Three Golden Gun props were made; a solid piece, one that could be fired with a cap and one that could be assembled and disassembled, although Christopher Lee said that the process "was extremely difficult." The gun was "one of the more memorable props in the Bond series" and consisted of an interlocking fountain pen (the barrel), cigarette lighter (the bullet chamber), cigarette case (the handle) and cufflink (the trigger) with the bullet secured in Scaramanga's belt buckle. In the film, the gun was designed to accept a single 4.2-millimetre, 23-carat gold bullet produced by Lazar, a gunsmith in Macau who specialized in custom weapons and ammunition.
Golden Gun prop
The Man with the Golden Gun (film)
The Man with the Golden Gun (film) | Golden Gun prop
Three Golden Gun props were made Yes, Three Golden Gun props Yes, three Golden Gun props Yes, Golden Gun props.
where does the man with the golden gun take place
user
Britain
assistant
who are the actors?
user
Christopher Lee, Joseph Wiseman, Britt Ekland
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is this a movie?
user
Yes
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who composed the music?
user
John Barry
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when was it released?
user
Released in the United Kingdom the same day it was premiered
assistant
can you please name some movies the third actress acted in?
user
"The Night They Raided Minsky's", "Get Carter", "The Wicker Man"
assistant
did the original movie have stunt men?
user
Yes, a stuntman drove the "car plane" to a runway.
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what kind of reviews did it receive?
user
Mixed reviews
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what themes did it have?
user
1973 energy crisis
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were any props used?
user
Three Golden Gun props were made; a solid piece, one that could be fired with a cap and one that could be assembled and disassembled, although Christopher Lee said that the process "was extremely difficult." The gun was "one of the more memorable props in the Bond series" and consisted of an interlocking fountain pen (the barrel), cigarette lighter (the bullet chamber), cigarette case (the handle) and cufflink (the trigger) with the bullet secured in Scaramanga's belt buckle. In the film, the gun was designed to accept a single 4.2-millimetre, 23-carat gold bullet produced by Lazar, a gunsmith in Macau who specialized in custom weapons and ammunition.
The Man with the Golden Gun (film) | Golden Gun prop
For one of the two main aspects of the plot, the screenwriters used the 1973 energy crisis as a backdrop to the film, allowing the MacGuffin of the "Solex agitator" to be introduced; Broccoli's stepson Michael G. Wilson researched solar power to create the Solex. While "Live and Let Die" had borrowed heavily from the blaxploitation genre, "The Man with the Golden Gun" borrowed from the martial arts genre that was popular in the 1970s through films such as "Fist of Fury" (1972) and "Enter the Dragon" (1973). However, the use of the martial arts for a fight scene in the film "lapses into incredibility" when Lt Hip and his two nieces defeat an entire "dojo".
The Man with the Golden Gun (film) | Writing and themes
The Golden Gun ranked sixth in a 2008 20th Century Fox poll of the most popular film weapons, which surveyed approximately 2,000 film fans. On 10 October 2008, it was discovered that one of the golden guns used in the film, which is estimated to be worth around £80,000, was missing (suspected stolen) from Elstree Props, a company based at Hertfordshire studios.
The Man with the Golden Gun (film) | Golden Gun prop
The script was written by Richard Maibaum and Tom Mankiewicz. The film was set in the face of the 1973 energy crisis, a dominant theme in the script. Britain had still not yet fully overcome the crisis when the film was released in December 1974. The film also reflects the then-popular martial arts film craze, with several kung fu scenes and a predominantly Asian location, being set and shot in Thailand, Hong Kong, and Macau. Part of the film is also set in Beirut, Lebanon, but it was not shot there. The film was met with mixed reviews, and some critics described it as the lowest point in the canon up to that time.
The Man with the Golden Gun (film) | Introduction
The trailers featured some of the cut scenes.
The Man with the Golden Gun (film) | Filming
It was initially conceived at Cornell Aeronautical Laboratory (CAL) in Buffalo, New York as a test for their vehicle simulation software. After development in simulation, ramps were built and the stunt was tested at CAL's proving ground. It toured as part of the All American Thrill Show as the Astro Spiral before it was picked up for the film. The television programme "Top Gear" attempted to repeat the stunt in June 2008, but failed. The scene where Scaramanga's Matador flies was shot at Bovington Camp, with a model inspired by an actual car plane prototype. Bond's duel with Scaramanga, which Mankewicz said was inspired by the climactic faceoff in "Shane", was shortened as the producers felt it was causing pacing problems.
The Man with the Golden Gun (film) | Filming
A 1974 AMC Hornet X was used for the "corkscrew" stunt which was first tested as a computer-simulation (the first of its kind) by Cornell Aeronautical Laboratory. It was then performed as a live-action stunt, successfully filmed in one take. The stunt was performed by Loren “Bumps” Willert.
The Man with the Golden Gun (film) | Car stunts
Additional footage of this sequence was shot of Bond walking straight towards the camera, putting his face into view, seen in the theatrical trailer. The dots that start the gun barrel in "The Man with the Golden Gun" are blue but in subsequent releases the dots are white. It is the last gun barrel sequence until "Quantum of Solace" where Bond wears a business suit.
Gun barrel sequence | 1973–1974
The stunt was shown in slow motion, for the scene was otherwise too fast. Composer John Barry added a slide whistle sound effect over the stunt, which Broccoli kept in despite thinking that it "undercouped the stunt". Barry later regretted his decision, thinking the whistle "broke the golden rule" as the stunt was "for what it was all worth, a truly dangerous moment, ... true James Bond style". The sound effect was described as "simply crass". The writer Jim Smith suggested that the stunt "brings into focus the lack of excitement in the rest of the film and is spoilt by the use of 'comedy' sound effects." Eon Productions had licensed the stunt, which had been designed by Raymond McHenry.
