The theme song, "Pleasant Nightmare", was written by Jared Faber and Emily Kapnek and is sung by Alih Jey. The theme song is slightly different in episode 22 (the last episode of season 1). In the season 2 premiere, Tessa performs a longer version of the song, which she says her mother wrote. George performs the song for Dalia as the season 2 finale ends.
Theme song
Suburgatory
Suburgatory | Theme song
Jared Faber and Emily Kapnek Sorry. I cannot find the answer based on the context. Jared Faber and Emily Kapnek. Sorry. I cannot find the answer based on the context.
what movie is count on me by bruno mars in
user
Sorry. I cannot find the answer based on the context.
assistant
is the song part of an album?
user
Yes, it is from "Doo-Wops & Hooligans" album
assistant
how well did it perform commercially?
user
It spent two weeks at its peak position of 13,  it was also awarded a platinum plaque by Recorded Music NZ
assistant
was it used in any other media?
user
The recording is part of the Belgian/American animated film and the TV show "Suburgatory",  it is featured in the film in 2017 and on a commercial for Ferrero SpA
assistant
what is the tv show about?
user
The series follows George Altman, a single father who decides to get away from New York City to the suburbs so he can give his teenage daughter, Tessa, a better life.
assistant
who plays the role of tessa in the show?
user
Jane Levy
assistant
who is the broadcaster of the show?
user
ABC
assistant
what is the rating of the show?
user
3.3 among the 18–49 demos with 9.81 million viewers tuning in
assistant
who composed its theme music?
user
The theme song, "Pleasant Nightmare", was written by Jared Faber and Emily Kapnek and is sung by Alih Jey. The theme song is slightly different in episode 22 (the last episode of season 1). In the season 2 premiere, Tessa performs a longer version of the song, which she says her mother wrote. George performs the song for Dalia as the season 2 finale ends.
Suburgatory | Theme song
The debut episode did well, scoring a 3.3 among the 18–49 demos with 9.81 million viewers tuning in.
Suburgatory | Ratings
The theme song was composed by Alan Thicke. Original recordings of the theme were presumed to have been lost until 2012, when they were discovered by the Museum of Television Production Music.
Whew! | Theme
The show's opening theme music, by Amin Bhatia and Ari Posner, was nominated for the 2006 Primetime Emmy Award for Outstanding Main Title Theme Music.
Get Ed | Awards
The show's theme music was created by composer/performer Stewart Copeland. The track is called ‘Busy Equalizing’. An extended version appears on his album "The Equalizer and Other Cliff Hangers." Six episodes in the 1988 season were scored by Joseph Conlan and the final season was scored by Cameron Allan.
The Equalizer | Music
The theme music was an updated version of the original composition by Norman Leyden and performed by Charles Randolph Grean, the show's musical director during its first season. Grean's group, The Charles Randolph Grean Sounde, recorded the theme and it was released as the B-side of Grean's 1976 single "Sentimentale" on Ranwood Records (R-1064). The track was a medley of the main theme, the cue heard when the printout tape was given to Darow, the "isolation booth" theme, a reprise of the main theme, the music heard during the announcement on how to apply to be a contestant, and a second reprise of the main theme ending in a grand crescendo.
The $128,000 Question | Theme music
The show's theme song is performed by Jill Sobule, who also wrote the songs performed throughout the show.
Unfabulous | Introduction
"Valse Triste" by Jean Sibelius was the program's theme music. During the show's Mutual run, its opening was a train approaching a grade crossing sounding its horn full-tilt.
I Love a Mystery | Theme music
The series' theme song was written by Allie Feder, Mike Kramer, Motz, and Roth, and was performed by Burch and Snyder. Songs for the series will be written by Rob Cantor and Michael Tavera, with each episode featuring a musical sequence of approximately 1 minute.
The Ghost and Molly McGee | Music
The main theme song, composed by Danny Elfman, was nominated for "Outstanding Achievement in Main Title Theme Music".
