Detroit's music had hitherto reached British ears as a subset of Chicago house; Rushton and the Belleville Three decided to fasten on the word techno – a term that had been bandied about but never stressed – in order to define Detroit as a distinct genre.
Detroitská hudba až doteraz dosiahla Britské uši ako verzia Chicago housu; Rushton a Belleville Three sa rozhodli držať sa slova techno – za účelom určenia Detroitu ako jednoznačného žánru.