In late November, Lilly said that the characters would try to enter the quantum realm in the film, and their potential success would "open a whole entire new multi-verse to enter into and play around in" for the MCU. The film includes a clip from "Animal House" (1978), which Reed was reminded of while discussing the quantum realm science for the film. Reed insisted that the film be shorter than two hours since it would be following the "massive epic" "Infinity War" and because it is "an action/comedy, and it didn't want to overstay its welcome". Dan Lebental and Craig Wood edited the film.
Post-production
Ant-Man and the Wasp
Ant-Man and the Wasp | Post-production
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how many post credit scenes in ant mand and the wasp
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The film's main credits sequence is a "table-top" version of its action sequences, and was created by Elastic. An alternative idea that had been considered was to create a "fake behind-the-scenes documentary" that would have made the film look like it was a 1950s-era Godzilla movie with "people in suits stomping on model cityscapes".
Ant-Man and the Wasp | Post-production
The film also has a post-credit scene that shows the ant who doubled for Lang while under house arrest performing a drum solo.
Ant-Man and the Wasp | Pre-production
But then for a couple reasons, it felt like maybe we should leave those particles out there." For the title sequences, Marvel again went with design firm Sarofsky, who had done the credits for both "Captain America: The Winter Soldier" and "Guardians of the Galaxy", with the credits "intricately connected to the film's overall narrative."
Ant-Man (film) | Post-production
In early July 2015, an international teaser trailer revealed that Anthony Mackie would appear in the film as Sam Wilson / Falcon. Mackie appears in the post-credit sequence as well, along with Chris Evans and Sebastian Stan as Steve Rogers / Captain America and Bucky Barnes / Winter Soldier, respectively. Stan stated the scene that was used for the post-credit sequence was shot in May 2015, and would appear in the middle of "Civil War". Reed also said that the end of the film originally had a sequence where Ant-Man went after Carson to retrieve the stolen vial of Cross' particles, "...
Ant-Man (film) | Post-production
Joe Russo added that "Ant-Man and the Wasp" would have "some [plot] elements that stitch in" closely with "Avengers: Infinity War", more so than some of the other films leading up to the Avengers films. Reed knew "Ant-Man and the Wasp" would be "a fairly stand-alone movie but... could not ignore the events of "Infinity War"", with the biggest connection occurring in the film's mid-credit scene. Since the events of "Ant-Man and the Wasp" occur over 48 hours, the timeline in relation to "Infinity War" was "left purposefully ambiguous" with Reed noting there had been discussions of placing "little Easter eggs along the way, to start to reveal to the audience where the movie takes place in the timeline, [but t]hat felt not very fun to us and kind of obvious." Reed also liked how the film ends with closure and on a positive note "and then to BANG — give the audience a gut punch right after the main credits", with the sequence showing Hank Pym, Janet van Dyne, and Hope van Dyne disintegrating due to the events of "Avengers: Infinity War".
Ant-Man and the Wasp | Pre-production
In the mid-credits scene, Hope van Dyne, Hank Pym, and Janet van Dyne are disintegrated as a result of the events of "Avengers: Infinity War".
Marvel Cinematic Universe: Phase Three | "Ant-Man and the Wasp" (2018)
"Ant-Man and the Wasp" was released on digital download by Walt Disney Studios Home Entertainment on October 2, 2018, and on Ultra HD Blu-ray, Blu-ray, and DVD on October 16. The digital and Blu-ray releases include behind-the-scenes featurettes, an introduction from Reed, deleted scenes, and gag reels. The digital release also features a look at the role concept art plays in bringing the various MCU films to life and a faux commercial for Online Close-Up Magic University.
Ant-Man and the Wasp | Home media
Stephanie Zachareck, writing for "Time", said it was "hard to actively dislike" the film, which she thought had reasonably fun action and stand-out moments between Rudd and Fortson; but she was not as impressed with the larger, effects-heavy action sequences and felt the focus on Lilly as a better hero than Rudd was "just checking off boxes in the name of gender equality."
Ant-Man and the Wasp | Critical response
In late November, Lilly said that the characters would try to enter the quantum realm in the film, and their potential success would "open a whole entire new multi-verse to enter into and play around in" for the MCU. The film includes a clip from "Animal House" (1978), which Reed was reminded of while discussing the quantum realm science for the film. Reed insisted that the film be shorter than two hours since it would be following the "massive epic" "Infinity War" and because it is "an action/comedy, and it didn't want to overstay its welcome". Dan Lebental and Craig Wood edited the film.
Ant-Man and the Wasp | Post-production
Reed later revealed that early drafts of the script included a cameo appearance from Captain America, appearing during Luis' flashback sequences as he was recapping Lang's involvement in the airport battle in "Captain America: Civil War". However, the writers chose to remove the appearance in the final script since the events of "Civil War" were already referenced frequently in the film, and this instance "didn’t feel organic to the story."
Ant-Man and the Wasp | Development
Visual effects for the film were created by DNEG, Scanline VFX, Method Studios, Luma Pictures, Lola VFX, Industrial Light & Magic, Cinesite, Rise FX, Rodeo FX, Crafty Apes, Perception NYC, Digital Domain, and The Third Floor. DNEG worked on over 500 shots, including the effects for Ghost—which were shared with the other vendors—the third act chase sequence, and the final Ghost fight as Hank and Janet are returning from the quantum realm. For the "macro-photography" sequences in the film, DNEG took a different approach from their work in "Ant-Man" due to issues including trying to get a camera to seem small enough to capture the small actions.
