but there are not significant differences on the mortality or type of bacteria isolated when comparing the patients with or without this treatment. conclusions: spontaneous bacterial peritonitis is a common complication in patients with cirrhosis and ascites and determines a worse prognosis, mainly when related with absence of initial response to antibiotics.
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Our travelers also share an inherent curiosity about the world and openness to what is different and unfamiliar. At Open Sky, we foster appreciation and respect for the local culture and people and the common humanity that connects us all.

Integrity is intrinsic to who we are and what we are about.

At Open Sky, we know that travel is much more than what you manage to take a picture of -- it is about really feeling a place, connecting with its people, listening to its stories, and allowing time for it all to seep in. Attuned to the nuances of exploration, we offer experiential travel that appeals to all the senses.

Balance is a guiding principle of our itinerary design. Our trips are not about running down a checklist of sights or packing an exhausting schedule into a short timeframe. Rather, our journeys are paced to allow travelers the opportunity to truly learn about their surroundings, make meaningful connections, and enjoy time for independent exploration. We approach each journey with the mind of an artist, intuitively considering all the colors in the palette, yet executing with the precision of an engineer.


The meat industry is a popular target to blame when we analyze the biggest contributors to global warming, but the belief that adopting a purely meatless diet to combat climate change may not be enough.

It makes sense to want to hold animal agriculture responsible for global warming, as livestock production is most commonly talked about for being a major source of greenhouse gas emissions. A common solution in response to these qualms is to radically cut meat from the diet altogether. However, focusing solely on converting to a plant-based diet detracts from some broader systems at work that play even larger roles in the climate crisis. Ultimately, consumers are given a privileged choice that they, of course, are entitled to make.

But informing ourselves about the way our current commercial food systems operate and their unsustainability, is far more important than villainizing meat consumption on its own. It’s better to opt for the promotion of better meat production practices, rather than cutting it out altogether. We can start by supporting our local food producers and gaining a better understanding of the way livestock needs to be raised.

There’s no denying that human activity is the sole perpetrator behind climate change, and along with it, completely unsustainable practices such as overpopulation and overconsumption of resources, according to a recent Stanford University report. As a result, an overwhelming amount of animal species are being lost to extinction, marking this particular time period as the planet’s

sixth mass extinction.

Nowhere in this report does it mention livestock production. This is likely due to the fact that grazing livestock depends entirely on coexisting with a number of wild animal species, and vice versa. The health of these ecosystems are compromised by the extreme biodiversity loss.

Lauren Stine, a farmer, writer and adjunct agricultural law professor at the University of Arkansas, aims to debunk the myths that are so often unnecessarily pinned on the meat industry. Stine is well known for her journalistic efforts regarding this topic, and has received notable recognition for her contributions to the documentary, “Sacred Cow.”

“Consumers are largely disconnected from our food system and how meat is produced,” Stine said via email. “This creates opportunities for companies to exploit that knowledge gap by saying things like cattle use the majority of agricultural land without also explaining that it is land that cannot be used

for crop production.”

Stine’s arguments coincide with the Stanford report delving into the serious matter of biodiversity loss. A balanced grassland ecosystem in which livestock graze relies upon ruminants, which are common grazing animals such as cattle, sheep and goats. Ruminants help to combat invasive species and

improve soil health.

“But it’s a lot easier to tell consumers that if they buy your plant-based veggie burger, the planet will be saved, than to sell them a different car or convince them to carpool to work, ride their bike more, [or] lobby for better public transport systems,” Stine said via email.

Adopting a meatless diet is not the cure-all solution to climate change—it just isn’t. While going meatless can certainly help cut back on emissions and combat overconsumption, some journalists, activists and exploitative fossil fuel-companies fail to consider the full scale of these issues, resulting in misunderstandings.

“A 2017 study showed that removing livestock completely would only reduce greenhouse gas emissions by 2.6%,” Stine said via email. “Without livestock, we wouldn’t have a way to upcycle some of our agricultural waste byproducts like corn

stover, for example.”

Crop production has its own significant role to play in the rise

of gas emissions.

“Consider the fossil fuel and heavy machinery input that goes into row crop production, spraying of chemical inputs like herbicide, and heavy fertilizer runoff that’s already compromised aquatic ecosystems,” Stine said via email.

