GRI publishes "Series Imprints" books in the categories of "Issues and Debates", "Texts & Documents", "Introduction To" (on "cultural heritage information in electronic form"), and "ReSources" (on the library's special collections). In addition, GRI publishes exhibition catalogs and other materials in hardcopy form. Here are selected books published by GRI, by the Getty Research Institute for the History of Art and the Humanities, by the Getty Center for the History of Art and the Humanities, by the Getty Information Institute, or by the Art History Information Program.
Publications
Getty Research Institute
Getty Research Institute | Publications
"Series Imprints" books in the categories of "Issues and Debates", "Texts & Documents", "Introduction To", and "ReSources". "Series Imprints" books in the categories of "Issues and Debates", "Texts & Documents", "Introduction To" (on "cultural heritage information in electronic form"), and "ReSources" (on the library's special collections) GRI publishes "Series Imprints" books in the categories of "Issues and Debates", "Texts & Documents", "Introduction To", and "ReSources" "Series Imprints" books, exhibition catalogs, Getty Research Institute for the History of Art and the Humanities
what is the getty center in los angeles
user
A campus of the Getty Museum and other programs of the Getty Trust.
assistant
who designed this campus?
user
Richard Meier
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what architectural pieces are found in this campus center?
user
The primary grid structure is a square; most wall and floor elements are squares or some derivative thereof.
assistant
do they have parking space for people visiting this place?
user
Yes
assistant
besides the museum, what other building structures are located on this campus?
user
Getty Research Institute (GRI), the Getty Conservation Institute, the Getty Foundation, and the J. Paul Getty Trust.
assistant
how is the campus equipped if there is fire?
user
Silicone fluid is used as a coolant and fire-resistant poverty weed was added to the slopes around the Center.
assistant
is there a garden in the premises?
user
Yes, Central Garden
assistant
besides the flora, what structural pieces will you find in the above?
user
A fountain flows toward the garden and appears to fall into a grotto on the north garden wall.
assistant
what will you find in the research institute which you mentioned earlier?
user
A research library, publishes books, and produces electronic databases (Getty Publications).
assistant
what are some of the exhibitions they host?
user
Julius Shulman, Modernity and the Metropolis
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what are some of their publications?
user
The Getty Research Institute held a 2005–2006 exhibition of Shulman's prints entitled "Julius Shulman, Modernity and the Metropolis". The exhibition included sections entitled "Framing the California Lifestyle," "Promoting the Power of Modern Architecture," "The Tools of an Innovator" and "The Development of a Metropolis". The exhibition traveled to the National Building Museum and to the Art Institute of Chicago. Julius Shulman and Juergen Nogai have had exhibitions at the Design and Architecture Museum in Frankfurt, Germany, in fall 2005 as well as an exhibition at the Barnsdall Municipal Gallery in Los Angeles 2006, Craig Krull Gallery Bergamot Station, Los Angeles, October 2007, and another show in spring 2009.
Julius Shulman | Exhibitions
GRI holds two public exhibitions per year in its two galleries which "focus primarily on the special collections of the Research Library or on work produced by artists in residence". For example, in 2005–2006 GRI held an exhibition entitled "Julius Shulman, Modernity and the Metropolis". The exhibition traveled to the National Building Museum and to the Art Institute of Chicago. In addition to exhibitions, GRI organizes lectures (open to the public), colloquia (most open to the public), workshops (by invitation only), and screenings of films and videos (open to the public).
Getty Research Institute | Exhibitions and other events
GRI publishes "Series Imprints" books in the categories of "Issues and Debates", "Texts & Documents", "Introduction To" (on "cultural heritage information in electronic form"), and "ReSources" (on the library's special collections). In addition, GRI publishes exhibition catalogs and other materials in hardcopy form. Here are selected books published by GRI, by the Getty Research Institute for the History of Art and the Humanities, by the Getty Center for the History of Art and the Humanities, by the Getty Information Institute, or by the Art History Information Program.
Getty Research Institute | Publications
Among other holdings, GRI's research library contains over 1 million volumes of books, periodicals, and auction catalogs; special collections; and two million photographs of art and architecture. Already by 1985, the Getty had acquired the complete archive of the American sculptor Malvina Hoffman. In 2011, it acquired Harald Szeemann’s substantial archive, consisting of more than 1,000 boxes of correspondence, research files, drawings, and ephemera, as well as some 28,000 books and 36,000 photographs. It also owns several art dealers' archives, including records for the Goupil & Cie and Boussod Valadon galleries, Knoedler Gallery, and the Duveen Brothers. The library is located at the Getty Center, and does not circulate its collections, but does extend library privileges to any visitor.
Getty Research Institute | Library
The Institute hosts and curates exhibitions. The University’s Hollywood gallery (WUHO) is the venue for the majority of exhibitions and events.
Julius Shulman Institute | Exhibitions
An exhibition of their work is also scheduled in Mannheim, Germany, in 2010. On December 16, 2007, Shulman attended a showing of his architectural photography at the Los Angeles Public Library. Organized by the Getty Research Institute, the exhibit included 150 photographs documenting architectural changes in Los Angeles over the past 80 years. This progression includes the redevelopment of Bunker Hill, the growth of Century City, the avant-garde architectural designs in Los Angeles such as Watts Towers, Grauman's Chinese Theatre and the Getty Villa, as well as the growth of Wilshire Boulevard. The exhibition features the industrial engines at the Port of Los Angeles and the Los Angeles International Airport that helped fuel the growth of Los Angeles.