Ant-Man and the Wasp | Visual effects
He had to be redeemable in some capacity in the end and that he believes everything he said, especially about his family." The second post-credits scene is an additional Captain America PSA, where he talks about the value of patience—a meta-referential joke at the expense of the audience, who have just waited through the film's credits to see the scene. This was a "last-minute addition" to the film. Watts completed work on "Homecoming" at the beginning of June 2017, approving the final visual effects shots. He stated that he had never been told that he could not do something by Marvel or Sony, saying, "You assume you'll have to fight for every little weird thing you wanna do, but I didn't really ever run into that.
Spider-Man: Homecoming | Post-production
"Ant-Man and the Wasp" had its world premiere at the El Capitan Theatre in Hollywood on June 25, 2018, and was released in the United States on July 6, 2018, where it opened in 4,206 theaters, of which 3,000 were in 3D, 403 were in IMAX, over 660 were in premium large format, and over 220 were in D-Box and 4D. The film is part of of the MCU. The film was scheduled to be released in the United Kingdom on June 29, 2018, but was rescheduled in November 2017 to August 3, 2018, in order to avoid competition with the 2018 FIFA World Cup.
Ant-Man and the Wasp | Theatrical
In June 2015, Feige confirmed that the character of Janet van Dyne would be seen, though the film would not address Pym and Van Dyne's infamous domestic abuse storyline in the comics, saying, "We hint at a temper in a way that people who know the stories might go, 'Oh, perhaps that's a bit of [Hank's] character,' but not in a way that would ever indicate [he beat his wife]." Also in the month, Reed confirmed there would be a post-credit sequence "that may tie into the other films." Feige revealed the post-credit sequence was footage shot by Anthony and Joe Russo for "", saying the clip would be seen in that film, though it may be "different takes...different angles." On June 25, 2015, Reed announced on social media that production of "Ant-Man" was officially complete.
Ant-Man (film) | Post-production
Watts confirmed that the company Stark creates that leads Toomes on his villainous path in the film is Damage Control, which Watts felt "just fit in with our overall philosophy with the kind of story we wanted to tell" and created a lot of practical questions Watts wanted to use "to drive the story". The film features multiple post-credit scenes. The first gives the Vulture a chance at redemption, showing him protect Parker from another villain. Watts said this "was a really interesting thing in the development of the story. You couldn't just rely on the tropes of the villain being a murderer and killing a bunch of people.
Spider-Man: Homecoming | Post-production
A sequel, "Ant-Man and the Wasp" was released on July 6, 2018, with Reed once again returning as director. Production writers Barrer and Ferrari also return to write the screenplay with Rudd, Chris McKenna and Erik Sommers. Rudd, Lilly, Cannavale, Peña, Harris, Greer, Dastmalchian, Fortson and Douglas all reprise their roles from "Ant-Man", and are joined by Michelle Pfeiffer, Laurence Fishburne, Hannah John-Kamen, Randall Park and Walton Goggins as Janet van Dyne, Bill Foster, Ghost, Jimmy Woo, and Sonny Burch, respectively.
Ant-Man (film) | "Ant-Man and the Wasp"
Despite being "intimately involved in the writing and the development of the script", Reed did not take or receive a writing credit on the film. In June 2016, Reed said that for inspiration from the comics he had been looking at "early "Avengers" stuff and all the way up to the Nick Spencer stuff now", and was focusing on iconic images that could be replicated in the film over story beats from the comics. He added that there was "definitely a chance" for Michael Peña, Tip "T.I." Harris, and Dastmalchian to reprise their respective roles as Luis, Dave, and Kurt from the first film.
Ant-Man and the Wasp | Development
He also stated his disappointment in the Giant-Man introduction happening in "Civil War", rather than an Ant-Man film, but noted that the appearance provided character development opportunities between Lang, Pym, and Van Dyne since Pym is "very clear in the first movie about how he feels about Stark and how he feels about The Avengers and being very protective of this technology that he has", and so Reed thought Pym would be "pissed" and Van Dyne would feel betrayed, which was Reed's "in" for those characters' starting dynamics. Reed added that he spends "a lot of time" talking with the other writers and directors of MCU films, and that he and the writers on this film wished to maintain "our little Ant-Man corner of the universe.
Ant-Man and the Wasp | Pre-production
before audiences dive back into the core narrative with next year's "Captain Marvel"." In June 2018, Feige presented several scenes from the film at CineEurope. , an attraction inspired by the film, opened at Hong Kong Disneyland on March 31, 2019. It features Rudd and Lilly reprising their roles in clips that were made during the film's reshoots. Promotional partners for the film included Dell, Synchrony Financial, and Sprint. Disney spent around $154 million worldwide promoting the film.
Ant-Man and the Wasp | Marketing
Production writers for the first film, Gabriel Ferrari and Andrew Barrer, signed on to write the script along with Rudd, with writing starting "in earnest" in January 2016. The next month, McKay stated that he would be involved with the film in some capacity. By April, the four writers and Reed had been "holed up in a room ... brainstorming the story", with Reed promising that it would have "stuff in it that you've never ever seen in a movie before". Feige added that they wanted to "stay true to what made ["Ant-Man"] so unique and different", and teased the potential of seeing the Giant-Man version of Lang that had been introduced in "" (2016).