The Simpsons (season 1) | Ratings
The musical score was scored by Ron Jones. Reviewers praised the Bynars themselves, and the response to the episode was generally positive, with one critic calling it the best of the season. It was awarded an Emmy Award for Outstanding Sound Editing for a Series.
11001001 | Introduction
The show's theme tune is a song called "Alice, Where Art Thou?", written by Joseph Ascher. It was arranged for a brass band and performed by Max Harris, who also wrote the incidental music for the programme.
Open All Hours | Theme tune
The theme music, written by Jerry Goldsmith, changed slightly each season. Goldsmith provided only three original scores and was succeeded by Morton Stevens, who composed four scores for the series. After Stevens, Walter Scharf did six scores, and Lalo Schifrin did two. Gerald Fried was composer from season two through the beginning of season four. The final composers were Robert Drasnin (who also scored episodes of "", as did Schifrin, Scharf, and Fried), Nelson Riddle (whose score for the two-part episode "The Concrete Overcoat Affair" was so loathed by Norman Felton that he never hired the composer again, although the music did get tracked into other third-season episodes), and Richard Shores.
The Man from U.N.C.L.E. | Theme music
The lyrics of the show's theme song were written by Gary Stockdale with Marie Cain, and performed by Stockdale, Cain, Terry Wood, and Michael Now.
They Came from Outer Space | Theme song
The series' original theme song was written and composed by Tim Heintz, Randy Petersen and Kevin Quinn. Season one was the only season using the full version, with the short middle instrumental portion, vocalizations and the line "Living underneath one roof, no it won't be trouble-proof" dropped in season 2, though the short instrumental and vocalizations were restored in season 3. Performers for this version that was played from seasons 1-4 is unknown. An updated version of the theme song was used starting in Season 5, composed by Heintz, Petersen, Quinn and Kurt Farquhar, who composed the music score for most of the series (save for Season 3, when the score was composed by Paul A.
Sister, Sister (TV series) | Theme song
However, the show failed to generate desirable ratings from any demographic, especially the teenage one, and the show was cancelled by ABC after one season. The show's main theme song was composed by Malik Yoba & Raleigh J Neal II, both also composed other songs for the series and served as Musical Creative Supervisor for the show.
CityKids | Introduction
Film Scores – Composer Television – Musical Director and/or Composer/Lyricist/Producer Theme Songs – Composer or Composer/Lyricist
Joe Raposo | Credits and lectures
The distinctive theme tune is an arrangement by Julian Stewart Lindsay of Camille Saint-Saëns's "Danse Macabre". Lindsay wrote the incidental music for the first three series, after which it was written by Rick Wentworth.
Jonathan Creek | Music
Season 13 had a new intro and theme tune sung by Sofie Van Moll and rock artist Peter Evrard. The new song was created by Will Tura and Steve Willaert with lyrics by Frank Dingenen, an actor who had played a guest role which he reprised at the start of season 13.
Thuis | Music
All music from the show was written by Greg Burns, Jeff Burns, and Brian Kirk. The theme song is sung by Jason Cropper, the original guitarist for Weezer. The song was written for the show, and there is not a full version beyond the short clip in the beginning. However, a slightly longer version of the song is evident on the pilot episode.
Andy Richter Controls the Universe | Soundtrack
For the opening theme, a trumpet solo accompanied by an orchestra was used. For the end titles, the theme gained mock-heroic lyrics sung by a baritone (Simon Carrington, a member of the King's Singers). In the final episode, the theme was sung with altered lyrics by a treble, in a more reflective style. The series' incidental music was unusually performed by pipe organ and percussion.
The Black Adder | Title sequence and music
The subsequent two episodes were redone, leaving this episode as the only one with the additional music elements. Since this episode's end credits played "Joltin' Joe DiMaggio" in place of the theme tune, the full version of the revised theme was never used.