The Man with the Golden Gun (film) | Filming
The British show "Top Gear" attempted to repeat the stunt in June 2008, but failed. The scene where Scaramanga's car flies was done at Bovington Camp, with a model inspired by an actual car plane prototype. Bond's duel with Scaramanga, which Mankewicz said was inspired by the climactic faceoff in "Shane", had its length shortened as the producers felt it was causing pacing problems. The trailers featured some of the cut scenes.
Filming of James Bond in the 1970s | "The Man with the Golden Gun"
Academy Award winner Oswald Morris was hired to finish the job after cinematographer Ted Moore became ill. Morris was initially reluctant, as he did not like his previous experiences taking over other cinematographers' work, but accepted after dining with Broccoli. Production wrapped in Pinewood in August 1974. One of the main stunts in the film consisted of stunt driver Loren “Bumps” Willert (as James Bond) driving an AMC Hornet leaping a broken bridge and spinning around 360 degrees in mid-air about the longitudinal axis, doing an "aerial twist"; Willert successfully completed the jump on the first take, and was given a $30,000 bonus on the spot.
The Man with the Golden Gun (film) | Filming
true James Bond style". The sound effect was described as "simply crass", with one writer, Jim Smith, suggesting that the stunt "brings into focus the lack of excitement in the rest of the film and is spoilt by the use of 'comedy' sound effects." Eon Productions had licensed the stunt, which had been designed by Raymond McHenry; the stunt was initially conceived at Cornell Aeronautical Laboratory (CAL) in Buffalo, New York as a test for their powerful vehicle simulation software. After development in simulation, ramps were built and the stunt was tested at CAL's proving ground. It toured as part of the All American Thrill Show as the Astro Spiral before it was picked up for the film.
Filming of James Bond in the 1970s | "The Man with the Golden Gun"
Los Angeles prop shop Applied Effects was approached by Randy Erikson to create Mal's main gun, a "Moses Brothers Self-Defense Engine Frontier Model B", and gave them a week and a half. Erikson provided a foamcore conceptual mockup and the base guns, one of which was a five-shot .38 caliber Taurus Model 85 revolver. Erikson researched American Civil War-era revolvers for inspiration and the final mockup had a brass or bronze look, with the revolver a little elongated. The biggest challenge was masking the shape of the original revolver and still keeping it operable. On the TV series "Firefly", a cast bronze pistol was used, but for the film "Serenity", a more detailed replica was created which had moving action and a blank pistol hidden inside, so that it could be fired in close-ups.
Malcolm Reynolds | Costume design
With the introduction of Roger Moore, and the use of a 1.85:1 matted aspect ratio, a fourth sequence was shot. It was used for just two films: "Live and Let Die" and "The Man with the Golden Gun". Moore wears a business suit and, unlike Simmons, Connery and Lazenby, uses both hands instead of one hand to fire his gun, his left hand bracing his gun arm. It is worth noting that the gun barrel moves side-to-side only to the left of Bond, without alternating to the right. This is the first gun barrel sequence in which Bond is not wearing a hat.
Gun barrel sequence | 1973–1974
Alice Cooper wrote a song titled "Man with the Golden Gun" to be used by the producers of the film, but they opted for Lulu's song instead. Cooper released his song in his album "Muscle of Love". Barry had only three weeks to score "The Man with the Golden Gun" and the theme tune and score are generally considered by critics to be among the weakest of Barry's contributions to the series, an opinion shared by Barry himself: "It's the one I hate most ... it just never happened for me." "The Man with the Golden Gun" was also the first to drop the distinctive plucked guitar from the theme heard over the gun barrel opening.
The Man with the Golden Gun (film) | Music
A sample from one of the songs, "Hip's Trip", was used by The Prodigy in the "Mindfields" track on the album "The Fat of the Land".
The Man with the Golden Gun (film) | Music
The theme tune to "The Man with the Golden Gun", released in 1974, was performed by Scottish singer Lulu and composed by John Barry. Tony Bramwell, who worked for Harry Saltzman's music publishing company Hilary Music, wanted Elton John or Cat Stevens to sing the title song. However, by this time the producers were taking turns producing the films; Albert Broccoli—whose turn it was to produce—rejected Bramwell's suggestions. The lyrics to the Lulu song were written by Don Black and have been described variously as "ludicrous", "inane" and "one long stream of smut", because of their sexual innuendo. Bramwell subsequently dismissed the Barry-Lulu tune as "mundane".
The Man with the Golden Gun (film) | Music
The film became famous for two vehicle stunts, one which made the Guinness Book of Records. As part of a significant product placement strategy, a number of vehicles from American Motors Corporation were featured in the movie. The flying car was the newly introduced AMC Matador Brougham Coupe in the Oleg Cassini edition, used by Francisco Scaramanga, along with Nick Nack, to kidnap Mary Goodnight. With the wings, the stunt car was long, wide, and high. A stuntman drove the "car plane" to a runway. It was not airworthy, so a -long remote controlled model, built by John Stears, was used for the aerial sequences.
The Man with the Golden Gun (film) | Car stunts
He used a prop weapon called his "Gold Gun" to hide the fact the energy projection was a natural ability given by the concoction that empowers him, making it seem that the energy came from the gun rather than himself. These so-called "Auric Energy" powers seemingly faded away over time, however.
Goldface | Powers and abilities
In Ian Fleming's novel, the Golden Gun was a long-barrelled, gold-plated, single-action Colt Peacemaker .45 calibre revolver that fired silver-jacketed bullets with a solid gold core and a cross-cut tip for additional wounding due to the dum-dum effect. However, in the film, it was a single-shot weapon that fired a custom-made 4.2-millimetre dum-dum bullet made of 23-carat gold with traces of nickel, which Scaramanga carried on his belt buckle. The movie gun could be disassembled and its components disguised as a fountain pen (the barrel), a cigarette lighter (breech), cuff-link (trigger), and a cigarette case (the grip), all gold-plated. Scaramanga used the Golden Gun in numerous assassinations of officials, political enemies, gangsters, and a 00-agent, Bill Fairbanks (002).