Ant-Man and the Wasp | Development
(This was a marketing ploy frequently used by AIP to promote films during pre-production, often before the screenplay had been written.) Alex Gordon recalled dropping ants on the bound and gagged Marla. However, the ants would promptly run away from her. The ungagged Marla finally asked Gordon "Look, you've got six ants there, isn't that enough??"
Flesh and the Spur | Production
On the review aggregation website Rotten Tomatoes, the film has an approval rating of 87% with an average rating of 6.98/10, based on 425 reviews. The website's critical consensus reads, "A lighter, brighter superhero movie powered by the effortless charisma of Paul Rudd and Evangeline Lilly, "Ant-Man and The Wasp" offers a much-needed MCU palate cleanser." On Metacritic the film has a weighted average score of 70 out of 100, based on 56 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A–" on an A+ to F scale, down from the "A" earned by the first film.
Ant-Man and the Wasp | Critical response
Though some of the film was shot with a Frazier lens that provides extra depth of field, DNEG would still need to "re-project the road higher and "raise the floor level" to simulate a tiny sized camera". As the third act chase sequence was mainly shot in Atlanta, while being set in San Francisco, DNEG VFX Supervisor Alessandro Ongaro noted it required "extensive environment work" with background elements in some shots not being salvageable at all. DNEG ultimately created 130 unique environments for the chase. Clear Angle aided DNEG with the Lidar surveying and photography of San Francisco, and were able to get their information for Lombard Street down to the millimeter resolution.
Ant-Man and the Wasp | Visual effects
Believing that this will kill Janet, Pym refuses to help them and escapes with Hope, Lang, and the lab.
Ant-Man and the Wasp | Plot
Reed stated in early December that the film may "call back" to the heist film genre and tone of "Ant-Man", but that "Ant-Man and the Wasp" would "have an entirely different genre template". He hoped to incorporate additional flashback sequences in the film, as well as explore Pym's various identities from the comics and his psychology. Reed also said he was "excited" about exploring and discovering the film version of the Ant-Man and Wasp relationship that is "a romantic partnership and a heroic partnership" in the comics, a "different dynamic than we've seen in the rest of the [MCU], an actual partnership." Additionally, Reed mentioned that pre-production would "probably" start in October 2016, with filming scheduled for early 2017.
Ant-Man and the Wasp | Development
At the start of November 2016, Reed said that the film's production would transition from "the writing phase" to "official prep" that month, beginning with visual development. Reed reiterated his excitement for introducing the Wasp and "really designing her look, the way she moves, the power set, and figuring out, sort of, who Hope van Dyne is as a hero". Reed was inspired by the films "After Hours" (1985), "Midnight Run" (1988), and "What's Up, Doc?" (1972) for the look and feel of "Ant-Man and the Wasp". While the first film was more of a heist film, Reed described this as part action film, part romantic comedy, and was inspired by the works of Elmore Leonard where there are "villains, but we also have antagonists, and we have these roadblocks to our heroes getting to where they need to be".
Ant-Man and the Wasp | Pre-production
Filming took place from August to November 2017, at Pinewood Atlanta Studios in Fayette County, Georgia, as well as Metro Atlanta, San Francisco, Savannah, Georgia, and Hawaii. "Ant-Man and the Wasp" had its world premiere in Hollywood on June 25, 2018, and was released in the United States on July 6, 2018, as part of of the MCU. The film was a critical and commercial success, receiving praise for its levity, humor, and performances, particularly those of Rudd and Lilly, and grossed over $622 million worldwide. A sequel is in development.
Ant-Man and the Wasp | Introduction
It's about damn time: We’re going to have a fully realized, very complicated hero in the next movie who happens to be a woman." Reed would push to ensure the Wasp received equal publicity and merchandise for the film, and wanted to explore the backstory of Janet van Dyne as well. He had "definite ideas" of who should portray that character. Reed said the alternate title "Wasp and the Ant-Man" was briefly considered, but was not chosen due to fan expectation given the comics history of the phrase "Ant-Man and the Wasp". That month, Adam McKay, one of the writers of "Ant-Man", expressed interest in returning to write the film, and Douglas confirmed that he was in talks to return as well.
Ant-Man and the Wasp | Development
The chamber is surrounded by "support shapes" to "create this feeling of desperation and yearning for family and stability". Filming also took place in Metro Atlanta, with filming locations including the Atlanta International School, the Midtown and Buckhead districts of Atlanta, and the Samuel M. Inman Middle School in the city's Virginia-Highland neighborhood; as well as Emory University and the Atlanta Motor Speedway in Hampton, Georgia. Additional filming took place in San Francisco in September 2017, in Savannah, Georgia in late October, and in Hawaii. Production wrapped on November 19, 2017.
Ant-Man and the Wasp | Filming
"Pest Man Wins" was filmed on February 12–15, 1951. The title is a parody of the expression "the best man wins." It is a remake of 1936's "Ants in the Pantry" using minimal of stock footage. In addition, pie fight footage was recycled from "In the Sweet Pie and Pie" and "Half-Wits Holiday".
Pest Man Wins | Production notes
At San Diego Comic-Con 2016, Feige stated that Reed and Rudd were still working on the script, and that filming was now expected to begin in June 2017. Rudd elaborated that they had "turned in a treatment, but it's so preliminary. We'll see. We have an idea of what it might look like, but it could change a lot from where we're at now." The next month, Peña was confirmed to be returning as Luis, while filming was revealed to be taking place in Atlanta, Georgia. In early October, an initial script had been completed for the film that was awaiting approval from Marvel.