The Note (Seinfeld) | Theme song
Jazz musician Chuck Mangione composed the show's theme song. The two-minute theme appears on his 1977 hit album "Feels So Good."
Sidestreet | Theme song
The series' musical score was composed by Ben Decter. He was replaced by Joseph Stephens for Season 2.
Shut Eye | Music
The open and closing theme music was written by John Williams. Williams was listed in the credits as "Johnny Williams". The original pilot and much of Season One reused Bernard Herrmann's eerie score from the classic sci-fi film "The Day the Earth Stood Still" (1951). Season three featured a new score which was considered more exciting and faster tempo. The opening music was accompanied by live action shots of the cast, featuring a pumped-up countdown from seven to one to launch each week's episode.
Lost in Space | Theme music
Between 1950 and 1985, George Greeley was principal composer of the original scores and themes for approximately one hundred ninety-five television series episodes. (see IMDb.com for full episode list).
George Greeley | Television series
The series' original theme song was composed by Louis van Rensburg and performed by the Soweto String Quartet. Having been the theme song since the series' inception in 2000, the tune was considered "iconic" but was replaced in June 2015 with a new composition by Joe Niemand and Nomansland. The theme-tune is so well-loved that many viewers complained when the instantly recognisable tune was replaced by the newer more modern theme.
7de Laan | Theme song
The show's famous theme song was performed in a doo-wop rendition by the group Strate Vocalz, which Yahoo! described as being "terrible". According to Payne, he had developed a "dark and edgy" opening sequence with appropriate music by the film's composer, but Saban, without his knowledge, had replaced his original opening title sequence and the original music with "some boy band, in bright fluorescent-colored shirts".
Addams Family Reunion | Music
The anime television series featured three pieces of theme music. The opening theme is performed by Yukari Tamura. The first ending theme for the first thirteen episodes is performed by Gokujou Seitokai Shikkoubu. The second ending theme is performed by Gokujou Seitokai Yuugeki and Sharyoubu for the last thirteen episodes.
Best Student Council | Production
Original music themes written and produced by Tobin Stokes.
Hansard TV | Music composers
The theme music was composed by Andy Quin.
Central Weekend | Introduction
Antenne 2, FR3, La 5 (2 habillages), RFO, CFI, Canal J (2 habillages), RTL TV, TV10, C'était hier, Bravo, Canal humour, Kontakt TV, FA, TV Club, Satfin, Canal A, Radio NOVA, La 5, etc.
Jean-Philippe Goude | Theme music for television
The theme (called "Jeeves and Wooster") is an original piece of music in the jazz/swing style written by composer Anne Dudley for the programme. Dudley uses variations of the theme as a basis for all of the episodes' scores and was nominated for a British Academy Television Award for her work on the third series.
Jeeves and Wooster | Theme and opening credits
The following contains composers of the primary theme music of a television show or miniseries.
List of television theme music composers | Introduction
The theme music was composed and performed by Paul Williams.
The McLean Stevenson Show | Theme music
There have been many songs used for the theme during the opening credits, each reflecting the music of the time. The original music was the opening bars of "Overture" from Rush's "2112", whereas the most recent theme song was an interpolation of Pigbag's "Papa's Got a Brand New Pigbag", which was also used as the show's theme during the early 1980s.
The NewMusic | Theme song
Segment producers included Martyn Burke, Martin Lavut and Donald Shebib. The theme music for the series was a song called "You Of All People", written and performed by Jack Schechtman. The song was released on his album, "From Soup to Nuts".
Of All People | Production
The series' theme song is "Indomitable" by DJ Shub from his 2016 EP "PowWowStep". Shub was reportedly on vacation when his manager contacted him with the information that Sacha Baron Cohen was requesting to license one of his songs. Shub, a fan of Baron Cohen's, immediately gave his approval. He was initially under the impression that the song would be used for an upcoming film and was surprised to hear it used in a promotional trailer for the series. He was later further astonished to discover it was being used as the series official theme music over the opening credits.
