Category Archives: Irish
Etymology: "Jealously" or "Passion"
Also known as: Adaon, Aedín, Aideen, Echraidhe ("Horse Rider"), Éadaoin (modern Irish), Edain, Etaoin, Éadaoin
Epithets: Bé Find ("Fair Woman"), Shining-One
Pronunciation: "Ay-deen"
Etain is a figure from Irish mythology, her story involves a lot of unwanted transformations from a jealous Fuamnach and different suitors trying to win her. Etain is noted for her extreme beauty among the fae or sidhe. She is best known as the heroine found in the "Tochmarc Étaíne" or "The Wooing of Etain."
Animal: Butterfly, Dragonfly, Fly, Horse, Swan, Worm
Element: Water
Planet: Sun
Sphere of Influence: Beauty, Healing, Irish Sovereignty, Music, Rebirth, Transformation, Transmigration of Souls
The lineage for Etain can get confusing. When seeing that Etain and the name's many variant spellings could be the names of other characters, then it could be a matter of which Etain are we talking about?
Ailill – In the Tochmarc Étaine, Ailil, king of Ulaid is Etain's father.
Etar – In the Togail Bruidne Dá Derga ("The Destruction of Da Derga's Hostel), Etar is Etain's father.
Eochaid Feidlech – In the Tochmarc Étaine, Eochaid is the High King, he is Etain's mortal husband whom she marries after being reincarnated. In the Dindsenchas poem, Rath Eas, Eochaid's last name is given as Airem.
Midir – In the Wooing of Etain, this is Etain's husband when she was in Tir na Nog.
Ailill Angubae – By some accounts of Etain's story, she was really in love with Ailill, Eochaid's brother. Not to be confused with the Ailill, King of Ulaid, who is her father.
Dian Ceacht – Etain's daughter when she is married to Oghma.
Étaín Óg – Etain the Younger, she is Etain's daughter when married to Eochaid Feidlech. Etain Og will go on to marry Cormac, the King of Ulster and have a daughter by the name of Mess Buachalla. Mess Buachalla will go on to marry High King Eterscel and be the mother of Conaire Mor.
Oghma – The Irish god of Writing, in some version, he is Etain's husband.
Tochmarc Étaíne – The Wooing Of Etain
This is one of the oldest stories found in Irish mythology. There is another story that mentions Etain, the "Togail Bruidne Dá Derga" or "The Destruction of Da Derga's Hostel."
For now, we're going to cover: "The Wooing of Etain." It begins not with Etain, but with Midir and his first wife, Fuamnach. They were happily married and raised among their own children, Oengus or Aengus Óg (a Love god, some sources try to say he's a sun god too) as a foster son.
For a little further context and background, Oengus is the son of Dagda, Midir's brother. So really, Midir and Fuamnach are raising their nephew.
Like all children, Oengus grew up and moved out on his own. Midir decided one day that he would go visit his nephew. While visiting, an incident happened, involving some holly and Midir was blinded in one eye.
Even though Oengus heal's Midir's eye, Midir still seeks compensation for the injury that occured while visiting as a guest. As Oengus is the God of Love, he gets his Uncle the most beautiful woman in all of Ireland and Fairy, Etain. On seeing her, Midir is instantly in love and he takes her home with him.
It should come as no surprise, that once the two are home, that Midir's wife, Fuamnach is angry, jealous even. How dare her husband bring home another woman, even if said woman is either a mistress or second bride and this is allowable, it's the jealously and anger of a far more beautiful woman getting her husband's attention.
Rather than take out her ire on Midir for this insult, Fuamnach takes it out on Etain. Fuamnach is a powerful sorceress in her own right. An enraged, Fuamnach conspired to cast a series of dark spells on Etain. The first one turns Etain into a pool of water. Another spell turns Etain into a worm or snake. Then finally into either a butterfly or dragonfly.
Changed to this new form, Etain's wings hold the power that water that dropped from her wings would cure disease and the humming of her wings was soothing to those who heard it. Even in this strange new form,
Depending on the story told, Midir either does or doesn't recognizes Etain. Regardless of which way the story goes, Midir spends all of his time with his butterfly companion and eschews the company of other women.
This only further enrages Fuamnach who sees that the two lovers are still together. This time, she conjured up a great gale of wind that drove Etain out of Midir's house and to be lost at sea.
Etain is lost for seven years being buffeted about by the sea winds before at long last finding her way back to shore where she lands on Óengus' clothing. Óengus does recognize that the butterfly is Etain. As he and Midir are currently feuding with each other, Instead of returning Etain, Óengus makes a small portable butterfly house that he carries around with him.
Eventually Fuamnach learns that Etain is with Óengus and she sends another wind that once more blows Etain out to sea to be lost for another seven years.
That is a long time to be lost at sea, not just once, but twice. Exhausted by her ordeal, Etain finds herself coming to rest on the roof of a house where people were gathered, enjoying a feast.
Drawn by the warmth from within, Etain flew closer to the sounds of merriment. However, in her state of exhaustion, she flew into goblet of wine and was promptly drunk up by Etar, the wife of a wealthy Ulster chieftain.
This is how Etar becomes pregnant with a reborn or reincarnated Etain. The catch being, that as with all reincarnations, a person doesn't remember who they had been in a previous life. So, a newly reborn Etain grows up as the daughter of a wealthy chieftain.
The Tochmarc Étaine notes that some one thousand and twelve years have passed since Etain's first birth back in Tir Na Nog, Fairy Land. Just as she had been before, Etain was once again the most lovely and beautiful woman in all of Ireland. The gifts of love, generosity and kindness were all held to be hers.
One day, Etain is out with her handmaidens at a well when they spot a man on horseback coming their way. This man is Eochaid, the king of Ireland. As soon as Eochaid lays eyes on Etain, he is immediately taken with her and asks Etain to be his Queen.
Naturally Etain is flattered and this is an opportunity. Love or not. Power or not. Etain agrees to marry Eochaid and a wedding follows soon after.
Complicating matters, Eochaid's brother, Ailill Angubae has also in love with Etain and he pins away for her. As he is dying, Ailill confesses his love to Etain. To save him, Etain agrees to sleep with Ailill.
Right then….
Enter Midir back into the story, who casts a spell on Ailill so that he falls asleep and misses his tryst with Etain. When Etain does go to meet up with Ailill, she does find a man who looks like Ailill, but it's not, it's Midir in disguise. Thrice Etain tries to meet up with Ailill and keeps meeting up with the imposter, Midir who finally reveals himself to her on the last time.
Midir tells Etain of her previous life in Fairy as his wife, trying to get Etain to return with him. For Etain, this is a problem, she's been reborn as a mortal and is married to Eochaid. She won't leave her current husband unless Eochaid allows her to.
The good thing that comes out of this encounter is that Ailill is no longer pinning away and dying for lack of love over Etain.
A goal and mission in mind, Midir sets out to meet Eochaid. Coming as himself, Midir offers to play a boardgame called fidchell. As other versions of this story say that it's chess that the two play.