Ant-Man and the Wasp | Development
In early July 2015, Marvel began a viral marketing campaign for "Ant-Man" featuring Leslie Bibb, reprising her role from the "Iron Man" films as journalist Christine Everhart, reporting for the faux news program, "WHIH Newsfront". In one program, Everhart discusses events leading to "Captain America: Civil War". The post-credits scene for "Ant-Man" featured footage shot by the Russo brothers for "Captain America: Civil War", showing Wilson and Rogers with Barnes in their custody, and unable to contact Stark because of "the accords"; Wilson mentions that he "know[s] a guy", implying Lang. Feige explained that when the post-credit sequence appears in "Civil War" it may appear with "different takes...different angles." Stan said the scene was shot in early May 2015, and would appear in the middle of "Civil War".
Captain America: Civil War | Promotion
Following the completion of principal photography, Marvel released an updated synopsis revealing that Jordi Mollà was included in the cast and the names of several supporting characters. However, Mollà subsequently did not appear in the theatrical release of the film. Reed explained that the film's original opening, which was filmed and cut in the editing process, featured a standalone sequence similar to the opening of a James Bond film, where an unseen Pym was attempting to retrieve some microfilm from Mollà's character, Castillo, a Panama army general. Reed stated the scene was going to show Ant-Man's powers, without seeing him, almost "like an Invisible Man sequence, and it's really, really cool.
Ant-Man (film) | Post-production
This in turn led fans in the country to start a Change.org petition to have Disney move the release date up several weeks, similarly to how "Avengers: Infinity War"s United States release was moved up a week the previous May.
Ant-Man and the Wasp | Theatrical
I asked why, but there was only silence from on high. So when we taped, I ripped it off "after" the song. They edited it out. I think they wanted people to think I was a woman and not a man in drag."
Hedwig and the Angry Inch (film) | Marketing
He was also able to build the sequel "from the ground up", as he joined the first film late in the process following the departure of original writer and director Edgar Wright, and wanted to explore elements that he had set up in the first film. He first began work on an outline for the sequel, which he thought could be "weird, unique and different" now that the characters' origins had been established. On being the first MCU film to have a female character in the title with the Wasp, Reed called it "organic" and noted the Wasp's final line in "Ant-Man"—'It's about damn time'—as "very much about her specific character and arc in that movie, but it is absolutely about a larger thing.
Ant-Man and the Wasp | Development
He did caution that this was "not quite the same thing as humanity. But it's enough to qualify as the miniature version." At "The Washington Post", Ann Hornaday called the film "instantly forgettable" and criticized its plot, which she felt included some "filler" subplots, but found the film to be "no less enjoyable" because of this. She particularly praised Rudd along with the action and effects. Writing for "The Boston Globe", Ty Burr called the film the perfect "summer air-conditioning movie", finding it fun, funny, superficial and an improvement over the first. He also wrote that the film had too many subplots and not enough of Pfeiffer, but was pleased with the lack of connection that the overall story had to the rest of the MCU, and with the focus on "pop trash" comedy.
Ant-Man and the Wasp | Critical response
Ant-Man and the Wasp (Original Motion Picture Soundtrack) is the film score for the Marvel Studios film "Ant-Man and the Wasp". The score was composed by Christophe Beck. Hollywood Records released the album digitally on July 6, 2018.
Ant-Man and the Wasp (soundtrack) | Introduction
A sequel, "Ant-Man and the Wasp", was released in 2018. A third film is in development for a potential 2022 release.
Ant-Man (film) | Introduction
I sighed just a little when they 'gave in' and released a human-sized version, realizing that Disney had just released what amounted to a teaser to a teaser to a trailer... But nonetheless, credit where credit is due, Disney was able to turn a single theatrical trailer into three separate news drops in about five days." Mendelson went on to say that "the peppy, witty trailer above is a general audience sell. Marvel knows the geeks will come if only to throw stones, but it's the mainstream audience that needs to be sold. So far, so good." However, Graeme McMillan of "The Hollywood Reporter" criticized the trailer for its placement during the broadcast premiere of "Agent Carter", its tone, its soundtrack, and for being thematically similar to other trailers from Marvel Studios.
Ant-Man (film) | Marketing
For their release in VHS format, several of the series's episodes were spliced together in pairs. "Night of the Clones and Escort to Danger", "A Matter of State and Photo Finish" and "The Con Caper and The Curse of Rava" were combined and presented as a single movie-length episodes. In order to smooth the jump between the two unrelated stories in each release, the production team filmed new bridging scenes set at the Daily Bugle and inserted them between the content of the two component episodes. These scenes were never broadcast, either in the series's original run or in any reruns.
The Amazing Spider-Man (TV series) | Episodes
After a poorly received test screening, in which Lynch believes he had mixed the soundtrack at too high a volume, the director cut twenty minutes of footage from the film, bringing its length to 89 minutes. Among the cut footage is a scene featuring Coulson as the infant's midwife, another of a man torturing two women—one again played by Coulson—with a car battery, and one of Spencer toying with a dead cat.
Eraserhead | Post-production
DNEG also handled the stereo conversion on the film to release it in both and (for IMAX) aspect ratios. The squarer frame of the IMAX ratio was used as the basis for the visual effects, with the 2.39:1 version then being letterboxed from the finished IMAX version. Lola once again worked on the de-aging sequences with Douglas, Pfeiffer, and Fishburne. The flashback sequences featuring a younger Hank Pym were set around the same time as the flashback sequences of "Ant-Man", so Lola were able to use a similar process, referencing Douglas' appearance in "Wall Street" (1987) and having the actor on set in a different wardrobe and wig.
