An interview Ephron conducted with Reiner provided the basis for Harry. Sally was based on Ephron and some of her friends. Crystal came on board and made his own contributions to the screenplay, making Harry funnier. Ephron supplied the structure of the film with much of the dialogue based on the real-life friendship between Reiner and Crystal. The soundtrack consists of standards performed by Harry Connick Jr., with a big band and orchestra arranged by Marc Shaiman. For his work on the soundtrack, Connick won his first Grammy Award for Best Jazz Male Vocal Performance. Columbia Pictures released "When Harry Met Sally..." in select cities, letting word of mouth generate interest, before gradually expanding distribution.
Introduction
When Harry Met Sally...
When Harry Met Sally... | Introduction
Harry Connick Jr. and Marc Shaiman The music in the film is performed by various artists, such as Louis Armstrong and Ella Fitzgerald, Frank Sinatra, Ray Charles, Bing Crosby, and Harry Connick Jr. The music in the film is performed by various artists, such as Louis Armstrong and Ella Fitzgerald, Frank Sinatra, Ray Charles, Bing Crosby, and Harry Connick Jr. Harry Connick Jr. Bobby Colomby, the drummer for Blood, Sweat & Tears
what year did harry met sally come out
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1989
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who directed this film?
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Rob Reiner
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who are the lead actors in the film?
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Billy Crystal and Meg Ryan
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who composed the music for it?
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When Harry Met Sally... is the soundtrack to the movie "When Harry Met Sally..." starring Billy Crystal and Meg Ryan. The songs are performed by pianist Harry Connick Jr., who won the Grammy Award for Best Jazz Male Vocal Performance.
When Harry Met Sally... (soundtrack) | Introduction
The music in the film is performed by various artists, such as Louis Armstrong and Ella Fitzgerald, Frank Sinatra, Ray Charles, Bing Crosby, and Harry Connick Jr.
When Harry Met Sally... | Soundtrack
The music on the soundtrack is performed by Connick, while the music in the film is by various artists:
When Harry Met Sally... (soundtrack) | Music in the film
An interview Ephron conducted with Reiner provided the basis for Harry. Sally was based on Ephron and some of her friends. Crystal came on board and made his own contributions to the screenplay, making Harry funnier. Ephron supplied the structure of the film with much of the dialogue based on the real-life friendship between Reiner and Crystal. The soundtrack consists of standards performed by Harry Connick Jr., with a big band and orchestra arranged by Marc Shaiman. For his work on the soundtrack, Connick won his first Grammy Award for Best Jazz Male Vocal Performance. Columbia Pictures released "When Harry Met Sally..." in select cities, letting word of mouth generate interest, before gradually expanding distribution.
When Harry Met Sally... | Introduction
The "When Harry Met Sally..." soundtrack album features American singer and pianist Harry Connick Jr. Bobby Colomby, the drummer for Blood, Sweat & Tears, was a friend of Reiner's and recommended Harry Connick Jr., giving the director a tape of the musician's music. Reiner was struck by Connick's voice and how he sounded like a young Frank Sinatra. The movie's soundtrack album was released by Columbia Records in July 1989. The soundtrack consists of standards performed by Harry Connick Jr. with a big band and orchestra arranged by Marc Shaiman. Connick won his first Grammy for Best Jazz Male Vocal Performance.
When Harry Met Sally... | Soundtrack
Bobby Colomby, the drummer for Blood, Sweat & Tears and a friend of director Rob Reiner, recommended Harry Connick Jr. for the soundtrack. When Reiner listened to the tape Colomby gave him, he was struck by how Connick sounded like a young Frank Sinatra. The movie's soundtrack was released by Columbia Records in July 1989 and consists of standards performed by Connick with a big band and orchestra arranged by Marc Shaiman. Connick won his first Grammy Award for Best Jazz Male Vocal Performance. Arrangements and orchestrations on "It Had to Be You", "Where or When", "I Could Write a Book" and "But Not for Me" are by Connick and Shaiman.
When Harry Met Sally... (soundtrack) | Background
When Harry Met Sally... is a 1989 American romantic comedy film written by Nora Ephron and directed by Rob Reiner. It stars Billy Crystal as Harry and Meg Ryan as Sally. The story follows the title characters from the time they meet in Chicago just before sharing a cross-country drive, through twelve years of chance encounters in New York City. The film raises the question "Can men and women ever just be friends?" and advances many ideas about relationships that became household concepts, such as "high-maintenance" and the "transitional person". The origins of the film were derived from Reiner's return to single life after a divorce.
When Harry Met Sally... | Introduction
With Connick's reputation growing, director Rob Reiner asked him to provide a soundtrack for his romantic comedy, "When Harry Met Sally..." (1989), starring Meg Ryan and Billy Crystal. The soundtrack consisted of several standards, including "It Had to Be You", "Let's Call the Whole Thing Off" and "Don't Get Around Much Anymore", and achieved double-platinum status in the United States. He won his first Grammy Award for Best Jazz Male Vocal Performance for his work on the soundtrack. Connick made his screen debut in "Memphis Belle" (1990), a fictional story about a B-17 Flying Fortress bomber crew in World War II.