Julius Shulman | Exhibitions
In addition, the Museum's collection at the Center includes outdoor sculpture displayed on terraces and in gardens and the large Central Garden designed by Robert Irwin. Among the artworks on display is the Vincent Van Gogh painting "Irises". Designed by architect Richard Meier, the campus also houses the Getty Research Institute (GRI), the Getty Conservation Institute, the Getty Foundation, and the J. Paul Getty Trust. The Center's design included special provisions to address concerns regarding earthquakes and fires.
Getty Center | Introduction
From its launch, the Modern and Contemporary Art Research Initiative has taken an expansive approach to its research efforts regarding modern and contemporary works of art. While focusing on learning about the behaviors of new materials, specifically polymers, resins, plastics, modern paints, etc., the GCI has also considered how to best share its discoveries with conservators working in the field. Along with its several collaborators, the Getty Conservation Institute has organized several conferences to disseminate its findings and continue to discuss the questions and issues surrounding modern paints, plastics, and outdoor sculpture conservation. In addition to meetings such as the Modern Paints Uncovered Symposium, hosted by the Tate Modern in May 2006, and the Object in Transition Conference held in January 2008, those involved with each project publish their findings in the Getty Conservation Institute's newsletters, as well as other conservation publications.
Modern and Contemporary Art Research Initiative | Impact
Szeemann had devoted himself to his archive and library and resultingly it contains thousands of documents related to his practice as an art historian, art critic and curator which continue to be studied today. At the time, it was the largest acquisition in the Getty Research Institute's history. This collection encompasses of over 1,000 boxes of research. It consists of:
Harald Szeemann | Archive and Library
Also featured, diverse residential fabric from Echo Park to South Los Angeles. The exhibit spotlighted Shulman's unique role in capturing and promoting innovative, sleek case study houses as well as the contrasting tract housing developments with repeated floor plans.
Julius Shulman | Exhibitions
The Getty Research Institute (GRI) is "dedicated to furthering knowledge and advancing understanding of the visual arts." Among other holdings, GRI's research library contains over 900,000 volumes of books, periodicals, and auction catalogs; special collections; and two million photographs of art and architecture. GRI's other activities include exhibitions, publications, and a residential scholars program. At the Getty Center, GRI is located to the west of the Museum. The round building encircles a landscaped garden and is located to the west of the central garden. The main entrance of GRI is connected by a terrace to the main arrival court of the Museum, with outdoor sculptures placed along the route.
Getty Center | Getty Research Institute (GRI)
The distribution of the Institute’s publications is not limited to the UNAM’s system of libraries, but extends to other sales outlets. The electronic shop, still under construction, is also oriented towards the same /will also make a contribution to this effort, bringing the Institute’s work to a broader public. The journal Imágenes is an electronic publication which offers various articles publicizing the Institute’s academic activities and other news items to do with the history of art. Its contents and characteristics have made it the most visited section of the Institute’s electronic portal.
Institute of Aesthetic Research | Publications
Among the electronic databases from the former Getty Information Institute that GRI continues to produce are: In 2006, GRI and the OCLC Online Computer Library Center announced that the Getty Vocabularies (Art & Architecture Thesaurus, Getty Thesaurus of Geographic Names, and Union List of Artist Names) will be available as a Web service. Until July 1, 2009, the Getty Information Institute and later GRI co-produced the Avery Index to Architectural Periodicals with the Avery Architectural and Fine Arts Library. On that date, GRI transferred the database back to Columbia University, which continues to maintain it. The Getty Research Institute also participates in the German/American Provenance Research Exchange Program (PREP), which trains researchers specializing in Holocaust-era provenance projects.
Getty Research Institute | Electronic databases
The Getty Research Institute houses the Franklin D. Israel papers, 1967-1996. An archival collection consisting of project drawings and records, with the bulk of the material being architectural projects from the late-1980s to the mid-1990s; documents from his professional career; and a small series of personal papers.
Franklin D. Israel | Archives
GCI conducts scientific research related to art conservation. It offers formal education and training programs, and it has published a number of scholarly books. GCI has supported field projects around the world to preserve cultural heritage.
Getty Conservation Institute | Introduction
Paul Getty Museum and the Art Institute of Chicago.
Théodore Chassériau | Legacy
The institute’s publication program is rounded out by numerous co-editions developed with partner institutions. Alongside print editions, the DFK Paris now produces digital editions, following an open access policy.
German Center for Art History | Publications
The EMST editorial program includes bilingual (in Greek and English) exhibition catalogues, which host theoretical and critical essays, as well as interdisciplinary interpretational approaches bu sociologists, anthropologists, philosophers, e.a. Special educational booklets for Primary and Secondary ( High School and Lyceum) education, as well as editions with the Museum new Acquisitions. A series of editions of Critical Essays on contemporary art, as well as artists' monographs based on unpublished material of The Archives of Greek Artists is being prepared.
National Museum of Contemporary Art, Athens | Publications
In 2006 Whitechapel Gallery and MIT Press formed an editorial alliance to produce a new series of books entitled Documents of Contemporary Art.
Whitechapel Gallery | Publications
The Museum of Design produces publications, either self-printed or in collaboration with well-known publishing houses, which function as an important part of the exhibition program. These include thematically organized series such as the "Design Collection" or the "Poster Collection" as well as anthologies of classic design history and current themes, and monographs about pioneers in the fields of theory and practice.