For the first game, Midir makes an offer of fifty horses as the stakes. Eochaid accepts and wins with Midir graciously offered prize. Midir now challenges Eochaid to another game, with higher stakes and wins again.
At some point in the game playing, Eochaid's foster-father warns him that Midir is a being of great power and to be careful. As Midir is letting Eochaid win, the two keep on playing and with each win, Eochaid has Midir perform another task, ranging from clearing forests, reclaiming land from bogs, building causeways over said bogs.
These series of tasks are said to fit with the idea of the Tuatha De Danann that Midir belongs to as earth deities. Eventually, Midir grows tired of letting Eochaid win and challenges him to a last game of fidchell with the stakes to be named by the winner. This time, Midir wins and he claims an embrace and kiss from Etain.
This is more than what Eochaid is willing to allow. Eochaid agrees to Midir's claim, that in a month's time he can come claim Etain. As these stories go, Eochaid didn't have any intention of letting Etain return to her former husband. Etain was his. On the day that Eochaid was to honor the agreement, he had all of his warriors waiting at his castle. These warriors formed circles around the castle with the intent to keep Midir from reclaiming his wife.
As if he were air or invisible, Midir passed through all the encircling warriors without slaying a one or shedding blood. Soon, Midir comes to the room where Eochaid and Etain await within. Midir proclaims that he is there for that which is his.
Seeing that he can't renege on the deal after all and must agree, Eochaid says that Midir may have a kiss from Etain's lips. Eochaid reluctantly allows Etain to go to Midir and the two kiss, transforming into a pair of swans and they fly out, away from the castle and back towards their fairy home of Tir na Nog.
Not wanting to lose Etain, Eochaid and his men set off for the fairy mound of Bri Leith where Midir is said to dwell. The men begin digging and Midir appears before Eochaid, telling him that his wife will be returned to him the next day.
On the morrow, Eochaid returns and there are fifty women, all appearing as Etain. An old hag tells Eochaid to pick out his wife. Eochaid does so and Midir later reveals that Etain had been pregnant when he took her. That the woman he took was in fact their daughter. Eochaid is horrified by the fact that he's slept with his daughter who is no pregnant. This baby, who is also a girl is laid out in the woods to be exposed. Before death can claim the infant, a herdsman finds the baby and raises her to become the mother of the High King Conaire Mor.
Variations – There are a few different versions to Etain's story. Some that focus solely on just Etain and what happened to her exclusively. Other versions will explain the whole set up of what led up Midir marrying Etain and thus, better explain why Fuamnach is jealous and maybe not so much jealous, but angry.
Version 1 – This story focuses on Etain being the second wife to Midir with Fuamnach being jealous. Here, Fuamnach enlists the aid of her friends to turn Etain into a pool of water. This causes Midir to becomes worried and he goes searching for his missing wife. To stay one step ahead of him, Fuamnach then turns Etain into a worm and then a fly.
As a fly, Etain flies down Fuamnach's throat, causing her to become pregnant. Etain is reborn, this time, she's mortal and doesn't remember her previous life. Once she grows up, Etain marries the king Eochaid. Only it's not Eochaid that Etain loves, it's his brother Ailill, as if that wouldn't cause more than a few problems.
To make it more complicated, Etain eventually meets Midir again and suddenly remembers who she had been. Just like before Midir wins Etain in a game of chess with Eodaid.
I rather find this version extremely problematic as it's suggesting Etain wouldn't know her own father? Assuming Midir still remained married to Fuamnach. Further, if Midir and Fuamnach are fairies and Etain is reborn as their daughter, shouldn't she be a fairy too? Not mortal? Not to mention the extreme ewww with Midir now wanting someone who's his daughter.
Just no. No.
It's this version of the story with Fuamnach becoming Etain's mother and seeing that Etain's name means jealously; it makes me think that there may be an allegory or symbolism for the stages of jealousy or passion that Fuamnach is working through with her husband Midir.
Other Versions: There's numerous versions to Etain's story, some have her remembering her life in fairy when she meets Midir. Others have her not remembering her life at all and agreeing to leave with Midir if her mortal husband agrees as she thinks this is something that won't happen.
A lot of these other versions for Etain's story often simplify their retellings in that they often leave out how Midir and Etain meet, just that they do, the who episode of Alill pinning away for Etain is left off and the final episode where Eochaid tries to get Etain back and unknowingly, is given his daughter.
Dindsenchas
A couple episodes from the Tochmarc Etaine are repeated in this poem. Eochaid Airenn's winning Etain back from Midir is in the Rath Esa poem. Midir's abduction of Etain is referenced in the Rath Cruachan.
Togail Bruidne Dá Derga – The Destruction of Da Derga's Hostel
In the main story for the Wooing of Etain, the Tochmarc Etaine, she is described as being very beautiful. However, no description is given anywhere of her. That changes in the Togail Bruidne Dá Derga where Etain encounters King Echu in Bri Leith.
In this text, she is described in a lot of lengthy detail from the comb she's using to her clothing in lot of green, silver and golds. Her hair is described as being a red gold, skin white as snow, rosy cheeks, unnaturally blue eyes and curved body like the waves of sea foam. The narrator goes to great lengths to try describing what Etain looks like as the fairest of them all, there is a final quote that goes: "Lovely anyone until Étain. Beautiful anyone until Étain." That such beauty could only mean that Etain was clearly of the sidhe.
Grecian Comparison – Hellen of Troy
The first story of Etain, the Wooing of Etain says that she's very beautiful, comparable even to Helen of Troy. Where whole cities of Greece go to war with each other her. Etain has a jealous first wife takes out their wrath on her, a former spouse waiting for over a thousand years to reclaim her, and when she's reborn, her mortal husband trying to keep her from the fairy husband to take her back.
Historical Allegory
The entire story for Etain reflects an older time when these older stories were likely passed on orally before getting written. So Etain's story has had plenty of time to be altered and change and the role of the Goddess or Queen who gets to choose is altered and she is no longer in control of her destiny and is just a prize to be won.
An important note brought up about this story, while it doesn't feature Etain in the first part of it, is to bear in mind that this story is an allegory for Ireland's history. Etain's role in the narrative becomes clearer when seeing her as the Goddess of the Land who gets to choose her consort to ensure the prosperity of the land.
A similar motif for this Celtic belief that the Goddess gets to choose her consort is seen in Arthurian Legend for the story of Guinevere, Lancelot and King Arthur with the whole love triangle happening there. Granted that story is a much later addition to Arthurian Legend, it's an inserted story to narrative to explain the Goddess or Woman's right to choose whom she loves and marries.
All the figures featured in the story likely represent different clans and geographical localities. Seeing Etain as a Sovereign Goddess of the Land, who she chooses to couple with are whom she deemed as the best ruling clans for the welfare of Ireland.