Beyond that, meat is an important part of the human diet, as it provides specific kinds of protein, fats and nutrients. According to Professor Nathan Parker of Oregon State University, certain nutrients are most effectively absorbed by the direct consumption of meat itself.

“Certain animal fats are advantageous to human health, and some fatty acids cannot be synthesized by humans,” Parker said.

Fatty acids, such as omega-3, greatly contribute to the human body’s ability to perform cellular maintenance and repair, helping ward off common health issues such as cardiovascular

disease and inflammation.

“Vitamins [that supplement animal nutrients] are not as efficacious to the human body, as they are not as bioavailable as those directly consumed from meat

tissues,” Parker said.

Bioavailability is the extent to which a nutrient is available to be used and absorbed, meaning that vitamins, or synthetic forms such as pills, gel caps, and gummies, may not always be able to provide the body with the dose one takes.

Despite its benefits to overall human health, meat and its production generally gets a bad rap in the media, deterring from more damaging systems like the fossil-fuel industry.

But ultimately, no. Meatless diets are not the cure-all solution to climate change. A more effective and practical response to the climate crisis would be to scrutinize the way we use fossil fuels and to adopt

better everyday practices.

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How To Handle Disobedience: For Dominant Women

"My submissive won't do what I want!"

This is a common complaint, especially for new femdoms. This guide will help.

Whether your submissive forgets to do things you've asked of them, or doesn't complete tasks you set, or thinks it's fun to disobey, or outright says 'no' when you ask something of them, this guide is for you.

As a new Domme, disobedience can shake your confidence and leave you struggling because you just aren't sure what to do. Maybe you've tried a bunch of things to get your dynamic back on track, but it hasn't worked out as you'd hoped.

This short, sharp, practical 'How To' femdom guide is for you.

Discover why your submissive disobeys, what makes them obey, and how you can build a dynamic that makes them fall over themselves to obey you.

Far past the basics of building a relationship where obedience is a given, this guide presents an actionable strategy for handling your submissive's disobedience: SLAPS*.

SLAPS is an acronym that describes 5 practical steps that will not only help you handle your submissive's disobedience, but that will also strengthen your dynamic while you're at it.

S - Seek Clarity
L - Listen
A - Agree
P - Punish (optional)
S - Start fresh

SLAPS is not just going to help you deal with an instance of disobedience, but will help you use the experience to better understand your submissive, to improve communication, to increase intimacy, and to make your dynamic and your relationship better.

The toolset and strategies in this guide reach wider than simple disobedience and you can apply them more broadly to help improve your relationship, but at its core, it's about helping you handle your submissive's disobedience.

*This guide contains no actual slaps!

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Chickpea and orange salad

Chickpea and orange salad

Total: 25 Min. | Active: 25 Min.
vegetarian, lactose-free, gluten-free, healthy and balanced
Nutritional value / people: 279 kcal
, Fat: 12 g
, Carbohydrate: 32 g
, Protein: 11 g

4 people

Betty Bossi Koch-Center

1tsp herb mustard
2tbsp herbal wine vinegar
3tbsp sunflower oil
1 garlic clove, pressed
4tbsp flat-leaf parsley, finely chopped
salt and pepper to taste
2tins chickpeas (approx. 400 g each), rinsed, drained
3 oranges
salt and pepper to taste
Purchase ingredients now

How it's done

Mix together the mustard and remaining ingredients with the parsley, season the sauce. Roughly mash one third of the chickpeas with a fork, add to the sauce with the remaining chickpeas. Cut the peel off the oranges down to the flesh, quarter, slice crossways, add to the salad with the juice, season.

Filleting citrus fruits

Filleting citrus fruits

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Body Language Exercise

Second semester has started, and a new rhythm with it. Gone are the days where every key pose and breakdown needed for a piece of animation was provided for.

We now use our own stories and create the animation from top to bottom. It feels like I have been dropped in the ocean and can barely swim. Thankfully, I do know in which order to proceed.

To animate a body language change, I first filmed myself in the act I wanted to reproduce.