Museum of Design, Zürich | Publications
Sarah Davies and James Harris note that with the collapse of the Soviet Union and the release of the archives, some of the heat has gone out of the debate.
J. Arch Getty | Research and ideas
Their projects have been exhibited and published internationally and are in the permanent collection of several museums including The Museum of Modern Art in New York, the Victoria and Albert Museum in London and FrAC centre and they have exhibited at The Science Museum (London), and The Pompidou Centre (Paris) (group exhibition). Dunne & Raby have worked with Sony UK, National Panasonic, France Telecom and The Science Museum. They have published three books, Hertzian Tales (The MIT Press), Design Noir (Princeton Architectural Press), and Speculative Everything (MIT Press).
Dunne &amp; Raby | Exhibits
Sculpture is also on display at various points outside the buildings, including on various terraces and balconies. The lower level (the highest of the floors in the base) includes a public cafeteria, the terrace cafe, and the photography galleries.
Getty Center | Museum
Center publications include "Pigeons on the Grass Alas: Contemporary Curators Talk About the Field", "The Sentient Archive: Bodies, Performance, and Memory", and "What Makes a Great Exhibition?", an essay anthology that examines various components of exhibition-making, edited by Paula Marincola. In 2011, the Center published "Letting Go? Sharing Historical Authority in a User-Generated World", an anthology of thought pieces and case studies related to shared historical authority in museums and public humanities projects. The anthology explores subfields such as oral history and digital humanities to interrogate the changing nature of expertise in the museum field, and considers co-curation as a method for encouraging public engagement.
Pew Center for Arts &amp; Heritage | Publications and research
GRI has one art gallery on its entrance level that is open to the public.
Getty Center | Getty Research Institute (GRI)
The residential scholars program seeks to "integrate the often isolated territory of art history into the wider sphere of the humanities". The first class of scholars arrived in 1985–1986; they had their salaries paid for and their housing provided but were under "absolutely no obligation to produce". Among the notable scholars was German writer Christa Wolf in 1993–1994, who wrote the novel "Medea: a modern retelling" during her year at GRI. Each year the scholars are invited to work on projects related to an annual theme. In 2008–2009, the theme for the Getty Center was "Networks and Boundaries" and for the Getty Villa "The Power and Function of Ancient Images".
Getty Research Institute | Residential scholars program
The Getty Conservation Institute works collaboratively with other cultural institutions and conservation institutes on these projects, and states its goal for the program as being to making "significant and lasting impact on the field in this area." The GCI is able to take on this project thanks to its role within the larger J. Paul Getty Trust - the Institute has access to its broader resources, and has the opportunity to choose projects that best serve its mission: "to advance conservation practice in the visual arts, including objects, collections, architecture and sites."
Modern and Contemporary Art Research Initiative | Introduction
A suite of interactive multimedia tools called GettyGuide allows visitors to access information about exhibitions. Within the Museum, the GettyGuide multimedia player provides commentary from curators and conservators on many works of art.
J. Paul Getty Museum | GettyGuide
The Halsey has an active publishing program, often producing full-color catalogues to complement exhibitions. HICA publications have received numerous awards from American Alliance of Museums, the American Art Libraries Association, Graphis, Communication Arts, and the South Carolina State Library. Recent publications are listed below:
Halsey Institute of Contemporary Art | Publications
Incomplete sets are held by the Getty Museum (acquired with the Jean Brown Papers) and mail art archives such as the Artpool Art Research Center.
PostHype | Introduction
Among other holdings, GRI's research library contains about 900,000 volumes of books, periodicals, and auction catalogs; special collections; and two million photographs of art and architecture. The library also includes the trust's "Institutional Archives" which document the activities of the trust's various programs.
J. Paul Getty Trust | Programs
Paul Getty Museum, Los Angeles; the National Museum of Modern Art, Kyoto, Japan; the Museum of Contemporary Art, Chicago; the Museum of Fine Arts, Houston; and the WestLicht Museum of Photography, Vienna, Austria.
Barbara Crane | Introduction
Thomas W. Gaehtgens, the director of the Getty Research Institute, stated that the acquisition is "an esteemed addition to our Special Collections that connects to work by many important 20th century artists who are also represented in our archives, such as Eleanor Antin, Yvonne Rainer and Carolee Schneemann."
Miranda July | "Joanie4Jackie"
The manuscript can be seen at the J. Paul Getty Museum in person or it can be accessed digitally from the official website for the museum.
Getty Tondal | Modern Times
The Getty's PST efforts encouraged Southern California art institutions to document and exhibit works significant in Los Angeles art history, 1945-1980.
Charles Christopher Hill | Recent work
"IRWIN: Like to Like", exhibition, commission, Cornerhouse Manchester, 2004 "[Prologue] New Feminism / New Europe", co-curator: Eva Ursprung, exhibition, performance series, conference, Cornerhouse Manchester, 2005 "TV Art", an independent project for The Getty Museum: In 2008, Huffman was invited to write a text for the catalog and to present an evening at The Getty Museum in the framework of the exhibition "California Video: Artists and Histories" (curated by Glenn Phillips, 2008). The comprehensive public program that accompanied the exhibition was always sold out. In her presentation "TV Art", Huffman screened works that offered an aesthetic commentary inspired and influenced by television; all were broadcast in the 1970s and 1980s.