Lack Of Agency – At a knee-jerk first glance response, I don't like the story of the Wooing of Etain. Why is Etain punished by Fuamnach for marrying Midir? For that matter, why does Midir get to be the one rewarded for cheating on his wife and marrying a younger woman, loose her and then get her back after waiting patiently for Etain to be reborn?
That here, we have Etain a woman who is just passed around as a prize to be won with barely any say in the matter of what happens to her. If the focus is given soley to Midir as the hero, of course, the entire story makes sense for his journey of loss and recovering his love and wife. Then poor Eochaid who gets to pick his wife and loses her to Midir, who takes back the woman who is rightfully his.
Without the Historical Allegory angle, the entire story feels maddening. No wonder there are later rewritings of the story that want give an image of two lovers who loose and find each other again. To give more agency to Etain's actions and the series of unfortunate circumstances that befall her.
Etain is forced to a series of unwanted transformations by a jealous lover, ranging from worm to butterfly, to swan and even a pool of water. Including the worm and then changing to a fly, sounds like the larval state of an insect, either as a nymph, meaning the larval form of a dragonfly or caterpillar to a butterfly.
Looking at these stories symbolically, Etain's transformations from a worm to a fly, only to be swallowed later by a woman and reborn as a child can all be seen as the different stages of life.
Soul or Spirit – In a lot of Celtic folklore, flies or butterflies are often seen as being the souls of the deceased, even if it's just a metaphor. It makes sense if Etain's changing to a worm, than a fly or butterfly is merely a symbolic way of describing the spirit's transformation and more easily explaining the transition from one life to another. Or maybe Fuamnach actually killed Etain, tossing her body into a pool of water?
Celtic Numerology – More of a minor note, the number seven is used for the number of years that Etain is lost at sea a mystical number. In this case, it is a number meaning a spiritual awakening.
That's undeniable with all the transformations that Etain undergoes once she falls afoul of Fuamnach's magic, going from a pool of water, to a worm, to a fly or butterfly, swallowed and reborn as a mortal woman.
Given the nature of Etain's story and the meaning of her name: "Jealousy" or "Passion." I think it sheds an important light to the significance of Etain's story and the proper framework to look at it in.
Bé Find – Meaning "Fair Woman," this is a name that Midir gives to Etain in Tochmarc Etaine. It comes from a poem found within the larger saga called: "A Bé Find In Ragha Lium" is likely from a much older, unrelated source and was just stuck in the saga at a later time.
Eadaoin – As Eadaoin, she is noted as being a sidhe and one of the Tuatha De Dannan who is associated with poetry and inspiration. With this spelling, Etain is noted as having a different husband, either Midir or Oghma depending on the source used. This could just merely mean Etain or Eadaoin was a common enough name that there is more than one person in the Irish Mythological Cycles who has this name. As they're all sidhe, that makes it even more difficult to keep them all straight.
Echraide – Meaning "Horse Rider," this is a name that has been attached to Etain and is meant to link her with horse deities such as the Welsh Rhiannon and the Gaulish Epona.
Shining-One – An epitaph of "Shining-One" or claiming that's what Etain's name means, tend to come from more modern sources that want to connect her to be a Sun Goddess or a fairy. As far as a strong, scholarly bent goes, it doesn't really work.
Irish Goddess
Some sources, often the more modern Pagan paths will place Etain as a goddess. Depending on the lineage you follow, if Oghma for example, she is a goddess of poetry and inspiration. Yet another source will list her as a Love or War goddess?
Some of the sources that link Etain to different deific roles seem tentative.
Horse Goddess – One of Etain's epitaphs is Echraide, meaning "Horse Rider," which would mean she's a Horse Goddess, much like the Welsh Rhiannon and the Gaulish Epona.
Sun Goddess – T. F. O'Rahilly is who identified Etain as a Sun Goddess. Several New Age and modern Pagan groups have adopted her as such. When Oengus is identified as a Sun God, this connection makes sense if Etain is seen as his daughter.
Goddess of the Land – This I would readily accept given the nature of Etain's story as an allegory for Ireland's history and a Goddess marrying whom she wants that will bring prosperity to the land.
Love Goddess – This really works best for more modern interpretations of Etain's story; especially when keeping in mind her story as an allegory and for those seeking to reclaim her role as a deity with her own agency who chooses her lovers. Plus, the connection seems to come more strongly with Midir's fostering of Aengus Óg who is a Love God.
Sovereign Goddess – This is an important aspect of Etain, especially if you want her story to make sense as a deity who choose her consort for the prosperity and welfare of the land.
Triple Goddess – In New Age and Wiccan practices, Etain is often seen as a Triple Goddess
Other Aspects – Furthering this, due to the forced transformations, some will claim Etain as a Goddess of Transformation and Rebirth, a Moon Goddess.
Well yes, most versions of Etain's story acknowledge her as a fairy, specially one of the Sidhe and certainly of the Tuatha de Danann. An imagery not at all unlike the Tolkien Elves in his Middle Earth series.
The account that has some men coming across an extremely beautiful woman beside a spring see them agreeing that such beauty was only possible of the sidhe.
That seems to be the sentiment of some authors, scholars and modern Pagans.
Wiccan, New Age & Modern Paganism
I think it's important to note, that myths and stories do change with time. Much of the story that so many know with Etain has been colored through the lens of Christianity and with some regards, a patriarchy, resulting in a story about a woman who appears to have little agency and control over her own fate and destiny.
In the pursuit of adjusting Etain back to her perceived mythological roots and giving her significance and relevance, to better be the actor in her own story, some modern Pagan traditions will claim that Etain's name means "Shining One" and place her as a Triple Goddess who represents the Sun, Water and Horses.
Understanding Etain's story will certainly make it easier to interpret her as needed. I think sticking to what's known and concrete from her legends is the most useful.
Posted in Affair, Arthurian Legend, Beauty, Birth, Butterfly, Celtic, Challenge, Change, Christian, Consort, Contest, Death, Deity, Dragonfly, Fairy, Fly, Games, Horse, Incest-Inbreeding, Irish, Jealousy, Journey/Travel, King, Love, Magic, Marriage, Moon, New Age, Ocean, Other World, Pagan, Poetry, Queen, Reincarnation, Sex, Sidhe, Soul, Sovereignty, Spirit, Sun, Swan, Tir Na Nog, Transformation, Troy, Tuatha de Danann, Uncategorized, Water
Headless Horseman
The Headless Horseman is a popular figure found in American folklore. Often described as well, a headless rider on horseback.
The Headless Horseman is a common figure and staple of American Folklore. It has shown up for usage in various movies, T.V. series and literature outside of the original "The Legend of Sleepy Hollow" by Washington Irving. Recent t.v. series are Sleepy Hollow and Tim Burton's movie of the same name, both drawing on the same inspiration of Irving's story.
Washington Irving's "The Legend of Sleepy Hollow"
Ah yes, the classic American story. "The Legend of Sleepy Hollow" first appears in a collection of short stories titled: "The Sketch Book of Geoffrey Crayon, Gent." As far as inspiration goes for Irving's story, many seem to agree to the idea that the German writer, Karl Musäus is where the idea for a Headless Horseman from. Karl Musäus is known for having collected Germanic folktales much like the Brothers Grimm.
