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{"sample_id": "sample_141920_chunk_1", "image_path": "data/training/splits_510k/images/base/sample_141920_chunk_1.png", "context_prompt": "[Image: sample_141920_chunk_1] + \"\nFree OCR.\"", "generated_text": " to the band's previous work, saying that \"it's not a bad album, but it's not a great one either. It's not a bad record, but it's not a great one either.\" He also said that \"the band is still a great band, but it's not a great one.\" In a review for The Guardian, David Jeffries said that \"the band's new album is a bit of a disappointment, but it's not a bad one either. It's not a great one either.\" In a review for The Independent, Jon Pareles said that \"the band's new album is a bit of a disappointment, but it's not a bad one either. It's not a great one either.\" In a review for The Observer, Jon Pareles said that \"the band's new album is a bit of a disappointment, but it's not a bad one either. It's not a great one either.\" In a review for The Times, Jon Pareles said", "ground_truth": " negatively to Death Cab for Cutie's earlier work, writing \"...even when the band revisits past glories on Codes and Keys' few highlights, Death Cab weirdly sound like they are imitating themselves.\" No Ripcord gave it a score of five stars out of ten and said that \"Despite the occasional flashes of brilliance, Codes and Keys often feels like a half assed attempt at innovation.\" PopMatters' Evan Sawdey gave the album a very negative review, writing, \"this is the sound of Death Cab at their most generic, disjointed, and disinterested. It's a hard pill to swallow, but the truth is this: Codes & Keys is the worst album of their career.\" Tiny Mix Tapes gave it two stars out of five and said the album was \"littered with PDA for Gibbard's new celebrity wife Zooey Deschanel, but this especially garish monument to his muse would have been better placed on one of her She & Him album", "generation_tokens": 200}
{"sample_id": "sample_170543_chunk_2", "image_path": "data/training/splits_510k/images/base/sample_170543_chunk_2.png", "context_prompt": "[Image: sample_170543_chunk_2] + \"\nFree OCR.\"", "generated_text": "aternity and sorority life, but it has a long history of fraternity and sorority life among Native American students. The first fraternity and sorority on campus was the Alpha Kappa Alpha sorority, established in 1908. The first Native American fraternity and sorority on campus was the Native American Student Association, established in 1970. The Native American Student Association was the first Native American organization on campus, and the first Native American sorority and fraternity on campus. The Native American Student Association was the first Native American sorority and fraternity on campus, and the first Native American sorority and fraternity on campus. The Native American Student Association was the first Native American sorority and fraternity on campus, and the first Native American sorority and fraternity on campus. The Native American Student Association was the first Native American sorority and fraternity on campus, and the first Native American sorority and fr", "ground_truth": "aternal organizations in drawing motifs from an idealized past but it was unusual among college honorary societies in its use of Native American themes. White Americans had been masquerading as Indians for various purposes since before the American Revolution. The colonists who posed as Mohawks in the Boston Tea Party of 1773 are only the best remembered of many Americans of the colonial and early national eras who rebelled against authority in Indian costume. A few groups evolved into political organizations, such as the Tammany societies of Philadelphia and New York, named for a Lenape [Delaware] chief named Tamanend. Other Indian-themed groups were purely fraternal, such as the Society of Red Men and its successor, the Improved Order of Red Men. Members found community and camaraderie in gatherings that partook of secret rituals, names, hierarchies and costumes drawn from European-American depictions of Native American life \u2014 all elements that would characterize Michigamua from its origins until the late 20th century.\nFor inspiration, members of", "generation_tokens": 200}
{"sample_id": "sample_107152_chunk_9", "image_path": "data/training/splits_510k/images/base/sample_107152_chunk_9.png", "context_prompt": "[Image: sample_107152_chunk_9] + \"\nFree OCR.\"", "generated_text": " be defeated by Oga's shadow. Oga is then revealed to be the Shingetsu's master, and is killed by the Shingetsu's master's shadow. Oga's shadow is then revealed to be the Shingetsu's master's shadow, and is defeated by the Shingetsu's master's shadow. Oga's shadow is then revealed to be the Shingetsu's master's shadow, and is defeated by the Shingetsu's master's shadow. Oga's shadow is then revealed to be the Shingetsu's master's shadow, and is defeated by the Shingetsu's master's shadow. Oga's shadow is then revealed to be the Shingetsu's master's shadow, and is defeated by the Shingetsu's master's shadow. Oga's shadow is then revealed to be the Shingetsu's master's shadow, and is defeated by the Shingetsu's master's", "ground_truth": " find Oga already there and be badly beaten again. They are nevertheless taken in by Kunieda's grandfather and begin their training alongside Oga, in what seems to be a temporary truce.\nKotaro Mikagami wears a jumper with a hood and several piercings and rings. He is able to pull several punches of great strength in a matter of seconds. He later develops a crush on Aoi Kunieda, exploited in the story for comedic effect.\nUnsho Onizuka is very heavily built and relies on sheer strength to overcome his opponents. He and Mikagami are defeated by Oga in one punch.\nKosei Kuroki is a plain skinhead who wields a three-section staff. He is able to repel an attack from Miki, but is later defeated by his Black Owl Killer.\nTakumi Dezaki is a bespectacled, homosexual man and a very capable fighter who deals a heavy blow on Miki. He is not", "generation_tokens": 200}
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