Kathy Rae Huffman | Selected exhibitions
The Getty Research Institute (GRI), located at the Getty Center in Los Angeles, California, is "dedicated to furthering knowledge and advancing understanding of the visual arts". A program of the J. Paul Getty Trust, GRI maintains a research library, organizes exhibitions and other events, sponsors a residential scholars program, publishes books, and produces electronic databases (Getty Publications).
Getty Research Institute | Introduction
The images and essay were published in various literary projects such as "Footsteps to Oxford", "Mung Being", and "5 Trope". The 36triptychs were exhibited at Art Space Lima and the Lincoln Center. Facing the Sublime and the Grotesque collection was awarded an Indiana Arts Commission Grant. The artist built images based on grotesque elements in the mask collection at the Chicago Field Museum.
Don Swartzentruber | Exhibit highlights
J. Clark, Mieke Bal, Gregg Bordowitz and Tom Burr among many others. The publication is currently indexed in the Getty Research Institute's Bibliography of the History of Art and the Alternative Press Index.
Documents: A Magazine of Contemporary Art and Visual Culture | Introduction
The museum established an in-house press shortly after its founding in 1952. Initially it published catalogues of the museum's Asian and African artworks, as well as occasional short monographs. The museum's publishing activity has increased since 1985, in connection with the large special exhibitions that it has organised since then, and it now publishes four to six new titles per year. Since 1991, the museum also publishes Artibus Asiae, a biannual scholarly journal on the arts and archaeology of Asia.
Rietberg Museum | Publishing activities
Ed.). (1988). Object, image, inquiry: The art historian at work. Santa Monica: CA: Getty Art History Information Program.
Institute for Research in Information and Scholarship | Introduction
Paul Getty Museum, California, USA; Center for Cultural Inquiry in Berlin, and Pera Museum, Istambul, Turkey (2009) among many others.
Suzanne Anker | Group exhibitions
Publishing is one of the top priorities in MMOMA's educational activities. Museum publications are richly illustrated art books and albums, catalogues of the museum collection and exhibition catalogues, with texts be prominent art historians, critics and curators, as well as artists. The Museum's Dialogue of Arts magazine covers the history and theory of contemporary art, and contemporary art practice. Nearest Metro: Gogolevskiy 10 Kropotkinskaya, Ermolaevskiy 17 Mayakovskaya, Petrovka 25, Tverskoy 9 Chekhovskaya, Pushkinskaya, Tverskaya
Moscow Museum of Modern Art | Publishing
The Metropolitan Museum of Art, New York City The Museum of Modern Art, New York City Other institutions:
Lee Krasner | Some institutional holdings
Between 2005 and 2010, GG published exhibition yearbooks as well as various books related to exhibitions and other projects. "GG 2003-2004", Garanti Gallery 2005, Istanbul, "GG 2005", Garanti Gallery 2006, Istanbul,
Garanti Gallery | Publications
Pamela Smart, and several of the museum studies program students including Taylor Hayes, Ashley Blake, Jenna Valone, and Maxx Mercogliano.
Peter Guttman (photographer) | Exhibitions
As part of its activities, the interconnected institutions of the Museum of Avant-Garde, Marinko Sudac Collection, and the Institute for the Research of the Avant-Garde publish various types of publications – artist monographs, exhibition catalogues etc. The aim of these publishing projects is to present relevant artists, artist groups, artistic movements and developments of the former Yugoslavia region, as well as of Eastern and Central Europe. By presenting them through publications, the aim is to provide them with better international recognition and valorisations, so they could be placed in their rightful position in the global art scene.
Marinko Sudac Collection | Publications
Selected exhibitions include: Metropolitan Museum of Art in New York City; Solomon R. Guggenheim Museum in New York City; Butler Institute of American Art, Youngstown, OH; Aldrich Museum of Contemporary Art, Ridgefield, CT; and Mulvane Art Museum, Topeka, KS, whose permanent collection includes "Marry Off" and "Shut Off "(images are found above).
William L. Haney | Work
Recent acquisitions include artwork by Doug Aitken, Jennifer Allora & Guillermo Calzadilla, Polly Apfelbaum, Sanford Biggers, Ellen Gallagher, Wade Guyton, Matthew Day Jackson, Wangechi Mutu, and Javier Téllez.
Princeton University Art Museum | Modern and contemporary art
Platform collaborated on a range of publications, including "The Next Documenta Should be Curated by an Artist" co-published by Revolver and e-flux publications ; "We all Laughed at Christopher Columbus" co-published with SMBA, Amsterdam and the Mondriaan Foundation, "Hit & Run" with SMART Project Space, Amsterdam ; "Support Structures" by Celine Condorelli , published by Sternberg Press ; "Subtracting of Zeroes" co-published with Van AbbeMuseum, Eindhoven; "Today in History" by Ahmet Oğüt co-published with Book Works , London.
Platform Garanti Contemporary Art Center | Publications
The art museum has issued a number of publications. A selected sample of these publications include:
MacKenzie Art Gallery | Publications
This exhibit contains ceramics, drawings, collages, jewelry, and more. Recent Acquisitions: Prints, Drawings, and Photographs (May 17, 2006 – July 31, 2006) The exhibit contains works from the 1500s through the 2000s including prints by artists such as Giorgio Ghisi, Judy Pfaff, Terry Winters, and drawings by Adolf Menzel, and Stephen Talasnik. Work by early 20th-century photographers by Edwin Hale Lincoln, Alvin Langdon Coburn, and Tina Modotti are displayed. Work by contemporary artists Larry Fink, Candida Hofer, and Kiraki Sawi are also displayed. The Big Three in Printmaking: Dürer, Rembrandt and Picasso (September 13, 2006 – December 31, 2006) The exhibit features work of Dürer in the early 16th century, Rembrandt in the mid-17th century, and Picasso in the 20th century made of various media including wood and linoleum cuts, engraving, etching, aquatint, drypoint and lithography.