The story is set in Sleepy Hollow, New York during the time of the American Revolutionary War, so about 1775 or shortly after. Tradition holds that the Headless Horseman had been a Hessian Artillery man who had been killed during the Battle of White Plains, circa 1776. So, at the time the story was told and set, not too long ago. The Hessian had been decapitated by a cannonball, not a fun way to go.
The shattered remains of the Hessian's head were simply left on the battlefield while fellow soldiers carried off his body to be buried. The Hessian's body was laid to rest in the cemetery of the Old Dutch Church of Sleepy Hollow. Following this, each Halloween night, the Hessian's ghost would appear as a Headless Horseman seeking for this lost head. The Headless Horseman wouldn't or couldn't cross bridges.
The story ends with the Horseman chasing down Ichabod Crane who simply disappears after. In the short story, there's a strong implication that the Horseman may have been Brom Bones in disguise. Brom was a rival lover of Ichabod's, so what better way than to hide any possible foul play?
Texas – El Muerto
Another headless horseman legend arose during the 1800's in Texas. At this point and time, Texas was known for being a wild and lawless place that attracted all sorts of unsavory characters from thieves to murderers. The local native tribes were known to fiercely fight off these foreign invaders. To the point, that the Texas Rangers began making headway into taming a seemingly lawless frontier.
There was a dispute between the United States and Mexico over a tract of land between the Rio Grande and Nueces Rivers for where the borders between the two countries lay. In 1850, things came to a header a man by the name of Vidal who was out rustling cattle. Vidal had a bounty on his head, wanted "Dead of Alive." Two Texas Rangers by the name of Creed Taylor and William Alexander Anderson (a.k.a. "Big Foot" Wallace) had had enough of Vidal and his small gang stealing cattle and horses and sought this group of bandits.
The two Rangers along with a local rancher by the name of Flores tracked and found the bandits camp. They waited until night before striking. In a strong display of Frontier Justice, Wallace decided that killing the bandits wasn't enough, he beheaded Vidal. Then Wallace took Vidal's corpse and tied him to the saddle of a mustang so it would stay upright. Vidal's head and sombrero were then tied to the saddle as well before Wallace let the horse go loose into the hillside terrain.
It didn't take long for the stories to circulate of people seeing a headless rider to surface. Many local natives and cowboys would riddle the corpse with bullets and arrows on seeing this fearsome specter. Southern Texas became known as a place to avoid as many deeds of evil and misfortune were attributed to El Muerto.
Eventually a posse got together to capture the poor mustang and relief it of its grisly and macabre cargo near a placed called Ben Bolt, south of Alice, Texas. Vidal's body was laid to rest in an unmarked grave.
While that should have been the end of El Muerto's story, his legend continues to live on. Soon after Vidal's body was laid to rest, people continued to report seeing a headless horseman wandering the land. One couple in 1917, reported seeing the specter of a grey horse with a headless rider shouting: "It is mine! It is all mine!" and the stories and sittings continue.
Washington State – The White Skoad
Not exactly a headless horseman, if you live in Washington State and ever head out to Whidbey Island, there is a local legend about Colonel Ebey's whose head was taken by the Haida on a raid who are believed to have come the Queen Charlotte Sound. Since then, the White Skoad, a patch of white fog said to be Colonel Ebey's ghost can be seen from time to time as he searches for his head. Other versions of Colonel Ebey's ghost have him replaying his death every night at the house he lived in at the time.
Not quite a headless horseman, in the story of Sir Gawain and the Green Knight, the title character of Sir Gawain accepts the challenge of a beheading game by the Green Knight. This is a story that dates to the 14th century that has been cited as involving decapitation.
German Folklore
There are two stories that the Brothers Grimm collected about a headless horseman.
Hans Jagenteufel – In this one, near Dresden in Saxony, there was a woman who headed out early one Sunday morning to gather acorns in the forest. Near the place called "Lost Waters," the woman heard a hunting horn. Hearing it a second time, the woman looked behind her to see a headless man wearing a long grey coat and riding a grey horse. The rider rode past the woman and she gained her resolve and went back to gathering acorns.
Some nine days later, the woman returned to the same spot, once more to collect acorns. This time, she heard behind her asking if anyone had tried to punish her for taking acorns. The woman replied no, saying the foresters took pity on the poor and called to God to forgive her sins.
When the woman turned around, she again saw the same grey cloaked figure from before, only this time he carried his head under an arm. The grey figure told the woman she did well to ask God for forgiveness as he had never done so in life. The figure than went on to explain how he was called Hans Jagenteufel and in life, never heeded the warnings of his father to extend mercy to those below him and would spend his days drinking and carousing. In death, he was condemned to wander the world as an evil spirit.
The Wild Huntsman – This story is set in Brunswick, Lower Saxony. A huntsman by the name of Hackelberg. He was so proficient at his profession, that on his deathbed, Hackelberg begged god to allow him to remain on earth, giving up his spot in heaven. It would seem the request was granted and Hackelberg roamed the hereafter as "the Wild Huntsman," blowing his horn to warn hunters not to go out riding the next day. If they do, the unfortunate hunter meets with an untimely accident.
Depending on the version of the story told, the headless horseman seeks out those who have done crimes to punish them. Other times, the headless horseman is accompanied by a pack of black hounds with tongues of fire. Much like a figure from the Wild Hunt.
Indian Folklore
Jhinjhār – This is a headless horseman mentioned in the Rajasthan and Madhya Pradesh folklore. Where many of the European headless horsemen are entities to be wary of, the Jhinjhār is often seen as a hero.
The Jhinjhār is created during a rather violent and wrongful death when defending the innocents. Other stories say the Jhinjhār was a Rajput prince who lost his head while defending a village or caravan from some bandits. The prince refused to retreat and was beheaded. Other versions of this story say the Jhinjhār was created when a Mughal cavalryman died defending his prince.
Irish Folklore
Crom Dubh – This one is a bit of a stretch. Crom Dubh was an ancient Celtic fertility god who demanded human sacrifices every year, of which, the preferred method was decapitation. Eventually the god fell out of favor and somehow this god becomes a spirit seekings corpses and eventually becoming the Dullahan.
The Dullahan – also known as Dulachán meaning "dark man" or "without a head." This being is a headless fairy often seen dressed in black and riding a black headless horse while carrying his head under an arm or inner thigh. The Dullahan is armed with a whip made from a human spine. Death occurs wherever the Dullahan ceases riding and when it calls out a name, the person called dies. Death can also come if the Dullahan tosses a bucket of blood at a person who has been watching it.
In other versions, the Dullahan rides a black carriage. Sometimes they are accompanied by a banshee. Nothing can stop the Dullahan from claiming a victim save the payment of gold.