Francisco Scaramanga | The Golden Gun
Filming commenced on 6 November 1973 at the partly submerged wreck of the RMS "Queen Elizabeth", which acted as a top-secret MI6 base grounded in Victoria Harbour in Hong Kong. The crew was small, and a stunt double was used for James Bond. Other Hong Kong locations included the Hong Kong Dragon Garden as the estate of Hai Fat, which portrayed a location in Bangkok. The major part of principal photography started on 18 April 1974 in Thailand. Thai locations included Bangkok, Thonburi, Phuket and nearby Phang Nga Province, on the islands of Ko Khao Phing Kan () and Ko Tapu ().
The Man with the Golden Gun (film) | Filming
In reality, the prop guns were modified LAR Grizzly Win Mags nicknamed "Silver Heat." The film also displays a first: Cranston's ability to conjure the illusion of a false face whenever he is in his guise as The Shadow, giving him an appearance similar to the character's physical portrayal in the pulp magazines and comics.
The Shadow | "The Shadow" (1994)
Production wrapped in Pinewood in August 1974. One of the main stunts in the film consisted of stunt driver "Bumps" Willard (as James Bond) driving an AMC Hornet leaping a broken bridge and spinning around 360 degrees in mid-air about the longitudinal axis, doing an "aerial twist"; Willard successfully completed the jump on the first take. The stunt was shown in slow motion as the scene was too fast. Composer John Barry added a slide whistle sound effect over the stunt, which Broccoli kept in despite thinking that it "undercouped the stunt". Barry later regretted his decision, thinking the whistle "broke the golden rule" as the stunt was "for what it was all worth, a truly dangerous moment, ...
Filming of James Bond in the 1970s | "The Man with the Golden Gun"
The Gun is a made-for-television film, of the suspense-thriller type, which ABC-TV aired as a "Movie of the Week" on November 13, 1974. It starred David Huffman, Ron Thompson, Richard Bright, Pepe Serna, Lee de Broux, and Stephen Elliott, and was written directly for television by Jay Benson, Richard Levinson, and William Link and directed by John Badham, then a working director of television productions. Levinson and Link were also the producers of the film. "The Gun" was inspiration for the song "Golden Ring", recorded by George Jones and Tammy Wynette in 1976. The song would reach number-one on the Billboard Country Singles chart later that year.
The Gun (1974 film) | Introduction
In late April production returned to Hong Kong and also shot in Macau. Production had to move to studio work in Pinewood Studios—which included sets such as Scaramanga's solar energy plant and island interior.
Production of the James Bond films | "The Man with the Golden Gun" (1974)
Principal photography was done in thirty-seven shooting days in January and February 1997 and filmed in over forty locations. John Sayles' films tend to be politically aware and social concerns are a theme running through most of his work. This film's idea came from his friends, one of whom was the novelist Francisco Goldman. He had an uncle who was a doctor in Guatemala and was involved in an international health program. A few years later he came to find out that most of his students, whom he had sent off to serve as rural doctors, had been murdered by the government that supported the program.
Men with Guns | Background
Filming took place on just one set: a "redressed" version of its Broadway counterpart. Altman used Super 16 equipment during the nineteen-day shoot; this was later converted to 35 mm stock for the first answer print. For the film's flashbacks, he built a double set with two-way mirrors that were controlled by computerized lighting techniques—which became problematic for both him and the film's critics.
Come Back to the 5 &amp; Dime, Jimmy Dean, Jimmy Dean (film) | Production
After escaping with the aid of Hip and his nieces, Bond speeds away on a motorised sampan along the river and reunites with his assistant, Mary Goodnight. Scaramanga subsequently kills Hai Fat with his golden gun and assumes control of his empire, taking the Solex with him.
The Man with the Golden Gun (film) | Plot
The use of defense equipment in the film, including gas masks and shelter equipment, makes its portrayal of a post-nuclear setting an eerie mirror image of the Soviet program
Dead Man's Letters | Themes
The numerous cliches include a world-weary gunfighter wanting to reform and to save the world, your typical western fight between cattlemen and sheepherders, an aging saloon keeper and whorehouse madam with a heart of gold (Carolyn Jones) longing for her unavailable old gunfighter friend and a pretty half-caste Indian (Barbara Hershey) finding it difficult to understand the white world. It preaches an awkward social conscience message that peace can be found without guns. The trouble is the pic is clumsily executed and is leaden, so everything seems absurd and hardly believable."
Heaven with a Gun | Critical response
One of the central props in the movie is the car that W.W. drives. In the film, it is described as a special 1955 "Golden Anniversary" Oldsmobile Rocket 88, of which only 50 were purportedly made. It is a four-door sedan painted gold with black hood and side accents and chrome trim. In reality, there was no such special model, and in any event, 1955 was not the 50th anniversary of Oldsmobile. Three such cars were custom-built for the film from stock 1955 Oldsmobiles. One was destroyed in the fire scene, one was taken to a museum, and the third was used as the camera car, with the roof removed.
W.W. and the Dixie Dancekings | "Golden Anniversary" Oldsmobile
The show's catchphrase became ""Bernie, the bolt!"" (originally ""Heinz, the bolt!"", as Heinz had been brought over from Germany when the show was imported). The instruction was from the host to the armourer that the crossbow bolt should be loaded. Three people acted as "Bernie" on the show; Alan Bailey, Derek Young, and Johnny Baker (a film unit grip). There was an element of mystery associated with the crossbow loaders, as they were not introduced by name and said nothing.
The Golden Shot | Bernie, the bolt!
Broccoli's stepson Michael G. Wilson researched solar power to create the MacGuffin of the "Solex Agitator". While "Live and Let Die" had borrowed heavily from the blaxploitation genre, "The Man with the Golden Gun" borrowed from the martial arts genre that was popular in the 1970s. On 6 November 1973 filming commenced at the exterior location shots of RMS "Queen Elizabeth", which acted as a top-secret MI6 base grounded in Victoria Harbour in Hong Kong. The major part of principal photography started in April 1974 in Thailand. Thai locations included Bangkok, Thonburi, Phuket and the nearby Phang Nga Province, on the islands of Ko Khao Phing Kan () and Ko Tapu ().