Who Is America? | Music
The show's score was composed and conducted by Bruce Broughton, while much of the queue music was arranged by George Wilkins. The attraction's titular theme song was written by Wilkins and Kevin Rafferty.
It's Tough to Be a Bug! | Soundtrack
Each episode parodies a different visual and narrative style. Such formats have included mockumentary filmmaking, action parodies, in-studio informercials, voice-over narration, and laugh tracks. There is usually a cold open. The theme song, "Oh, Brotter," which plays the opening and closing credits, is written and performed by Brian Engles.
Welcome Back, Brotter | Show format
Originally, the series had an instrumental theme. Later it was exchanged by a vocal theme song, arranged by Heiko Rüsse. Since episode #83, there has been a new theme song, arranged by Wolfgang W. Loos and Heiko Rüsse. The proprietors have published both the old song and the new song on YouTube.
Bibi Blocksberg | Theme song
The series's opening theme, composed by Roger Webb, was also available as sheet music.
Strange Report | Music
The series theme song, also titled "Jennifer Slept Here", was written by Joey Murcia, Bill Payne, Clint Holmes, and series star Ann Jillian, and was performed by recording artist Joey Scarbury.
Jennifer Slept Here | Theme song
Early episodes had instrumental music by Fred Werner and Alexander Courage, but the show's real musical stamp came from composer Earle Hagen, who had a knack of composing memorable cues as he had previously been the in-house composer on "The Andy Griffith Show". He composed a love theme for Tom and Abby, a theme that permeated the show in various incarnations throughout the remainder of the series. Some later episodes were scored by John Beal and Miles Goodman. In 1980 there was a writers' strike in Hollywood, and one of the offshoots of this industry problem was making cost-cutting measures in the music department on the show.
Eight Is Enough | Score
For the show's second season, Grean's music package was re-recorded by Guido Basso.
The $64,000 Question | Merchandising and parodies
Season 6 changed the theme again, using another primarily instrumental piece with a bit of a techno beat to it, this time written by Velton Ray Bunch. A fourth song, also written by Elia Cmiral which was Don Johnson's original choice, sometimes replaces the first season song in syndication.
Nash Bridges | Production
The main theme is "Come Anytime" (June 1989) by Sydney-based rock band, Hoodoo Gurus. A piece used throughout the interludes of the first Season of the show is "Don't You Know Who I Am", performed by Small Mercies. In the second season, new music was also used in addition to the main themes: In the third season, more new music was used in addition to the main themes:
Thank God You're Here | Music
The season one main opening was a simple eight-second sequence which showed the window of a subway train moving past and then quickly stopping at the original show logo, which then peeled off to reveal the names of the show's creators. Starting with season two, the show added a new theme song called "Baby All My Life I Will Be Driving Home to You", which was written by series writers Josh Goldsmith and Cathy Yuspa, composed by Jonathan Wolff and Scott Clausen, and performed by Billy Vera and the Beaters. An instrumental version was used as the closing theme during season two, but was replaced in season three with a new closing theme composed by Kurt Farquhar.
The King of Queens | Theme song and opening sequences
The musical score was composed by American composer Kris Bowers. The opening theme, "A Fifth of Beethoven", was chosen by the show's music supervisor, Mary Ramos, because "It represents both sides of the story. Phyllis and her conservative friends listen to classical music most of the time, so it’s that, combined with the sexiness and freedom of the feminists, all epitomized in one song — the disco version of Beethoven’s Fifth." The series also prominently features many hit songs from the 1970s, including tracks by Donna Summer, Burt Bacharach, The Kinks, Linda Ronstadt, and The Runaways.
Mrs. America (miniseries) | Music
In 2012 the theme was revamped, again arranged by DreamArtists Studios.