Harry Connick Jr. | "When Harry Met Sally...", chart and movie success
Arrangements and orchestrations on "It Had to Be You", "Where or When", "I Could Write a Book", and "But Not for Me" are by Connick and Shaiman. Other songs were performed as piano/vocal solos, or with Connick's trio featuring Benjamin Jonah Wolfe on bass and Jeff "Tain" Watts on drums. Also appearing on the album are tenor saxophonist Frank Wess and guitarist Joy Berliner. The soundtrack went to #1 on the "Billboard" Traditional Jazz Chart and was within the top 50 on the "Billboard" 200. Connick also toured North America in support of this album. It went on to reach double-platinum status.
When Harry Met Sally... | Soundtrack
When Harry met Sally then played at the Grand Canal Theatre in Dublin, Ireland for one week ending on 3 July 2010.
Sarah Jayne Dunn | Theatre
But what makes it special, apart from the Ephron screenplay, is the chemistry between Crystal and Ryan." In a review for "The New York Times", Caryn James called "When Harry Met Sally..." an "often funny but amazingly hollow film" that "romanticized lives of intelligent, successful, neurotic New Yorkers"; James characterized it as "the sitcom version of a Woody Allen film, full of amusing lines and scenes, all infused with an uncomfortable sense of "déjà vu"".
When Harry Met Sally... | Critical response
Other songs were performed as piano and vocal solos or with Connick's trio with Ben Wolfe on double bass and Jeff "Tain" Watts on drums. Also appearing on the album are tenor saxophonist Frank Wess and guitarist Jay Berliner. The album went to No. 1 on the jazz chart at "Billboard" magazine and reached the top 50 of the Top 200 Albums chart. Connick toured North America in support of this album. It was given double-platinum status.
When Harry Met Sally... (soundtrack) | Background
"When Harry Met Sally..." by Nora Ephron. Guest director: Randall Park. Park assembled a cast entirely of Asian-American actors. Film Independent curator and event host Elvis Mitchell read the stage directions. This was Elvis Mitchell’s final night at the helm of Film Independent’s signature screening series, which would continue under the purview of director of events Rachel Bleemer.
Live Read | June ("When Harry Met Sally...)"
Ephron liked the idea, and Reiner acquired a deal at a studio. For materials, Ephron interviewed Reiner and Scheinman about their lives, creating the basis for Harry. Reiner was constantly depressed and pessimistic yet funny. Ephron also got bits of dialogue from these interviews. Sally was based on Ephron and some of her friends. She worked on several drafts over the years while Reiner made "Stand By Me" and "The Princess Bride". Billy Crystal "experienced vicariously" Reiner's (his best friend at the time) return to single life after divorcing comedian/filmmaker Penny Marshall and in the process was unconsciously doing research for the role of Harry.
When Harry Met Sally... | Production
In October 1991, he released his third consecutive multi-platinum album, "Blue Light, Red Light", on which he wrote and arranged the songs. Also in October 1991, he starred in "Little Man Tate", directed by Jodie Foster, playing the friend of a child prodigy who goes to college.
Harry Connick Jr. | "When Harry Met Sally...", chart and movie success
During the screenwriting process when Ephron did not feel like writing, she would interview people who worked for the production company. Some of the interviews appeared in the film as the interludes between certain scenes featuring couples talking about how they met, although the material was rewritten and reshot with actors. Ephron supplied the structure of the film with much of the dialogue based on the real-life friendship between Reiner and Crystal. For example, in the scene where Sally and Harry appear on a split-screen, talking on the telephone while watching their respective television sets, channel surfing, was something that Crystal and Reiner did every night.
When Harry Met Sally... | Production
"When Harry Met Sally..." was first released on VHS in late 1989, a few months after its theatrical release. It was later re-released on VHS in 1994 as part of a Billy Crystal collection, and in 1997 under the "Contemporary Classics" edition; the latter release included trailers that were not included in the original VHS release. It was released on DVD for the first time on January 9, 2001, and included an audio commentary by Reiner, a 35-minute "Making Of" documentary featuring interviews with Reiner, Ephron, Crystal, and Ryan, seven deleted scenes, and a music video for "It Had To Be You" by Harry Connick Jr.
When Harry Met Sally... | Home media
"When Harry Met Sally..." received a 91% approval rating on the review aggregator Rotten Tomatoes based on 74 reviews, with an average rating of 8/10. The website's critical consensus reads, "Rob Reiner's touching, funny film set a new standard for romantic comedies, and he was ably abetted by the sharp interplay between Billy Crystal and Meg Ryan." On Metacritic, the film has a score of 76 out of 100, based on 17 critics. CinemaScore reported that audiences gave the film a rare "A+" grade. The film led Roger Ebert to call Reiner "one of Hollywood's very best directors of comedy", and said the film was "most conventional, in terms of structure and the way it fulfills our expectations.
When Harry Met Sally... | Critical response
The song was adapted into a 1993 children's picture book of the same name, illustrated by James Warhola. A karaoke rendition is performed in the 1989 film When Harry Met Sally..., sung by Billy Crystal (Harry) and Meg Ryan (Sally).
The Surrey with the Fringe on Top | In other media
Songs in the film—"It's the Irish in Me", "You're My Thrill", and "Eat Marlowe's Meats"—were composed by Jay Gorney with lyrics by Sidney Clare. Dunn's rendition of "It's the Irish in Me" marks the first time he sings on screen.