Detroit Institute of Arts | Exhibitions
The Govett-Brewster has produced publications to accompany many of its exhibitions alongside stand-alone texts. In 2016 the Govett-Brewster published "NOW SHOWING: A History of the Govett-Brewster Art Gallery" outlining 45 years of exhibition making at the gallery. The publication was edited by Christina Barton, Jonathan Bywater and Wystan Curnow with essays by Barton, Curnow, Jim and Mary Barr, Rhana Devenport, and a foreword by then director, Simon Rees. "NOW SHOWING" also included ‘Forty Five Moments’, a selection of illustrated highlights from the previous 45 years of gallery activities with accompanying texts by Paul Brobbel, Tyler Cann, Susette Goldsmith, Simon Rees and Mercedes Vicente.
Govett-Brewster Art Gallery | Publications
In the late 1980s, an exchange between the Getty Museum and Harvard's visual collections also resulted in some 2000 new prints from the Porters' Collection being made for the Getty. Photographs attributed to Wallace Porter are also to be found in the Conway Library's collection of architectural photographs at the Courtauld Institute of Art, London. This collection is currently (2020) being digitised as part of the Courtauld Connects project.
Lucy Wallace Porter | Collections
Paul Getty Museum return the antiquities.
J. Paul Getty Museum | The controversies with Italy and Greece
A substantial catalogue was produced to accompany the exhibition, edited by Barton and Lawler-Dormer and with texts by the curators, Priscilla Pitts, Cushla Parekowhai, Lita Barrie, Gloria Zelenka, Anna Miles, Bridget Sutherland, and Deborah Shepherd. A resource section featuring biographies, exhibitions histories, filmographies and bibliographies was also included. Two sections of page works by artists were included in the publication, featuring works by all 20 artists in the exhibition.
Alter / Image | Publication
The Institute has released the following books and exhibition catalogues:
Translocal Institute for Contemporary Art | Publications
This all creates serious problems in the art market, confusing prices. Exhibitions are held of copies which pretend to be cultural events." The views and conclusions of the conference was published in December 2012.
M.T. Abraham Foundation | Conference
The journal publishes substantial articles; interviews with artists, curators and printers; and reviews of exhibitions, books and recent artists' editions. Subjects covered range from 17th century lift-the-flap anatomy engravings (Suzanne Karr Schmidt) to the impact of the Xerox machine on the aesthetics of punk (David Ensminger). Publications have included substantial monographs on the print work of contemporary artists such as Enrique Chagoya and Tauba Auerbach; interviews with Christiane Baumgartner and Wangechi Mutu; and the first English language publications on a group of mysterious French boxes lined with woodcuts (coffrets à estampe). Some issues contain a number of articles clustered around a single topic: September–October 2012 focused on the legacy of Stanley William Hayter; July–August 2014 examined screenprint and the tension between art and design; January–February 2015 was billed as a topographic tour of Arcadia, from the 15th to the 21st century.
Art in Print | Content
The J. Paul Getty Museum, commonly referred to as the Getty, is an art museum in Los Angeles, California housed on two campuses: the Getty Center and Getty Villa. The Getty Center is located in the Brentwood neighborhood of Los Angeles and features pre-20th-century European paintings, drawings, illuminated manuscripts, sculpture, decorative arts, and photographs from the inception of photography through present day from all over the world. The original Getty museum, the Getty Villa, is located in the Pacific Palisades neighborhood of Los Angeles and displays art from Ancient Greece, Rome, and Etruria.
J. Paul Getty Museum | Introduction
Professor Felton Gibbons, following Hall's example, endowed a fund for acquiring works on paper that has allowed gaps in the collection to be filled, including Northern and Central European drawings, and to add to other areas of significance, such as German Expressionism. The modern and contemporary holdings continue to grow, with an emphasis on artists such as Glenn Ligon, Martin Puryear, Robert Rauschenberg, and Kiki Smith, who are a vital part of the teaching curriculum of the University.
Princeton University Art Museum | Prints and drawings
Different books have been published about, in honor of, or presented at the exhibitions:
Gerrit Noordzij Prize | Publications
The gallery has three floors of display spaces and the temporary exhibitions programme focuses on thematic shows which have included "Through the Looking Glass: Childhood in Contemporary Photography", "Cooling Out: on the paradox of feminism" and "Overtake: the reinterpretation of modern art".
Lewis Glucksman Gallery | Introduction
In 2019, the grant was distributed to Buzludzha Monument, in Bulgaria; North Christian Church, in Columbus, Indiana; Miller House and Garden, Columbus, Indiana; Laboratory for Faculty of Chemical Technology at Kaunas University of Technology, Lithuania; Uganda National Museum, Kampala, Uganda; Politecnico di Torino Torino Esposizioni, Torino, Italy; Escuela Superior de Comercio Manuel Belgrano, in Córdoba, Argentina; Beira Railway Station, Beira, Mozambique; and Paraninfo de la Universidad Laboral de Cheste, Cheste, Spain.