20/20 (American TV program) | Theme music
The show's opening and closing sequences are accompanied by an orchestral rendition of the show's bouncy theme music, "The Toy Parade", by David Kahn, Melvyn Leonard, and Mort Greene. For the third season, the tempo was quickened and the tune whistled by a male chorus over an orchestral accompaniment for the closing credits and for the production credits following the opening sequence. For the final season, the song was given a jazz-like arrangement by the veteran composer and arranger Pete Rugolo. Though lyrics exist for the theme tune, an instrumental arrangement was used for the show's entire run. Elements of the theme tune were given a subdued musical arrangement, which was then used as background music for tender and sentimental scenes.
Leave It to Beaver | Music
The opening theme is the song "Ahead by a Century" performed and originally composed by Canadian band The Tragically Hip. The series underscore is composed by Amin Bhatia and Ari Posner.
Anne with an E | Music
The music reflected the show's changing seasons. Goldsmith, Stevens, and Scharf composed dramatic scores in the first season using brass, unusual time signatures and martial rhythms. Gerald Fried and Robert Drasnin opted for a lighter approach in the second, employing harpsichords and bongos. By the third season, the music, like the show, had become more camp, exemplified by an R&B organ and saxophone version of the theme. The fourth season's attempt at seriousness was duly echoed by Richard Shores' somber scores.
The Man from U.N.C.L.E. | Theme music
The opening theme song during season one was entitled "Drive". It was composed by Mike Post and Stephen Geyer and sung by David Morgan. For the first 12 episodes of season two, the theme song was "Back to Back", also composed by Post and Geyer, but sung by Joey Scarbury (who also sang Post and Geyer's theme for "The Greatest American Hero"). Public demand, however, resulted in the "Drive" theme being reinstated in episode 13 and kept through season three. Post and Pete Carpenter scored the music for the series.
Hardcastle and McCormick | Music
In an interview, composer Ramin Djawadi spoke about the song "Exit Music (For a Film)" by Radiohead, which he incorporated with the show's main title theme, and which is used in the final scene of the episode. Djawadi said when the hosts did wake up and started choosing their own soundtracks that "they're picking their songs, rather than the songs picked for them. They're scoring their own actions. This is what they're feeling at this moment, and what the future is holding for them. This song is the climax of that."
The Bicameral Mind | Music
Every episode features one or more original songs. "Common Sense Media" stated that many of the episodes include "basic preschool skills like counting and sequences".
Henry Hugglemonster | Premise
"Nova" (music theme) (53 episodes, 1997–2007) (composer: theme music) (2 episodes, 2006) "Nova ScienceNow" (music theme) (39 episodes, 2005–2007) "Why the Towers Fell" (2002) (TV) (composer: additional music)
Ray Loring | Commissions and scores
The theme consists primarily of an electric bottle-slide guitar lead with a saxophone interlude and remained until the last episode of the final season. Both theme songs had extended versions released; the Thrasher Brothers in 1982, and De Vorzon/Towers's version in 1984.
Simon &amp; Simon | Theme music
The opening theme song, "Lazlo Was His Name-O", was based on the children's folk song "Bingo", which was adapted, with new lyrics, by American musician Terry Scott Taylor. The music score for the show was composed by Andy Paley, and features original camp songs, bluegrass and cowboy swing. Joe Murray explained that the team often used "strange instruments" such as washboards, and the musical saw. In addition to Paley's music score, the show also utilized many tracks from the APM Music library.
Camp Lazlo | Music
He also composed and performed the show's theme song.
Reverb (TV series) | Introduction
The theme song, titled "Mister Ed", was written by the songwriting team of Jay Livingston and Ray Evans and sung by Livingston himself. The first seven episodes used only instrumental music to open the show; thereafter the version with lyrics was used. Livingston agreed to sing the song himself until a professional singer could be found; the producers liked the songwriter's vocals and kept them on the broadcast. During most of the show's run the ending theme song used only instrumental music. In some episodes, however, the theme song is sung during the closing credits. The theme was actually sung at the end in all but the first seven episodes.