Gan Cean – Its name means: "without a head." It is a figure similar to the Dullahan. The Gan Cean can be warded off by wearing a gold object or placing one in its path.
Scandinavian Folklore
In a story similar to the German story of Hackelberg the Wild Huntsman, this story is about "good King Waldemar" whose' ghost still haunts the forest of Gurre. King Waldemar had prayed to God to be allowed to still hunt in his beloved forest after death. Waldemar's ghost can be seen riding a white horse and cracking his whip as he runs through the forest. His head though, is sometimes seen being carried under one of King Waldemar's arms. As any Wild Hunt goes, Waldemar has a pack of black hounds with fiery mouths accompanying him.
Scottish Folklore
There is a story of headless horseman by the name of Ewen who had been decapitated during a clan battle on the Isle of Mull. This battle prevented Ewen from becoming chieftain. Both the ghost of Ewen and his horse are reputed to haunt the area of Glen Cainnir.
Posted in American, Arthurian Legend, Celtic, Cemetary, Death, Decapitation, Dog, Dutch, European, Evil, Fairy, Fertility, Folk Lore, Forgiveness, German, Ghost, Gold, Halloween, Head, Heroes, Hindu, Horse, Hunting, Irish, Justice, Outlaw, River, Sacrifice, Scandinavia, Scottish, Uncategorized, Wild Hunt
Moritasgus
Also known as: Apollo Moritasgus
Possible Etymology: "Great Badger" or "Sea Badger"
There's a lot of Celtic mythology, stories and deities that's not very well known. Much of it hasn't survived the test of time with various conquests by the Ancient Romans as they expanded their empire and the later spread and influence of Christianity.
The god Moritasgus is known from four inscriptions found at the site in Alesia. In two of the inscriptions, Moritasgus is identified with the Greco-Roman god Apollo.
From the scant inscriptions, the only known family is his wife, a cow goddess by the name of Damona.
Shrine In Alesia
The site of Alesia, was an oppidum, a type of a defended settlement dating from the Iron Age. The group of ancient Celtics, the Mandubii founded it in the area of present day Burgundy, France.
The shrine located here was near a curative spring where many sick and afflicted people would come to bathe in its waters. The shrine and it's spring were located near the eastern gate, just outside of the city walls. The shrine was an impressive temple with baths and porticoes where people would likely sleep, hoping for prophetic visions and healing.
A number of votive objects modeled after people showing different afflicted parts of their body have been found. All of these were dedicated to Moritasgus. Further, surgeon's tools have been found at the site, suggesting that the priests located at the shrine may have also been surgeons.
Medicinal Uses Of Badgers?
Odd as that sounds, in Gaulish medicines and even later medival European medicines, the fat of the European badger was used. This likely serves as the connection to a healing god and badgers.
Specifically, the ingredient, taxea or adeps taxonina, "badger fat" was seen as a potent medical ingredient that the ancient Germanic and Celtic people traded with the Greeks and Romans. Taxea is a secretion the subcaudal glands of the European Badger. This secretion from the glands is a pale-yellow fatty substance with a gentle musky scent. This taxea incidentally is similar to the castoreum from the scent glands of beavers.
The main use of taxea was for treating impotency. The Gaulish word tasgos, has a root meaning of "peg" or "stake" and it has been argued that because the badger's nose is pointed, there might be a phallic meaning to the use of the word taxea. Which could mean then that the use of taxea for treating impotence, could have a connection to any ancient Celtic use with sympathetic magic.
A fourth century medical writer, Marcellus includes the use of badger fat in his book "De Medicaments." Another short treatise from the fifth century, "De Taxones," discusses the magical-medicinal properties of badgers and has various incantations to speak while dissecting this animal.
The Irish Saint, Molaise in myth is believed to have descended into hell dressed in badger skins in order to rescue a leper.
Others Named Moritasgus
There are a few people who have shared the same name. Most notable is an ancient ruler of Senones from the first century B.C.E.
Posted in Badger, Celtic, Deity, Fertility, Folk Lore, French, German, Greek, Healing, Irish, Iron Age, Medicine, Prophecy, Roman, Temple, Water
Also known and spelled as: boogerman, boogeyman, boogieman, boogie man, boogyman and bogyman
Pronounced – boo g-ee-man, boh-gee-, boo-
The term or name bogeyman is often used to describe an entity or monster that causes an irrational source of fear. The bogeyman's appearance is frequently nebulous and vague, leaving much to the imagination. This has led some people to believe that it may be a shape shifter that can reflect what a person most fears.
Stories of the Bogeyman vary by culture and even from home to the next as it is a creature often used by parents to keep children from misbehaving. For many children, that irrational fear of the unknown, that unknown terror under the bed, in the closet, lurking just outside a window, coming through unlocked doors and down chimneys is very real. Even if parents didn't tell stories to frighten children, there would still be this irrational fear of the unknown for many. Many though, outgrow this irrational fear as they grow up and often find there truly is nothing to fear.
Possible Historical Connections
Tracing the name and origins of the name bogeyman is a bit murky and there have been many ideas and theories put forward.
A few sources place the appearance of the word bogeyman in the English language from the Scottish word bogle, which means "ghost" or "hobgoblin" which dates to around 1505. Other sources will place the word bogeyman to around 1836 as another name for the Devil. It certainly seems to have become popular with the works of Scottish poets such as Robert Burns and Sir Walter Scott.
Another idea is that the word comes from the Middle English word bugge, meaning a "frightening specter." Other similar words to this are boggard, bogy, bugbear, the Welsh bwg, the Scots Gaelic bòcan and the German word bögge; all of these words refer to a goblin or frightening creatures.
Bog Men
This idea is a rather interesting source for the Bogeyman as a "boggy man." Bog men can be found periodically preserved in peat bogs. In these stories, the bog men arise from the dead much like zombies to attack the living.
Indonesian Pirates
The name bogeyman may come from the Bugis people who were pirates from Indonesia and Malaysia. Its likely that English and French sailor brought home stories of the bugis where it becomes anglicized to bogeymen. They would tell their children "if you're bad, the bugisman will come and get you!" Eventually, the word bugis changes into the word bogey. Etymologists tend to disagree on the Bugis being the source for the Bogeyman as the word and term had been in use long before the Europeons started exploring and colonizing Southeast Asia.
There's a claim that Bogeyman is a reference to Napoleon Bonaparte who had been nicknamed "Boney" by the British. He was used as a threat for British children of the time and that somewhere along the line, Boney becomes Boneyman and further becomes Bogeyman.
Snot Your Friend
The most interesting connection of the bogey man is the relationship of its name as a slang term for snot and boogers.
A Monster By Any Other Name….
Nearly every culture around the world has its own version of the bogeyman. Some faceless monster used to keep unruly children in line and from misbehaving.
There's a long list of them that can be given too.
Afghanistan – The Bala or Newanay Mama, which means "The Monster or Crazy Person", is used to scare children when they won't sleep or take their medicine.