Getty Foundation | "Keeping It Modern" Grant
GCI has activities in both art conservation and architectural conservation. The Getty Foundation awards grants for "the understanding and preservation of the visual arts". In addition, it runs the Getty Leadership Institute for "current and future museum leaders". Its offices are north of the Museum. The foundation offices are located in the two administrative buildings that are north of the Museum. The J. Paul Getty Trust, which oversees the Getty Conservation Institute, Getty Foundation, Getty Research Institute, and J. Paul Getty Museum, also has offices there.
Getty Center | Other offices
Exhibitions include 'Maps DNA and Spam' at Dundee Contemporary Arts; Never Odd nor even at Carroll / Fletcher Gallery London; Tate Britain; San Francisco Museum of Modern Art SFMOMA; Laboral Art Centre in Gijon, Spain; Zentrum Kunst Media ZKM, Karlsruhe, Germany; The New Museum, New York; Mejanlabs, Stockholm; Neuberger Museum of Art at Purchase, New York.
Thomson &amp; Craighead | Exhibitions
The museum has no permanent exhibition, but it hosts different short and long-term exhibitions, performances and movie screenings. In 2011 Years he hosted more than 120 events. One can find ongoing and future events on its Facebook page. Publishing is one of the most important activities of the Museum even today.
Giorgi Leonidze State Museum of Literature | Today's activities
The Modern and Contemporary Art Research Initiative is a program started by the Getty Conservation Institute (GCI). It began in 2007 in response to the variety of new materials and technologies being used by contemporary artists in their work, and the lack of known conservation treatments for these new materials. This area was seen as a gap in the field of conservation, but also posed unique challenges when considering the intention of the artist and the physical aging that his or her materials might endure. According to Thomas F. Reese, "Conservators...must enter into the critical spirit of the works themselves if they are to save and transmit not merely decontextualized fragments but their essence to the future." This program consists of various individual research projects that are looking to the conservation issue surrounding modern paints, plastics, and outdoor sculpture, among other areas as well.
Modern and Contemporary Art Research Initiative | Introduction
Their collections included archive images from "The New York Times", "Metronome" and George Eastman House, and works by photographers such as Ruth Orkin, Anacleto Rapping, Deborah Feingold, Murray Garrett, Nat Fein and John Filo.
Getty Images | Acquisitions
for a photographic Portrait see Museum Victoria
Hyman Herman | Publications
The collection was restored during the renovation. In 2004, during the renovation, the museum and the University of California, Los Angeles (UCLA) began holding summer institutes in Turkey, studying the conservation of Middle Eastern Art. Reopened on January 28, 2006, the Getty Villa shows Greek, Roman, and Etruscan antiquities within Roman-inspired architecture and surrounded by Roman-style gardens. The art is arranged by themes, e.g., "Gods and Goddesses", "Dionysos and the Theater", and "Stories of the Trojan War". The new architectural plan surrounding the Villa – which was conceived by Machado and Silvetti Associates (who were also responsible for the plans for the renovated museum) – is designed to simulate an archaeological dig.
Getty Villa | History
2013: Objectif Exhibitions, "2012" 2012: Mai Abu ElDahab, "Behave Like an Audience," Mai Abu ElDahab, "After Berkeley: Objectif Exhibitions 2010–2012," Raimundas Malasauskas, "Paper Exhibition" 2011: Mai Abu ElDahab, Binna Choi, Emily Pethick, "Circular Facts," Mai Abu ElDahab, "From Berkeley to Berkeley: Objectif Exhibitions 2008–2010," Chris Evans, Will Holder, Lisette Smits, "Goofy Audit," Hassan Khan, "The Agreement," Michael Portnoy, "Script opposition in Late-Model Carrot Jokes"
Objectif Exhibitions | Publications
She exhibited with One/Off Printmakers as the group approached its 30th anniversary in a 2012 featured show at Studio Two Three. In 2006 "Highlights: Print Selections from the Permanent Collection" was a curatorial collaboration at VCU's Anderson Gallery between David Freed and Barbara Tisserat after both professors retired from the VCUarts Department of Painting and Printmaking.
Barbara Tisserat | Exhibitions
Paul Getty Museum in Los Angeles.
Camille Claudel | Introduction
The corresponding cross axis starts with the center point of the circle forming the GRI library garden, then passing to the center of the entrance rotunda, and aligning with the south wall of the rotunda building. Although all of the Museum is aligned on these alternative axes, portions of the exhibitions pavilion and the east pavilion are aligned on the true north-south axis as a reminder that both grids are present in the campus. The primary grid structure is a square; most wall and floor elements are squares or some derivative thereof. The buildings at the Getty Center are made from concrete and steel with either travertine or aluminium cladding.
Getty Center | Architecture
Modernism/modernity is a quarterly peer-reviewed academic journal established in 1994 by Lawrence Rainey and Robert von Hallberg. It covers methodological, archival, and theoretical approaches to modernist studies in the long modernist period. Since 2000 it has been the official publication of the Modernist Studies Association. In February 2014, the journal started operating with two editorial offices: a permanent MSA office and a permanent office at the University of York. It is published quarterly in January, April, September, and November by Johns Hopkins University Press. The journal is also available in digital form through library databases such as Project Muse. Each issue includes a section of thematic essays, multi-work review essays, individual book reviews, and a list of "recent books of interest." The journal occasionally has guest-edited or special issues, with a series of related essays on one topic.