Jimmy and Sally | Music
A recording of the song by Ross Bagdasarian, Sr. (using the pseudonym of "Alfi & Harry") was released as a single in early 1956, reaching #44 on the US "Billboard" chart and #15 on the UK singles chart. A competing version by Les Baxter reached #80 on the "Billboard" chart. The title aside, the record had no connection with the film.
The Trouble with Harry | Musical score
The film features a whole score composed by Johnny Harris plus the following tracks: Written by: 'Lynx Dean'. Performed by: 'Random Order'. (Best Song In Film Award: Won) Written by: 'Count Boogie'. Performed by: 'Count Boogie'.
S&amp;M Sally | Soundtrack
The film grossed $92.8 million in North America. Ephron received a British Academy Film Award, an Oscar nomination, and a Writers Guild of America Award nomination for her screenplay. The film is ranked 23rd on AFI's 100 Years... 100 Laughs list of the top comedy films in American cinema and number 60 on Bravo's "100 Funniest Movies". In early 2004, the film was adapted for the stage in a production starring Luke Perry and Alyson Hannigan.
When Harry Met Sally... | Introduction
In 1984, director Rob Reiner, producer Andy Scheinman and writer Nora Ephron met over lunch at the Russian Tea Room in New York City to develop a project. Reiner pitched an idea for a film that Ephron rejected. The second meeting transformed into a long discussion about Reiner and Scheinman's lives as single men. Reiner remembers, "I was in the middle of my single life. I'd been divorced for a while. I'd been out a number of times, all these disastrous, confusing relationships one after another." The next time they all met, Reiner said that he had always wanted to do a film about two people who become friends and do not have sex because they know it will ruin their relationship but have sex anyway.
When Harry Met Sally... | Production
A Collector's Edition DVD was released on January 15, 2008, including a new audio commentary with Reiner, Ephron, and Crystal, eight deleted scenes, all new featurettes ("It All Started Like This", "Stories Of Love", "When Rob Met Billy", "Billy On Harry", "I Love New York", "What Harry Meeting Sally Meant", "So Can Men And Women Really Be Friends?"), and the original theatrical trailer. The film was released on Blu-ray on July 5, 2011 containing all of the special features found on the 2008 DVD release.
When Harry Met Sally... | Home media
James Seymour Brett has composed the film's original score.
A Wizard's Tale | Music
It occurred in the story as Mame tried to explain falling in love to her young nephew Patrick. A brief prologue of "Mrs. Horace Vandergelder" was added to the song to integrate it into this film. Working under the musical direction of Lionel Newman and Lennie Hayton, the very large team of orchestrators included film stalwarts Herbert W. Spencer and Alexander Courage; the original Broadway production arranger, Philip J. Lang, making a rare film outing; and established television and pop arrangers Joe Lipman, Don Costa, and Frank Comstock. All of the actors did their own singing, except for Marianne McAndrew (Irene Molloy) whose singing was dubbed by Melissa Stafford for Irene's vocal solos and Gilda Maiken for when Irene sings with other characters.
Hello, Dolly! (film) | Music
"When Harry Met Sally" was acknowledged as the sixth best film in the romantic comedy genre. It is also ranked #15 on Rotten Tomatoes' 25 Best Romantic Comedies. In early 2004, the film was adapted for the stage in a Theatre Royal Haymarket production starring Luke Perry and Alyson Hannigan. Molly Ringwald and Michael Landes later replaced Hannigan and Perry for the second cast.
When Harry Met Sally... | Legacy
Also with Razaf and Waller, Brooks scored the Broadway shows "Snapshots of 1921" and "Connie's Hot Chocolates". He died, aged 74, in Teaneck, New Jersey.
Harry Brooks (composer) | Introduction
With Judy Garland With Billy Eckstine With Helen Merrill With Nina Simone With Sarah Vaughan With Dinah Washington With Esther Ofarim
Hal Mooney | As arranger
With Rosemary Clooney With Duke Ellington With Ella Fitzgerald With Benny Goodman With Jazz at the Philharmonic With Johnny Hodges With Billy Taylor Main sources:
Harry Carney | As sideman
The duo arranged the music and wrote the score for “Our Ladies” (due for release in 2020 via Sony International), and are currently writing songs for Steven Spielberg’s revival of "Animaniacs".
Tommy Reilly (Scottish musician) | Introduction
The musical features an original score composed by George Fenton and Simon Chamberlain, with lyrics by Don Black, orchestrations by Larry Blank, sound design by Gareth Owen and musical direction by Mike Dixon.
Mrs Henderson Presents (musical) | Music
The film later expanded to 1,174 theaters, and ultimately grossed $92.8 million in North America, well above its $16 million budget.
When Harry Met Sally... | Box office
Harry made his first film broadway melody of 1936 and Here Comes the Band and 8 film he final television is the fairest of them all 1983.
Harry Stockwell | Career
He also performed on the violin and gave violin and singing lessons, among other activities. They retired and returned to England in the 1960s.