My character, Count Drunkula, is trying to open a jar of eyes. A huge jar. He tries twisting it. It does not work. He tries clinging on to it to twist the top. Still does not work. He takes a step back and thinks about it.He then pushes himself all the way back to defeat this lid. Still is not working. He takes a step back again. This time, he is not happy and starts tapping his foot on the floor as a nervous rictus to try and calm himself. His arms are crossed, his brows furrowed. That’s it. He takes the jar and gets mad. He falls on the floor with it and takes it into a deadly embrace. He rolls from left to right, his arms and legs desperately crossed around the jar, grasping to open it.

However, the acting in my video was not exaggerated enough for my taste. So I to draw the key poses with the scene I had in mind. The movements are exaggerated and the scene may bit too long.

The second step will be to draw the breakdown , then the in betweens and finally clean the scene.

I ideally want to add later on another character. Grollo, Cound Drunkula’s monster pet, would arrive walking like a chameleon, sit on his bottom on the floor, pick up the jar and lift the lid easily with his tail. But this story is for later on.

4 Legged Walk and Run Research

When the first semester ended, we were left with an assignment that both excited me and scared me. Directly after finishing studying 2 legged walks, which I still struggle with, we attacked 4 legged. Twice the number, 100 times more difficult.

The thing is I made my life even more complicated when choosing the animals. I did not want to animated the standard horse or normal dog, or even stick to one animal, noon, I created my own. I started looking at animals, wondering which I would like to animate walking, which I would like to animate running. Quickly I was drawn to Anya Stasenko and Slava Leontyev small sculptures.

They mix animals to create all new creatures. From then on, I knew I wanted to create a derivative of some kind of rat. The story bloomed from there. I decided to create pets for my mad scientist character, Count Drunkula. Obviously, Count Drunkula would have made experiments on weird rats such as the capybaras. That was the primary shape. But then, looking at the shape, I thought it would create quite the character to have crossed with a chameleon. “Grollo”, as I later named him, will walk like a chameleon, in a circular, slow manner, and have eyes and tail like a chameleon.

I thought this pet might feel alone and weird. So I created its opposite: the cutest dog you can think of, a corgi. “Corgi” is a normal cute corgi whom wishes he was more scary, like Grollo. So Count Drunkula gave him a scary collar and googly eyes. The contrast between Grollo and Crogi makes them quite the pair.

I then drew the animals and their respective bones to know how they will move.

I have been studying their walks and habits for weeks and hope to be able to translate this, plus the character I gave them, in this small piece of animation.

Lion King

On November 24, I was lucky to go and watch the “Lion King” musical Lyceum Theatre in London. The piece was visually so beautifully crafted that it inspired me.

I was so amazed to discover the many ways they translated this motion picture into a theatre piece. Lion King has always been one of Disney’s Legends, but also I believe, one of the hardest one to translate into a live show. Between the animals and the sets, it was hard to imagine how they could create it. Then, the show started. And everything was alive. The stage moves, the grass is personalized by people, the masks are animated, the visions projected and the puppets are mechanized.

The use of puppets and masks was very predominant and got me really curious about the process.

I went on to watch a small documentary about the puppet and costume section of the show and was surprised to discover the little mechanics in each prop.

YouTube Preview Image

It is hard for me to get curious about the works of a play but this really broadened my interest in puppet and props. The art that goes all around it is fascinating.

Student Presentation

To produce my student presentation I was inspired to choose characters that I grew up with and mattered to me. Asterix and Obelix have been my childhood companions and its creators, Goscinny and Uderzo followed a path very similar to me. From illustration to animation, they brought their characters to life with some much humor and truth, there was no other animators I could have chosen.

Uderzo was born in 1927 in Fishes. He was born daltonian so most of his work was inked by other people including his brother Marcel on Asterix.

It’s from reading Mickey Mouse that he comes across comics. From then, his passion for Disney develops and he dreams of working as an animator.

Uderzo starts showing talent from the age of 12. At this age, he starts drawing characters with big noses which will become his signature style. He starts his career as an illustrator in many newspapers and books.

In 1945 he works as an in betweener on a short film and is so disappointed by the result that he decides to give up on animation.

His influences are Walt Disney, more specifically Mickey from Floyd Gottfredson, but also realists illustrators from the american strips golden age such as Alex Raymond, Leonard Starr or Stan Drake.