Ant-Man and the Wasp | Visual effects
Simmons said he and Watts did not see "eye to eye" on the film's contemporary portrayal of the character versus his performance in Raimi's films. Watts described "Far From Home" as a "con man movie" with "so many layers of deception", and for the post-credits scene he felt that ending the film with "one last twist" was on theme. He felt that he owed the fans a more substantial post-credits scene than the jokey one at the end of "Homecoming". The "Far From Home" scene depicts Fury on vacation, in a simulation, both of which are also themes in the film, and reveals that the Fury and Hill seen throughout the film are actually Skrulls in disguise.
Spider-Man: Far From Home | Post-production
Goldstein said the scene after the reveal, where Vulture realizes that Parker is Spider-Man while driving him to the school dance, was the moment he was most proud of in the film, and Daley said that scene's effect on audiences was the dramatic equivalent of an audience laughing at a joke they had written. He added that the writers were "giddy when we first came up with [that twist], because it's taking the obvious tension of meeting the father of the girl that you have a crush on, and multiplying it by 1,000, when you also realize he's the guy you've been trying to stop the whole time."
Spider-Man: Homecoming | Post-production
With few exceptions, they highlighted moments from the films that were either particularly nonsensical or had simply caught the writers' attention.
Post-credits scene | History
A post-credits scene or mid-credits scene is a short clip that appears after all or some of the closing credits have rolled and sometimes after a production logo of a film, TV series, or video game has run. It is usually included for humour or to set up a possible sequel. The clip may also be called a credit cookie, tag, stinger, coda, button, after-credits sequence, end-credit scene, or secret ending.
Post-credits scene | Introduction
46.
Adam and the Ants | "Prince Charming"
When told by /Film's Germain Lussier that this placement between "Avengers: Age of Ultron" and "" made the film feel like an afterthought, Feige replied, Feige later expanded on this by saying, "[W]e put "Ant-Man" at the end of Phase Two as opposed to the beginning of Phase Three, because it sets up a lot of the things you're going to see heading into Phase Three, one of which is this mind-bending, reality-altering landscape [in "Doctor Strange"]." On December 5, 2014, Reed announced on social media that principal photography on "Ant-Man" had been completed. For the film, cinematographer Russell Carpenter used a 1.85 aspect ratio shot with Arri Alexa XT and M cameras, using the M for fight sequences and helicopter filming.
Ant-Man (film) | Filming
One additional song, "Come On Get Happy" by The Partridge Family, is featured in the film, but was not included on the soundtrack album. Two songs found in the film, "Everyday Is Like Sunday" by Morrissey, and "Spooky" by Dusty Springfield, were not included on the soundtrack album. The vinyl release of the soundtrack listed above features some 14 additional tracks not previously released with the main score. They can be found on Disc 2, Side B.
Ant-Man and the Wasp (soundtrack) | Additional music
Other directors that had been under consideration include Ruben Fleischer, Rawson Marshall Thurber, Nicholas Stoller, Michael Dowse, and David Wain.
Ant-Man (film) | Pre-production
Ant-Man and the Wasp is a 2018 American superhero film based on the Marvel Comics characters Scott Lang / Ant-Man and Hope van Dyne / Wasp. Produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures, it is the sequel to "Ant-Man" (2015) and the 20th film in the Marvel Cinematic Universe (MCU). The film is directed by Peyton Reed and written by the writing teams of Chris McKenna and Erik Sommers, and Paul Rudd, Andrew Barrer and Gabriel Ferrari. It stars Rudd as Scott Lang and Evangeline Lilly as Van Dyne, alongside Michael Peña, Walton Goggins, Bobby Cannavale, Judy Greer, Tip "T.I." Harris, David Dastmalchian, Hannah John-Kamen, Abby Ryder Fortson, Randall Park, Michelle Pfeiffer, Laurence Fishburne, and Michael Douglas.
Ant-Man and the Wasp | Introduction
[It reminded me] of Zemeckis when Zemeckis was fun." In May 2016, ten months after "Ant-Man" was released, Seitz admitted that his "affection for it has increased with time" and compared its sweet and melodramatic sensibility to "Spider-Man 2".
Ant-Man (film) | Critical response
Manohla Dargis at "The New York Times" felt the film's "fast, bright and breezy" tone was a vast improvement over the first film, praising Reed's direction. She also praised Rudd, felt Lilly found "her groove" in the film, and wrote that the supporting cast all had "scene-steal[ing]" sequences. Simon Abrams of RogerEbert.com said the film was "good enough", a "messy, but satisfying" sequel that he felt managed to juggle its many subplots while giving Rudd's Lang some decent character development. "Variety"s Owen Gleiberman called the film "faster, funnier, and more cunningly confident than the original," and felt Reed was able to give the film enough personality to overcome its two-hour runtime and effects-heavy climax.
Ant-Man and the Wasp | Critical response
At the end of the ride, guests and superheroes defeat Arnim Zola. After being congratulated by all the protagonists (which featured clips from past Marvel movies), guest disembark from their vehicles and enter the attraction's gift shop, Pavilion Gifts.