Production of the James Bond films | "The Man with the Golden Gun" (1974)
One prop, designed by the toy designer Reuben Klamer often referred to as "The Gun", drew so much attention that it actually spurred considerable fan mail, and was often so addressed. Internally designated the "U.N.C.L.E. Special", it was a modular semiautomatic weapon. The basic pistol could be converted into a longer-range carbine by attaching a long barrel, an extendable shoulder stock, a telescopic sight, and an extended magazine. In this "carbine mode", the pistol could fire on full automatic. This capability brought authorities to the set to investigate reports that the studio was illegally manufacturing machine guns. They threatened to confiscate the prop guns and it took a tour of the prop room to convince them that these were actually "dummy" pistols incapable of firing live ammunition.
The Man from U.N.C.L.E. | Weaponry
Nearly all gadgets in this film belong to the main villain, Francisco Scaramanga.
List of James Bond gadgets | "<a href="The%20Man%20with%20the%20Golden%20Gun%20%28film%29">The Man With The Golden Gun</a>"
None of Welles's satire of Reagan-era politics was retained in the final film, while a number of key scenes, like a charged confrontation between Pellarin and Minnaker on a Ferris wheel, were also omitted.
The Big Brass Ring | Production
The Academy Film Archive preserved "The Man with the Golden Arm" in 2005.
The Man with the Golden Arm | Preservation
Cogman said that he drew on the novels and the fan-created website "Wiki of Ice and Fire" for reference, and invented what could not be sourced, including even some Internet fan message board names as in-jokes.
A Golden Crown | Staging and props
The large props warehouse where he lives has been partially converted into his living quarters. The unique design of Tanna's home allows him to park his red T-bird in his living room. Tanna also uses gadgets considered high-tech for the late 1970s, such as a car phone and an answering machine that physically picks his phone off the hook and into the microphone of a tape recorder.
Vegas (1978 TV series) | Plot
"TV Guide" called it a "so-so crime story. Despite some fast pacing in the direction, the script is too simplistic for the fare."
Man with a Gun (1958 film) | Critical reception
I ended up sounding like Rossano Brazzi. Disappointment over being stuck in a stinker was eased considerably by weekly infusions of cash, delivered personally by the production manager. I'd sign a voucher and he'd hand over a bundle of lire, some of the old notes as big as place mats.
The Golden Arrow (1962 film) | Production
For promotion of the film, theater lobbies featured a 3-D cut out of the film poster of Riggs and Murtaugh posing with their guns and Leo Getz peeking from the background. On the display, there was a motor which helped Leo's head bob up and down from behind them.
Lethal Weapon 3 | Promotion
The original Mare's Leg did not have sights. McQueen was involved in the final design, suggesting the duck-bill hammer and enlarged lever loop, and initiating a redesign of the custom holster. The Bureau of Alcohol, Tobacco, and Firearms was not consulted before the program aired and producers had to pay taxes totaling $1,100 in connection with the National Firearms Act of 1934. During filming three guns were made, each with an enlarged loop on the cocking lever. After filming started, the size of the levers was made smaller on all 3 guns. The second and third guns bore octagonal barrels instead of a round one.
Mare's Leg | Prop gun
Opinion on "The Man with the Golden Gun" has for the most part remained the same as it was in 1974 and as of September 2020, film review aggregator Rotten Tomatoes reports that 41% out of 51 critical reviews about the film were positive, with an average score of 5.26/10. The website's critical consensus states, "A middling Bond film, "The Man With the Golden Gun" suffers from double entendre-laden dialogue, a noteworthy lack of gadgets, and a villain that overshadows 007." Metacritic, another review aggregator, assigned the film a weighted average score of 43 out of 100 based on 11 reviews from mainstream critics, which indicates "mixed or average reviews".
The Man with the Golden Gun (film) | Reflective reviews
After considering Beirut, where part of the film is set, Iran, where the location scouting was done but eventually discarded because of the Yom Kippur War, and the Hạ Long Bay in Vietnam, the production team chose Thailand as a primary location, following a suggestion of production designer Peter Murton after he saw pictures of the Phuket bay in a magazine. Saltzman was happy with the choice of the Far East for the setting as he had always wanted to go on location in Thailand and Hong Kong. During the reconnaissance of locations in Hong Kong, Broccoli saw the wreckage of the former and came up with the idea of using it as the base for MI6's Far East operations.
The Man with the Golden Gun (film) | Production
He gives it away to a security guard at his company, who pawns the gun. A young professional asks for a gun at the pawn shop. He is displeased when told there is a five-day waiting period required by law. When the pawnbroker turns to get the blank paperwork, he loads the gun with his own bullets and departs at gunpoint after paying for the pistol. At his place of employment, he is given the news that because he has the least seniority, he is being laid off. He considers shooting his supervisor before walking outside to the building's plaza during lunchtime, making mock shooting motions at random bystanders with the gun.
The Gun (1974 film) | Plot
"The Man with the Golden Gun" is an adventure in which the player characters must prevent a scientist from defecting to the Soviet Union.
The Man with the Golden Gun (adventure) | Contents
"The Man with the Golden Gun" was premiered at the Odeon Leicester Square in London on , with general release in the United Kingdom the same day. The film was made with an estimated budget of $7 million; despite initial good returns from the box office, "The Man with the Golden Gun" grossed a total of $97.6 million at the worldwide box office, with $21 million earned in the US, making it the fourth lowest-grossing Bond film in the series. The promotion of the film had "one of the more anaemic advertising campaigns of the series" and there were few products available, apart from the soundtrack and paperback book, although Lone Star Toys produced a "James Bond 007 pistol" in gold; this differed from the weapon used by Scaramanga in the film as it was little more than a Walther P38 with a silencer fitted.