Modernism/modernity | Introduction
It is primarily inward-looking, exploring the age-old archetype of the self, but also the very process of making art. And this process, according to the new generation, is something to be executed with exquisite skill." Not all critics looked favorably on the exhibition, however. Critic Therry Laurent noted the commercialism of art today, remarking, "In fact, the question arises: can we have fifty artists across media, without choking their proposals?...The aim of such an approach would be to present the Museum, the institution, rather than the works. Contemporary artists continue to multiply as anonymous pawns in favor of global capital." In contrast, Renaud Baronian, writing for French Daily, wrote in Le Parisien, "The results of the exhibition reflect the exuberance of youth.
J'en rêve | Reviews
[that] cleverly provokes far-reaching reconsideration of the lingering presence of blind spots and aura in today's art and culture." It was produced in a traded edition and two limited editions featuring a full-color sheet of stamps drawn from the "Manual of Lost Ideas".
Institute of Cultural Inquiry | Publications
Edited anthologies include: "The Anxiety of Interdisciplinarity" (Black Dog Publishing, 1998), "Mark Dion: Archaeology" (Black Dog Publishing, 1999), "The Optic of Walter Benjamin" (Black Dog Publishing, 1998), "Site-Specificity: The Ethnographic Turn" (Black Dog Publishing, 2001) and "Design and Art" (MIT Press/Whitechapel Publications, 2007). Recent catalogue essays include: "Kiss the Frog! The Art of Transformation" (National Museum, Oslo, 2005), "Anton Henning" (Museum fur Kunst Frankfurt, Germany, 2006), "Project VITRA" (Birkhauser, 2007), "Jorge Pardo" (K21, Düsseldorf, 2009), "Martin Creed: Down Over Up" (The Fruitmarket Gallery, Edinburgh, 2010), "Donald Judd: A Good Chair is a Good Chair" (Ikon Gallery, Birmingham, 2010), "Konstantin Grcic" (Gallery Kreo, Paris, 2011) and Ronan and Erwan Bouroullec (Pompidou-Metz, 2012).
Alex Coles | Publications
Paul Getty Museum, The Nelson-Atkins Museum of Art, and the Metropolitan Museum of Art.
Oddy test | Development
Solo exhibitions include the Centre for Contemporary Art, Sacramento; IMT Gallery, London, and Schloss Solitude Galerie, Stuttgart. Group exhibitions include the Musée d'art Moderne, Saint-Etienne, France, Staatsgalerie Stuttgart, Germany, Centre for Drawing Research, London, Fruehsorge Contemporary Drawings, Berlin and the Centre For New Music, San Francisco
Gordon Shrigley | Exhibitions
The Getty Museum commissioned eleven Los Angeles Artists for a collaborative exhibition titled "Departures: 11 Artists at the Getty" and Uta Barth was invited to participate. The exhibition was open to the public from February 29, 2000 through May 7, 2000. Each artist was commissioned to create works in response to art in the Getty's collection. Exhibition curator Lisa Lyons said, ""Departures" is intended to explore the potent and sometimes surprising ways in which the art of the past can inform contemporary art. Equally important, the new works produced for the exhibition will offer valuable insights into the Getty collections." The press release for the show gave a brief description of the each artists goals for their work, including Barth who planned to create a series of multi-panel photographs capturing variations of a single view of the interior of her home.
Uta Barth | Collaborations
The Wolfsonian has published catalogues of some of its exhibitions and parts of its collections, and there are plans to produce publications more frequently of future museum exhibitions. In addition, it is responsible for the publication of "The Journal of Decorative and Propaganda Arts", which appears irregularly. Some of The Wolfsonian's exhibition publications include:
Wolfsonian-FIU | Publications
His work is represented in numerous public and private collections, including those of the Columbus Museum of Art, Phoenix Art Museum, and the Museum of Modern Art in New York City.
Dick Arentz | Works and publications
Virginia Heckert, "Some Aesthetic Decisions: The Photographs of Judy Fiskin." Getty Publications, December 2011. . https://web.archive.org/web/20140730015755/http://shop.getty.edu/products/some-aesthetic-decisions-978-1606060810 Paul Schimmel, et al., "Under the Big Black Sun: California Art, 1974-1981." Los Angeles, Prestel Publishing, 2011, pp. 150–151. (2 reproductions from 1975 "Military Architecture" series.) Rebecca Peabody, et al., "Pacific Standard Time: Los Angeles Art, 1945-1980", Los Angeles, Getty Research Institute, 2011, p. 275. (1 reproduction from "Military Architecture," plus 1982 LAICA journal cover.)
Judy Fiskin | Artist's Books, Exhibition Catalogues and Monographs
The Museum also publishes the magazine "Palais /", which annually releases three editions (Spring, Fall, and Summer) and was created in 2006 by Marc-Olivier Wahler. The Magazine features articles centering around a central artistic theme selected for each edition. The subjects are conceptual, and are explored using photography, various artistic media, essays, and often experimental media. The theme generally coincides with the exhibition concurrently featured at the museum. In addition to "Palais /", Palais de Tokyo also published five volumes of a contemporary art encyclopedia, "From Yodeling to Quantum Physics" between 2007–2011.
Palais de Tokyo | "Palais /"
Cinema installations, exhibitions and book publications are integral to Gitai's work. He has exhibited and published in leading institutions in Israel and around the world such as the Israel Museum in Jerusalem, the Tel Aviv Museum, the Pompidou Center in Paris, MoMa in New York, the Reina Sofia Museum in Madrid and more. Many of his exhibitions were dedicated to his parents Munio and Efratia, such as the 1996 retrospective initiated at the Pompidou Center, which deals with the work of his father (the only retrospective devoted to an Israeli architect in the Paris Museum) or the publication of his mother's letters - Efratia Gitai's letters in 1994.