That’s how in the 50s, Uderzo develops a realistic style, with deep precision and fine inking as shown in his comic “Tanguy and Laverdure”.

Goscinny was born in 1926 in Paris. His family moved to Buenos Aires where he spends his childhood.

Very early on he develops an interest in cinema and animation, from peplum to western to musicals. He is fascinated by Walt Disney and his movies such as Mickey, “Snow White and the Seven Dwarfs” and “Pinocchio”.

He wants to be an animator and goes to New York after the war in hopes of meeting and working for Walt Disney. Problem is, the Disney studios are in California, not New York, and even though Goscinny illustrates his own stories, his drawings are not good enough.

In 1951, Goscinny and Uderzo are sent to the World Press offices in Paris to work on the same project. That is where they meet. They are 24 and 25 years old.

They immediately start working together. Uderzo draws, Goscinny writes. Their first character is “Ompah-Pah”, a native american hero that fails to find success in France or the US.

In 1959, they create the magazine “Pilote”, a magasine to publish comics for kids, embedded with french culture.

During a mi-august afternoon in 1959 in Bobigny, when it is very warm and the two friends have been drinking pastis, they are brainstorming on new characters. They want a very french story. Goscinny tells Uderzo: ” Give me the times that marked french history”. Prehistory and cro-magnon have been done. But not the Gauls. In 15 minutes they had the story. They make extensive researches about the time in history books and painting.

They come up with the basic idea: a small village during roman occupation, a bard, a druid, Caesar,… historical cliches that every french person knows and can relate to.

On October 29, 1959, the first story about Asterix, their new gaul hero, is out in “Pilote”.

It’s a success and only two years later, in 1961, the first Asterix comic book, “Asterix the Gaul” is out.

The story of Asterix is about the adventures of a small village of indomptable Gauls as they resist the Roman occupation in 50BC. They do that thanks to their druid who created a magic potion that gives temporary strength to anyone who drinks it. We mainly follow Asterix and Obelix as they go on adventures and come back to the village to have a banquet and tell their stories.

Asterix is the main character. Goscinny describes him “ugly but clever enough to make it”. He was made very short to accentuate his comical character. His head is as big as his body. His blond hair and mustaches are characteristic of the Gaul ancestors while his big nose is Uderzo’s signature style.

Obelix was created to balance out Asterix. He is tall and has mustaches like the Gauls. He was made round to be the exact physical opposite of Asterix. The story says he got this physique from falling into the magic potion when he was a kid. His arms and legs are so short he cannot cross them.

Asterix and Obelix were created as antithesis from the 1950s superheroes like Superman. They are not good looking and they have flaws. Flaws characteristic of the french people. For instance, Asterix gets angry easily, just like the french.

Asterix is a hit. 34 albums (24 in the first 20 years), translated into 107 languages and dialectes, 11 movies, a theme park, 100 thesis, hundreds of by products and 325 millions of sold albums.

In the 60s, Uderzo has to give up all his other projects to focus exclusively on Asterix.

The first movie comes out in 1967, only six years after the first publication of Asterix. The movie is put on the works by Jean Dargaux, an associate of Uderzo and Goscinny. In the 60s, Jean Deloux, a researcher in television finalizes the animographe which is a machine that was invented to develop fast and cheap animations for advertising for instance.

Its optical system allowed to animate 1 to 8 drawings per second instead of 24 while still keeping fluidity..

Margaux develops “Asterix the Gaul” without telling Goscinny and Uderzo. They discover it at a private screening and do not approve. They want to shut it down but it is too late, cinemas are already interested. The movie comes out on December 13, 1967 in 60 cinemas. It is a hit, the movie makes 2 500 000 entries.

While this movie is out, Uderzo and Goscinny learn another movie is in the works. They shut it down and tell Dargaux to make an animation they could at least supervise artistically.

That is how “Asterix and Cleopatra” comes out. Uderzo draws the storyboard and Goscinny writes the scenario. The movie requires more than 150 people working on it for 8 months. It has more than 5000 drawings and 300 backgrounds.

In 1974, Uderzo and Goscinny create “Studios Idefix” in order to control the quality of the cartoon adaptations of Asterix.

At this time, animation in France is a flop. There were no successful animation movies since Paul Grimault. The search for animators is complicate, skills are lacking. At this time, people learn by themselves.