Albania – In South Albania, there is the Katallani "the Catalan" a monster which relies on the historical Catalan occupation of the region centuries ago used to scare children. In South Italy, there is the Gogoli, "the Mongol" another historical use of the Golden Horde that is used to frighten children into behaving.
Algeria – The H'awouahoua is a chimerical monster made up of many different animal parts with eyes that are blobs of flaming spit and a coat made from the clothes of those children it eats.
Azerbaijan – A monster called Khokhan ("xoxan") is used for scaring children into behaving.
Bahamas – The "small man" is the name given to an entity who rides in a cart that pulls itself. He picks up any child found outside after sundown. Anyone taken by the small man becomes a small person and rides with the small man forever. The term "rollin' cart" has been used to scare children into behaving themselves.
Belgium – Oude Rode Ogen (Old Red Eyes) is known throughout the Flanders region, it is believed to have originated in Mechelen and is a cannibalistic shape-shifter that is able to change from a human to a black dog. Oude Rode Ogen later becomes a children's story in the 1900's called "The Nikker" who eats children that stay up past their bedtimes.
Belize – The Tata Duende is a small wrinkled goblin with a beard, no thumbs and backwards feet who wears a large brimmed hat. He is described as a protector of the forests and animals who scares children from going out to play at night or in the jungle.
Bosnia, Croatia, Herzegovina, Macedonia and Serbia – In these countries, the Bogeyman is called Babaroga. Baba means "old woman" and rogovi means "horns." So the name literally means "old woman with horns." The specifics of Babroga vary from household to household. In one household, Babaroga will take children and put them in her sack where she will take them to her cave to eat. In another household, she will take children, pulling them up through small holes in the ceiling.
Brazil – The "Bag Man," called "homem do saco" in Portuguese, "hombre de la bolsa," "hombre del costal" or "del saco" in Spanish is one such monster or man-like creature who is known for carrying off misbehaving children in a sack. There is also another very similar creature the "Bicho Papão" or Eating Beast who will carry off children. Bicho Papão is also known as Sarronco, the "Deep-Voiced Man". Another monster is the Cuca, a female humanoid with an alligator head. Parents will sing a lullaby to their children at night about how Cuca will come take them away if they don't go to sleep. Cuca appears as a character in Monteiro Lobato's Sítio do Picapau Amarelo book series that uses a lot of Brazilian folklore. The difference between Bicho Papão and the Bag Man is that the Bag Man comes during the day and Bicho Papão comes during the night.
Bulgaria – The Torbalan or "Man-with-a-sack" is the name of the local bogeyman. In some places, a dark, hairy ghost-like creature called a Talasam who lives in the shadows of barns or in attics is what will come to scare children into behaving.
Czech Republican – A creature known as the Bubak, a scarecrow is used to frighten children into behaving. It will hide along riverbanks, making a crying noise like an infant to draw victims to it.
Congo – The Dongola Miso or "Creature with Scary Eyes" is used to scare children into going to bed on time. It is also used to warn children and adults alike about the dangers of dealing with and speaking to strangers.
China – The Ou-Wu is a witch or scary looking woman who kidnaps children that misbehave. She is popular in the southern regions of China and Hong Kong. The term is the origin for "monster" and has become used as a synonym for ugly or hideous.
Cyprus – In the Cypriot dialect, Bogeyman is known asd Kkullas.
Denmark – Here, the Bogey Man is known as busseman or Bøhman and is known for hiding under the bed where it grabs children who won't sleep. Much like in the English language, the name has become a slang term for snot or nasal mucus.
England – In Yorkshire, children are warned that if they steal from orchards, they might get eaten by a fairy in the form of a giant caterpillar known as Awd Goggie. Another similar monster is "The Gooseberry Wife" who guards gooseberries on The Isle of Wight.
Egypt – The Abu Rigl Maslukha, "Man With Burnt/Skinned Leg," is a particularly scary story told by parents to children who misbehave. The Abu Rigl Maslukha is a monster who got burnt as a child as he wouldn't listen to his parents. He will grab children and cook them to eat.
Finland – Here, the Bogeyman is known as Mörkö. In the Moomin stories, the Mörkö or Groke is a frightening, dark blue and big ghost like creature.
France – Here the Bogeyman is called "le croque-mitaine" which means "The mitten-biter." Another translation of the name is "the hand-cruncher."
Georgia – In addition to a "Bag Man," there is also the "Bua" used by parents to scare children who have misbehaved. No real description of Bua is given and its suspected there's a link between it and the the Georgian word bu which means owl.
Germany – There is the black man or Der schwarze, called so for his preference to hiding in dark places like closets, under the bed or out in the forests. There is a children's game called Wer hat Angst vorm schwarzen Mann (Who is afraid of the Bogey Man). There is also an old traditional folk song "Es tanzt ein Bi-Ba-Butzemann in unserm Haus herum" that translates as: A Bi-Ba-Bogeyman dances around in our house. Another name for the Bogeyman is Buhmann or Butzemann. And finally there is also the Grossman.
Greece – The Baboulas is said to hide under the bed, though parents will tell stories of this creature in other ways to frighten children into behaving.
Guyana – The Jumbi is the name for the Bogeyman and like many other variations, it too lives in the dark, staying in closets and under the bed. It is used to scare children to eat their food so that they can defend themselves against him.
Haiti – A tall man, with legs two floors high is believed to walk around the towns at midnight, catching and eating those people who stay outside. He called Mètminwi which seems to be a contraction of the French "maître," for master and minwi, the French word minuit" for midnight. So his name translates to "Master of Midnight." There is also Tonton Macoute or Uncle Gunnysack who would trap misbehaving children and eat them for breakfast. The MVSN, a secret police force in Haiti used this myth as a form of control as many so called Tonton Macoutes were followers of Voodoo.
Hejaz, Saudi Arabia – The Dojairah and Umna al Ghola, which means "Our mother the Monster" is used to scare children when they misbehave or outside alone at night.
Hungary – Stories of the Mumus is used to scare children. There is also the Zsákos Ember, a man with a sack. A final monster is the Rézfaszú bagoly or "Copperpenis Owl" and whose description is that, a giant owl with a copper penis.
Iceland – The Grýla, is a female troll who would take misbehaving children and eat them during Christmas Eve. Fortunately, she has been dead for quite some time. She is the mother of the Yule Lads who are Iceland's version of Santa Claus.
India – There are a number of different names for the Bogeyman in India. In North India, the Bori Baba who carries a sack is used to frighten children. There is also the Chownki Daar, a night security guard who will come and take children away if they won't go to sleep. In South India there is the Rettai Kanna (the two-eyed one) or Poochaandi who used to threaten children in the state of Tamil Nadu. There is also the Buchadu or Boochodu is used similarly in the state of Andhra Pradesh. Bihar parents use the demon Bhakolwa for scaring children. In Karnataka, there is the demon Goggayya, the "terrible man," central Kerala has the Kokkachi who will take away disobedient children. More bogeymen like creatures are the Oochandi of South Kerala, the Gongo of West Coast India, a male ghost called Buva or Bagul Buva among the Marathi speaking people is used for scaring children and finally there is the Kaan Khowa used by Assamese parents who will eat children's ears if they don't go to sleep.