The Man with the Golden Gun (film) | Release and reception
Glodell and crew were also inventive in the effects they used in the filming. Glodell constructed the flame thrower central to the theme, and modified the Medusa car. To get a propane tank explosion, live bullets were fired into the tank, narrowly missing engineer/editor Jon Keevil's head. It has been called one of the most dangerous film shoots in history.
Bellflower (film) | Effects
"Savage Guns" was originally intended as a European version of the classic American western in terms of the general storyline, which closely follows Shane. The film also displayed many traits which would define later Spaghetti Westerns both in look and style, in particular, the anti-hero characters, the unique setting and its graphic violence. One example was the hero, Richard Basehart, who wore black while the villain, Alex Nichol, wore white. The Danny character is close to Alex Nichols' earlier performance in Anthony Mann's The Man From Laramie where he in fact wounds the hand of the hero. This motif would later appear in Django.
Savage Guns (1961 film) | Cinematic influence
However, when the character walks up to the phone (towards the camera) and picks it up, it becomes apparent that the phone is extremely oversized instead of being close to the camera. Another scene in the same movie begins with a close-up of a wristwatch. The next cut shows that the character actually has a gargantuan wristwatch. The same technique is also used in the Dennis Waterman sketch in the British BBC sketch show "Little Britain". In the television version, super props are used to make the caricatured Waterman look just three feet tall or less. In "The History of the World, Part I", while escaping the French peasants, Mel Brooks' character, Jacques, who is doubling for King Louis, runs down a hall of the palace, which turns into a ramp, showing the smaller forced perspective door at the end.
Forced perspective | Comic effects
Scaramanga later used the Golden Gun to kill British scientist Gibson and Scaramanga's own employer, Hai-Fat. But, when Scaramanga was killed and his island destroyed, the Golden Gun was presumably also lost. The Golden Gun ranked sixth in a 2008 20th Century Fox poll of the most popular film weapons, which surveyed approximately two thousand film fans.
Francisco Scaramanga | The Golden Gun
The script is the same that was used from 1984 to 2001. However, Dano's voice is from a newly discovered recording that is cleaner than the original performance. Also, the song "Golden Dream" is played as guests exit the attraction. As well, the recording of the song "America the Beautiful" from the Circle-Vision 360° film of the same name, opens the show. And on the end of the show, they added the song the "Battle Hymn of the Republic". The United States Capitol model, previously displayed as the main lobby exhibit, returned and the prior model of Disneyland on opening day was moved into a tilted up position in a large display case.
Great Moments with Mr. Lincoln | Current version
It was rumored that there would be a free give-away of movie props on the Facebook group. This included items such as the BEEast numberplate, roadsigns to Gatberg along with the pink nylon shorts worn by Gina during the production of the Film.
Big Fellas | Promotion
As a result of the controversy, the MPAA investigated and revised production codes, allowing later movies more freedom to deeply explore hitherto taboo subjects such as drug abuse, kidnapping, miscegenation, abortion, and prostitution. In the end, "The Man With The Golden Arm" finally received the Production Code seal number 17011 in June 1961, which permitted the film to be reissued and sold for television broadcast.
The Man with the Golden Arm | Controversy over release
The T-55 tank used in the film is now on permanent display at Old Buckenham Airfield, where the East England Military Museum is based. For the confrontation between Bond and Trevelyan inside the antenna cradle, director Campbell decided to take inspiration from Bond's fight with Red Grant in "From Russia with Love". Brosnan and Bean did all the stunts themselves, except for one take where one is thrown against the wall. Brosnan injured his hand while filming the extending ladder sequence, making producers delay his scenes and film the ones in Severnaya earlier.
GoldenEye | Effects
Frank Frazetta painted the super-stylized promotional billboard poster for the film. The poster features a "muscled colossus Eastwood, brandishing a pistol, and scantily clad Locke, her clothes teasingly shredded, clinging onto her hero".
The Gauntlet (film) | Promotion
Marta, 'The Master Gunfighter,' a splendid period re-creation, is awash with striking imagery that finds beauty even in chaos—just as in a samurai movie. Sometimes young Laughlin's pacing verges on the static, but the action sequences are excitingly staged." Gary Arnold of "The Washington Post" wrote, "You know you're in for a long, slow evening when the picture begins with a preamble of several hundred words, recited by Burgess Meredith over shots of the sun coming up. The opening sequences set a pattern of confused, incoherent action and stilted acting that is adhered to with a kind of kamikaze devotion for the duration of the movie.
The Master Gunfighter | Critical reception
The "James Bond Theme" then plays very loudly, albeit with the first portion, featuring the theme's plucked electric guitar riff, truncated. The gun barrel sequence in "Dr. No" segues directly into the credits, a grid matrix of large-scale, bright and rapidly changing coloured circular dots against a black background. This version, without the electronic noises or the Saltzman-Broccoli credit line, was also used in "From Russia with Love" with more red coloured blood and "Goldfinger" which fades into the pre-credit sequence.
Gun barrel sequence | 1962–1964
Pat O'Mara, the key grip during production, installed several 2x1 and 2x2 blackout panels and frames that were retrofitted with small albeit strong magnets. During a scene when and actor or actresses stood under a fluorescent light, a panel or a frame was placed over the fixture, subsequently diffusing light onto their faces. "If somebody was walking through the office in a wide shot, I just turned the overhead lights on. But if Don was talking to someone at his desk and the office was the backdrop, I turned all the lights on and then selectively removed some; then, I brought the key around with Kino Flo Image 80s through 4-by-8 frames of 250 or 216, or sourced my key with a larger Fresnel through the window."
Smoke Gets in Your Eyes (Mad Men) | Filming
Exceptions to the exclusions above are small arms that are fictional but constructed from real-life firearms (modified or original), even if the "projectile" is completely fictional. An example would be the blaster rifles from the "Star Wars" movies. These devices fire "bolts of energy" in the movies, and the firearm they are based on is the British-made Sterling sub-machine gun. Another example would be the 1999 movie "Wild Wild West", in which a powered (as in, automatically revolving) Gatling gun is used, even though this was not realized until 1946—Gatling guns in the era in which the film is set were exclusively operated by hand crank.