Amos Gitai | Exhibitions and publications
The Power Station produces a publication in conjunction with each of its international exhibitions, and prints a first edition of 1000 copies. For the "Drip Event" exhibit, they also produced "Solar Lice", a double LP by Tobias Madison, Emanuel Rossetti, and Stefan Tcherepnin, recorded at Issue Project Room by the band formed for the exhibit.
The Power Station (art space) | Publications
The J. Paul Getty Museum's estimated 1.8 million visitors annually make it one of the most visited museums in the United States. The collection of the J. Paul Getty Museum on display at the Getty Center includes "pre-20th-century European paintings, drawings, illuminated manuscripts, sculpture, and decorative arts; and 19th- and 20th-century American and European photographs". The paintings include: Getty's extensive photograph collection is located on the lower level of the west pavilion. The Museum building consists of a three-level base building that is closed to the public and provides staff workspace and storage areas. Five public, two-story towers on the base are called the North, East, South, West and the Exhibitions Pavilions.
Getty Center | Museum
As chairman of the advisory board of art in public space, she initiated with the committee the 2013 Walk of Modern Art Potsdam. Jutta Götzmann is the author of numerous writings on the ancient and the modern and contemporary art.
Jutta Götzmann | Life and career
The institute has published books and periodicals that present rare and unique materials in their field. The periodicals are
Rylsky Institute of Art Studies, Folklore and Ethnology | Selected publications
The gallery maintains a robust publishing program, producing more than 66 books and a wide range of posters to date, including titles that accompany specific exhibitions and coincide with anniversaries.
Fraenkel Gallery | Introduction
A. Two 1920s garments by the House, an evening gown and a fur-trimmed coat, are in the Costume Institute at the Metropolitan Museum of Art.
Philippe et Gaston | Introduction
Arens was president of the Society of Industrial Designers 1949–1950, and a member of the United States delegation to the International Trade Fair, held in Liege, Belgium, in 1955. Four issues of "Playboy: a portfolio of art and satire", are in the Smithsonian Institution's Archives of American Art, including the first issue published in January 1919 and the last issue published in July 1924. All nine issues are in the Syracuse University Library. Arens' books, correspondence, articles and other papers are in the Syracuse University Library's Special Collections. This collection contains many documents, photographs and slides relating to his industrial design and fine printing careers.
Egmont Arens | Legacy
Through its publishing department, the foundation invests maximum efforts to promote, publicize and facilitate investigation related to its permanent collection. Also, it supports debates on the artistic phenomena that shape the plastic arts from the 19th to the 21st centuries by publishing different editorial possibilities. In 2013 the foundation’s publishing department published “selling Russia’s treasures” (, ), the story of the sale of Russian national art treasures confiscated from the tsarist royal family, the church, private individuals and museums in the Soviet Union. The Foundation published the book "White City - Bauhaus Architecture in Tel Aviv," which presents Tel Aviv's Bauhaus architectural heritage at the State Hermitage Museum.
M.T. Abraham Foundation | Publishing
The 1932 exhibition led to two publications by Hitchcock and Johnson: Previous to the 1932 exhibition and book, Hitchcock had concerned himself with the themes of modern architecture in his 1929 book "Modern Architecture: Romanticism and Reintegration". According to Terence Riley: "Ironically the (exhibition) catalogue, and to some extent, the book "The International Style", published at the same time of the exhibition, have supplanted the actual historical event."
International Style (architecture) | Publications
Other notable releases include:
Govett-Brewster Art Gallery | Publications
The German Center for Art History publishes works by its own researchers and accepts essays and monographies by art historians from around the world. The editorial line, at first oriented toward annual themes and long-term projects, has opened up to other methodological and historiographical perspectives. It now incorporates studies on subjects as varied as artistic exchanges, art collections and collectors, classical architecture, art theory, and the political significance of images. In addition to its Passages/Passagen, Passerelles, and Monographies series, published by Éditions de la Maison des sciences de l'homme (MSH) in France and by the Deutscher Kunstverlag (DKV) in Germany, the DFK Paris recently created the Passages online series, available on Heidelberg University’s open access publication platform arthistoricum.net – ART-Books.
German Center for Art History | Publications
"Ciudad Moderna" (), published by Turner in 2007, is a collection of photography, graphics and video stills from a short film, and a homage to Mexican modernist architecture, and to the aesthetics of mid-century Latin America. It includes essays by Craig Buckley, Priamo Lozada and Itala Schmelz. "Appendices, Illustrations & Notes" (), published by Smart Art Press in 1999, is a collaboration between Gower and writer Mónica de la Torre. "Display Architecture" (), published by Navado Press Trieste in 2007, is a survey of Gower's work on modernist strategies of display and representation in architecture. The book focuses on one of the artist's principal subjects, exhibition pavilions and display architecture.
Terence Gower | Publications
Kohlmann has designed a series of illustrations for at least six Vogue articles published in succession in early 2020. Also in early 2020, the Santa Barbara Museum of Art acquired a work of Kohlmann's for its permanent collection. "Sundrop Cactus" also appeared on tickets to the 2017 NY Book Fair.
Emma Kohlmann | Group exhibitions