Indonesia – The Wewe Gombel is a ghost that kidnaps children who are abused by their parents. She takes them to her nest on top of a palm tree where she cares for the children until the parents realize what it is they have done. If the parents decide to change their ways, the Wewe Gombel will return the children. The Wewe Gombel's story originated with an event that took place Bukit Gombel, Semarang.
Iran – The Lulu is used in Persian culture to frighten children into behaving. The Lulu is also sometimes called the Lulu-Khorkhore or "bogeyman who eats everything up."
Iraq – There is the Saalua from ancient folklore. She is a half-witch, half-demon ghoul used by parents to scare their children. Saalua is mentioned in a story found in the 1001 Arabian Nights. She is known too in other Gulf countries.
Italy – The "L'uomo Nero" or The Black Man is used, he is a tall man wearing a heavy black coat and either a black hood or hat to hide his face. Alternately, he is a ghost with no legs. Parents are known for knocking under the table and pretending someone knocked on the door as they say: "Here comes l'uomo nero! He must know that there's a child here who doesn't want to drink his soup!" Unlike other monsters, L'uomo Nero doesn't actually harm or eat children, he just take them away to a strange, frightening place. There is a lullaby used with L'uomo Nero who keeps a child with him for a whole month. Black is also used as a pun in politics in Italy as the color is associated with fascism. Unfortunately it also has negative, derogatory racial puns and slurs associated with the color black. Other places in Italy, the name babau is used for the Bogeyman.
Japan – The Namahage are demons that warn children not to be lazy or cry. During the Namahage Sedo Matsuri or "Demon Mask Festival," villages wear demon masks pretending to be these spirits.
Korea – The Dokebi is a monster used against misbehaving children. Other variations to Dokebi are the Mangtae Younggam, an old man who carries a mesh sack to carry away kidnapped children in. Other places they have the Mangtae Halmum, an old woman with a mesh sack.
Macedonia – Aside from the Babroga, there is also the Strasilo (the "frightener") who comes out at night, hides under beds, in forests, caves and basements. It is said to grab and eat children.
Mexico – El Cucuy is an evil monster that hides under children's beds at night. He will kidnap and eat any child who disobeys their parents. He is described as being a small humanoid with glowing red eyes. Sometimes he is believed to have been a child who was a victim of violence that has come back to life.
Myanmar – The Pashu Gaung Phyat is used to threaten children with. The name means Malayu Headhunter. In Burmese, the Malays were called "Pashu," which may have come from Bajau or Bugis. Many ethnic groups in Eastern Malaysia were notorious for being headhunters right up until the 1970's with the Wa tribe.
Nepal – There is the "Hau-Guji" in Nepali. The Newars tell of an ape-like monster called Gurumapa who enjoys eating children. There is a story told of this creature found at Itum Bahal in the inner temple of Kathmandu.
Netherlands – The bogeyman is known by many names, some of these names are: Boeman, Boezeman, Boezehappert, Jan Haak, Mannetje met de haak, Bullebak, Boevent, Beukèl, Haantje Pik, Tenensnijder, Boelekerel, Nekker, Krolleman, Heintje Pik, Okkerman and so on. Many of these are known for hiding in the water. As Boeman, it is depicted as a creature that resembles a human, dressed all in black with sharp claws and fangs and will hide under the bed or in closets. It too will take those children who have misbehaved and won't go to sleep and lock them away in his basement for a period of time.
Norway – The Bogeyman is called Busemannen, much like the Boeman of the Netherlands, it is depicted as a creature that resembles a human, dressed all in black with sharp claws and fangs and will hide under the bed or in closets. It too will take those children who have misbehaved and won't go to sleep and lock them away in his basement for a period of time.
Pakistan – The Bhoot or Jin Baba is used by parents to scare children into behaving. This creature is a ghost Djinn. In other places it is known as Kathu Ki Maa.
Philippines – There are a number of different bogey man like monsters. The Pugot, Sipay, Mamu and Mumu. Among the Kapampangan people, there is the Mánguang Anak or Child-Snatcher.
Poland – Places like Silesia or Great Poland use the bebok (babok or bobok) to scare children into behaving. Another creature is the Hastrman, a scarecrow that much like the Czech Republican Babuk also hides along riverbanks, making noises like an infant to draw people to their doom.
Portugal – The Portuguese brought Bicho Papão (the Eating Beast) or Sarronco (Deep-Voiced Man) to Brazil. They also have an "homen do saco" or Bag Man. The difference between Bicho Papão and the Bag Man is that the Bag Man comes during the day and Bicho Papão comes during the night.
Quebec – In this province of Canada, the "Bonhomme Sept-Heures" or 7 O'clock Man is used to scare children into behaving if they won't go to bed or else he takes them to his cave to eat them.
Romania – The Bau-Bau is used by parents to scare children into behaving.
Russia – The Babay is said to hide under the bed. The Babay is described as an old man with a bag or a monster who will come take them away if they misbehave. Similarly spelled, is the Babayka who comes at night for misbehaving children.
Serbia – The Bauk is an animal-like creature from Serbian mythology, it is described as hiding in dark places such as holes or abandoned houses where it waits to grab and carry of its victim to eat. It can be scared away with light and noise. It is known for having a clumsy gait.
Singapore – The local bogey man stories here are of Ah Bu Neh Neh or Matah who will snatch up misbehaving children. Matah is a variation off the Malay word Mata-Mata which means spy or spies and is used as a nickname for the police.
Spain – El Cuco, El Coco or El Bolo, a shapeless figure or hairy monster who eats children that misbehave when they won't go to bed is used in place of the Bogeyman. Parent will sing lullabies or tell rhymes to their children about the dangers of refusing to go to sleep or else El Coco will come eat them. The nursery rhyme for El Coco is thought to have originated in the 17th century and has since changed over the years. El Coco has also traveled overseas to the Spanish-speaking Latin American countries. There is also the El roba-chicos or child-stealer who is used in many Spanish speaking countries. Incidentally, Coconuts received their name from El Cuco due their resemblance to the Spanish bogeyman. Another shapeless monster is El Ogro or Ogre that is also described as being hairy and will hide in closets and under beds where it will eat misbehaving children if they don't go to bed. There is also the El Sacamantecas or "Fat Extractor" who is used for scaring children into good behavior by killing people to take their fat.
Sri Lanka – The Sinhalese people tell stories of the Gonibilla, "the sack-kidnapper" who will come day or night to carry off misbehaving children.
Sweden – The Bogey man is known as the Monstret under sängen or "Monster under the bed."
Switzerland – The Bogeyman is called Böllima or Böögg and is an important figure in Springtime ceremonies as he or it symbolizes winter and death. In the Sechseläuten ceremony held in the city of Zürich, the effigies of Böögg are burnt.