Mister Ed | Theme song
Composer Bear McCreary scored the music for the first season, for which he received an Emmy Award nomination for Outstanding Main Title Theme Music. He wanted to create a modern classic-adventure score", and a heroic but still fun and iconic theme for Chance. Chance's theme later became the opening theme for the first season. McCreary wrote around 30 minutes of full orchestral music for 11 weeks in a row, which was performed by an average of 60 musicians. The score for the final episode of the season, "Christopher Chance", was performed by a total of 94 musicians, making it the largest live orchestra ever assembled for a television series.
Human Target (2010 TV series) | Music
The theme song for both the radio and TV versions was "The Perfect Song", by Joseph Carl Breil. Breil had written the score, from which the song is taken, for the white supremacist, pro-Ku-Klux-Klan silent movie "Birth of a Nation" (1915). It was the TV series's theme song.
Amos 'n' Andy | Theme song
The theme song of the show is "Katawan", performed by Hagibis (composed by Mike Hanopol).
Palibhasa Lalake | Theme song
Shows featured in the medley included "Game of Thrones", "Mad Men", "Copper", "The Amazing Race", "Survivor", "Parks and Recreation", "Curb Your Enthusiasm", "The Americans", "Modern Family" and "Veep". Sean Callery conducted his theme for "The Kennedys" and, in a send-off video before the performance of Callery’s "24" theme, Kiefer Sutherland complained that Callery did not get enough time in the Score! show, and Mary Lynn Rajskub said, “Sean Callery has won enough awards – how about one for me?"
Score! A Concert Celebrating Music Composed for Television | Concert Summary
The producers hired BMI as music consultants to find a theme song. With less than three weeks until the show first aired, BMI sent out a mass e-mail to a slew of composers, giving them five days to submit an entry. According to the terms of the submission request, the only compensated composer would be the winner, who would receive $7,500 in exchange for the release of all rights to NBC. The winning entry was written by Gaby Moreno and Vincent Jones. Michael Schur said this theme song was chosen because producers wanted something that would immediately make the viewer associate the music with the series and the characters.
Parks and Recreation | Music
The theme music was composed and conducted by Malcolm Arnold.
Espionage (TV series) | Music
The series' score was composed by husband-wife composing duo Waz and Jamie Jackson, known as WAZ-Jackson. The pair spent three months working on the show from October to December 2017. The composers have mentioned how showrunner Jason Ubaldi managed to create characters with multiple dimensions. Wanting to reflect that, Waz and Jackson decided to write the score in such a manner as to support all of those layers through an array of different musical genres. Given that much of the show takes place in a high school, they used the driving energy of a marching band drumline to keep the momentum going from scene to scene.
Youth &amp; Consequences | Music
The show does not have an opening theme, usually only displaying the show logo briefly a few seconds after the show starts. The rock-oriented soundtrack accompanying the show, music supervised by Gary Calamar, has been well received by critics.
Saved (TV series) | Music
Rob May and Simon Hill wrote and produced the theme tune for Series 1–5. Kam Frantic composed the theme tune for Series 6–8.
Sunday Morning Live (British TV programme) | Music
The series theme song was performed by Terry Tompkins and Scott McCord.
Camp Lakebottom | Introduction
Two songs, performed by Satoko Shimonari, were the opening and closing themes of each episode. The opening theme song is , and the closing theme is . Both have lyrics by Rei Nakanishi, music by Kōichi Morita and were arranged by Katsuhisa Hattori.
Princess Sarah | Theme songs
The show uses a 75-piece orchestra for the music in each episode, written by several different composers, such as John Debney, Joel McNeely and Bruce Broughton, who wrote the show's theme and composed the score for the pilot. MacFarlane said "We score it like a movie" and "We really put as much into that as we do into the effects." A soundtrack album for season 1 was released by La-La Land Records on January 22, 2019.