Harry Norris (conductor) | Introduction
Kern, Bolton, and Wodehouse had collaborated on a number of musical comedies at the Princess Theatre. The story combined the innocence of these earlier "Princess musicals" with the lavishness of the "Ziegfeld Follies" formula. The score recycles some material from previous Kern shows, including "Look for the Silver Lining" and "Whip-poor-will" (with lyrics by De Sylva, from the flop "Zip Goes a Million"); "The Lorelei" (lyrics by Anne Caldwell); and "You Can't Keep a Good Girl Down" and "The Church 'Round the Corner" (lyrics by Wodehouse). Grey supplied the lyrics for the few new songs in the score. At the request of Ziegfeld, Victor Herbert was engaged to write the music to "The Butterfly Ballet" in Act Three.
Sally (musical) | Background and original production
Composer Nicholas Hooper, who scored "Order of the Phoenix" and "Half-Blood Prince", did not return for "Deathly Hallows". Instead, Alexandre Desplat was hired to compose the score for "Harry Potter and the Deathly Hallows – Part 1". The film also featured the song "O Children" by Nick Cave and the Bad Seeds.
Harry Potter and the Deathly Hallows – Part 1 | Music
This scene was shot again and again, and Ryan demonstrated her fake orgasms for hours. Katz's Deli still hangs a sign above the table that says, "Where Harry met Sally... hope you have what she had!" This classic scene was born when the film started to focus too much on Harry. Crystal remembers saying, "'We need something for Sally to talk about,' and Nora said, 'Well, faking orgasm is a great one,' and right away we said, 'Well, the subject is good,' and then Meg came on board and we talked with her about the nature of the idea and she said, 'Well, why don't I just fake one, just do one?'" Ryan suggested that the scene take place in a restaurant, and it was Crystal who came up with the scene's classic punchline – "I'll have what she's having." In 2005, the quote was listed 33rd on the AFI's 100 Years...
When Harry Met Sally... | Katz's Delicatessen scene
The musical starred Harriette Lake as Ann Cathway, Ann Pennington as Louella Carroll, Oscar Shaw as Steve Merrick, Jack Sheehan as Biny Hatfield and Frances Williams as Polly Bascom. It was directed by William Mollison and choreographed by William Holbrook.
Everybody's Welcome | Introduction
With George Benson With Solomon Burke With Donald Byrd With Betty Carter With Sammy Davis Jr. With Bill Evans With Connie Francis With Michael Franks With Stan Getz With Astrud Gilberto With João Gilberto With João Donato With Lesley Gore With Stephane Grappelli With Al Hirt With Billie Holiday With Johnny Hodges With Freddie Hubbard With Willis Jackson With Antônio Carlos Jobim With Dr. John With Wynton Kelly With Ben E. King With Diana Krall With Wes Montgomery With Danilo Perez With Oscar Peterson With Frank Sinatra With Jimmy Smith With Barbra Streisand With Cal Tjader With Mel Tormé With Stanley Turrentine With Kai Winding
Claus Ogerman | as arranger/conductor
The CD of the production is available for sale at CDBaby. The score of the production is available at Hal Leonard.
From the Diary of Sally Hemings | Performance history
Nicholas Hooper was the composer for the soundtrack of the film, following John Williams, who scored the first three films, and Patrick Doyle, who did the fourth. In the new score, Hooper incorporated variations on "Hedwig's Theme", the series' theme originally written by Williams for the first film and heard in all subsequent ones. In March and April 2007, Hooper and the London Chamber Orchestra recorded nearly two hours of music at Abbey Road Studios in London. The score, like the film and book, is darker than previous instalments in the series. To emphasise this, the two new main themes reflect the sinister new character Dolores Umbridge, and Lord Voldemort's invasion of Harry's mind.
Harry Potter and the Order of the Phoenix (film) | Music and soundtrack
The film was nominated for an Academy Award for Best Art Direction by Jack Okey in 1930. "Sally" was presented on "The Railroad Hour" April 6, 1953. The 30-minute radio adaptation starred Gordon MacRae and Lucille Norman.
Sally (musical) | Adaptations
However, there is no blood or gore in any scene. Music plays a very important part in the shorts, emphasizing the action, filling in for traditional sound effects, and lending emotion to the scenes. Musical director Scott Bradley created complex scores that combined elements of jazz, classical, and pop music; Bradley often reprised contemporary pop songs, as well as songs from MGM films, including "The Wizard of Oz" and "Meet Me in St. Louis", which both starred Judy Garland in a leading role.
Tom and Jerry | Plot
They then returned to England and settled permanently in Barton-on-Sea.
Harry Norris (conductor) | Later years
John Williams, who had scored the first three "Harry Potter" films, could not return for the fourth instalment due to a busy 2005 schedule. Patrick Doyle, who had worked with Newell in "Into the West" and "Donnie Brasco", replaced him as composer. The initial request was that Doyle would be working with Williams' material, but eventually only "Hedwig's Theme", the leitmotif of the series, remained from the previous scores. Pulp lead singer Jarvis Cocker, who was even rumoured to score the film, was one of the musicians invited by Doyle, with whom he had worked in the "Great Expectations" soundtrack, to write a song for a wizard rock band.
