This is hard to understand, since 15th - and 16th - century viewers, according to Jesuit scholar Herbert Thurston, “describe the impressions on the shroud as so vivid in detail and colouring that they might have been quite freshly made. ”
Seda on raske mõista, sest jesuiidi õpetlane Herbert Thurston ütleb, et 15. ja 16. sajandi vaatlejate kirjelduste kohaselt olnud ” surilinal oleva kujutise detailid ja värvid nii selged, nagu olnuks pilt alles äsja valminud ”.