Another protest involved the so-called "Walls of Shame," where 15-meter-high (50-foot-tall) canvases bearing photographs of spokespersons for the dictatorship were hung in public, along with an invitation to leave a message for them. As Vich explains: These performances aimed to build a new kind of citizen and sought, from out in the streets, to construct a new understanding of country and memory.
«Эти выступления указали на формирование нового гражданина и стремились выработать — там, на улицах — новое значение для нации и памяти».