Harry Potter and the Goblet of Fire (film) | Music
Elton John – lead vocals and piano Davey Johnstone – guitar Dee Murray – bass
Tommy (soundtrack) | "Pinball Wizard"
As soon as I played those first notes, it really hit me in the chest somehow, and it was a really strong, physical reaction that I got. And I was like, yes, this is it." The score is led by the cello, yet - according to Hildur - the music feels surprisingly symphonic, as the cello is carried by a hundred-piece orchestra throughout the film. She wanted this feeling of energy to be coming from behind him, like a feeling of his past he doesn't know about, yet is still influencing him: "So the orchestra is kept in the background in the beginning of the score [...] as Arthur realizes more and more about his past, the orchestra steps forward.
Joker: Original Motion Picture Soundtrack | Composition
Music is Composed by Himesh Reshammiya and Lyrics by Sameer
Tom, Dick, and Harry (2006 film) | Soundtrack
He died in London in 1939.
Harry Bedford (music hall) | Introduction
Harry was born in Kansas City Missouri his parents(nee Cora Ellen Teter(1878-1951) a her husband William Henry Stockwell(1876-1959) Harry studied at the Eastman School of music in Rochester New York before moving to the Big Apple he made his Broadway debut in 1929 in one of Busby musical extravaganzas Broadway nights the follow year he appeared in the 1930 edition of legendary producer and composer Earl Carroll Vanitie which also featured the soon to be legendary Jack Benny in Broadway debut in 1933 Harry started a yearlong run in another musical revue on the Great While Way AS Thousands Cheer.
Harry Stockwell | Early life
The arrangement for "Sally Go 'Round the Roses" was provided by Artie Butler, who recalls Spector "asked me to listen to [the] song...[I] decided that in its present form it did not [have potential], but I heard something in my head. He said, 'Go into a small demo studio and do what you hear', and he would pay for it." Butler says that he prepped the backing track for "Sally" at Broadway Recording Studios in the Ed Sullivan Theater; in spite of it being widely reported that Buddy Miles is the drummer, Butler claims that, except for the guitar parts (by Al Gorgoni and Carl Lynch), he played all the instruments on the track.
Sally Go 'Round the Roses | Background
In that year he began a two-year world tour. In addition, he released two albums in July 1990: the instrumental jazz trio album "Lofty's Roach Souffle" and a big-band album of mostly original songs titled "We Are in Love", which also went double platinum. "We Are in Love" earned him his second consecutive Grammy for Best Jazz Male Vocal. "Promise Me You'll Remember", his contribution to the "Godfather III" soundtrack, was nominated for both an Academy Award and a Golden Globe Award in 1991. In a year of recognition, he was also nominated for an Emmy Award for Best Performance in a Variety Special for his PBS special "Swingin' Out Live", which was also released as a video.
Harry Connick Jr. | "When Harry Met Sally...", chart and movie success
He made split-second cameo appearances in several of the aforementioned films. There are a considerable number of recorded concert performances, mostly stemming from radio broadcasts, none of which are commercially available.
Patrick Flynn (composer) | Audio recordings
O'Horgan directed and composed the score for the screen adaptation of "Futz" with Frederic Forrest, Sally Kirkland, and Jennifer O'Neill, and directed the film version of Eugène Ionesco's "Rhinoceros" starring Zero Mostel, Gene Wilder, and Karen Black (and which featured a score by "Hair" composer Galt MacDermot). O'Horgan composed the score for Paul Mazursky's "Alex in Wonderland" starring Donald Sutherland and Ellen Burstyn. In addition, he is credited with "stage production conceived and adapted by" for the 1978 "Sgt. Pepper's Lonely Hearts Club Band" film.
Tom O'Horgan | Film
In 1990, theatre historian Miles Krueger conducted an interview with Patricia Morison (who originated the title role in "Kate") to discuss the original production as well as the six songs dropped from the show prior to the Broadway opening. When asked about one of the deleted songs, "If Ever Married I'm", Morison responded by stating: "That was for Bianca. It was replaced by 'Tom, Dick or Harry' which tells the same story".
Tom, Dick or Harry (song) | Historical note
Musical numbers featured Tommy Dorsey and his Orchestra (featuring Buddy Rich and Ziggy Elman), Dick Haymes, Jo Stafford, The Pied Pipers, Six Hits and a Miss, and the Music Maids. Lucille Ball's singing voice was dubbed by Martha Mears in most of the picture, but her real voice is heard in "Friendship". Music and lyrics are by Cole Porter, except where noted.
Du Barry Was a Lady (film) | Songs
It was based on the Broadway stage hit "Sally", produced by Florenz Ziegfeld (which played at The New Amsterdam Theatre, from December 21, 1920 to April 22, 1922), and retains three of the stage production's Jerome Kern songs ("Look for the Silver Lining", "Sally", and "Wild Rose"); the rest of the music newly written for the film by Al Dubin and Joe Burke. Marilyn Miller, who had played the leading part in the Broadway production, was hired by the Warner Brothers at an extravagant sum (reportedly $1,000 per hour for a total of $100,000) to star in the filmed version.
Sally (1929 film) | Introduction
Columbia Pictures released the film using the "platform" technique which involved opening it in a few select cities letting positive word of mouth generate interest and then gradually expanding distribution over subsequent weeks. On its opening weekend, it grossed $1,094,453 in 41 theaters, the second highest-grossing opening weekend for a film on fewer than 50 screens, behind "Star Wars" (1977). Billy Crystal was worried that the film would flop at the box office because it was up against several summer blockbuster films, like "Indiana Jones and the Last Crusade" and "Batman". The film opened in early July and went into wide release on July 21, 1989, grossing $8.8 million in 775 theaters in its first weekend of national release.