Ant-Man and The Wasp: Nano Battle! | Experience
The film was rated R for violence, grisly images, language and some sexuality by the Motion Picture Association of America (MPAA). The film had a production budget of $30 million. Avi Arad, then CEO of Marvel Studios, admitted that it was a mistake not keeping tabs on the production, as it was being filmed so far away in Australia. He stated "The one hiccup we had was the one project we didn't micromanage. We were not going to the Outback, there was so much going on. We will never do that again. We should never have trusted anybody that far away without our supervision.
Man-Thing (film) | Post-production
Scott Lang tries to balance his home life with his responsibilities as Ant-Man, when Hope van Dyne and Hank Pym present him with a new mission, requiring him to team up with Van Dyne as the Wasp. "Ant-Man and the Wasp" was announced in October 2015. Peyton Reed confirmed that he would return to direct in November 2015, and that Paul Rudd and Evangeline Lilly would reprise their roles as Scott Lang / Ant-Man and Hope van Dyne / Wasp, respectively. In December 2015, Andrew Barrer, Gabriel Ferrari, and Rudd were confirmed to write the screenplay, with Chris McKenna and Erik Sommers revealed to have also contributed to the script in August 2017.
Marvel Cinematic Universe: Phase Three | "Ant-Man and the Wasp" (2018)
All of the videos are first person with no dialogue. The film references other films, including "Peeping Tom", "The Texas Chain Saw Massacre", "", "Kill the Scream Queen", and "The Crucifier".
S&amp;Man | Production
The scene's inclusion sparked confusion among some viewers in the United Kingdom, who thought it meant an X-Men–Spider-Man crossover film was being planned, based on how Marvel Studios and Disney use codas within the Marvel Cinematic Universe to promote future films.
The Amazing Spider-Man 2 | Post-production
In June 2017, "Ant-Man and the Wasp" director Peyton Reed confirmed that Christophe Beck, who composed the score for "Ant-Man", would return for "Ant-Man and the Wasp". Beck reprised his main theme from "Ant-Man", and also wrote a new one for Hope van Dyne / Wasp that he wanted to be "high energy" and show that she is more certain of her abilities than Scott Lang / Ant-Man. When choosing between these themes for specific scenes throughout the film, Beck tried to choose the Wasp theme more often so there would be "enough newness in the score to feel like it’s going new places, and isn’t just some retread." Hollywood Records and Marvel Music released the soundtrack album digitally on July 6, 2018.
Ant-Man and the Wasp (soundtrack) | Background
In "Ant-Man and the Wasp", the titular pair work with Hank Pym to retrieve Janet van Dyne from the quantum realm. Talks for a sequel to "Ant-Man" began shortly after that film was released. "Ant-Man and the Wasp" was officially announced in October 2015, with Rudd and Lilly returning to reprise their roles. A month later, "Ant-Man" director Reed was officially set to return. He had joined the first film later in the process and was excited to develop this one from the beginning. He also looked forward to introducing Hope van Dyne as the Wasp in this film, and insisted on treating Lang and her as equals.
Ant-Man and the Wasp | Introduction
Many Easter Eggs are hidden in the actor's video appearances, such as Rudd and Lilly speaking cantonese. Visitors are also able to browse select artifacts from the Marvel Cinematic Universe, including the Destroyer Armour Prototype Gun Agent Phil Coulson used to confront Loki with in "The Avengers" (2012). Guests then board their ride vehicles and use their guns to shoot targets disposed in the different scenes in order to destroy the swarmbots. Ant-Man and The Wasp are featured during the ride fighting alongside the guests through screens and audio. At the middle of the ride, guests have the illusion of being shrunk by the superheroes in order to destroy the bots from the inside.
Ant-Man and The Wasp: Nano Battle! | Experience
The following cultural references are made in the episode:
Credit Where Credit's Due | Cultural references
It has a possible release date in 2022, with Douglas confirming his involvement and announcing that filming will begin in January 2021. In April 2020, Jeff Loveness was hired to write the script. By that September, Jonathan Majors was cast in a lead role, which was reported to be Kang the Conqueror.
Ant-Man and the Wasp | Sequel
In June 2017, Reed confirmed that Christophe Beck, who composed the score for "Ant-Man", would return for "Ant-Man and the Wasp". Beck reprised his main theme from "Ant-Man", and also wrote a new one for Wasp that he wanted to be "high energy" and show that she is more certain of her abilities than Lang. When choosing between these themes for specific scenes throughout the film, Beck tried to choose the Wasp theme more often so there would be "enough newness in the score to feel like it’s going new places, and isn’t just some retread." Hollywood Records and Marvel Music released the soundtrack album digitally on July 6, 2018.
Ant-Man and the Wasp | Music
For the sequence where Janet van Dyne communicates through Lang, inspiration was taken from "All of Me" (1984) in which Lily Tomlin's character is trapped in the body of Steve Martin's character. There were discussions about having Pfeiffer perform the scene first to give Rudd an idea of how she would act, but the group ultimately decided to let Rudd invent the scene completely himself. For the chamber in Ghost's lair, the production team under production designer Shepherd Frankel wanted to create an environment that was unique to the MCU, and designed the chamber with fresnel lenses to give it concentric-circle patterns that served a practical purpose for the film's story as well as differentiating the esthetics of it from other sets and creating mystery about the character.
Ant-Man and the Wasp | Filming
McKay also worked with Reed, Paul Rudd, Gabriel Ferrari & Andrew Barrer on "Ant-Man and the Wasp" to flesh out the story.