Internet Movie Firearms Database | Exceptions
Riding to the Summers ranch, he sees the helpless Fallon and threatens to shoot him when Summers grabs a nearby gun and kills Pose in order to save Fallon's life.
Savage Guns (1961 film) | Plot
As with any cultural icon, the gun barrel sequence has inspired numerous parodies and takeoffs since its first appearance in 1962. The sequence has been spoofed in films, sitcoms, cartoons and in advertisements, including: "Bons Baisers de Hong Kong", "Dave Allen at Large", "The Simpsons", "SpongeBob SquarePants", "Family Guy", American Dad!,"Monty Python's Flying Circus", "Logorama", and "Garfield and Friends". WWE wrestler "Cesaro"'s entrance is also similar to that of James Bond gun barrel sequence. In the 1986 horror/comedy film "", the opening credits show Jason Voorhees, the main antagonist in the series, emulating the gun barrel sequence by walking across the screen in a Bond-like fashion and then turning to face the camera whilst swinging his signature machete, drenching the screen with blood in a similar manner to the original Bond sequences.
Gun barrel sequence | Parodies
Meanwhile, the weapons become the property of the rebels who equip the peons with them and the revolution begins, causing the governor and his wife to flee. The son of Zorro, who made all these happenings possible and supported, goes to the house of the unhappily married Conchita and reveals himself to her.
Man with the Golden Winchester | Plot
He was a good sport about it...but noticed him perspiring a good bit and no wonder. That pendulum was carving out a 50 foot arc just above his body. To visually enhance the size of this set, the camera was equipped with a 40 mm Panavision wide-angle lens and mounted at the opposite end of the stage, giving Crosby the ability to frame the scenes in his camera with extra space at the bottom and at either side. These areas were filled in later by printing-in process extensions of the set, doubling its size onscreen.
The Pit and the Pendulum (1961 film) | Art direction
The stuntmen included Carey Loftin, Paul Stader, Troy Melton, Jerry Summers, Ronnie Ron-dell, Bob Harris, Louis Elias, David Sharpe, Harvey Parry, and Bill Hickman. When designing Goldfoot's lair, Daniel Haller re-used some of his designs from 1961's "The Pit and the Pendulum". Stock footage of battleships from another AIP release, "Godzilla vs. The Thing" appears during the climax.
Dr. Goldfoot and the Bikini Machine | Shooting
In the film, Danko is using "the best Soviet gun of 9.2 mm caliber designed by Podbyrin". Hill wanted it to be an unusually large and threatening weapon resembling Walther P38. Tim LaFrance designed the gun at his workshop in San Diego, starting from Desert Eagle as an inspiration; hence the gun was nicknamed the "Hollywood Eagle". After release of the movie, its copies were sold in the United States as "Pobyrin pistol". As to the weapon of the main villain, Viktor Rostavili, Hill wanted it to be a concealed, mafia-style gun. LaFrance designed it as a modified derringer, which was strapped to a forearm using a spring-based system.
Red Heat (1988 film) | Weapons
Harvey Hart keeps things subtle with his direction, wrapping the film in atmospheric visuals and getting low-key performances from his cast. Cliff Robertson is excellent as the quietly mad protagonist, painting a chilling portrait of a man whose dissatisfaction with his post-military life leads to dangerous choices for himself and others in a tense situation ... [as] a result, it is worth a look to fans of offbeat 1970's cinema."
Shoot (film) | Critical response
After retrieving a spent golden bullet from a belly dancer in Beirut and tracking its manufacturer to Macau, Bond forces the gun maker to show him how he delivers the bullets. Seeing Andrea Anders, Scaramanga's mistress, collecting the shipment of golden bullets at a casino, Bond follows her to Hong Kong and, in her Peninsula Hotel room, pressures Anders to expose information about Scaramanga, his appearance and his plans; she directs him to the Bottoms Up Club. The club proves to be the location of Scaramanga's next hit, Gibson, from whom Scaramanga's dwarf henchman Nick Nack steals the "Solex agitator", a key component of a solar power station.
The Man with the Golden Gun (film) | Plot
The Golden Bullet is a 1917 American Western film featuring Harry Carey.
The Golden Bullet (1917 film) | Introduction
Because Binder had designed the gun barrel sequence to feature Bond only in silhouette, with a non-widescreen aspect ratio, he used stunt man Bob Simmons, rather than Sean Connery, to film the scene. Simmons hops slightly as he pivots to assume the firing position and, following the blood wash, the dot becomes smaller and jumps to the lower right-hand corner of the frame before simply vanishing. In "Dr. No", the white dot stops mid-screen and the credit line "Harry Saltzman & Albert R. Broccoli present" appears across the dot. The text is wiped and the dot continues the sequence. The sequence is accompanied by a soundtrack of electronic noises and then numerous notes that sound like they are being plinked from a wind-up jack in the box; the latter is cut short by the gunshot.
Gun barrel sequence | 1962–1964
The show was parodied as "The Golden Shoot" in an episode of The Benny Hill Show broadcast 25 December 1969.
The Golden Shot | Parodies
Saltzman and Broccoli can still produce such slick and inventive entertainment". Arthur Thirkwell, writing in the "Sunday Mirror"s sister paper, the "Daily Mirror", concentrated more on lead actor Roger Moore than the film itself: "What Sean Connery used to achieve with a touch of sardonic sadism, Roger Moore conveys with roguish schoolboy charm and the odd, dry quip." Thirkwell also said that Moore "manages to make even this reduced-voltage Bond a character with plenty of sparkle." Judith Crist of "New York Magazine" gave a positive review, saying "the scenery's grand, the lines nice and the gadgetry entertaining", also describing the production as a film that "capture[s] the free-wheeling, whooshing non-sense of early Fleming's fairy tale for grown-ups orientation".