When Harry Met Sally... | Box office
Phil Chen – bass Eric Clapton – guitar Graham Deakin – drums
Tommy (soundtrack) | "Sally Simpson"
Segel and Lyle Workman wrote music for the film, which includes music by Infant Sorrow and a song from the Dracula musical. Eric Carmen, Blondie, and Kenny Loggins were also used in previews for the film.
Forgetting Sarah Marshall | Music
"Harry Patch (In Memory Of)" has no standard rock instrumentation, and instead comprises Yorke's vocals and an orchestral string arrangement composed by Radiohead guitarist Jonny Greenwood. Strings introduce the song with a series of repeated arpeggiated notes, which continue as Yorke's singing begins. There is a bridge described as a "grim, delicately furious peak" halfway through the song. "Pitchfork" writer Mark Richardson compared the track to Gavin Bryars' 1971 composition "Jesus' Blood Never Failed Me Yet" and Samuel Barber's 1936 "Adagio for Strings". Critics from "Rolling Stone", "The Village Voice", and "The Daily Telegraph" drew comparisons to Greenwood's score to the film "There Will Be Blood"; however, Jim Fusilli of "The Wall Street Journal" believed that the two works "[bear] no resemblance".
Harry Patch (In Memory Of) | Composition
The "Harry Potter" series has had four composers. John Williams scored the first three films: "Philosopher's Stone", "Chamber of Secrets", and "Prisoner of Azkaban". However, the second entry was adapted and conducted by William Ross due to Williams's conflicting commitments. Williams also created "Hedwig's Theme", which is used in every film in the series. After Williams left the series to pursue other projects, Patrick Doyle scored the fourth entry, "Goblet of Fire", which was directed by Mike Newell, with whom Doyle had worked previously. In 2006, Nicholas Hooper started work on the score to "Order of the Phoenix" by reuniting with director David Yates.
Harry Potter (film series) | Music
Harry Hansen (born December 16, 1976) is a film composer and music producer.
Harry Hansen (composer) | Introduction
Carroll taught himself how to play the piano and began playing in movie houses before he finished grade school. After he graduated from high school, he moved to New York City, where he worked as an arranger in Tin Pan Alley and at night entertained at the Garden Café and accompanied various vaudeville shows. He contributed the song (lyric by Ballard MacDonald) "Nix on the Concertina, Lena" to the Ziegfeld Follies of 1910. In 1912, Carroll was hired by the Schubert brothers' Winter Garden productions as a contract writer. He worked with Arthur Fields to produce his first hit, "On the Mississippi." In 1913 he again collaborated with Ballard MacDonald on the big hit song "The Trail of the Lonesome Pine." He wrote several Broadway stage scores including some popular favorites: "I'm Always Chasing Rainbows" (based on a section of "Fantaisie-Impromptu" by Frédéric Chopin), "By the Beautiful Sea" and "There's a Girl in the Heart of Maryland." Harry married Anna Wheaton and together they had two children.
Harry Carroll | Biography
Hello, Everybody! is a 1933 American Pre-Code musical film directed by William A. Seiter and written by Lawrence Hazard, Fannie Hurst and Dorothy Yost. The film stars Kate Smith, Randolph Scott, Sally Blane, Charley Grapewin, George Barbier, Wade Boteler and Julia Swayne Gordon. The film was released on February 17, 1933, by Paramount Pictures.
Hello, Everybody! | Introduction
"Billboard" said it was a "strong set, bound to please Hodges many fans".
Johnny Hodges with Billy Strayhorn and the Orchestra | Reception
The score for the film was composed and conducted by David Raksin, with orchestrations by Robert Franklyn and Ruby Raksin. Of his music, Raksin said "My music was sly and a mite jazzy, and despite the fact that everyone seemed to like it, so did I." The complete score was issued on CD in 2009, on Film Score Monthly records.
Pat and Mike | Music
I don't know what's so attractive about that, but every old lady knows she is going to be asked to say the 'F' word sooner or later." Her second film credit, "When Harry Met Sally...", was her favorite film. Her last role was in 2010.
Dona Hardy | Acting career
In 1945, with the composer's approval, Malcolm Sargent incorporated the two string movements into a four-movement suite for orchestra with chorus. It consists of: The first studio recording of the suite was made in 1986 by the London Philharmonic Orchestra and London Philharmonic Choir, conducted by Carl Davis. The suite is scored for 3 flutes (two doubling piccolo), 2 oboes, 1 cor anglais, 3 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion, harp, harpsichord and strings. In 1946 HMV recorded excerpts from the film script, spoken by Laurence Olivier, who had directed and starred in the film.
Suite from Henry V | 1945 suite, arranged by Malcolm Sargent
The music of the "Harry Potter" film series was recorded and released in conjunction with the post-production and releases of each of the eight corresponding films. The scores were composed by John Williams, Patrick Doyle, Nicholas Hooper, and Alexandre Desplat. Musicians credited with writing source music include Jarvis Cocker, The Ordinary Boys and Nick Cave and the Bad Seeds. Jeremy Soule and James Hannigan wrote the music for the "Harry Potter" video games. Each film's complete score is currently being performed live to picture by local orchestras in venues throughout the world through The Harry Potter Film Concert Series, produced by CineConcerts in partnership with Warner Brothers.