Adam McKay | Writing, acting, and producing
Concept art and "pre-CGI video" for the film was shown at the 2017 San Diego Comic-Con. In January 2018, Hyundai Motor America announced that the 2019 Hyundai Veloster would play a significant role in the film, with other Hyundai vehicles also appearing. The first trailer for the film was released on January 30, 2018 on "Good Morning America", and used the guitar riff from Adam and the Ants' "Ants Invasion". David Betancourt of "The Washington Post" called the release, the day after the widely praised "Black Panther" premiere, a "smart move"; with "Black Panther" and "Avengers: Infinity War" also releasing in 2018, "it can be easy [to] forget that hey, there an "Ant-Man" sequel coming this year...
Ant-Man and the Wasp | Marketing
Other times, the scene will play out as usual, but with something from the episode going on in the background.
Bob's Burgers | Credits sequence
The film was originally set to feature a romance between Miles Morales and Spider-Gwen. While the idea was scrapped, Spider-Gwen was still featured prominently in the film, mostly due to the efforts of producer Christina Steinberg. By August 2018, the directors had considered what a potential post-credits scene for the film could be, given that audiences have come to expect them from Marvel films.
Spider-Man: Into the Spider-Verse | Writing
Many films since the 1980s and earlier have featured mid- and post-credit scenes, also known as credit cookies. Such scenes often include comedy, plot revelations or hints for sequels.
List of films with post-credit scenes | Introduction
It takes the emphasis off that [and] lets her become part of what's really his life." Feige also talked about the film's revelation that the Vulture is the father of Parker's love interest, feeling that if it did not work, the film would not work. The team "worked backwards and forwards from that moment ... You had to believe that we had set it up so that you would buy it [and it] doesn't seem like something out of left field". Watts said the revelation scene and the following interactions between the Vulture and Parker were, "more than anything else, [what] I was looking forward to, and I got to have a lot of fun shooting that stuff".
Spider-Man: Homecoming | Post-production
Also, Whedon had originally shot a much longer scene with Thor and Selvig in the cave but the final version is shorter as test audiences did not respond well to the original cut. In the scene, Thor would be possessed by a Norn, a goddess of destiny, while Selvig would quiz her about Thor's hallucination. Additionally, Whedon reiterated he had wanted to include Captain Marvel and Spider-Man at the end, but deals for each character (signing of an actress and a deal with Sony Pictures Entertainment, respectively) were not completed in time for their inclusion. The film contains 3,000 visual effects shots, completed by ten different visual effects studios, including Industrial Light & Magic (ILM), Trixter, Double Negative, Animal Logic, Framestore, Lola VFX, Territory, Perception, Method Studios, Luma Pictures, and The Third Floor.
Avengers: Age of Ultron | Post-production
"Ants in the Pantry" was filmed on December 11–14, 1935; the film title is a pun on the phrase "ants in the pants." Moe Howard later recalled that a nest of ants actually worked their way into his pants: Veteran voice actor Clarence Nash, most famous for doing Donald Duck, did the sounds of the cats in the piano. "Ants in the Pantry" was remade with Shemp Howard in 1951 as "Pest Man Wins".
Ants in the Pantry | Production notes
This list is extracted from the ending credits of all the shows:
The Body in Question | Production team
The post-credit production bumper was generally followed by one final sketch, also borrowing a concept from "Laugh-In", in which the jokes continued for a time after the credits finished rolling. The post-credit button frequently took place "backstage" and would break the 4th wall and be about the episode that just finished, usually featuring one final humiliation or comeuppance for that episode's main cast member. Often this meant Christine getting slimed once more; however, in "The Not So Fair Show" (1982), this was turned on its head, and she actually gets to slime the rest of the cast during the button.
You Can't Do That on Television | Post-credit scene
An unfinished version of the film was screened on June 24, 2015, at CineEurope. "Ant-Man" was the last film released in Phase Two of the MCU.
Ant-Man (film) | Theatrical
The production credits on the film were as follows:
The Paradine Case | Production credits
In a post-credits scene, Weird Al is met with upset reactions from the audience and fails to get them happy, swearing revenge on Gwar for ruining him.
The Animated Tales of GWAR | Post credits
Network censors insisted that one particular scene be deleted where the car backfired.
My Mother the Car | Production notes
Lasting about nine pages, Smith talks about how he intended to have a much more elaborate opening prologue/credits scene for his sophomore film "Mallrats". In this, T.S Quint, goes on a televised game show and loses after babbling for ages and giving the other team the answer to the question. An altercation with the team ensues, and he accidentally punches the show's host after the team captain ducks his head. According to Smith, the studio felt it was too long, ordered it to be cut, and replaced it with a smaller scene taking place at a party instead. However, that scene was later scrapped during post-production.
My Boring Ass Life | The Original Idea For Mallrats
Producer Kevin Feige revealed that the studio had a "supercool idea" for the next "Ant-Man" film, and "if audiences want it, we'll find a place to do it." Reed also mentioned that there had been talks of making a standalone adventure with Hank Pym as Ant-Man, possibly including the original opening to "Ant-Man" featuring Jordi Mollà which was cut from the final film. Eric Eisenberg of Cinema Blend opined that a standalone adventure with Pym and the cut sequence would be a good candidate to revive the Marvel One-Shots short film series. By the end of July, David Dastmalchian expressed interest in returning for a sequel as Kurt.