The Man with the Golden Gun (film) | Contemporary reviews
The Man with the Golden Gun is a 1985 role-playing game adventure for "James Bond 007" published by Victory Games.
The Man with the Golden Gun (adventure) | Introduction
"(Themes from) "The Man with the Golden Arm"" is a song written by Elmer Bernstein and performed by Richard Maltby & His Orchestra. It reached number 14 on the "Billboard" chart in 1956. It was featured in the 1955 film "The Man with the Golden Arm".
(Themes from) The Man with the Golden Arm | Introduction
It's about a female robot, like Julie Newmar was on that TV program with Bob Cummings. If we had women robots, they could do anything, even sexual things, just by changing their tubes." Not all of the songs have a sexual theme; "Crazy Little Child" tells the story of a youth criminal, and in "Teenage Lament '74", a teenager fails to find happiness even when doing everything to try to be "hip". "Man With the Golden Gun" was written with the intention of having it appear on the soundtrack of the then-upcoming James Bond film of the same name. Cooper recalled in a 2011 interview:
Muscle of Love | Lyrical content
Some of the antique vehicles used in the film were sourced in Nigeria; most were however refurbished for the owners so that they can be used in the film. The props used in the film are currently kept in Golden Effects Studios and can be rented out to other filmmakers that may need them in future. There was also an exhibition at the premiere of the film displaying the antique items used in "October 1". Golden Effects partnered with fashion designer, Deola Sagoe of Haute Couture, who also featured as the late Funmilayo Ransome-Kuti in the film to design the primordial costumes used in the film.
October 1 (film) | Design
The film clip round always included a clip that was related to the question, but the answer to the question was never shown in the film just like the lyrics of George's songs, despite Bob as a running gag saying to watch or listen carefully. In one episode, Mark Lamarr's team were shown a clip from "Citizen Smith" (instead of a comedy clip created by the Shooting Stars team), and were totally unaware the question would relate directly to the clip. A serious question was asked requesting what a man's T-shirt read, only for Mark to make something up and then Vic saying his traditional "UVAVU!" wrong answer catchphrase.
Shooting Stars (TV series) | Film clip round
In London, a golden bullet with James Bond's codename '007' etched into its surface is received by MI6. It is believed that it was sent by the famed assassin Francisco Scaramanga, who uses a golden gun, to intimidate the agent. Due to the perceived threat to the agent's life, since Scaramanga has never been photographed and no one knows where he lives, M relieves Bond of a mission revolving around the work of the solar energy scientist named Gibson, thought to be in possession of information crucial to solving the energy crisis with solar power. At a hint from M, Bond sets out unofficially to locate Scaramanga.
The Man with the Golden Gun (film) | Plot
In "Gun Crazy" (1949), the climactic crime is the payroll robbery of the Armour meat-packing plant, where a Bulova clock is prominently displayed.
Product placement | Early film
Like many American films of the time, "The Golden Bullet" was subject to cuts by city and state film censorship boards. The Chicago Board of Censors required cuts of two scenes involving the theft of gold and a shooting.
The Golden Bullet (1917 film) | Reception
The Legend of the Golden Gun is a 1979 television Western film, starring Jeff Osterhage, Hal Holbrook, Carl Franklin, and Robert Davi.
The Legend of the Golden Gun | Introduction
The production budget for the film was tight, and crew members brought in 1970s period items of their own to supplement props in the film. Production designer Danny Talpers designed the prop for the time machine out of two hot tubs - which was a reference to their popularity during the period. Instead of the more expensive cutaway technique, Reiner simply moved the camera back and forth during dialogue to save money.
The Spirit of '76 (1990 film) | Production
In one gag, a sultan is shown listening to the "Amos 'n' Andy" radio show. Another gag features the Statue of Liberty singing the title track, while ending with the line "Ha-cha-cha-cha-cha-cha", in reference to Jimmy Durante. Garbo, Pitts, and West then played a short tune from The Girl I Left Behind Me. Then Ed Wynn returns to the microphone for one more running gag with a cannon, but it misfired and sent him flying back into his home through the sunroof and landed on a bed with a wife and children, who are all wearing firemen's hats and said the catch phrase, "Sooo...", with Ed Wynn chortling as the sequence ended.
I've Got to Sing a Torch Song | Plot
Albert R. Broccoli and Harry Saltzman intended to follow "You Only Live Twice" with "The Man with the Golden Gun", inviting Roger Moore to the Bond role. However, filming was planned in Cambodia, and the Samlaut Uprising made filming impractical, leading to the production being canceled. "On Her Majesty's Secret Service" was produced instead with George Lazenby as Bond. Lazenby's next Bond film, Saltzman told a reporter, would be either "The Man with the Golden Gun" or "Diamonds Are Forever". The producers chose the latter title, with Sean Connery returning as Bond. Broccoli and Saltzman then decided to start production on "The Man with the Golden Gun" after "Live and Let Die".
The Man with the Golden Gun (film) | Production
For "Thunderball", the aspect ratio of the films was changed to a Panavision anamorphic format and so the gun barrel sequence had to be reshot, this time with Sean Connery in the role. It is also the first gun barrel sequence in which the white dot segues to the film's pre-credit sequence, opening up to reveal the entirety of the scene. Connery wobbles slightly while firing his gun as he adjusts his balance from an unstable position and he bends over to fire. Although the sequence was shot in color for "Thunderball", it is rendered in black and white for "You Only Live Twice".
Gun barrel sequence | 1965–1967
Three different serials had them chasing the Art Deco sound truck, required for location shooting, for various reasons. Male fistfighters all wore hats so that the change from actor to stunt double would not be caught so easily. A rubber liner on the hatband of the stuntman's fedora would make a seal on the stuntman's head, so the hat would stay on during fight scenes. Exposition of what led up to the previous episode's cliffhanger was usually displayed on placards with a photograph of one of the characters on it. In 1938, Universal brought the first "scrolling text" exposition to the serial, which George Lucas first used in "Star Wars" in 1977 and then in all of the following "Star Wars" films.