The Orville | Music
Law", "Hunter", and the various "Law & Order" series. The theme for "The Greatest American Hero" (co-written with Stephen Geyer) is one of the few television themes to reach as high as number 2 as a single record on the "Billboard" Hot 100. The "dun, dun" sound effect he created for the Law & Order franchise has entered popular culture.
Mike Post | Television theme music
The main opening theme song "Choice of Justice" (公義的抉擇) was sung by Hubert Wu, composed by Alan Cheung and lyrics by Hayes Yeung. A sub theme song named "Can You See" performed by Kayee Tam, and also composed by Dominic Chu, with lyrics by Wayne James was played during the closing credits on some episodes.
Law dis-Order | Soundtrack
Bruce Broughton was nominated for a 2002 Emmy Award for Outstanding Main Title Theme Music.
First Monday | Nomination
A new theme tune was introduced, composed by Jonathan Sorrell.
You Bet! | 1989–1990
The "NBC" "Mystery Movie" theme music was composed by Henry Mancini. The opening credits consisted of a shadowed figure carrying a flashlight slowly walking toward the camera in a desert landscape under dramatically lit clouds, as images of the various rotating series appeared sequentially on the screen; at the end, an announcer (Hank Simms) presented the night's main actors and series "(example: "tonight, starring Peter Falk as Columbo")". Some syndicated episodes of "Columbo" retain this opening credit sequence, though slowed toward the end to avoid showing the title caption which includes "NBC" and (after the first season), a day of the week.
The NBC Mystery Movie | Presentation
Jim McClellan has served as the program's announcer for nearly 40 years. Rich Cook serves as the composer of the show's theme music used since 1992, which includes three versions of varying length and an alternate version utilizing a saxophone. The 1981-1992 TBN Praise the Lord theme song was composed and arranged by Rich Cook that was heard many times over the years
Praise (TV program) | Theme and announcer
Sara Brady from "Televisionwithoutpity.com" gave episode a C rating. "The A.V. Club" gave episode a C- rating.
The Song (Smash) | Critical reception
The first season theme song was written and conducted by William Loose. It was replaced by a new theme titled "Wanted". This theme was used until the end of the series and was written and supervised by Herschel Burke Gilbert.
Wanted Dead or Alive (TV series) | Music
The theme song, "The Click", is written and performed by the band Good Charlotte, who appear in the episode "Risk". Much of the music featured in "Undergrads" include songs from various indie rock bands and Canadian artists, such as Vibrolux, Alkaline Trio, Knacker, Sam Roberts, Reggie and the Full Effect, Sloan, Planet Smashers, The Brodys, and The Rosenbergs, among others. The score of the show was composed and produced by Jono Grant. A list of bands and songs used in each episode can be found at the show's official website.
Undergrads | Music
The theme music, of which two versions were aired, was composed by .
Hector's House | Music
The theme music for the show was provided by Mort Garson.
Untamed World | Music
The main title was composed by John Von Ahlen and recorded at Subterrane Recording Studio, and the end credits read "Theme by John Von Ahlen for Planet J Productions". The incidental stings were also recorded at Subterrane Recording Studio. The credits of each show are accompanied by a song by Tripod. A compilation of expanded studio versions of these songs was later released as the album Middleborough Rd, which won an ARIA award in 2005 for Best Comedy Release.
Skithouse | Music and theme
On July 19, 2019, Terrace announced that T. J. Hill composed the series' score. In January 10, 2020, Hill said that the score features "interesting and experimental sounds that [he] had a ton of fun cooking up".
The Owl House | Music
The series theme song was written by Mark Mueller, an ASCAP award-winning pop music songwriter who also wrote the theme song to "Chip 'n Dale Rescue Rangers"; Mueller was paid a little over $1000 to write the tune. Episode musical scores and background cues were written by at least four musicians. The primary and most known composer was Ron Jones, who wrote and conducted orchestral themes for the program. In contrast to how the other composers were creating a "patronizing" and "cute" score for the show, Jones says he composed the music with regard to the audience and its intelligence.