Uderzo and Goscinny have two ideas: first, they decide to recruit a team of animators employed in small structures that will be happy to find the mood of a real studio. Second, they ask the Chamber of Commerce and Industry of Paris to create and support with them an animation section at the Gobelins.

The first movie they make is “The 12 Tasks of Asterix”. Goscinny writes and original scenario and describes every camera angle. He is the director. Uderzo makes the storyboards.

Production starts in autumn 1974 and the movie comes out on October 20,1976. Once again, the movie is a success.

However, the bliss is short lived. In 1977, Goscinny dies of a heart attack. “Studios Idefix” closes and it takes Uderzo years to draw again and more than 10 years for a new Asterix movie to come out.

After those three first movies, and despite Goscinny’s death, the audience asks for more.

After “The 12 Tasks of Asterix”, “Asterix and Caesar’s Surprise” comes out in 1985, then “Asterix in Britain” in 1986, “Asterix and the Big Fight” in 1989, “Asterix and the Indians” in 1990, “Asterix and the Vikings” in 2006 and finally “Asterix and the Mansion of Gods” in 2014.

This is a late start for 3D. The reason being Uderzo was scared 3D would not render his characters properly. It took Louis Clichy (a Gobelin Animation alumni) and Alexandre Astier to convince him to let them work on the project.

The 3D movie required 4 years of work and a team of 20 people in a studio in Charleroi. What makes this movie different is the process. The movie was voiced first before any image was produced. This allowed the actors to give as much personality to the voices as they wanted.

YouTube Preview Image

Here are my references for this research:

What is Animation?

Third Week of Character Animation

I have officially survived my third week in Character Animation. I can feel the rhythm picking up now and I am trying to follow.

Between life drawing, 2D, TVPaint, Maya, movie project, student presentation and blog, I am trying not to loose myself. It is so many things to learn at once. I take notes, I stay attentive, I plan and I practice.

The hardest for me was to survive the 3D Maya class. I came here with no knowledge whatsoever of animation, and even less of computers. I was truly lost like I had never been before. It is new for me. I am usually on top of things, I plan perfectly and I dont stress about my work.

However, I felt distressed during this week’s classes. I wondered if I fit in this program after all. And what if I fail? After everything I gave up to come here. Thankfully, I am very lucky to have incredible classmates who nicely agreed to help me. Those with a TVPaint and Maya background helped giving me advice and tips after classes on how to use those programs. But that is not all, they also gave me comfort.

I believe that if I work hard enough, and if I ask for help when I need it, I can make it.

So let’s just see how I get on.

Shadow Puppet Animation

The first Wednesday of the term, wednesday 4th of october, we were put into groups to deliver a shadow puppet animation in a few hours.

Very challenging project although very interesting. Trying out different forms of animations gives ideas, inspires and develops new skills. I also really enjoyed collaborating with people, exchanging ideas and creating with them. It’s like we are good separately but deliver stronger work together. We directly got our story into path and everyone created a character that would appear in the story.

We got along so well and everyone was adding beautiful ideas into the project. I think that is why the final result, even though short and hurried, was interesting and visually attractive.

First Try at Animation

Working on my first piece of animation was  very challenging. Being very passionate about character design, I decided to try an easy head movement and insert some emotions into the animation. This meant moving different parts at the same time while creating a character.

I started making researches about bears and how their emotions can be expressed. I also researched head movements.I wanted to make sure I would correctly portray what I had in mind. I enjoy creating cute and funny characters, so next, I created a character sheet with how I though the rough key poses would be. My idea was a fat bear moving his head from left to right, going from depressed to happy.

I estimated this movement would take one second.It is then 24 frames and I will try animating on twos. I then timed it, and separated the frames. As the head goes down when it moves from side to side, I estimated my breakdown would be at frame 20. The head will move slowly at first, faster in the middle and slowing down when reaching the other side.

Ready to start, I put down the first frame and drew.

That is when it got real. You do not understand the difficulty of the task as much as when you start doing it. Stress. Stress. Mental distress. Drawing, erasing, throwing away, flipping, flicking, dying. But I want it right and fluid, so I go back and forth, I put in the hours and hopefully it works. The more I practice the more I learn. Research and practice. Keys.