Serial film | Production practices
The team made a promotional radio message for the movie. Several outtakes, available on "The Golden Age of Comedy: Dean Martin and Jerry Lewis" CD, feature Dean and Jerry trying to get through five lines of dialogue. When either one of them messed up a line, they exchanged several lines of profanity.
The Caddy | Promotion
Hamilton decided to put Marc Lawrence, whom he had worked with on "Diamonds Are Forever", to play a gangster shot dead by Scaramanga at the start of the film because he found it an interesting idea to "put sort of a Chicago gangster in the middle of Thailand".
The Man with the Golden Gun (film) | Casting
The Man with the Golden Gun is a 1974 spy film and the ninth in the "James Bond" series produced by Eon Productions, and the second to star Roger Moore as the fictional MI6 agent James Bond. A loose adaptation of Ian Fleming's posthumously published 1965 novel of the same name, the film has Bond sent after the Solex Agitator, a device that can harness the power of the sun, while facing the assassin Francisco Scaramanga, the "Man with the Golden Gun". The action culminates in a duel between them that settles the fate of the Solex. "The Man with the Golden Gun" was the fourth and final film in the series directed by Guy Hamilton.
The Man with the Golden Gun (film) | Introduction
The French government also allowed the use of Navy logos as part of the promotional campaign for it. However, the producers had a dispute with the French Ministry of Defence over Brosnan's opposition to French nuclear weapons testing and his involvement with Greenpeace; as a result, the French premiere of the film was cancelled.
GoldenEye | Filming
Tom Mankiewicz wrote the first draft for the script in 1973, delivering a script that was a battle of wills between Bond and Scaramanga, who he saw as Bond's alter ego, "a super-villain of the stature of Bond himself." Tensions between Mankiewicz and Guy Hamilton and Mankiewicz's growing sense that he was "feeling really tapped out on Bond" led to the re-introduction of Richard Maibaum as the Bond screenwriter. Maibaum, who had worked on six Bond films previously, delivered his own draft based on Mankiewicz's work. Much of the plot involving Scaramanga being Bond's equal was sidelined in later drafts.
The Man with the Golden Gun (film) | Writing and themes
The safety and proper handling of real weapons used as movie props is the premiere responsibility of the prop master. ATF and other law enforcement agencies may monitor the use of real guns for film and television, but this is generally not necessary with stage props as these guns are permanently "plugged".
Theatrical property | Prop weapons
Christopher Lee's portrayal of Scaramanga as a villain of similar skill and ability to Bond was praised, but reviewers criticised the film as a whole, particularly its comedic approach and the performances of Moore and Britt Ekland. Whilst profitable, the film is the 4th lowest-grossing in the series and its relatively modest returns by comparison with those of "Live and Let Die" (1973) reportedly placed the continuation of the franchise in jeopardy. It was the last Bond film to be co-produced by Albert R. Broccoli and Harry Saltzman, with Saltzman selling his 50% stake in Danjaq, LLC, the parent company of Eon Productions, after the release of the film.
The Man with the Golden Gun (film) | Introduction
Leonard Cohen used imagery from "The Man with the Golden Arm" in "The Stranger Song", from his first album, "Songs of Leonard Cohen" (1967): "O you've seen that man before / his golden arm dispatching cards / but now it's rusted from the elbows to the finger." "Frankie's Gun!" by The Felice Brothers was inspired by this book. It appears on the albums "Adventures of The Felice Brothers Vol. 1" and" The Felice Brothers " and was listed as number 3 on WDST's Top 25 Albums of 2007, bested only by Bruce Springsteen and Levon Helm.
The Man with the Golden Arm (novel) | References in popular culture
Fuller uses every opportunity to show off the widescreen format while employing extensive use of close-ups and one of the longest tracking shots ever done at Fox’s studio at that time - over three minutes long. Harry Sukman composed the score and conducted it as well. Jidge Carroll sings two songs onscreen in the film, the theme song titled "High Ridin' Woman," written by Harold Adamson and Harry Sukman; and "God Has His Arms Around Me," written by Victor Young and Harold Adamson. Both songs were later recorded by the western singing group, The Sons of the Pioneers, and released on their single for RCA (RCA 47-7079) on November 1, 1957.
Forty Guns | Production
As this scene was shot in a studio, the conclusion must be that the life buoys were made specifically for the scene, and are merely theatrical props.
TSS Manxman (1904) | Trivia
However, the training did not fully prepare Beaufort because she trained on a stripper pole that rotated on ball bearings, so it would move with the dancers as they spun around, but the pole used in the episode was a tree that stayed solidly in place. Additionally, the floor was wet with dew the day of filming, so Beaufort slipped and fell repeatedly during filming. Beaufort said she was nervous performing the dance, especially in front of her peers, but that it was ultimately a fun experience.
Golden Powers (Kröd Mändoon and the Flaming Sword of Fire) | Production
The model was destroyed three times in order to shoot it through different camera angles. Footage of the full-scale set was merged with footage of the scale model using a "motion repeater system" fabricated by Paramount, which enabled the exact repetition of camera moves. Victor Mature was frightened by a number of the animals and mechanical props used in the production, including the lions, the wind machine, the swords and even the water. This infuriated DeMille, who bellowed through his megaphone at the assembled cast and crew: "I have met a few men in my time. Some have been afraid of heights, some have been afraid of water, some have been afraid of fire, some have been afraid of closed spaces.
Samson and Delilah (1949 film) | Filming
The $125,000 question asked where Oswald was arrested for Kennedy's assassination—answer, a movie theater. He asked the audience and got the correct answer. On the $250,000 question, he was asked where the Iditarod Dogsled race ends. He used the 50/50, and then called his friend Ross, and also got the correct answer, Nome.
Doug Van Gundy | Introduction