Trinidad and Tobago – Many use folklore as a means of scaring misbehaving children into obey. The most common word used is the Jumbie. Many of their "Jumbies" are the Soucouyant, Lagahoo, La Diables and Papa Bois to name a few. The name Bogeyman will also be used in many urban areas. It can also be called "The Babooman."
Turkey – The Gulyabani is a gigantic and strange monster that scares both children and adults alike.
Ukraine – The Babay is also present here just as it is in Russia.
United Arab Emirates – The Om Al- Khadar wa Alleef, meaning Mother of green and leef "bark" is used to scare children. She take the appearance of a tall woman who long hair flows in the wind. She is often used by parents as a means of getting children to stay indoor after sunset and go to bed. What's interesting is that the Palm tree is used as the inspiration for this figure due to the scary sounds it can make when the wind blows, its height and how in the dark, it can resemble a woman.
United States – Aside from the classic Bogeyman, there is also the Jersey Devil used to scare travelers and the old British stories of Bloody Bones or Rawhead and even Tommy Rawhead told in the U.S. South. During the Cherokee Corn Festival, young men will wear caricature masks making fun of politicians and using them to scare children or chase after young women. This was known as a Booger Dance and the dancers are referred to as Booger Man. In areas of the Pacific Northwest, the bogey man will appear as a green fog. Other places the Bogeyman will scratch at windows, hide in closets or carry them off in a sack. Warts in some children's stories are said to be transmitted to someone by the Bogeyman. Among the Pennsylvania Dutch, the term "der Butzemann" is used for male scarecrows and female scarecrows are Butzefrau.
Yukon – In this province of Canada, the Quankus take and puts misbehaving children into a large sock, carrying them away at night. Quankus too is used by many parents to scare children into going to bed.
Posted in British, Celtic, Demon, Fear, Folk Lore, Ghost, Irish, Monster, Pirate, Punishment, Scottish, Shape-Shifter, Spirit, Undead
Bodach
Etymology – Scottish & Irish – "a boorish old man", Modern Scottish Gaelic – "old man"
In the Scottish Gaelic language, the word breaks down to "bod", meaning "penis" and its suffix "' –ach", that translates to mean "someone who has a penis."
Plural: Bodaich
Pronunciation: ˈbōdək, ˈbäd-
Historically, the word and name Bodach comes from the Scottish Gaelic term for an "old man" referring to a mature person. It had once been used as a derogatory term to refer to peasants and farmers (bothach) by the warrior class of the Scots. In more modern times, the term is used more affectionately then its former derogatory intent.
In Irish, the word bodach also means a churl or clown, referring to someone who was an old or churlish person, serf or peasant. There are some children's stories where the word bodach is translated as curmudgeon or the name Nod is used in its place.
In time, the word bodach found its way into the English language by the British, who used the word to refer to a mythological being or spirit much like a goblin, bugbear or bogeyman. Here the bodaich is used as a cautionary story for keeping misbehaving children in line. Behave or else the bodach will come down the chimney to take you away!
There are certain regions of Wales and Scotland where the term bodach is used for a type of imp or fairy. Frequently, this is one of the more mischievous, shape-shifting types.
Omen Of Death
In Walter Scott's Waverley (1814), a much more formidable form of the bodach as the bodach glas (the Dark Grey Man) is a harbinger of death.
While not used very often, bodaich do appear from time to time in literature. The bodach has altered a bit of its appearance into modern literature. In Dungeons &Dragons, the name has a minor spelling change to bodak and becomes an undead entity, largely black in color. The same description of black, shadowy creatures is used in Dean Koontz Odd series where they appear at different sites just before a disaster takes place. The same type of shadowy creatures appears in the movie "The Eye." Even W. B. Yeats make mention of a bodach in his prose The Hour-Glass where a bodach appears to the character, the Fool and attempts to trick him out his money with a riddle.
Posted in British, Celtic, Death, Fairy, Folk Lore, Irish, Monster, Punishment, Scottish, Shape-Shifter, Spirit
The King Of The Cats
Also known as: The King o' the Cats
The King of the Cats is a folk tale that comes from Britain. The earliest version of this story was found written in a letter by Thomas Lyttelton, the 2nd Baron Lyttelton. The story was first published in 1782 by Walter Scott who reported it as being a well known nursery tale from the Scottish Highlands. The story "The King of the Cats" continues to be seen and used in many places of modern references, from William Shakespeare to video games and even in comic books such as Batman where Catwoman's brother is referred to as The King of the Cats.
The Basic Story
One winter night, a man comes bursting home through his door calling out to his wife and startling the family cat: "Who's Tommy Tildrum!?!"
Startled, the man's wife asks him what the matter is and who this Tommy Tildrum is.
The man proceeds to tell his wife how he was working in the cemetery digging a new grave when he had fallen asleep. He woke up hearing a cat's meow and when he looked out over the edge of the grave hole, he saw a group of nine black cats all carrying a small coffin with a gold crown laid upon it. That at every third step the cats took, they'd all meow again in unison. Eventually the group of cats made their way towards the man. One of the cats stood before the man and said: "Tell Tom Tildrum that Tim Toldrum is dead."
With that, the family cat burst out with: "Old Tom's dead! Then I'm the King of the Cats!" as he rushed up the chimney, never to be seen again.
Variations of the Story
A variation of this story from Ireland has a man selling a calf at the November fair in Macroom, County Cork. After he's sold the calf, he leaves the fair late in the evening and on his way, passes by the Inchigeelagh graveyard where a cat puts its head through the railings and tells the man: "Tell Balgeary that Balgury is dead." The rest of the story pretty much follows its English counter-part with the family cat running out on the door once the man returns home to tell his story.
Continuing the Irish Connection
A king or lord of cats is also found in a couple of early Irish stories. In some versions of the Imtheacht na Tromdhaimhe (The Proceedings of the Great Bardic Institution) in which there is a dispute between the bard Senchán Torpéist and the king Guaire Aidne mac Colmáin of Connacht. The dispute led to Senchán cursing all mice with a dozen of them being killed in shame. This in turn led to the death of several cats that were responsible for keeping the mice population in check. In retaliation, the king of the cats, Irusan son of Arusan tracked Senchán down with the intention of killing the bard. However, Irusan was killed by Saint Kieran instead.
This story was later rewritten and published in Lady Jane Wilde's book Ancient Legends of Ireland as "Seanchan the Bard and the King of the Cats" in 1866. Fame poet and author W.B. Yeats republished it in 1892 in his book Irish Fairy Tales. The story is also retold again as "the King of the Cats Came to King Connal's Dominion" in Padraic Colum's The King of Ireland's Son published in 1916.
Fairy Connection
In the original story, the family cat Tom and the cats seen in the grave yard are described as being black cats with a spot of white. In Celtic fairy lore, the Cat Sith is a fairy creature described as being a large black cat with a spot of white on its chest.
Posted in British, Cat, Celtic, Fairy, Folk Lore, Graveyard, Irish, King, Scottish