Music of the Harry Potter films | Introduction
Harry Barris plays a sought-after bandleader who wants to marry Helen Mann's character. Her father, played by Edgar Kennedy, disapproves. Nevertheless, she is won in the end.
He's a Honey | Plot
His "uptempo songs are as memorable as Berkeley's choreography, as [sic] for the same reason: they capture, in a few snazzy notes, the vigorous frivolity of the Jazz Age."
Harry Warren | Early hits and film years
The film's original music was written by Nigel Hess and performed by Joshua Bell and the Royal Philharmonic Orchestra. Hess received a Classical BRIT Awards nomination for Best Soundtrack Composer. The violin music played by Andrea, including compositions by Felix Mendelssohn, Niccolò Paganini, Jules Massenet, Claude Debussy, Pablo de Sarasate, and Johann Sebastian Bach, was also performed by Bell.
Ladies in Lavender | Soundtrack
Pritam's music is a stand out feature. The performances are really strong".
Jab Harry Met Sejal | Critical reception
"Double Trouble" was composed by John Williams during the film's production since he felt it to be a warm welcome back to Hogwarts. The song was sung by the London Oratory School Schola, and its lyrics are taken directly from William Shakespeare's "Macbeth", in which they are spoken by three witches.
Harry Potter and the Prisoner of Azkaban (soundtrack) | "Double Trouble"
Originally released on October 3, 1955, the original soundtrack was re-recorded in 1998 and released on CD that same year, under the Varèse Sarabande label. All the original music, composed by Bernard Herrmann, was re-recorded at the City Halls, Glasgow, Scotland, on April 29, 1998, performed by the Royal Scottish National Orchestra, under the conduction of Joel McNeely. The re-recording was originally released on CD in the United Kingdom on July 27, 1998, and in the United States on October 6, 1998. It was later re-released in the UK on May 16, 2014, and in the U.S.A on July 21, 2014.
The Trouble with Harry | 1998 re-recording
Recordings by Saperton fill in for some of the piano sequences with William Prince's character in the 1947 Hollywood movie Carnegie Hall.
David Saperton | Trivia
He also compiled and edited "Encyclopedia of Quotations about Music" for Doubleday in 1978. Shapiro introduced Galt MacDermot to Gerome Ragni and Jim Rado, the writers of the musical "Hair", and MacDermot composed the score.
Nat Shapiro | Introduction
By "John Henry" (Norman Clapham) and "Blossom" (Gladys Horridge):
Norman Clapham | Audio recordings
All cues were produced, conducted and composed by Alexandre Desplat.
Harry Potter and the Deathly Hallows – Part 2 (soundtrack) | Track listing
The film's minimal score was written by Lewis' younger brother Lev Lewis. The film also features four songs by musician Michael Holt.
Amy George | Music
Harry Potter and the Chamber of Secrets: Original Motion Picture Soundtrack is the film score to the 2002 film of the same name, composed by John Williams and conducted by William Ross. The score was originally supposed to be entirely conducted by Williams, but due to scheduling conflicts with the scoring of Steven Spielberg's film "Catch Me If You Can", Ross was brought in to adapt Williams' already-written music and conduct the scoring sessions with the London Symphony Orchestra. Upon its release, the soundtrack was available in one of five different collectible covers. Each cover featured a different character or characters packaged above the main cover featuring Harry, Ron, and Hermione.
Harry Potter and the Chamber of Secrets (soundtrack) | Introduction
Ben Carson composed the film's original score. The CD release of the soundtrack is evenly divided between dialog excerpts and original score (all even-numbered tracks are short dialog excerpts from the film and all odd-numbered tracks are music).
States of Grace | Music
Shelley, Harry Rowe. "Santa Claus Overture, a lyrical intermezzo." On "Those Fabulous Americans." The Symphony Orchestra of America; Matthew B. Phillips, conductor. Albany Records (Troy 103), 1993. Compact disc.
Harry Rowe Shelley | Contemporary Recordings
"Sally" (1931) written by Leo Towers, Will E. Haines and Harry Leon and was first sung by Gracie Fields in the film "Sally in Our Alley". In 1931, "Sally" was released on HMV as a single by Gracie Fields on the record "Fall In And Follow The Band". Merseybeat group The Koobas covered the song in 1967 and released it as a single on Columbia. Paul McCartney covered the song during a soundcheck at Wembley on his 1990 The Paul McCartney World Tour. The song was released on the live album "Tripping the Live Fantastic". Gerry Monroe scored a hit with the song in 1970 and it was also released by Karl Denver in 1966.
Sally (Gracie Fields song) | Introduction
As the percussionists replicate the sounds of a car crash the characters wake up and discover themselves lost. They are physically unhurt but have lost all memory of who they are and how they came to be together. Many theories arise from all the characters. Mama suggests that they were on their way to Rose and Harry or Larry's wedding, Stella is sure that she was driving to the astronomical institute with Kid, and Rose claims she was in a taxi on her way to her hotel after an extremely well received performance. Harry or Larry, Kid and Zen don't suggest any possible reasons how the situation came to be.