Ant-Man and the Wasp | Development
Following the main production three to four days of post-production work needed to be done for the special effects. This was supervised by the special effects artist John Fulton who worked 15 nights, with the last day of shooting having May work his crew until 4:15 am in the morning. The score of the film makes use of Frank Skinner's score from "Son of Frankenstein", while Hans J. Salters main title score would be re-used in "Man Made Monster" and "The Strange Case of Doctor Rx".
The Invisible Man Returns | Post-production
man. The tree burps in his face before the cartoon cuts to credits.
Boo Boo and the Man | Plot
The camera system was only used in the previous film for the final shot.
Spider-Man 2 | Filming
The crew adopted a bench of their own whose plaque is shown at the end of the film's credits.
5 to 7 | Production
Story-arcs usually last up to seven episodes.
Ferdy the Ant (TV series) | Episode format
It started to feel tonally disconnected from the movie we were making and story-wise, and it also kind of like, it set a standalone adventure, but it didn't just connect to the rest of our story...It felt like vestige of those earlier drafts [by Wright and Cornish], which as a standalone thing was really cool." Dan Lebental and Colby Parker, Jr. served as film editors. In March 2015, Hayley Atwell confirmed that she would reprise her role as Peggy Carter in the film. In April 2015, Reed stated that the film was not completed yet and would be undergoing "a little bit of additional" filming.
Ant-Man (film) | Post-production
Although uncredited, George Lucas, who was studying film at University of Southern California (USC) at the time, was the second unit cameraman on this film. Portions of this film also appear in the Saul Bass pitch video for the Bell System logo redesign.
Why Man Creates | Production
They can just watch "Ant-Man" or the PG-13 "Suicide Squad". Safe, lame, and pandering have all grown up." In a review for "The Telegraph", Robbie Collin gave it 1/5 stars, criticizing the "abjectly embarrassing frenzy of product placement".
Power Rangers (film) | Critical response
While in production, studio management had second thoughts about recycling so much of the earlier footage, and had Wellman remove some of the scenes from "Wings".
The Legion of the Condemned | Production
Peter Travers, writing for "Rolling Stone", gave the film 3 out of 4 stars and praised Rudd and Lilly, saying, "The secret of "Ant-Man and the Wasp" is that it works best when it doesn't try so hard, when it lets charm trump excess and proves that less can be more even in the Marvel universe." Richard Roeper of the "Chicago Sun-Times" praised the lightweight tone as a treat and a breath following the "dramatically heavy conclusion" of "Avengers: Infinity War". He also praised the cast, especially Rudd and Fortson, as well as the visual effects and inventive use of shrinking and growing in the action scenes.
Ant-Man and the Wasp | Critical response
The production credits on the film were as follows:
Under Capricorn | Production credits
Mike Pinsky of DVD Verdict wrote that the first half of the film has promise, but "the second half of the script is a complete mess."
King of the Ants | Reception
The film opened in Japan the next weekend, earning $3.7 million, which was the top Western film for the weekend. , the film's largest markets were China ($117.5 million), South Korea ($42.4 million), and the United Kingdom ($21.5 million).
Ant-Man and the Wasp | Box office
In the 1980s, an "Ant-Man and the Wasp" animated series was in development, but was eventually abandoned.
List of unproduced television projects based on Marvel Comics | "Ant-Man and the Wasp"
Most of the film was shot on Mini DV digital video using the Sony VX 1000 camera, and later converted to film format. This kept the budget limited to $10 million and allowed the use of multiple cameras to simultaneously capture masters, two-shots and close-ups to save time. The "Mantan: New Millenium Minstrel Show" sequences, and their sponsor ads, were shot on Super 16 film stock.
Bamboozled | Production
The film was mixed in Auro 11.1 and Dolby Atmos in the converted William Holden Theater. The mix for both was completed by Paul Massey and David Giammarco. A mid-credit teaser scene from "" was added to the film after its London premiere, due to an existing deal between Webb and 20th Century Fox, in which Fox allowed Webb to direct the film if Sony would promote the X-Men film for free. The scene, set during the Vietnam War, shows Mystique (Jennifer Lawrence), a rogue mutant, trying to infiltrate a military camp led by William Stryker (Josh Helman) in an attempt to recruit fellow mutants Havok (Lucas Till) and Toad (Evan Jonigkeit).
The Amazing Spider-Man 2 | Post-production
"Ant-Man and the Wasp" grossed $216.6 million in the United States and Canada, and $406 million in other territories, for a worldwide total of $622.7 million. Following its opening, "Deadline Hollywood" estimated the film would turn a net profit of around $100 million. It became the eleventh highest-grossing film of 2018. "Ant-Man and the Wasp" earned $33.8 million on its opening day in the United States and Canada (including $11.5 million from Thursday night previews), and a total opening weekend of $75.8 million; this was a 33% improvement over the first film's debut of $57.2 million. Its opening included $6 million from IMAX screens.
Ant-Man and the Wasp | Box office
The first rule of making a sequel is take the best moments and do something else. Don't do the Indiana Jones gun trick again differently. Just go somewhere else. Don't try to hit the same highs, because people will sense it." However, Feige clarified, "There will be a tag [shortly after the credits start]. But there's not a post––credit scene." In May 2015, Whedon revealed he was in conflict with Marvel executives and the film's editors about certain scenes in the film. The executives were not "thrilled" with the scenes at Hawkeye's farm or the dream sequences the Avengers experience because of Scarlet Witch.
Avengers: Age of Ultron | Post-production