DuckTales | Music
Also, the show did not have a theme tune so at the end of each show, Gervais asked viewers to record and send in their own mixes. Few were received. Two of the episodes used a theme tune co-written and performed by Stewart Ferris and Emma Burgess.
Meet Ricky Gervais | Overview
"Columbo" episodes contain a variety of music that contributes to the uniqueness of each. The score becomes of particular importance during turning points of the plots. "The Mystery Movie Theme" by Henry Mancini, written for "The NBC Mystery Movie" series, was used extensively in the whole of 38 episodes, from 1971 to 1977. Unlike the other elements of the "Mystery Movie" wheel, "Columbo" never had an official theme as such, although some composers, such as Dick DeBenedictis and Gil Mellé, did write their own signature pieces. Several composers created original music for the series, which was often used along with "The Mystery Movie Theme": Series Music department included: Patrick Williams received two Emmy nominations for Outstanding Music Composition for a Series in 1978 (for "Try and Catch Me") and 1989 (for "Murder, Smoke and Shadows").
Columbo | Score composers
The show's closing theme song in seasons one and two was a fragment from "Happy Days" (although in a different recording with a different lyric from that which would become the standard version), whose music was composed by Charles Fox and whose lyric was written by Norman Gimbel. According to SAG, this version was performed by Jim Haas on lead vocals, The Ron Hicklin Singers, Stan Farber, Jerry Whitman, and Gary Garrett on backing vocals, and studio musicians. From seasons three to ten inclusive, a longer version of "Happy Days" replaced "Rock Around the Clock" at the beginning of the show.
Happy Days | Theme music
The theme song for "Saved by the Bell" was written by composer Scott Gayle against the implicit instructions of Engel. Though Engel had not been able to keep the show from being named "Saved by the Bell", he was determined to prevent the phrase from showing up in the theme. He gave explicit orders to his team of composers that he would not accept any theme that referenced the title, and the group agreed to leave out the phrase. A week later, Engel listened to the first four composers and, though they followed his instructions, the songs were flat and nothing special.
Saved by the Bell | Theme song
A new theme, with music by Jay Graydon and lyrics by Richard Page, was introduced in the third season and used for the remainder of the show's run. The new theme has similarities to the first but with a more positive attitude. Carter performed both themes.
Gimme a Break! | Production
The series' theme music was by Henry Mancini, with incidental music under the control of Ivor Slaney using many musical cues of Edwin Astley.
Man of the World (TV series) | Music
The show featured various composers. The original pilot theme and background music was composed by Billy Goldenberg. The theme for the first two seasons, composed by Gil Mellé, is noted for being one of the first television openings to use electronic instruments. For the third season, Mellé's theme was replaced with a more frantic orchestral piece by Eddie Sauter. Currently, no music from the show has been released commercially.
Night Gallery | Music
The theme music for the series, entitled "Happy Harry", was written by Tony Russell.
On the Buses | Theme music
The theme song was composed by David Kurtz, Michael Jacobs, and Al Burton, and performed by Shandi Sinnamon. The theme music was mellower in the first season, and was remixed for the syndication run. The song was performed by the a cappella group "The Blanks" in the medical sitcom, "Scrubs", and was featured on their 2004 album, "Riding the Wave".
Charles in Charge | Theme song
This show used the music of the song "White Wedding" by Billy Idol as the theme music.
Biswo Ghatna | Music
O'Halloran was awarded the Primetime Emmy Award for Outstanding Main Title Theme Music for his original theme for "Transparent" in 2015.
Dustin O'Halloran | Film score works
The score was composed by Thomas Newman, with two songs by Richard Ashcroft ("Future's Bright" for the opening sequence; "Are You Ready?" for the closing credits).
The Adjustment Bureau | Music
The following contains scores or songs which are the primary theme music of a television series or miniseries.
List of television theme music | Introduction