What Next? (opera) | Synopsis
Early TV appearances included a guest appearance in "Cafe Continental" with her father when they faced the camera together for the first time. Other appearances included "Kaleidoscope", and her own Sunday night series called "Short and Sweet" with Harry Jacobson at the piano. She appeared in the 1951 Festival of Musical Production, which was written for her and entitled "The Golden Year."
Sally Ann Howes | Television films, miniseries, series, musicals and specials
John Williams was selected to compose the score. Williams composed the score at his homes in Los Angeles and Tanglewood before recording it in London in September 2001. One of the main themes is entitled "Hedwig's Theme"; Williams retained it for his finished score as "everyone seemed to like it," and it became a recurring theme throughout the series. The soundtrack album was released on 30 October 2001 in CD format.
Harry Potter and the Philosopher's Stone (film) | Music
Now's the Time is a 1932 short musical comedy film starring Harry Barris with Mary Carlisle as his leading lady. Its title is taken from its theme song, the popular Eddie Cantor song "Now's the Time to Fall in Love." Its working title was "Love Nuts".
Now's the Time (film) | Introduction
Thomas Newman recollaborated with Stanton on "WALL-E" since the two got along well on "Nemo", which gave Newman the Annie Award for Best Music in an Animated Feature. He began writing the score in 2005, in the hope that starting this task early would make him more involved with the finished film. But, Newman remarked that animation is so dependent on scheduling he should have begun work earlier on when Stanton and Reardon were writing the script. EVE's theme was arranged for the first time in October 2007. Her theme when played as she first flies around Earth originally used more orchestral elements, and Newman was encouraged to make it sound more feminine.
WALL-E | Music
A 1925 silent romantic comedy film of the same name starred Colleen Moore and was directed by Alfred E. Green, produced by Moore's husband John McCormick. The screenplay was adapted by June Mathis. The 1929 musical film version was only the third all talking all-color feature movie ever made. It retains three of Kern's songs ("Look for the Silver Lining", "Sally", and "Wild Rose"). The rest of the music newly written for the film by Al Dubin and Joe Burke. Miller was hired by the Warner Brothers to reprise her role at an extravagant sum (reportedly $1,000 an hour for a total of $100,000).
Sally (musical) | Adaptations
The musical score was composed by Gibb.
Hawks (film) | Introduction
The musical is directed by and has a book by Terry Johnson, based on an original screenplay by Martin Sherman, with choreography by Andrew Wright, set design by Tim Shortall, costume design by Paul Wills, lighting by Ben Ormerod and magic consultancy by Scott Penrose.
Mrs Henderson Presents (musical) | Background
Newman said Stanton had thought up many ideas for how he wanted the music to sound, and he generally followed them as he found scoring a partially silent film difficult. Stanton wanted the whole score to be orchestral, but Newman felt limited by this idea especially in scenes aboard the "Axiom", and used electronics too. Stanton originally wanted to juxtapose the opening shots of space with 1930s French swing music, but he saw "The Triplets of Belleville" (2003) and did not want to appear as if he were copying it. Stanton then thought about the song "Put On Your Sunday Clothes" from "Hello, Dolly!", since he had portrayed the sidekick Barnaby Tucker in a 1980 high school production.
WALL-E | Music
The original Broadway production, directed by Robert Lewis and choreographed by Agnes de Mille, opened March 13, 1947, at the Ziegfeld Theatre, where it ran for 581 performances. It starred David Brooks as Tommy, George Keane as Jeff, Marion Bell as Fiona, Lee Sullivan as Charlie, Virginia Bosler as Jeannie, James Mitchell as Harry, and Pamela Britton as Meg. The concertmistress of the orchestra was noted American violinist Joan Field. De Mille won the Tony Award for Best Choreography, and Bell and Mitchell won the Theatre World Award. The production enjoyed an extended North American tour. The musical's original West End production opened on April 14, 1949, at Her Majesty's Theatre, running for 685 performances.
Brigadoon | Productions
Produced by Margo Mars and Alma Har'el, the film is directed by Lola Young and Matt Shea and supported by the BFI Doc Society and LUSH film fund. The soundtrack was released in May 2020.
Charlotte Hatherley | Film and theatre scoring (2013–present)
The second time is when Snape is sent out of the castle, and the Order of the Phoenix takes over control. "Dumbledore's Farewell", composed by Nicholas Hooper for "Harry Potter and the Half-Blood Prince", is connected to Desplat's "Severus and Lily" track, which plays during the "Prince's Tale" sequence. A variant of Hooper's "The Kiss" from "Harry Potter and the Order of the Phoenix" also makes an appearance throughout the Hogwarts viaduct scene. The final scene of Part 2, set 19 years into the lives of the trio includes "Leaving Hogwarts", composed by John Williams for the first film, followed by a suite of "Hedwig's Theme" for the end credits.
Harry Potter and the Deathly Hallows – Part 2 (soundtrack) | Development
"Sally" became the star vehicle of Field’s film, appearing throughout the film over six times including being played in the background by an orchestra, whistled by dockyard workers, and sung twice by Fields.
Sally (Gracie Fields song) | Background